Lovely to Look At (1952)

Red Skelton: Al Marsh

Photos 

Quotes 

• Tony Naylor : We're trying to finance our show. I'd like to take you folks in as partners. Now, please don't rush but who'd like to be the first to write a check?

  Jerry Ralby : Of course, we've just given you the highlights.

  Al Marsh : And we got some terrific lowlights. Like the part when I play a 36 inch man dropped from a flying saucer, I zoom through the...

  Tony Naylor : It's dynamite!

• Al Marsh : I'm sorry. Always opening my big mouth. I was better off before I learned how to talk!

• Al Marsh : Hey, look, this came all the way from Paris. Who do I owe money to in France?

• Bubbles Cassidy : When I gain weight, I worry about my figure. And when I worry about my figure, I got no time to worry about other things.

  Al Marsh : Oh, I get it. the more calories, the less memories.

• Al Marsh : It's hard to read, the writin' is so close to the paper.

• Al Marsh : I can read readin'; but, I can't read writin'. This writin' is wrote rotten, believe me.

• Al Marsh : How many choruses are there to this thing anyway?

  Tony Naylor : Seventy-six.

  Al Marsh : Oh, that's the spirit!

• Al Marsh : [to the Fashion Show audience]  Roberta. What memories are kindled by that magic name. Ah, but tonight, we put away our memories of an old bouquet. And summon the irrepressible today. In silks and satins, in moods and music, we bring you the new, the great, the gay!

• Al Marsh : [to the Fashion Show audience]  Oh, yes, it is the morn, bright youth of day, when sunlight fills the world and hope is born, gay flowers nod their welcome to the breeze.