Romance on the Range (1942) Poster

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7/10
A Sideline In Trapping
bkoganbing11 June 2011
Romance Rides The Range has Roy Rogers and the Sons Of The Pioneers as foreman and ranch hands for absentee owner, society girl Linda Hayes. The place has a sideline in fur trapping, but it's poaching those furs and not cattle rustling that Roy's concerned about.

So is Hayes and she decides to go to her ranch to investigate herself, but go incognito. She and her maid Sally Payne go and tell no one who Hayes is. As it turns out Payne has a correspondence boy friend among the hands in Pat Brady.

There are some clever poachers that Roy has to deal with that include perennial western villains Roy Barcroft, Harry Woods, and Glenn Strange. They also have a really thick sheriff in Hal Taliaferro as well.

Some of Roy's banter with Linda Hayes was nice, but would work far better when Dale Evans was cast as his leading lady in film and in life. Still Roy and Hayes have some nice dialog between them.

This maybe the first time Pat Brady was prominently featured in a Roy Rogers western. Pat was a funny guy and stroked a mean bass fiddle. But seeing him out on the range accompanying the Sons Of The Pioneers was a bit much. The tradition of the singing cowboy has a basis when cowboys were riding herd especially at night, they would sing to the cattle to keep them calm. But I doubt that anyone would pack a bass fiddle on the range.

This is also a change from 19th century to 20th century settings for Roy Rogers films. And he used a good film to do it in.
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6/10
"Don't try any tricks or I'll salivate ye!"
classicsoncall17 March 2022
Warning: Spoilers
"The town of Granville has been shaken by a series of fur pelt thefts from a trading post, and a murder".

Only a B Western of the Thirties and Forties could have a synopsis like that and have a title like "Romance on the Range". But you know what? There actually is a hint of romance in this story, and you'll never guess who's involved. Roy Rogers' future TV sidekick Pat Brady has a more prominent role here than in most early flicks with Roy and Bob Nolan's Sons of the Pioneers. As a member of the Lonely Hearts Club, Pat is 'half-engaged' to a gal named Sally (Sally Payne) back East, where she works for a society girl named Joan Stuart (Linda Hayes). Miss Stuart is the absentee owner of the Arrowhead Ranch where Roy is foreman, and with income from the ranch dwindling due to trapline raiders stealing fur pelts on her property, she decides to personally investigate while going undercover with Sally.

This film shakes out as one of the more fun outings by Roy and his regular cast of good guys and villains. The bad guy bunch includes Edward Pawley as Jerome Banning, Glenn Strange as henchman Stokes, Roy Barcroft as henchie Pete, and Harry Woods as thug Steve. Between Pat Brady and Gabby Hayes the humor flows freely, with Gabby taking a page out of Leo Gorcey's book of malapropisms with his quote in my summary line above. His attempt to scare the gals with weird howling outside their sleeping quarters backfires big time, and when he's left to guard one of the bad guys, he gets tricked into getting stuck in a 'South African slobberjack'. To understand that one, you'll have to catch the picture.

When all is said and done, there's no doubt Roy will get the drop on the bad guys, as well as learning the identity of the rich society gal who went undercover to help him smoke out the fur raiders. With a sprinkling of tunes by Nolan's Pioneers, this is one of the more entertaining of Roy's early Forties flicks, and deserves a look for all the diverse elements in the story.
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5/10
Failure In Writing
boblipton22 July 2023
Linda Hayes has never seen her ranch out west, which she inherited from her father, but she knows the fur trapping is suffering. There have been a lot of robberies of the pelts, and even one murder. Her maid, Sally Payne, is engaged to Pat Brady, a hand on the ranch via a lonely hearts club. Miss Hayes takes it into her head that she can investigate on the QT by posing as another Lonely Hearts Club member, accompanying her maid.

Of course, we know that it's the ranch manager, Edward Pawley, in charge of the depredations, because he's discussing it with a henchman before we see anything else. Next they go on to talk about what to do about the top hand, Roy Rogers, but decide to leave him be, because the plot demands it, apparently.

It's a pleasant enough outing for Rogers under the direction of Joseph Kane, with all the regulars on hand: Gabby Hayes, the Sons of the Pioneers, and so forth. There are some nice songs, and so on, but the usual solid writing is wrecked because we know up front whodunnit, without the pleasure of matching our wits against the good guys'. It was a common failing of the cheaper sort of B western, and it's a shame to see them fall into it here. I suppose I could come up with excuses for the failure, but they would be excuses, and it is a failure.
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A Number Of Nifty Touches
dougdoepke6 March 2022
Fast-moving Rogers and Hayes horse opera. There's plenty of hard riding, some fast shooting, but few flying fists. Roy and Gabby work on a fur farm where illegal trappers grab the pelts and hide them for later sale. The law's not much help, so the guys organize their own posse. Then in a mix-up, Roy gets fired but the posse leaves with him. Now there's three groups competing - Roy's, the sheriff's, and the baddies. And if that weren't enough, the head-stong girl owner of the fur ranch shows up undercover. Sound complex - yes it is - but entertaining, nevertheless.

Note how director Kane keeps things moving, along with sudden camera pans, unusual for oaters. Also, couldn't help noticing brawny Glenn Strange from TV's Gunsmoke as a really convincing baddie. Also, it's a Gabby showcase as he gets lots of feisty screentime. And catch his fade-out remark at flick's end that sort of sums up his opinion of romance and sunsets. And dig that weird drive-thru cabin the outlaws use, perfect for those of us in LA. Anyhow, it's another triumph for us matinee geezers, and for younger folks who take the time.

(In passing - Catch those other-worldly, rock slabs used as occasional background here. They're known as the Vasquez Rock Monoliths, located just north of LA. What made them so appealing to sci-fi and oater low-budgeters of the time is that they were classified as part of greater LA. So producers didn't have to pay extra for out-of-LA location shooting. For cheapos of the time, that was a real savings, and a big benefit for audience eyes, as well, as this outdoor flick happily shows.)
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6/10
One of Roy's better flicks.
planktonrules19 February 2012
Warning: Spoilers
The film begins with a lady going west to investigate why her ranch is failing. It seems she doesn't trust the foreman with his many excuses. So, she goes incognito--hoping that if no one knows who she really is that she can find out the truth. What she doesn't know is that her foreman is Roy Rogers--and EVERYBODY knows Roy is as honest as the day is long. But, he doesn't know who she is and it remains this way for a while. During this time, the real culprit tries to frame Roy--and the lady knows that Roy is innocent and that the other man is evil. But the sheriff doesn't know that Roy is a hero and she and Roy and the gang need to work fast to prevent Roy from going to jail.

Overall, this is yet another agreeable Roy Rogers B-movie. While it has lots of singing, which I usually hate, I did LOVE the song "Oh, Wonderful World". It's very funny--just be sure to listen to the lyrics!
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10/10
"Just like in the Western Gun Stories!"
FirstSoprano9 June 2010
Don't be fooled by the slightly silly-sounding title - 'Romance On the Range' is one of the very best of Roy Rogers' films from the early '40s. There's nothing terribly unusual about the plot, but all of its elements - tight scripting, great cast, good direction, beautiful cinematography and excellent music - come together in just the right way to make it a solid and entertaining B-Western.

The villains in this instance are fur thieves looting the traps on the ranch where Roy, Gabby Hayes and the Sons of the Pioneers work as foreman, camp cook and cowhands, respectively. Roy & Co. take a personal interest when another cowhand (noted stuntman Henry Wills in an uncredited bit part) is murdered after stumbling onto the gang at work. Meanwhile, the ranch's absentee owner (Linda Hayes, in the best of her three roles opposite Roy) also takes an interest in the case and decides to come West incognito to do some investigating of her own, posing as a friend of her excitable maid Sally Payne, who coincidentally has been corresponding with ranch hand Pat Brady through a Lonely Hearts club.

The good guys take the requisite amount of time to realize who the bad guys are, leaving plenty of room for fun, mishaps and music along the way. George 'Gabby' Hayes is at his very best as the cantankerous ranch cook, especially in one absolutely hysterical sequence where he tries to scare the girls away from the ranch by playing on their fear of wild animals. There's also an exceptional line-up of villains in this one - besides brains heavy Edward Pawley we have Glenn Strange, Roy Barcoft, who provides a humorous running gag with a taste for sleight-of-hand and tricky 'gadgets,' and an especially nasty Harry Woods. As the icing on the cake, Roy and the Sons are in fine voice, performing five outstanding musical numbers, of which the highlight is the irresistibly toe-tapping showstopper 'Sing As You Work.' Altogether, a must-see for fans of Roy's, B-Western enthusiasts or just anyone who likes a fun and well-crafted little film.
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8/10
Favorite Roy Rogers film
weezeralfalfa19 March 2019
Warning: Spoilers
Along with Nevada City, thus far, my favorite Roy Rogers film. This one has the added bonus of a choice of the uncut original available at YouTube.......Here, we are dealing with the theft of valuable trapped animals, rather than the usual cows or gold or money. Roy is foreman of the Arrowhead ranch, and Gabby Hayes is the cook. Since the new owner of the ranch: Joan Stuart(Linda Hayes), lives in NYC, and has never been to the ranch, Jerome Banning(Ed Farley) has been appointed manager of the ranch. Because the number of pelts sold in recent months has been seriously declining, Joan is worried that the ranch may go bankrupt, despite assurances by Banning. Instead of sending a spy, Joan decides to be that spy, incognito, of course. She takes her maid, Sally(Sally Payne), along, who serendipitously has a correspondence boyfriend at that ranch! It takes a while to figure out that Banning is the mastermind behind the disappearing trapped animals, while Glenn Strange, as Stokes, is his field boss.......Roy is especially peeved that one of his men was shot dead in the field, presumably by the fur animal thieves. This instigates him to look seriously for the thieves. He and the Sons of the Pioneers hands catch up with a rare truck on a ranch road. The driver claims he has no furs. When Roy goes to take a look, the driver bolts, leaving his partner behind, with Gabby as his guard. The man cleverly shows Gabby a trick with a small hollow cylinder of wood, having Gabby put a finger in each end of the cylinder, then told to pull it out. He can't. The man escapes. But, Gabby uses this trick to later break the gang out of jail, using it on the gullible sheriff, who comes over so Gabby can show him how to get it off. They take his ring of keys and slug him. This happened just in the knick of time, as there was an angry mob outside itching to lynch them. So, how did Roy and gang manage to be blamed for the killing of a ranch hand, and theft of fur animals? Well, evil Banning got the idea of getting rid of Roy by complaining about the 2 women staying at the ranch, saying this was not a dude ranch. Roy got upset and punched Banning, causing Banning to fire Roy. The other ranch hands quit in response. Gabby complained that it just showed that women are born troublemakers.The dispossessed, including the women, decided to take up temporary residence in a cabin on the property. A man comes galloping up and tells them he heard 2 men talking about depositing some furs in a place Roy knew about. The rider then galloped on. Roy and the others rode to this place, and there was indeed a pile of pelts there. Unfortunately, the sheriff and posse happened to come by soon after, and assumed they were the trapped animal thieves. Clever thieves! .......As the men and women were cleaning up the cabin, they sang a catchy tune "Sing as You Work". Other songs that I especially liked were "Rocky Mountain Lullaby" and "O-o-oh, Wonderful World". In general, the songs were more memorable than in most Rogers films........As usual, Gabby took the spotlight when he was on camera. He decided to have some fun at the expense of the 2 city girls. So, just before bedtime, he told them about a variety of fearsome creatures that come out at night. A little later, we find him crawling around, dressed in furs, making a scary sounding noise, frightening the women to death. Vert funny! He wasn't comfortable with women around. For one thing, they usually wanted to push him aside and do the cooking. He almost quit several times on account of the women.........See it at YouTube.
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