User Reviews

I'm surprised how many of the reviews here trash this movie...

Okay, first the bad stuff. Maybe there is some historical inaccuracy to the guns people were using in the movie for that era, and I'll say I agree that the 'Tom Dooley' song doesn't really fit with the plot other than the character's name and that he might be hanged. For all I know the army uniforms didn't have the right number of buttons. For a general entertainment film such as this, sometimes you have to grin and bear the small flubs to enjoy the rest of the film, and that's true here.

But now let's get to the good stuff and it's considerable. The story begins when Tom Dooley (Michael Landon) and Country Boy (Richard Rust) kill someone in the line of following their orders as soldiers. Unfortunately the war has ended but they weren't told - and nobody is going to cut them any slack. While they thought they were just doing their jobs, now they are called murderers and try desperately to get out of this mess alive.

This movie has a few things that really hooked me. First off, the main characters played by Landon and Rust were likable types you could care about what happens to. If you don't care about the characters, then what interest is the story? But here, that's no problem - you can't help wanting to see them come out okay. And they got into this mess by accident, through no fault of their own, and every other person they encounter calls them 'murderers' and says they will hang for their crime. Here, the 'bad' guys are really the good guys, and the 'good' townspeople and sheriff etc. are the bad ones. I found Rust's character of Country Boy to be better-played than Landon's Tom Dooley, but both were quite good.

Part of the story is that Landon and Rust might get away, but Landon insists on going back to get his girl so she can come with them. That complicates things tremendously and contributes to the final outcome.

This movie moves along at a good pace and stays interesting from the beginning to the end. It has engaging characters caught in a tough situation. No, you can't count on it for historical accuracy, and the occasional playing of the Tom Dooley song in the background is not the best idea, but really - it is much better of a movie than many I've seen which got good ratings. I usually prefer Westerns by far to Civil War movies, but this one I like.

The Legend of Tom Dooley is based on the old folk song, Tom Dooley, which itself was inspired by a real life case about Tom Dula, who was convicted of the murder of Laura Foster in 1866. The films story pretty much follows the song, performed by The Kingston Trio as the title song and as part of the soundtrack - cum - screenplay!

Photographed nicely out of Chatsworth and Thousand Oaks, California, by Gilbert Warrenton, it stars Michael Landon, Jo Morrow, Jack Hogan, Richard Rust and Dee Pollock. The narrative and various character actions hit all the right emotional beats. A series of events, where circumstance dictates, puts Dooley and his two pals on the run, which with the Civil War literally only just over, makes for a powder-keg like backdrop. Things are further compounded by the fact that Dooley wants to go to his home town and get Laura, to elope to Tennessee, only he has a major love rival, the bitter and vengeful Charlie Grayson.

There's nary a dull moment in the 80 minute runtime, no pointless exposition or scene fillers of no consequence. Action junkies are catered for, with the usual Western staples adhered - though the speeding up of one round of knuckles is more chucklesome than exciting, but a shoot-out (actually a hold-out is a more appropriate terminology) part of the play is splendidly executed. Cast are dandy, doing what is needed to make it all work on an emotional level, with the stand out being Rust as Country Boy. He's a sort of John Ireland/Kevin Bacon hybrid, a very good character actor who deserves to be better known, even if he thankfully carved out a good career in film and TV.

It's no hidden gem of the Western genre sphere, and it doesn't break any new ground, but it's admirably constructed and keeps those wagon wheels turning. 7/10

After a lot of tv works, Ted Post directed a first western (The Peacemaker) and then this "Legend of Tom Dooley", who looks like tv movie with same kind of light, casting and settings. But the hit song "Tom Dooley" by the Kingston Trio is here to serve the story (I have heard this song since the 60's when my father brought it back from Usa). The action is non stop, every scene is important. The main attraction of this movie is Richard Rust, he's so precise and threatening in all his main scenes (his arrest, his escape,...)(remember him as gus in "Underworld Usa"). The best scene of the movie is the violent fight between Tom Dooley (played by Michael Landon who can move fast, but with no charisma) and Grayson, in a Phil Karlson style.

The popularity of The Kingston Trio's record of the song guaranteed The Legend Of Tom Dooley a built in audience. As a lad I remember going to see this film as the second feature of a double bill at the old Nostrand Theater in Brooklyn. I also remember for months during 1958 you could not avoid hearing the title song over the radio.

Before he was Little Joe Cartwright Michael Landon plays the title role in this film. Tom is a part of Mosby's raiders along with his two fellow soldiers Dee Pollock and Richard Rust and they do all kinds of guerrilla type action behind enemy lines like holding up the stagecoach you see in this film. The problem here is that after killing three Union soldiers acting as escort they find out the war is over. Worse than that Landon is from the area and the passengers recognize him.

Here's where common sense departs and the male member takes over. It would be the reasonable course of action to flee immediately, but Pollock is wounded and Landon wants to see the girl he left behind Jo Morrow. He was of Confederate persuasion in a Union area and they remember. And Morrow has Jack Hogan looking to move in on Landon's claim.

The Legend Of Tom Dooley is a cheaply made quickie by Columbia to take advantage of the song's popularity. Still I have to say that Landon and Morrow are a pair of winning young lovers who deliver sincere performances and that helps put the film over.

Not great, but a decent film and Michael Landon's fans should love it. He's even got the left handed draw that Little Joe Cartwright had.

Now in endless reruns on the Western Channel, the movie's not half-bad for a quickie production intended to exploit the booming popularity of the folk song. Landon and Rust are quite good as returning rebs caught behind Union lines at Civil War's end. Their chemistry is more like that of brothers than comrades-in-arms. The production appears to have piggy-backed on the "Gunsmoke" series, using many of the same sets and locations, along with veteran Gunsmoke director Ted Post. Maybe that's why the fist-fight at the gutted cabin is so well executed-- the boys really give the slick choreographing their all. Then too, I wouldn't be surprised that this performance won Landon the career role of Little Joe on Bonanza; it's certainly good enough. Anyway, the film shows how even a cheap quickie with no pedigree can exceed expectations.

It's to appalled the opening song already suggest a final destiny of the main character Tom Dooley (Michael Landon), in other hand when the confederate soldiers surrender the union soldiers they must to telling them that war is over, instead the first shooting coming from the wagon by a civilian I suppose, then they aren't the guilty as such, in fact they shot back, keeping aside this early inconsistence, all upcoming events implied they as true assassins, Landon on leading role is good enough, however I rather the Country Boy (Jack Hogan) who steal the show, a persuasive Mississippi's accent, also the most relevant acting coming from him, the dreadful final expose a dysfunctional and so implausible plot, sorry for the bad screenplay!!

Resume:

First watch: 2020 / How many: 1 / Source: DVD-R / Rating: 6.25

An early big screen effort for Landon(along with the unforgettable "I was a Teenage Werewolf") this is a pedestrian effort at best. Obviously put out to capitalize on the popularity of the Kingston Trio hit, in this incarnation, Dooley, who is being un-justly pursued by the law, accidentally kills his true love. In short-good song-bad movie!

Michael Landon is Tom Dooley, in charge of a Confederate cavalry unit who have just killed some Union soldiers.... only the war is over. This makes it murder, because no one believes him, except his girl, Jo Morrow, who marries him. But the law and the Union Army are still after him.

It's a decent little movie made to take advantage of the Kingston Trio's recording of the song, It was a popular North Carolina folk song by this point, but it was based on the murder of Laura Foster by Tom Dula; he, like Landon in this movie, was a Confederate veteran. The case attracted national attention as an early case of a crime of passion. Dula's lover, Anna Melton was implicated, but Dula, in a letter written just before his death, took sole responsibility.

It was Landon's fourth big screen appearance. He would make more over the years, but his career was consumed by television. He died in 1991, aged 54.

I guess using the Kingston Trio song as a script instead of writing one from scratch was a lot cheaper. Why bother trying to use any imagination.

This b/w thing could almost pass for an episode right out of GUNSMOKE, without the good graces of Festus and Miss Kitty. It has all the same Columbia ranch and Newhall locations that have appeared in hundreds of B movie oaters, so you can almost identify every tree or stump that comes into view, a thousand times over.

Another standard Columbia quickie made before Michael Landon landed as Little Joe on the Prairie, this one must have been filmed in less than 7 days and really doesn't have much going for it. They should've saved money on the film stock that they wasted.

Three Confederate soldiers ambush a Union stagecoach not knowing that the war is over. The townsfolk come gunning after them without any belief that they didn't know that the war had ended. No excuses, they have to be hung, plain & simple.

The townsfolk come across as a bunch of bloodthirsty dummies and the rebs (including Landon) aren't much smarter, making them all look unreal. I guess the folks over at Columbia weren't that much smarter, either...

3 out of 10 for being a bunch of dummies.

I have just seen this film on TV last night, it is the first time I have seen it, and although not a classic, it does have a certain amount of charm and given that it was a cheaply made 'B' movie I thought it was well acted and well directed. It certainly held my attention and kept me entertained for the 90 minutes or so that it was on for. I would certainly like to watch more films like this one than the majority of the films that are made now. I notice that several reviewers have stated that it is not historically accurate in a few details, maybe that is so, I couldn't say, but whether it was accurate historically or not is of small consequence to me, I watch a film to be entertained not to have a lesson in factual history. Others have said that it is too much like an episode of "Gunsmoke" and uses the same sets, as "Gunsmoke" was one of the longest running and best western series ever aired on TV I would have thought that was not a bad thing and a plus rather than a negative.

I've seen this movie once, and only once! its a far cry from Bonanza, story line reminds me of a bad late 60s Elvis movie only worse! far worse! I noticed that the town looks oddly like the Gunsmoke set! and there's absolutely no background music, thats in a movie, it was so annoying, I don't recognize anybody here except Michael Landon in this very very very bad movie, its a wonder they didn't run Michael Landon out of town for this slop, Michael Landon is a very good actor, but he definitely could have done better, don't get me wrong, I think this movie should have been made, just not like this, makes me wonder if Sam Katzman directed this flick! sign slapstck2000

A real bow-wow, as are most Civil War westerns (surprising how many have been churned out, though apparently nobody has compiled a list). Both the Confederate gang and the townspeople manage to acquire guns that weren't thought of yet. They include the Colt Peacemaker of 1873 and the Winchester Model 1892 (and maybe a 94 for good measure) plus double-action, cartridge conversions of cap and ball revolvers!

Also, you have to wonder why the producers took a popular folk song and set it in another era. The similarity with "Burning Bridges," the "Kelly's Heroes" theme by the Mike Curb Congregation, comes to mind. Absolutely no connection between score and plot.

The plot is given away in the title song - what's all that about? Big spoiler ! It had to be a baby faced innocent looking actor that played the part of Tom Dooley or else the story wouldn't be accepted by audiences. And of course that's what Michael Landon's career is largely based on playing amongst other parts the perfect father and an Angel. Feels more like a TV show of that era as every expense has been spared. Comical these days when it's so obvious that the horse and cart isn't moving and that there is a film playing behind them. Interesting to watch as a film made in the late fifties that's all.