Run Like a Thief (1967) Poster

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4/10
Great locations and a fabulous opening lead to a standard caper comedy that's enjoyable but quickly forgotten.
mark.waltz23 July 2022
Warning: Spoilers
The handsome Kieron Moore utilizes and ingenious method of getting ahold of some diamonds after a hold-up that leads to the driver of the vehicle killing the majority of the thieves, then being killed himself, only for the surviving thief to be killed himself in the most ironic ways, resulting in Moore (who had been trailing everybody) ending up with the diamonds.

It's quite a bit of irony going on, but that puts Moore at risk because he can't get rid of the diamonds since their real owner (a bombastic Keenan Wynn) is on his trail. Monica Vitti poses as a journalist but is really on Wynn's payroll, and yet seems to have her own agenda.

Amusing, but middling 60's low budget adventure yarn has Wynn constantly barking his dialogue, even though he claims his character has a heart condition. He's a mean man when swinging a golf club, and not at a ball. Consistent action and some amusing dialogue, but cliched characters and cheap production values. Perfect drive-in or double bill style 60's cinema was destined to become obscure very quickly. Great use of Spanish locations though kept my attention.
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5/10
Basis for an Exciting Crime Drama Sunk By Inane Script, Lackluster Direction
jfrentzen-942-20421123 February 2024
A Brazilian diamond robbery masterminded by Keenan Wynn is upset by the untimely appearance of fellow thief Kieron Moore in this routine crime film. After the robbers and guards have shot it out in violent battle, Moore, who has been secretly casing the situation, manages to grab the diamonds and get away undetected. He is, however, the obvious suspect. The remainder of the movie concerns his efforts to get away from both Wynn and the law. Wynn's girl (Ina Balin) is supposed to trick him into giving up the diamonds but instead falls in love with him. Bernard Glassner's workman-like direction sinks what could have been a fairly exciting melodrama. The screenplay doesn't help matters, and includes inane lines like, "It's not unusual to be loved by anyone," "Pet the monkey!" and "Can you suck in your cheekbones like the first picture? I mean the other cheekbones." The decent cast includes Fernando Rey. The photography of the Brazilian hinterlands adds some interest.
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