Directed by
| Richard Lester | ||
Writing Credits
| Alun Owen | ... | (original screenplay) |
Cast (in credits order) verified as complete
Produced by
| Denis O'Dell | ... | associate producer |
| David V. Picker | ... | executive producer (uncredited) |
| Walter Shenson | ... | producer |
Cinematography by
| Gilbert Taylor | ... | director of photography |
Editing by
| John Jympson | ||
Casting By
| Irene Lamb | ... | (uncredited) |
Art Direction by
| Ray Simm | ||
Costume Design by
| Julie Harris | ||
| Dougie Millings | ||
Makeup Department
| Betty Glasow | ... | hairdresser |
| John O'Gorman | ... | makeup artist |
Production Management
| John Rogers | ... | executive in charge of production: Miramax (special edition version) (as John S. Rogers Jr.) |
Second Unit Director or Assistant Director
| John D. Merriman | ... | assistant director |
| Alex Carver-Hill | ... | second assistant director (uncredited) |
| Bob Howard | ... | third assistant director (uncredited) |
| Barrie Melrose | ... | second assistant director (uncredited) |
Art Department
| William Alexander | ... | draughtsman (uncredited) |
| George Lack | ... | assistant art director (uncredited) |
Sound Department
| Michael Barry | ... | sound re-mixer: Sound One Corp. (special edition version) |
| H.L. Bird | ... | sound recordist |
| Stephen Dalby | ... | sound recordist |
| Gordon Daniel | ... | sound editor |
| Michael DiCosimo | ... | sound consultant: Dolby Laboratories (special edition version) |
| Kevin Reeves | ... | sound engineer: Polygram Studios (special edition version) |
| Dominick Tavella | ... | sound re-mixer: Sound One Corp. (special edition version) |
| Gerry Humphreys | ... | re-recording mixer (uncredited) |
| Jim Roddan | ... | sound editor (uncredited) |
| Mike Silverlock | ... | sound camera operator (uncredited) |
| Frank Sloggett | ... | boom assistant (uncredited) |
| Don Wortham | ... | boom operator (uncredited) |
Visual Effects by
| Ronnie Wass | ... | optical effects: titles (uncredited) |
Stunts
| Joe Dunne | ... | stunt double: Ringo Starr (uncredited) |
Camera and Electrical Department
| Derek V. Browne | ... | camera operator |
| Jack Atcheler | ... | second camera operator (uncredited) |
| Neil Binney | ... | second camera operator (uncredited) |
| Bert Cann | ... | still photographer (uncredited) |
| Peter Ewens | ... | clapper loader (uncredited) |
| Roy Ford | ... | focus puller (uncredited) |
| Edward O'Reilly | ... | grip (uncredited) |
| Paul Wilson | ... | camera operator (uncredited) |
Editorial Department
| Dan Edelstein | ... | editorial coordinator: special edition re-release |
| Romeo Fornoles | ... | timer: 4-Media Co. Film Laboratory restoration |
| Stephen Schwartz | ... | assistant editor: special edition re-release |
| Charlotte Stobbs | ... | apprentice editor (special edition version) |
| Kenny B. Stuart | ... | post-production coordinator: special edition re-release |
| Pamela Tomling | ... | assistant editor |
| Roy Benson | ... | assistant editor (uncredited) |
Music Department
| John Lennon | ... | songs by |
| George Martin | ... | musical director |
| Paul McCartney | ... | songs by |
| George Martin | ... | composer: incidental music (uncredited) / music arranger (uncredited) / music producer (uncredited) / performer: "This Boy: Ringo's Theme" (uncredited) |
Script and Continuity Department
| Rita Davison | ... | continuity |
Additional Crew
| Robert Freeman | ... | titles design |
| Andrew Herwitz | ... | business affairs: Miramax (special edition version) |
| Mal Evans | ... | private assistant: The Beatles (uncredited) |
| Beryl Harvey | ... | production secretary (uncredited) |
| Tony Howard | ... | publicity director (uncredited) |
| Astrid Kirchherr | ... | still photgrapher (uncredited) |
| John Morris | ... | stand-in: John Lennon (uncredited) |
| George 'Bud' Ornstein | ... | production executive: United Artists (uncredited) |
