When an innocent man barely survives a lynching, he returns as a lawman determined to bring the vigilantes to justice.When an innocent man barely survives a lynching, he returns as a lawman determined to bring the vigilantes to justice.When an innocent man barely survives a lynching, he returns as a lawman determined to bring the vigilantes to justice.
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaClint Eastwood (Marshal Jed Cooper) wore the same gun belt and holster that he (as "The Man with No Name") wore in the "Dollars" trilogy (the three "Spaghetti Western" movies directed by Sergio Leone), and that he also wore as Hogan in Two Mules for Sister Sara (1970).
- GoofsWhen Jed is rescued from the noose, a white vehicle can be seen flashing quickly between the trees in the distance.
- Quotes
Jed Cooper: You don't remember me, do you?
Reno, Cooper Hanging Party: No.
Jed Cooper: [showing his hanging scar] When you hang a man, you better look at him.
- Alternate versionsAs with many westerns at the time the UK cinema version was cut by the BBFC to reduce facial closeups during the opening lynching and to edit Cooper's fight with Miller. Later video/DVD releases were intact.
- ConnectionsFeatured in Legends of the West (1992)
Featured review
Deserves got nothin' to do with it...
This was Clint Eastwood's American Western debut that I had never really seen all the way through until now. At first I thought it would be another ride 'em high, cowboys n' indians flick that was popular in America those days... before Sergio Leone shook the genre down to its raw and merciless possibilities.
The film was pretty good, and the moral undercurrent of justice "by a dirty rope on the plain, or a judge in a robe standing before the American flag" is rather striking. The Federal judge is by far one of the most interesting characters I have seen yet in a Western.
Indeed, the grittiest and most barbaric scene is not the lynching of an innocent man, but the public hanging on the eve of statehood... to prove that Oklahoma Territory executed the sort of justice required of a "civilized" state of the Union. It is made a public spectacle with beautiful hymns and cold beer. And just the way each of the condemned faces his execution is tongue in cheek.
Then there was the campfire scene where Captain Wilson confers with his employees regarding their options: irony, fear and desperation. They put a human face on their culpability, similiarly echoed decades later by Little Bill's "I don't deserve this, I was building house." And the few who chose not to run chose a desperate and violent option.
A dillemic "no one wins" justice spiralling into graphic violence... and ultimately an undiginified and graceless death. What was perfected into poignant brevity by Unforgiven was born in Hang Em High's exploration of two men's differing approaches to an unforgiving justice... a justice that led either to the end of a noose, or the end of a gun.
Not bad at all...
The film was pretty good, and the moral undercurrent of justice "by a dirty rope on the plain, or a judge in a robe standing before the American flag" is rather striking. The Federal judge is by far one of the most interesting characters I have seen yet in a Western.
Indeed, the grittiest and most barbaric scene is not the lynching of an innocent man, but the public hanging on the eve of statehood... to prove that Oklahoma Territory executed the sort of justice required of a "civilized" state of the Union. It is made a public spectacle with beautiful hymns and cold beer. And just the way each of the condemned faces his execution is tongue in cheek.
Then there was the campfire scene where Captain Wilson confers with his employees regarding their options: irony, fear and desperation. They put a human face on their culpability, similiarly echoed decades later by Little Bill's "I don't deserve this, I was building house." And the few who chose not to run chose a desperate and violent option.
A dillemic "no one wins" justice spiralling into graphic violence... and ultimately an undiginified and graceless death. What was perfected into poignant brevity by Unforgiven was born in Hang Em High's exploration of two men's differing approaches to an unforgiving justice... a justice that led either to the end of a noose, or the end of a gun.
Not bad at all...
helpful•3813
- catch22000
- Jan 7, 2004
Details
Box office
- Budget
- $1,600,000 (estimated)
- Gross US & Canada
- $11,000,000
- Gross worldwide
- $11,000,000
Contribute to this page
Suggest an edit or add missing content