The Candidate (1964) Poster

(1964)

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6/10
"Super sleazy" cheese "ripped from the headlines"
melvelvit-130 May 2015
Warning: Spoilers
Samantha Ashley (the pneumatic Mamie Van Doren), the mistress of ruthless Buddy Barker (Eric Mason), campaign manager for "The Candidate", is hauled before a Senate Sub-Committee hearing and her explosive revelations (told in flashback) rock everyone's world...

The NY Times called THE CANDIDATE a "super-sleazy political drama" and the "ripped from the headlines" fictionalization of Attorney General Robert Kennedy's investigation into Capitol Hill wheeler dealer Bobby Baker really lives up to that psychotronic hype. Under Barker's svengali-like influence, Mamie goes from Miami Beach party planner to swinging Washington "hostess" who "introduces" a down-on-her-luck Brit (the equally pneumatic June Wilkinson) to Barker's boss, a conservative Republican senatorial candidate from Massachusetts (Ted Knight) running on a "family values" platform. The straight-laced pol falls head over heels in love with the bad girl from Blighty and he cries like a baby when he can't get it up. It's all downhill from there, naturally, and the bitter end comes when the candidate suffers a fatal heart attack as he and the Committee are treated to a Barker-produced stag film ("Steam Heat") starring June and a midget plumber.

Oddly enough, the candidate isn't the star of the show here -Buddy Barker is- and he's the same kind of sh!t-heel George Peppard was in THE CARPETBAGGERS which was made the same year. It's Barker's activities as a pornographer and pimp (the real life Bobby Baker was alleged to have procured women for President Kennedy) that concern the Sub-Committee and he also cheats on Mamie with an inexperienced "political groupie" who he gets pregnant at an orgy one night. He pays for the kid's abortion but that only makes things worse because she's raped by the doctor during the procedure and goes insane. Although she can't speak, she's wheeled in to testify (!) and upon seeing Barker, she leaps out of her wheelchair to collapse in his arms. Just when you think it can't get any more off-the-wall, it does and the melodramatic climax comes in a deserted courtroom lit only by lightning from a raging thunderstorm outside with no happy ending for anyone involved.

In 2008, Barry Lowe's "Atomic Blonde: The Films Of Mamie Van Doren" called this film "lost" and thank God it's now "found" because I've never seen anything quite like it for 1964 ...or any other year for that matter. And what's really crazy is the fact that cinematographer Stanley "The Magnificent Ambersons" Cortez gives this silly slab of sleaze a classy, professional look. June's a marginally better actress than Miss Mamie but it's gravel-voiced B-movie bad girl Robin Raymond as their Hedda Hopper-esque attorney (with flamboyant chapeaus and a cigarette holder) who takes top honors in that dubious department. It's a weird mixture of exploitation and innocence from a time when a girl in trouble was ruined if the man didn't marry her and as jaw-dropping as some of the sexploits were, the "orgy" where Barker gets the girl pregnant consists of everyone doing the twist in Halloween masks.

Back in those "Happy Daze", publicized political sex scandals weren't as common as they are today and when they did occur, they blew big (like Britain's Profumo affair) but although they've lost their power to shock over time, THE CANDIDATE seems as topical now as it was then. Like the thematically-similar THE CARPETBAGGERS, there's supposed to be a European version with nudity and although it was filmed at the Samuel Goldwyn Studios in Hollywood far from Poverty Row, I'm not sure where something this "adult" was exhibited. Grind houses, most likely -but then again, the film was reviewed in the NY Times so go figure. And what I wouldn't give to see the Euro cut (sigh). 11/10!
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5/10
June, June, June.
skarylarry-9340022 June 2022
Not a very good movie. However, the 2 sex symbols make it a worthwhile fare if that is your cup o' tea! June Wilkinson was good in this (Va-Va-Voom)! Mamie Van Doren is a sight for sore eyes!
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8/10
Very good political satire
Woodyanders29 May 2015
Warning: Spoilers
Ambitious politician Frank Carlton (a fine and credible performance by Ted Knight) decides to run for a senatorial seat in Washington. Carlton puts his political career in serious jeopardy after he becomes involved with English immigrant Angela Wallace (slyly played by buxom eyeful June Wilkinson). Meanwhile, Carlton's slick and unscrupulous campaign manager Buddy Parker (a winningly sharp portrayal by Eric Mason) has a risky fling of his own with brassy dame Christine Ashley (Mamie Van Doren in peak sexy'n'sassy form).

Director Robert Angus keeps the engrossing story moving along at a quick pace and handles the bold material with commendable forthrightness. The brave script by Quentin Vale and Joyce Ann Miller pokes courageous fun at the artifice, corruption, and behind the scenes power plays existent in modern politics while also tackling such racy subject matter as abortion and stag movies (okay, so this kind of thing might seem tame today, but back in the 1960's it took real guts to present this stuff in a film with a serious political bent to it). Moreover, it's well acted by a sturdy cast, with especially stand-out contributions from Robin Raymond as feisty defense attorney Rogers and William Long Jr. as relentless prosecuting attorney Fallon. Stanley Cortez's stark black and white cinematography gives this picture a pleasing crisp look. Steve Karmen's groovy lounge score hits the hip'n'happening spot. Worth a watch.
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Worth Seeing for June
patrick-5083928 October 2021
I don't have a strong desire to review this movie but since only two others have done so, perhaps I had better give my review. The Candidate, like many other exploitation films from the 1930s on, pretends to address a "social problem"--in this case, corruption in Washington. Its taking-off point was the then-recent scandal involving Bobby Baker, an aide to congressman who was "exposed" as a pimp to Washington VIPs. In this film, the equivalent character is called Buddy Barker and the actor who plays him, Eric Mason, aside from being not very talented, is wrong for the part. He plays him like a road company version of Tony Curtis' Sidney Falco in Sweet Smell of Success--appropriate for the Big Apple but the wrong vibe for D. C.

Ernest Hemingway is supposed to have said after seeing Darryl Zanuck's film of his novel The Sun Also Rises, "Any picture where Errol Flynn gives the best performance is in trouble." What can you say about a picture where the best performance is given by June Wilkinson? On the evidence of her performance here I'd guess that, were it not for the cheesecake magazine stigma, she might have had a career as a conventional leading lady, along the lines of Joan Fontaine. Too bad she was stuck with the sleazy image! But of course with a picture like this a major part of its appeal is its sleaziness.

Buddy Barker introduces her to an earnest and slightly thick senatorial candidate, fairly well played by Ted Knight. Under his pomposity he's a caring guy, at least where June is concerned; he seems to have even fallen in love with her. The movie's idea of irony is panning over from a shot of he and June rolling bed to a shot of his campaign poster, which has a photo of him looking gutsy and the slogan "He'll conserve your heritage." (It seems obvious that he was cast for his resemblance to Sen. Barry Goldwater.)

The movie keeps cutting to a senatorial investigating committee which is almost as turgid as the real thing, but does provide the immortal line, "Do you intend to show this committee a STAG MOVIE produced by Buddy Barker?" And we get to see this little gem, or part of it anyway--which is the highlight of the movie. (It gets shown at about 116.40, for those who wish to skip the rest.) I have to confess to being unacquainted with stag movies, other than having read, some years back, a lengthy installment of Playboy's endless "Sex in the Cinema" series devoted to this phenomenon, for which the author must have done heroic antiquarian research, watching many an old stag movie at the Kinsey Institute for Sex Research. (In a late news flash, a print of a long sought-after stag movie starring Joan Crawford, circa 1923, has recently been found and is being preserved by the Kinsey Institute for future generations of researchers.) The one we get to watch here, titled "Steam Heat," involves June and an unappealing burlesque comic as a repairman who has come to fix her radiator which is not giving out any heat. When he does the trick, simply by banging on it, she is grateful enough to want to reward him! This little movie is marvelous, at once sleazy, sexy and outrageously camp. (It's a bit spoiled by cutting away to the senators on the committee--wooden actors--looking "concerned." Some of them shoud look as if they were enjoying it.) If only some of the imagination that went into "Steam Heat" had gone into the rest of the movie!

I can envision an alternate movie, one with more intelligence and wit, in which June Wilkinson's character, Angela, is presented as a blithe, high-spirited Zuleika Dobson thoughtlessly but quite unintentionally decimating Washington's self-important but--believe it or not--emotionally vulnerable senators and congressmen. (Unfortunately US senators are too hardened to be equivalent to Beerbohm's dreamy Oxford youths.)

Recommended for June's performance--and especially for "Steam Heat." -- Patrick O'Neill.
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