Directed by
| Vincent Sherman | ||
Writing Credits
| Herbert Dalmas | ... | (story) |
| George Oppenheimer | ... | (screenplay) and |
| Harry Kurnitz | ... | (screenplay) |
| William Faulkner | ... | (uncredited) |
| Robert Florey | ... | (uncredited) |
Cast (in credits order) verified as complete
Produced by
| Jerry Wald | ... | producer |
Music by
| Max Steiner | ||
Cinematography by
| Elwood Bredell | ... | director of photography |
Editing by
| Alan Crosland Jr. | ||
Art Direction by
| Edward Carrere | ||
Set Decoration by
| Lyle B. Reifsnider | ||
| Harry Platt | ... | (uncredited) |
Costume Design by
| Leah Rhodes | ||
| Travilla | ||
| Marjorie Best | ... | (uncredited) |
Makeup Department
| Perc Westmore | ... | makeup artist |
| Cherie Banks | ... | hair stylist (uncredited) |
| Ward Hamilton | ... | makeup artist (uncredited) |
| Faye Hanlin | ... | hair stylist (uncredited) |
| Norman Pringle | ... | makeup artist (uncredited) |
| Robert J. Schiffer | ... | makeup artist (uncredited) |
Production Management
| Frank Mattison | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
| Richard Maybery | ... | assistant director (uncredited) |
Art Department
| J. Leslie Asher | ... | props (uncredited) |
| Harper Goff | ... | set designer (uncredited) |
| Morris Goldman | ... | props (uncredited) |
Sound Department
| Everett Alton Brown | ... | sound (as Everett A. Brown) |
Special Effects by
| John Crouse | ... | special effects |
| William C. McGann | ... | special effects director (as William McGann) |
Stunts
| Paul Baxley | ... | stunt double: Robert Douglas (uncredited) |
| Fred Cavens | ... | fencing master (uncredited) / stunt double: Robert Douglas (uncredited) |
| Sol Gorss | ... | stunts (uncredited) |
| Bert LeBaron | ... | additional stunts (uncredited) |
| Jock Mahoney | ... | stunt double: Errol Flynn (uncredited) |
| Victor Paul | ... | stunt fencer (uncredited) |
| Allen Pomeroy | ... | stunt coordinator (uncredited) |
| Don Turner | ... | stunts (uncredited) |
Camera and Electrical Department
| Frank Flanagan | ... | gaffer (uncredited) |
| Al Green | ... | second camera (uncredited) |
| James Knott | ... | camera operator (uncredited) |
| Lloyd MacLean | ... | still photographer (uncredited) |
| Harold Noyes | ... | grip (uncredited) |
| Joe O'Connell | ... | gaffer (uncredited) |
| John Pofahl | ... | best boy (uncredited) |
Costume and Wardrobe Department
| Leah Rhodes | ... | wardrobe |
| Travilla | ... | wardrobe |
| Marjorie Best | ... | wardrobe (uncredited) |
| Roy Dumont | ... | wardrobe (uncredited) |
| Helen Goodman | ... | wardrobe (uncredited) |
| Rudy Harrington | ... | wardrobe (uncredited) |
| Joan Joseff | ... | costume jeweller (uncredited) |
| Mike Ryan | ... | wardrobe (uncredited) |
Editorial Department
| Natalie Kalmus | ... | color director: Technicolor |
Music Department
| Murray Cutter | ... | orchestral arrangements |
| Ray Heindorf | ... | musical director (uncredited) |
Script and Continuity Department
| Wandra Ramsey | ... | script supervisor (uncredited) |
Additional Crew
| James Fleming | ... | stand-in: Errol Flynn |
| Mitchell Kovaleski | ... | associate technicolor color director |
| Maurice Murphy | ... | dialogue director |
| Tony Redondo | ... | stand-in: Errol Flynn |
| Erika Streithorst | ... | German post-synchronized version: German dialogue (uncredited) |
| Josef Wollf | ... | German post synchronized version: dubbing director (uncredited) |
