User Reviews

It was very long ago, but this film touched me deeply. A became obsessed with Shostakovich's 11th Symphony, and remember vividly some scenes. When Maximillian Schell is finally "released" and goes out into the city (Hamburg?) to see what Germany has become, he is repulsed. When Frederich March is told he will die, he is solemn. The plot, that they have hidden their son because he is a wanted war criminal. That they collaborated willingly with the Nazis, as an industrial power. Perhaps I have forgotten important details. But the movie resonates with me.

When a movie from 1962 has less than 200 votes on IMDb, what does it mean? Directed by legendary De Sica, and starring great Sophia Loren... it must be a terrible failure? Well, it isn't.

Having read Sartre's play "The Condemned of Altona", it is my impression that the movie is very faithful to its atmosphere. There are some changes, of course: instead of concentrating exclusively on torturing his characters inside the mansion (as Sartre does), De Sica takes advantage of possibilities of film, adding outdoor scenes.

I don't want to reveal the plot, although it is very interesting. I recommend reading the play first, since the relations between characters will be clearer then. Anyway, see this movie if you get the chance!

... from director Vittorio De Sica. German shipping magnate Fredric March learns that he has six months left to live. He summons his son Robert Wagner and daughter-in-law Sophia Loren to his palatial estate in order to set plans for his passing. Loren, who resents Germany's Nazi past and March's role in it, learns that March's older son (Maximilian Schell), believed long dead, has lived in seclusion since the end of the war, so she sets out to learn why he is hidden away. Also with Francoise Prevost and Gabriele Tinti.

This must have been a major European release at the time, as De Sica was one of the most respected directors, and Loren and Schell had just won the lead acting Oscars. It's heavy stuff, with the examination of German culpability for Nazi atrocities a thorny subject. The version I watched was in Italian with subtitles, so it was odd seeing March, Schell and Wagner dubbed with others' voices.

I saw this movie on the big screen several years ago in San Diego and I've never forgotten it. This movie falls loosely within the Holocaust/antisemitic genre and I'm surprised that many of my fellow Jews have never even heard of it. The idea of a family keeping their ex-Nazi son in the attic (it's not the basement)to protect him from the public is intriguing to say the least. There are a few scenes that I can never forget: Max Schell still wearing his Nazi uniform; his sister wiping up his excrement off the floor, like the family pet; Schell unwrapping and eating chocolate that's wrapped in Nazi tinfoil. To be kept away all these years from communicating with the outside world that's changed so much from the Nazi era. The last scene with Schell and Frederick March standing above the industrial complex that's been created. All these scenes stand out in my mind. The stark black and white film ties in exactly with that dark period in German/Jewish history. I'll never forget this movie. I wish so much that it is someday available in a DVD or (please don't) VHS version--even a copy from a TV movie showing on, say, the Fox movie channel. Anybody have a copy for sale? Contact me.

Perhaps because I saw this film dubbed in Italian with English subtitles and missed the familiar voices of Fredric March, Maximilian Schell, and Robert Wagner I was put off somewhat. But The Condemned Of Altona just did not rise to what I was expecting. Or maybe it was Jean-Paul Sartre's view of the world.

Whatever it was his ideas just did not translate well to the big screen. Meet the family Gerlach, father Fredric March big German industrial tycoon and his children Maximilian Schell, Robert Wagner, and Francoise Prevost. Germany may have lost the war, but her natural resources and the need for an anti-Communist bulwark in the Cold War have made her richer than ever, if de-Nazified.

March has been told he's terminally ill and has six months tops. He's troubled about his choices. The younger son Robert Wagner is not fit material for a tycoon and in the patriarchal society Francoise Prevost is out of the question.

Then there's Maximilian Schell who has self secluded and deluded. He's a wanted war criminal from World War II and he's imposed an exile on himself. He believes because he knows no better that Germany is a vast rubble.

Bringing him out of his exile is Wagner's new wife Sophia Loren who's been wondering about that locked section of that Gothic manor the Gerlachs have for themselves.

As for the rest all I can say is Schell's guilt is the engine that drives the rest of the film. The best part of the film is something that could not be done on stage. Schell finally lose and seeing with his own eyes, the prosperity and the bustling night life that was Hamburg. Wonder if he went to the clubs and found some musicians from Liverpool who would shake the world soon?

I did see this on stage at Lincoln Center a couple of years after the film had been made of Jean-Paul Sartre's play with George Coulouris heading the cast as the family patriarch. As he is often on screen, Coulouris was mesmerizing in self absorption and monomania about seeing his industrial complex carrying on. By contrast March seemed dull and lifeless and this has to rank as one of his lesser films. But not to single him out alone, the whole cast was the same way with the exception of Schell. But he's got the best part of a man who had to enlist in the army after his father got him off from protecting a Rabbi to a man who committed war atrocities on the Russian front.

Sartre was saying that war itself can make people do evil things. And that the true guilty parties never saw any punishment, on the contrary like March they triumphed in defeat.

In other words, what a world.

The Condemned of Altona.

This is a film I saw a few times and would like to see again 40 years later. Based on Jean-Paul Sartre about WW2 and the NEW Germany in German eyes. The central character, Franz Gerlach, has kept himself locked in the attic of his father's house for many years because his Nazi Past. Sophia Loren as Johanna visits him in the attic. Loren and all the actors play difficult parts. Reminds me of Boll and Gunther Grass. Those Germans who can not forget what happened in World War 2. A 10 from me, a must see Drama that has been done on stage too. Is there a DVD Copy available? I saw it on TV and at the Cinema in the 1960's.

While this film was not entirely successful, there are scenes that will stay in your mind forever! If you liked Von Trier's "Zentropa", you will like this film on a similar theme.

I like most movies De Sica directed but this is a mediocre tale of a German industrialist dying of cancer, who wants to leave his estate to his second son Werner, while his first son Franz who was a Nazi officer, to escape justice is sheltered in his father's estate and thinks the war is still going on in 1962. It is based on a play by Sartre, which I guess was not successful, and like most movies based on plays, it feels claustrophobic.

Sophia Loren plays Werner's wife and since the movie producer was Carlo Ponti, he used this opportunity - like many other - to showcase his girlfriend Loren as a "real actress". Loren'skills as an actress are debatable, and even Ponti preferred to bet on some of her other assets. That's why even if the action takes place in freezing Hamburg, in a long key scene Loren wears a slip dress, displaying her ample cleavage.

Totally missable, third-rate movie.

This is a darkly disturbing film of a Nazi war criminal, still wearing his German army uniform, who is hidden in his father's house, and led to believe that World War II is still going on. The ending of the movie is a bizarre mix of Fellini and Capote. Schell escapes his "prison" and walks around the streets only to be "shocked" that there is no destruction or war raging. He ends up in a local theater and salutes an actor playing Hitler. I won't give the ending away, but it's a shocking surprise ala Play Dirty or To Live and Die in LA. The acting is great, the black and white film make the movie realistic and it captures a time in history which hopefully is gone for ever. An excellent film.

I always regarded "The Prisoners of Altona" as Sartre's most interesting and perhaps best play, but I did not know that Vittorio de Sica had made a film on it and with Sophia Loren and other great actors, Cesare Zavattini having even somewhat added to the play. The main interest of the play is that it's a Frenchman's assessment of the post-war German situation with acute observations, conclusions and profound considerations. The main character Franz has never left the war behind, while his father, a great industrialist tycoon, has received his own death sentence by a cancer diagnosis and faces the problem and necessity of allowing his life's work a continuity. He has another son (Sophia Loren's husband, Robert Wagner,) who is willing to accept to take over, but his elder brother looms as the bearer of an ominous destiny of the family. Franz (Maximilian Schell) ultimately refuses to accept that Germany is flourishing again, that it is rising to new power and prosperity and clinches to his experience of a defeated nation all in ruins with its people resorting to underground beggary and scavenging, as if the reality of its ruin was of greater comfort to him than any news of its prosperity. Vittorio de Sica made this film two years after "Two Women", and it's in the same vein - relentless realism brought to overwhelming pathos and tragedy. He alternated his serious films with comedies and loved to act himself in comedies, he was more active as an actor and comedian than as a director, but his serious films remain his masterpieces. There is no sweet and lovely Italian music here but the bleak and depressive wailing disharmonies of Shostakovich instead, which actually provide an appropriate mood and accompaniment to this very morose film. It's not one of his best films, but it certainly belongs to his most interesting.