In Our Time (1944) Poster

(1944)

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8/10
A nice chance for two 'lesser' stars to shine...
planktonrules7 May 2010
Ida Lupino and Paul Henreid both were very good actors, but very often they were either cast as either supporting actors or starred in smaller and less prestigious films. Here, however, Warner Brothers put both of them in a top film and gave them both a chance to shine--and they were more than up to the task. In particular, Lupino was lovely. Her performance was strong but also with a lot of style--she really was in her element here.

The film begins in the mid-late 1930s in Poland. Ida and her boss (Mary Boland) are visiting the country to buy antiques to take back to Boland's business in England. Shortly after the story begins, a local nobleman (Henreid) meets Lupino and is obviously smitten with her. When he asks her to marry him, there is a bit of a scandal within the family--after all, she is just a commoner. This romance and its repercussions make up the first 2/3 of the film.

At the same time, there are small hints here and there about the upcoming invasion of Poland by the Nazis--something with which audiences of 1944 would have been well acquainted. Eventually, the Nazi hoards invade and Henreid is called to active duty and the inevitable conquest begins.

Overall, there is a lot to like about this film. As I said above, the acting is very, very good. Plus, Henreid and Lupino are ably assisted by various supporting actors that also rise to the occasion. The direction and cinematography are also first-rate. These factors, combined with a good story, make for a very good film--a propaganda film with greater depth than usual and which is still very watchable today.
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8/10
An Interesting and Surprisingly Good Film
rickscafe4193 July 2013
Very enjoyable indeed. I always enjoyed the stoic acting of Paul Henreid anyway and to see the very attractive and talented Ida Lupino at age 26 was a treat.

The important idea of a beau, either male or female, not being good enough for the family into which he or she's becoming a part of through marriage, is ancient. I know that here in the USA, it reigns galore but of course from studying history, I had learned that the "quality" of the beau in aristocratic Europe families was intense. Like for instance, here in the USA, family crests and all that jazz are meaningless but not so in Europe. There, lineage, pomp and ceremony are of supreme importance.

This is why Ida Lupino's entrance into the family of Count Orvid's of Poland is fascinating. It was like pitting the old Brooklyn Dodgers against the mighty New York Yankees in so many World Series games. Obviously in the film, Dodger Lupino didn't stand a chance except for uncle Leopold Baruta's warm understanding of why aristocracy shouldn't destroy love.

In the meantime, this enchanting love story is set in the backdrop of maniac Hitler's preparations for invading Poland. The film therefore has tension cleverly wound within the fabric of the entire film. And what will happen to the love affair and marriage of Ida and Paul once Hitler attacks? See for yourself--it's a good movie on Turner Classics.
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7/10
What a Great Find!
sunchicago2 July 2013
Stumbled onto this on TCM ... granted, it's a wartime film to be sure - down to the "Buy War Bonds" cleverly configured Warner Brothers credit at the end, and brimming with patriotic emotion - but incredibly enjoyable/entertaining. I was happily surprised by all the talent in the cast - besides the ALWAYS wonderful Ida Lupino and the wonderfully debonair/attractive Paul Henreid (sigh!), it was delightful to see - albeit briefly - Mary Boland (for an extensive Mary Boland treat, check her out in "The Women"). And the rarely-seen-on-screen Alla Nazimova was illuminating ... while I heard her name being mentioned by the host, I didn't put it together until afterward. Great WWII Western European homefront film - highly recommend it!
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The Never-faltering Jennie stayed true to herself...
Stormy_Autumn20 June 2007
Warning: Spoilers
Just finished a movie with Ida Lupino and Paul Henreid called "In Our Time" (1944). I enjoyed it.

It concerns Jennifer Whittredge (Ida) the secretary to a bonbon eating British antique buyer. On a trip to Poland, Jenny meets Count Stephen Orvid (Paul). He mistakes her for the antique shop girl. She tries to help him in his purchase. This leads to a a piano to hear Composer Chopin, then the ballet, dinner out, a tour of Warsaw and LOVE.

Stephen asks her to marry him. His family doesn't react well. Nobility marries Nobility. Only Uncle Leopold sees her strength. But Jenny sees Stephen and his family's dependence on rich Uncle Pavel's money. Jenny is independent. She leaves, Stephen chases after her and defies his Uncle and family. Uncle with cash doesn't appreciate defiance. He blames Jenny. He feels Stephen would never willingly leave his noble standing and comfortable surroundings without encouragement. Well? Right??? Wrong??? Indifferent?

Soon we'll learn what kind of mettle flows through the veins of this young couple. They start building up the family estate. OK, that sounds good. The peasants are happy in their work. They are getting a return on their labor. As long as life's good Stephen is happy.

But then the Nazi army invades Poland killing and bombing everything that gets in their way. The Polish people are asked to destroy anything that will aid the invading army. The realization hits hard that the estate must be burned. That means the house, barns (equipment) and fields. Will they stay strong or will one run?

I found this movie interesting because it is set in Poland. It reminded me that many countries were invaded by Hitler. Many people showed their true colors at the moment the enemy crossed their boarders. Each member of the Orvid Family did.

I, also, found it interesting because Ida Lupino often played the hard-bitten dame. She pulled off the never faltering Jenny beautifully. Too bad not everyone was like her.
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6/10
Poland during World War II is background for romantic drama...
Doylenf12 June 2007
IDA LUPINO is a British young woman visiting Poland and acting as a companion to MARY BOLAND, a wealthy woman fond of collecting antiques. At an antique shop, Ida runs into PAUL HENRIED, who thinks she works at the store. They meet and fall in love, and Ida discovers that he's a Polish count. He insists on showing her around Warsaw and in a few short days they fall in love and, although Ida has misgivings when she meets his family and fails to pass inspection, they do marry.

Then the Nazi invasion of Poland looms over the story for the second half of the film. The script is articulate and literate, dealing as it does with the aristocracy for the most part, but terribly slow-moving and Vincent Sherman's direction fails to give the script the pace it needs to maintain interest.

Ida plays a more rational and less intense creature than she usually does and gives an assured performance as the British girl who must adjust to her new husband and his family. NANCY COLEMAN is his regal, spoiled sister, NAZIMOVA is his party-loving mother, and VICTOR FRANCEN is Henried's wealthy uncle, a Count who keeps the family financially solvent.

But Poland is unable to avoid falling into Hitler's clutches and the story veers into more serious territory with the advent of war and the decision that Henried must make with regard to Poland under Nazi rule.

Summing up: A bit tedious at times, but interesting for the performances of Lupino, Henried, Coleman, Francen, Nazimova, Mary Boland and Franz Waxman's melodramatic score.
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7/10
Outstanding 1944 Film
whpratt115 June 2007
Ida Lupino gave an outstanding performance as Jennifer Whittredge who is a young British lady who is a companion for a rich lady who loves to eat candy all day long and looks like it. Jennifer visits Poland in 1939 with her employer and go to visit various antique shops in order to bring back items to sell in London. Jennifer meets Paul Henreid, (Count Stephen Orvid) who is from a Royal Family in Poland and immediately is charmed by Jennifer's sweet looks and innocence. Count Stephen is a ladies man and enjoys dating many women, but Jeffinfer catches his eye and then his heart strings and they both fall deeply in love. This royal family become very upset when Stephen and Jennifer tell them they are going to get married, however these two love birds stand firm against the family and start to change their old ways and customs. Hitler is starting his war campaign in 1939 and double talks the Polish Government to believe he will sign a pack of peace with the Polish nation and then attacks their country and burns Warsaw to the ground. This is when the story gets interesting and it shows how the Polish nation fights back against the Nazi Dictator. Great film, great acting and Lupino and Henreid gave outstanding performances and a very good story.
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6/10
Poland goes down
bkoganbing28 August 2020
In Our Time English girl Ida Lupino goes traveling with a somewhat subdued Mary Boland and meets up with a real honest to goodness count played by Paul Henreid. It's a romance that develops between them and she becomes a countess.

Henreid is the kind of guy rich girls married back in the day for the title. He has an estate that's tied up in debt. They have to modernize or go broke. But with war clouds on the horizon will they have a chance?

This film is a tribute to the resistance of the Polish people in much the same way Edge Of Darkness is to the Norwegians. It came to the attention of the House Un-American Activities Committee and its writer Hpward Koch made the blacklist.

When Ida Lupino talks about having the estate peasants share in the harvest and maybe bringing in tractors she runs into some bad reaction from Victor Francen the old mastodon head of the family. God made him an aristocrat and them peasants and as an aristorat he's entitled to the perks therein. All this talk about sharing and brotherhood got the HUAC investigators attention.

In the end there's a note of optimism as this film came out in 1944 and the tide of war had turned and the audience who saw In Our Time knew it. The collective cast members fates are left to your imagination.

This wartime film still holds up well even today as recent events show fasciam is very much alive in this world and in places Americans did not contemplate in 1944.
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6/10
Well Acted War Time Propaganda
DKosty1232 July 2013
Warning: Spoilers
Ida Lupino and cast do very well in a film that is hampered very much by propaganda which really makes it dated now. Because Stalin was our ally when the movie was made, nothing could be mentioned about the fact Warsaw, Poland was being invaded by the Nazi's and the Comunists.

The film does not mention another event that happened when Poland was being invaded too. That is the shipment of Polish Jews to Nazi Death Camps and Soviet Siberia Death Camps at the same time during the invasion.

While the film is another assembly line Warner Brothers production, the script needs to be redone to tell the real story. The Polish Leader's Speech on the Radio about holding Poland very likely never happened in the way it is presented.

The moments presented here deserve to have the real story told as this invasion is one of the darkest moments in human history. Most of the population of Poland was destroyed by 2 of the biggest evils in History. It is sad that Stalin has never received his due for his role in the Jewish Holocast in Eastern Europe.
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9/10
Unusual World War II Drama
LeonardKniffel30 April 2020
It is unusual to see a film made during the Second World War by Warner Bros. that deals with Poland, but here we have this seldom seen gem starring Ida Lupina and Paul Henreid. Lupino plays an English tourist in Warsaw on an antique buying mission when she falls in love with a Polish count, played sensitively by Henreid. They move to his estate and attempt to modernize the farm operations, but the German invasion of Poland throws their lives into turmoil.
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7/10
This Is War!
sol12187 May 2010
Warning: Spoilers
(Some Spoilers) Very heavy handed WWII propaganda movie involving a young British tourist Jenny Whittridge, Ida Lupino, in Warsaw Poland looking to buy antiques for her picky boss British interior designer Mrs. Bowley, Mary Boland, who also happens to be a marshmallow addict. Jenny ends up falling in love with handsome Polish Count Stefan Orwid who's played by everyone's favorite refugee from fascism back in those WWII Hollywood days Paul Henreid.

Meeting Jenny in a Warsaw antique shop Stefan is fascinated with her knowledge of one of Poland's favorite sons musical composer Chopin and falls for her in Jennys ability to pay his piano concertos so expertly. As it turned Jenny's father was a piano teacher back in England who was also a Chopin enthusiast. In no time at all, in what seems like 48 ours, Stefan asks Jenny for her hand in marriage. Now living at the 10,000 acre Orwid Estate Jenny gets to work on her helpless, in him being forced to stay there, husband Stefan by taking control of the estate's summer harvest. Using tried and true principles of the Social/Capitalistic system Jenny uses a profit shearing scheme to get the local peasants who work there in order to increase their own output in the harvest.

This all has Stefan's Uncle Pavel, Victor Francen, the man who controls the money for the Orwid clan get very angry in that Jenny who's not even Polish and didn't go beyond high school in her educational pursuits is able to make him look ridicules in his inability to get those, the local peasants, at the estate to do their jobs like she did! What's really bugging Uncle Pavel is the peasants planing to form a union in order to get higher, instead of slave, wages for their labors. This would end the gravy train that Uncle Pavel and his good for nothing and high minded, in themselves, relatives have been riding on for the last 400 years!

All this is suddenly put on the back burner when Hitler's Nazi Germany invaded Poland on September 1, 1939 with his Panzers Stukas and mechanized divisions. Stefan who joined up with his unit, in which he ended up being its only survivor, in the Polish Calvary had his horse shot from under him as he tried to stop the German advance. Now with Poland not only fighting off the Germans but the USSR ,who joined the war as Germany's ally, as well it became obvious that Poland's days as a free and independent nation were numbered. With Poland now totally defeated and devastated all Jenny and Stefan could do is join the Polish resistance and continue the fight against fascism as guerrilla fighters. As the movie ends we see Jenny & Stefan set the Orwid Estate aflame to prevent the Germans from getting their hands on it and march off into the Polish forest to join up with the Polish partisans to the music of the Polish National Anthem "The Polonaise".

As for the fearless and take no BS, from Jenny & Stefan, Uncle Pavel he played it safe and checked out of the country with all the gold coins and silverware he could carry to peaceful and neutral Romania. As things, and history, was soon to turn out Uncle Pavel's freedom was short lived with peaceful and neutral Romania joining up with Germany and becoming her ally two years later in Hitler's invasion of the Soviet Union! The very nation that helped him carve up Poland two years earlier! That while Poland's "steadfast" allies France and England, who declared war on Germany for its invasion of Poland, stood by without as much as lifting a finger to stop it!
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5/10
Slow-paced,...ducky...!
AAdaSC1 February 2011
Jennifer (Ida Lupino) visits Poland with her boss Mrs Bromley (Mary Boland) to buy antiques. She meets Stefan (Paul Henreid) and they fall in love. We follow the story of how this couple go against Stefan's family values as Poland is on the verge of being invaded by Germany. The war begins and each member of Stefan's family must choose whether to stay and fight or escape to safety.

This film starts well with Mrs Bromley very funny as she eats chocolates on a train while Jennifer reads to her about Poland. However, the pace seems to slow down with the arrival of Stefan. I sat through each sequence thinking "right, things are going to pick up now" but they never did. The film just crawls along at a drawn-out pace.

The cast are all good and Ida Lupino, Victor Francen who plays the wealthy Count, and Alla Nazimova who plays Stefan's mother all provide scenes with genuine dramatic dialogue. The film is a bit preachy and there just aren't many memorable scenes. The only one that stands out for me is at the harvest party when the bombing starts.

Even though I have given this film 5/10, my girlfriend rated it as a 7/10. So my conclusion is that you will enjoy this film more if you are a girl......but listen guys, don't go having an expensive operation just for this....
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10/10
In Our Time-Timely World War 11 Film ****
edwagreen6 July 2013
Warning: Spoilers
Excellent 1944 film with a greatly subdued, but still superior Ida Lupino, finding love in Poland with a count-wonderfully played by Paul Henried.

What makes this film so good is that it shows the class distinctions among the Polish-from peasants to aristocracy, the latter unwilling to give up their status even as war beckons.

Had this been a comedy, Mary Boland would have stolen the show. The gifted actress, with her high-pitched voice, was wonderful as the woman who takes Lupino to Poland in the former's search to buy antiques.

Victor Francen is the embodiment of the aristocracy unwilling to change its ways. I thought by the end that he would have Nazi sympathies, given the type of person he generally played in films.

A wonderful patriotic movie filled with commitment, duty and love.
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7/10
Polish Aristocrats Don't Like Commoners
Casablanca378414 June 2007
A bit slow moving but nonetheless interesting. The only thing missing is Maria Ouspenskaya stirring a boiling cauldron.

Paul Henried and Ida Lupino fall in love near Warsaw. She's a British commoner employed by a fancy English antique collector. Paul and Ida meet by accident in an antique shop. After they do some innocent and tender kanoodling for a while, Paul decides to bring Ida home to meet the Fockers...oops...I mean the royal Orvid family.

Only philosophical uncle Leopold Baruta likes Ida. Paul's sister,Janina, hates her while the rest of the Orvids think she's not good enough for Paul. In the meantime, we encounter a guy who's supporting them all-- Count Pavel. The reason why he's a Count is because everyone watches him count his money to then disperse to them as monthly stipends.

Count Pavel is also a representative of Poland to Nazi Germany and he's convinced that, after Czechoslovakia, Hitler had no more territorial designs on Europe so it would be a good idea to give him the Polish Corridor so as not to tick him off into attacking Poland.

Ida begins to dislike the whole Orvid family and especially Paul's reliance on Pavel for dough. So she's about to hop a train to get her back to England when Paul promises to become independent and she buys into it. So they marry, start teaching the peasants how to till the land while Pavel seethes because this is no way for Polish nobility to act.

On Sept,1.1939, the Nazis invade Poland and begin bombing Warsaw. Paul puts on his military uniform and heads for battle. Ida is left home and somehow, she rallies the peasants into fighting the Germans which history proves to be an absurdity. She teaches them the "scorched earth" policy which history teaches was anachronistic because it was the Russians who employed it against the Nazis after 6/22/41.

However despite its flaws,it all makes for an interesting anti-Nazi, morale boosting film for us at home.
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4/10
About as Stupid and Sappy as They Come (and misleading)
verbusen15 April 2006
Warning: Spoilers
The main reason why I was interested in watching this was how a Hollywood movie made in 1944 would handle the invasion of Poland. Afterall the Soviets were now our Allie. Well Hollywood took the easy way out and didn't mention the Nazi-Soviet non aggression pact and the co invasion of Poland by the USSR, it was all a Nazi show. I only watched the first few minutes and than woke up (it was showing at 3-4 am) right at the start of the invasion on what looked to be Ida's and Henried's wedding night. It's a good thing Henried's character didn't get captured by the Soviets as I don't think they took a kind view of aristocrat Polish officers judging by the mass graves that were discovered full of them. Real sappy war propaganda fluff.
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6/10
propaganda film with focus on Poland
blanche-217 January 2011
"In Our Time" from 1944 is a propaganda movie set in Poland starring Paul Henried, Ida Lupino, Nazimova, Nancy Coleman, Victor Francen, and Michael Chekhov, and directed by Vincent Sherman.

The script, by Ellis St. Joseph and Howard Koch, is reminiscent in some ways to Rebecca and to Gone with the Wind. Jennifer Whittridge (Lupino) is traveling as a secretary to an antique dealer (Mary Boland) in Poland in 1939 when she meets Count Stephen Orvid (Henried). Henried mistakenly believes Jennifer is good for a quick fling, but he realizes soon enough that's not the case. As Jennifer's trip draws to an end, he proposes, and she accepts though his aristocratic family objects. In order to live independently of his uncle (Victor Franzen), Stephen and Jenny employ modern techniques on the farm and incentivize the peasants by giving them a share of the harvest. Then the war comes to Poland.

There are good performances by everyone involved. The film moves slowly but one feels the tension of the approaching war. Some of that tension may be due to the viewer knowing that Poland was in for one miserable time not only during the war, but after under Communism.

Paul Henried had his real heyday during WWII since the usual leading men were off fighting the war; Ida Lupino, since she was at Warners, always wound up with Bette Davis' handoffs and later distinguished herself on television and as a director. She and Henried make you care about the characters.

It's odd to have a film set in Poland, odder still that Poland's radio announcements were in English. Eastern Europe's WWII story is a tragic one, and it wasn't shown in film all that often.
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6/10
Solid Acting in Messy Propaganda Film
dglink13 June 2007
Vincent Sherman's "In Our Time" tries to do for Poland what "Mrs. Miniver" did for England: raise American awareness to the plight of a European nation besieged by the Nazis. Unfortunately, the film wanders all over the hack-writing map from romance to propaganda to social issues and loses its focus early on. Even the style of the film shifts from intimate drama to semi-documentary with voice-over narration to stirring morale booster complete with back-lit clouds and beams of inspirational light. Despite the varied styles, the movie seems to linger on far too long despite a running time of less than two hours. By the time that the requisite patriotic speech has been made, the music has risen to stirring proportions, and the march towards the sunset has begun, many viewers may already have tuned out.

The unconvincing story begins in an antique shop where Ida Lupino, the young companion of Mary Boland, an English antiques buyer, meets Paul Henreid, a Polish nobleman. Only those who have never seen a Hollywood film from the Golden Age will be surprised by the Romeo-and-Juliet romance that develops or by the obstacles that stand between the couple and eternal bliss. Class-conscious family, impending war, and stubborn peasants are only some of the roadblocks to those inspirational beams that beckon on the horizon.

Unfortunately, some first-class talent has been lavished on this less-than-classic film. Ida Lupino is the shy companion to an overbearing employer. Within two hours, she blossoms into an assertive woman who fully supports and inspires her husband in his idealistic pursuits. Paul Henreid, whose seductive eyes and voice won Bette Davis and Ingrid Bergman, works his magic on Lupino. Like his role in "Casablanca," Henreid's character is caught up in patriotic fervor and self-sacrifice. Both leads are excellent although they cannot overcome the messy script. Silent film star Alla Nazimova offers especially fine support as Henreid's aristocratic mother. However, while the cast often rises above the writing, "In Our Time" remains dated in its message. Considering what Poland endured under Communism after World War II, many of the film's inspirational lines about fighting for the future ring with irony. Despite the length, lapses, and inconsistencies, Lupino, Henreid, and Nazimova make "In Our Time" worth a viewing, but the film is hardly a repeatable experience.
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7/10
Pre-WWII Poland: Its "feet in this century, its head in the last"
rose_lily4 August 2013
This is a strange little movie, though not without historical interest. This is Poland before it's desecration by German forces; a "feudal" society, it's population predominately rural, a cultural anachronism laboring under enslavement to tradition.

Such is the backdrop for this formulaic love story between an English working girl, Jennifer Whittredge, played by Ida Lupino and Polish Count Stefan Orwid, portrayed by Paul Henreid. The two meet in the country's capital city Warsaw where Jennifer's employer has come to shop for antiques. Count Stefan treats Jennifer to an evening of fine dining in a restaurant named "The Stables…" a name that clues us in to the forthcoming chain of anachronisms that preoccupy the entire story. And we don't have long to wait. The next clue follows pretty quickly on the first.

Count Stefan Orwid is a officer in the Polish cavalry who expresses confidence that the army of his country can repel German aggression. Over the dinner table he expresses to Jennifer his conviction that "when it rains, enemy tanks would get bogged down in the mud…our cavalry would ride around them." When Jennifer asks him, quite reasonably, what would happen should it not be raining when the two sides confront each other in battle…well…the Count is stumped. He has no reply. Apparently such an obvious contingency has never occurred to him. What would happen when horses were pitted against the machines of modern warfare? Holy kielbasa!

Well, the Count and English girl Jennifer get married, and her aristocratic in laws, especially her mother-in-law, literally faints in prostration at this unwelcome match. "You came from too far, you are too different," Zofia Orwid swoons.

Michael Chekov, as Uncle Leopold, provides the only noteworthy performance here. He's the cranky old sage of the noble clan, tolerated by his family circle as an eccentric busybody. However, he's the only one within miles who seems to have a grasp on reality, faulting the lifestyle and values of his compatriots for living in a "lost world, a world of dinosaurs."

Under his wife's influence, the Count attempts to modernize the farm work, for the good of the peasant laborers as well as for profit and independence from the overbearing and overseeing control of the family patriarch, Uncle Pawel. His efforts to mechanize field work by introducing a tractor is initially received with stony indifference by the assembled peasants. After one of them is induced to take it for a wild ride over the cropland, the consensus is a thumbs down for the tractor, now a mechanical monster to be feared. Again, the scriptwriters have illustrated their message.

Conclusion: The Hollywood movie factory gave us too little, too late. Five years after the invasion of Poland by Nazi forces, the movie machine decided to put out a propaganda vehicle to arouse awareness and promote solidarity with European plight. They gave us their two cents worth in this anemic film.
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The 30 Year Old Ida Lupino
The-Lonely-Londoner18 September 2003
As an actress, Ida Lupino achieved success in the 40's acting alongside Humphrey Bogart and Edward G. Robinson. For me, she was a totally average actress. As a director, she had more substance to offer in the 50's and 60's, but I guess she was just paying the bills with this film.
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7/10
fine wartime propaganda
SnoopyStyle30 August 2020
In Poland right before the war, English decorator Mrs. Bromley has come to buy antiques with her assistant Jennifer Whittredge (Ida Lupino). Count Stefan Orwid (Paul Henreid) mistakes Jenny for the salesgirl. They are taken with each other. His conservative uncle is one of the country's richest aristocrat and the source of the family's wealth. Stefan is the supposed heir and proposes to Jenny as war threatens Poland.

This has a good meet cute. The couple has good chemistry. The relationship is good. The other part is being progressive and democratic in opposition to the forces of conservatism. They end by battling the forces of Nazi Germany in a propaganda wartime film. All of it is fine and fits well with the war effort. I do have an issue with burning the crops. I get the premise to fight the war but it's badly conceived.
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8/10
Out of the aeroplane stepped Chamberlain with a condemned man's stare..
ulicknormanowen20 March 2023
An endearing propaganda movie which still features the now usual "buy war bonds" after "the end" .

For the beginning , the screenwriters borrow a lot from Daphné Du Maurier : the poor educated orphan ,who has to earn her crust and is at the beck and call of a petulant cantankerous old lady who stuffs herself with caramel and chocolate marshmallows (that you can find marshmallows in Poland before WW2 is quite dubious!)and calls her "Ducky" ; then she meets a Polish count who marries her and takes her to his desirable mansion where his sister 's welcome is colder than Du Maurier's Mrs Denver's .

"In our time" is a very good melodrama though ; its title is taken from Chamberlain 's speech ("peace for our time" ) when he returns after the ill-fated Munich agreement.

Although there're no war scenes (the debacle is told by Paul Henreid ) , the threat hangs over the whole movie: in the cabaret ,where Jenny wonders if their cavalry will be able to keep the enemy's tanks at bay ; they won't get bogged down in the mud ,if it does not rain; Uncle Leopold' s warnings ,a lucid man who knows that their family ,with their traditions,their way of life and their etiquette has become a bunch of dinosaurs ; the first storm during the wedding , an ominous forerunner of the hard times to come.

Thus , the climax of the movie is the attack the peasants mistake for another storm and the rain they long for !a deeply moving scene !

I've always liked Lupino, the actress as well as the too unsung director ; her performance is really gripping ,from the shy tourist lost in a snob milieu to the modern pioneer who urges her husband to modernize his farm and mainly to treat his peasants like human beings to eventually the woman who will carry on the fight when she's lost everything. Her attitude sharply contrasts with that of the proud sister .Her final stand against uncle Victor after being once humiliated by him is very convincing :French Victor Francen , who was a great actor ,working with Gance ,Duvivier and L'Herbier in his native country , par excellence the aristocratic monsieur ,is ideally cast .
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4/10
A Polish Gone With the Windski
WarnersBrother9 July 2007
Sadly wasted cast, all of whom are beaten by a script that doesn't know where it's going and leaves you wondering where you have been. Just when you get ready to hate a villain, they turn out to be a not-so-villain (Particularly the always excellent Victor Francen, who was used extensively by Warner's to represent the full spectrum of Europeans, both good and bad). We don't even get some real-life Nazi's to loath. The only real difference between this and GWTW is that GWTW is 3 hours long and this just seems like it. One of the odd results of this is that, if you pay close attention, you may agree that the great Ida Lupino may have been a good second choice for Scarlett O'Hara (though her performance here is much more restrained by the character.)
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1/10
Somoething to forget
maguire228 August 2019
As a Pole I feel deeply offended by this piece of garbage
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