Directed by
George Seaton |
Writing Credits
George Seaton | ... | (written for the screen by) and |
George Oppenheimer | ... | (written for the screen by) |
George Papashvily | ... | (book) and |
Helen Papashvily | ... | (book) |
Cast (in credits order)
Produced by
William Perlberg | ... | producer |
Music by
Victor Young |
Cinematography by
Daniel L. Fapp | ... | director of photography |
Editing by
Alma Macrorie |
Casting By
Bert McKay | ... | (uncredited) |
Art Direction by
A. Earl Hedrick | ... | (as Earl Hedrick) |
Hal Pereira |
Set Decoration by
Sam Comer | ||
Ross Dowd |
Costume Design by
Edith Head |
Makeup Department
Wally Westmore | ... | makeup supervisor |
Karl Silvera | ... | makeup artist (uncredited) |
Lenore Weaver | ... | hair stylist (uncredited) |
Production Management
Hugh Brown | ... | assistant production manager (uncredited) |
Frank Caffey | ... | production manager (uncredited) |
Ed Ralph | ... | unit production manager (uncredited) |
Don Robb | ... | assistant unit production manager (uncredited) |
Charles Woolstenhulme | ... | unit production manager (uncredited) |
Second Unit Director or Assistant Director
Francisco Day | ... | assistant director (uncredited) |
Edgar Fay | ... | assistant director: New York (uncredited) |
Alvin Ganzer | ... | assistant director (uncredited) |
Al Mann | ... | second assistant director (uncredited) |
Daniel McCauley | ... | second assistant director (uncredited) |
Art Department
Richard Brandow | ... | props (uncredited) |
Robert McCrellis | ... | props (uncredited) |
Sound Department
Gene Garvin | ... | sound recordist |
Harry D. Mills | ... | sound recordist (as Harry Mills) |
Mahlon Boyce | ... | sound recordist (uncredited) |
Ray Cossar | ... | stage engineer (uncredited) |
Visual Effects by
Farciot Edouart | ... | process photography |
Gordon Jennings | ... | special photographic effects |
Camera and Electrical Department
Haskell B. Boggs | ... | second camera operator (uncredited) |
Earl Crowell | ... | gaffer (uncredited) |
James Grant | ... | assistant camera (uncredited) |
W. Wallace Kelley | ... | first camera operator: New York (uncredited) |
Jack Koffman | ... | still photographer (uncredited) |
Irving Newmeyer | ... | company grip (uncredited) |
Chet Stafford | ... | electrician (uncredited) |
Harlow Stengel | ... | assistant camera (uncredited) |
Herb Welts | ... | mike grip (uncredited) |
Rex Wimpy | ... | first camera operator: Gallup, New Mexico (uncredited) |
Casting Department
Olive Long | ... | casting secretary (uncredited) |
Costume and Wardrobe Department
Grace Harris | ... | wardrobe: ladies (uncredited) |
Joan Joseff | ... | costume jeweller (uncredited) |
Eric Seelig | ... | wardrobe: men (uncredited) |
Music Department
Sidney Cutner | ... | orchestrator (uncredited) |
George Parrish | ... | orchestrator (uncredited) |
Leo Shuken | ... | orchestrator (uncredited) |
Script and Continuity Department
Claire Behnke | ... | script supervisor (uncredited) |
Additional Crew
Arthur Jacobson | ... | assistant to the producer |
Galip Aysay | ... | translator: Turkish (uncredited) |
Wladimir Babishwili | ... | tutor: Balkan dialect (uncredited) |
Jack Hirshberg | ... | publicist (uncredited) |
Ruth Roberts | ... | dialogue coach (uncredited) |
Tiny Timbrell | ... | guitar coach (uncredited) |