Teinosuke Kinugasa is best-known in the West for Gate of Hell (1953), with its court intrigues in luminous color, and for A Page of Madness (a.k.a. A Page out of Order, 1926), which can be considered as the Japanese Caligari, only with dynamic and disturbing camera movement thrown into the mix, making it seem much more modern and involving that Robert Weine's expressionist classic.
But Kinugasa directed 109 movies by the IMDb's count, and while no doubt many of the silents are now lost, it's a great shame so few of the survivors have had any kind of release outside of their homeland (or even inside their homeland).
Yoso (a.k.a. Bronze Magician, 1963) was Kinugasa's penultimate film, and shows his powers undimmed. In fact, in some sense they could be considered condensed and purified. Japanese cinema takes seriously the principle that each film should exist as a beautiful art object:...
But Kinugasa directed 109 movies by the IMDb's count, and while no doubt many of the silents are now lost, it's a great shame so few of the survivors have had any kind of release outside of their homeland (or even inside their homeland).
Yoso (a.k.a. Bronze Magician, 1963) was Kinugasa's penultimate film, and shows his powers undimmed. In fact, in some sense they could be considered condensed and purified. Japanese cinema takes seriously the principle that each film should exist as a beautiful art object:...
- 12/11/2013
- by David Cairns
- MUBI
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