A young woman is terrorized by her deceased fiancé's demented mother who blames her for her son's death.A young woman is terrorized by her deceased fiancé's demented mother who blames her for her son's death.A young woman is terrorized by her deceased fiancé's demented mother who blames her for her son's death.
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Storyline
Did you know
- TriviaThe producers considered replacing Tallulah Bankhead during filming after she became ill and was unable to work. However, Bankhead put up her salary for the film as a guarantee.
- GoofsAfter Alan visits the house, Pat is seen falling down the stairs. However, her blouse is in perfect condition with no tears in the back, as in all previous scenes. Also, stunt double is obviously a man from the girth of his back.
- Quotes
[Anna serves a disgusting looking plate of food]
Mrs. Trefoile: Aren't you hungry, my child?
Pat Carroll: [takes a bite and tries to hide her repulsion] Mrs. Trefoile, do you have any salt?
Mrs. Trefoile: We use not condiments of any kind in this house, Patricia! God's food should be eaten unadorned. We are vegetarian. For instance, this meat loaf is synthetic, compounded of bread, oatmeal, and wheat germ.
Pat Carroll: How nice.
- Alternate versionsWhen originally released theatrically in the UK, the BBFC made cuts to secure a 'X rating. All cuts were waived in 2006 when the film was granted a '15' certificate for home video.
- ConnectionsEdited into Hart to Hart: Harts on Campus (1982)
Featured review
More than lives up to its lurid U.S. title...
TALLULAH BANKHEAD, looking like a ravaged reject from a summer stock version of "The Little Foxes", delivers an appropriately over-the-top performance from this Hammer schlock that borrows from every madhouse movie ever made.
STEFANIE POWERS is the unlucky victim, a young woman who makes a courtesy call on the mother of her dead fiancé, only to discover that she's a religious zealot and a complete madwoman looking for sin in every fabric of Powers' too glamorous wardrobe and make-up. Not only is Bankhead mad, but her servants are enough to scare anyone within sight--including DONALD SUTHERLAND as a retarded man, and YOOTHA JOYCE and HARRY VAUGHAN as an unethical couple badly in need of cash.
Most unrealistic aspect of the story has strong-willed Powers submitting meekly to outrageous requests Bankhead makes upon her arrival instead of packing her things and leaving immediately. But when she fights back, she has to deal with Tallulah and her loyal servants, all of whom make for heavy combat.
Well photographed with some appropriately melodramatic musical flourishes to pump up the fright element, it nevertheless seems like a freak show by the time it reaches its harrowing conclusion. Not until the last moment, does the heroine get some much needed help from a boyfriend who returns for no apparent reason after Bankhead assures him that Powers has already left.
Summing up: Talllulah looks a fright but performs befitting the material--adding horror to the kind of role attracting overage stars in the '60s.
STEFANIE POWERS is the unlucky victim, a young woman who makes a courtesy call on the mother of her dead fiancé, only to discover that she's a religious zealot and a complete madwoman looking for sin in every fabric of Powers' too glamorous wardrobe and make-up. Not only is Bankhead mad, but her servants are enough to scare anyone within sight--including DONALD SUTHERLAND as a retarded man, and YOOTHA JOYCE and HARRY VAUGHAN as an unethical couple badly in need of cash.
Most unrealistic aspect of the story has strong-willed Powers submitting meekly to outrageous requests Bankhead makes upon her arrival instead of packing her things and leaving immediately. But when she fights back, she has to deal with Tallulah and her loyal servants, all of whom make for heavy combat.
Well photographed with some appropriately melodramatic musical flourishes to pump up the fright element, it nevertheless seems like a freak show by the time it reaches its harrowing conclusion. Not until the last moment, does the heroine get some much needed help from a boyfriend who returns for no apparent reason after Bankhead assures him that Powers has already left.
Summing up: Talllulah looks a fright but performs befitting the material--adding horror to the kind of role attracting overage stars in the '60s.
helpful•101
- Doylenf
- Jan 25, 2007
Details
- Runtime1 hour 37 minutes
- Aspect ratio
- 1.85 : 1
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