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“Shore Leave Shenanigans”
By Raymond Benson
British noir is a slightly different animal than American film noir, which began in the early 1940s in Hollywood and lasted until roughly 1958 (if one is considering “pure” film noir and its singular traits). The British version, as well as the French and Italian editions, usually concentrates on a more “straight” narrative form with less melodrama. It is probably more true-to-life, drawing from the naturalism of Italian Neo-realism, than its counterpart across the Atlantic. It is certainly less histrionic and heightened. Nevertheless, British noir contains hallmarks of noir everywhere—black-and-white, Expressionistic photography; cynical and hard-edged characters; femmes fatale; brutality; and, of course, a crime.
Pool of London is a 1951 Ealing Studios crime drama (the studio was still making other genre pictures other than comedies at this time) that takes place in and around that geographical site. The...
“Shore Leave Shenanigans”
By Raymond Benson
British noir is a slightly different animal than American film noir, which began in the early 1940s in Hollywood and lasted until roughly 1958 (if one is considering “pure” film noir and its singular traits). The British version, as well as the French and Italian editions, usually concentrates on a more “straight” narrative form with less melodrama. It is probably more true-to-life, drawing from the naturalism of Italian Neo-realism, than its counterpart across the Atlantic. It is certainly less histrionic and heightened. Nevertheless, British noir contains hallmarks of noir everywhere—black-and-white, Expressionistic photography; cynical and hard-edged characters; femmes fatale; brutality; and, of course, a crime.
Pool of London is a 1951 Ealing Studios crime drama (the studio was still making other genre pictures other than comedies at this time) that takes place in and around that geographical site. The...
- 5/29/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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