Robert Florey’s melancholy melodrama stars Peter Lorre as Janos Szabo, a Hungarian immigrant whose luck goes from bad to worse—scarred in a fire, he’s unable to find work and turns to crime. The film teeters on the edge of tragedy but Szabo eventually finds redemption in the love of a blind woman played by Evelyn Keyes. As was Lorre’s wont, he scares you and breaks your heart, sometimes at the same moment.
The post The Face Behind the Mask appeared first on Trailers From Hell.
The post The Face Behind the Mask appeared first on Trailers From Hell.
- 1/23/2023
- by Charlie Largent
- Trailers from Hell
Netflix has announced that a multi-part documentary on heavyweight boxing champion Tyson Fury is in the works.
Fury announced in April that he would not fight again as a professional, moments after his knockout of fellow Briton Dillian Whyte at Wembley Stadium.
Fury, 33, had also suggested in the lead-up to that Wbc title defence that he might not compete again after the seismic fight, which took place in front of 94,000 fans in London, but the “Gypsy King” is yet to relinquish his belt.
Now a potential clash between Fury and fellow title holder Oleksandr Usyk is on the cards, with the goal being to crown an undisputed heavyweight champion.
The unbeaten Fury’s apparent indecisiveness around retirement looks set to be a subject of Netflix’s upcoming ‘docu-series’.
“News: Netflix is in production on a multipart documentary with global boxing star Tyson Fury!” the streaming service’s UK account tweeted on Wednesday.
Fury announced in April that he would not fight again as a professional, moments after his knockout of fellow Briton Dillian Whyte at Wembley Stadium.
Fury, 33, had also suggested in the lead-up to that Wbc title defence that he might not compete again after the seismic fight, which took place in front of 94,000 fans in London, but the “Gypsy King” is yet to relinquish his belt.
Now a potential clash between Fury and fellow title holder Oleksandr Usyk is on the cards, with the goal being to crown an undisputed heavyweight champion.
The unbeaten Fury’s apparent indecisiveness around retirement looks set to be a subject of Netflix’s upcoming ‘docu-series’.
“News: Netflix is in production on a multipart documentary with global boxing star Tyson Fury!” the streaming service’s UK account tweeted on Wednesday.
- 8/24/2022
- by Alex Pattle
- The Independent - TV
Is this a horror classic? I’d certainly says yes, just for the shrewd, sympathetic performance of Peter Lorre as an unlucky immigrant whose disfigurement in a fire turns him to life of crime and vengeance. An impossibly young Evelyn Keyes shines as the sweet love interest, but the performances and Robert Florey’s good direction keep the tone from going soft. And the ending is as bleak and chilling as they come. Whatever you may do, my recommendation is to Not double-cross Peter Lorre. The disc producers give experts Alan K. Rode and Kim Newman the podium, and they respond with three full extras on this highly unusual, seldom-seen gem of a horror film.
The Face Behind the Mask
Blu-ray (Plays on Region A players)
Viavision [Imprint] 44
1941 / B&w / 1:37 Academy / 68 min. / Street Date May 21, May 26 or June 2, 2021 / Available from / 34.95 au
Starring: Peter Lorre, Evelyn Keyes, Don Beddoe, George E. Stone,...
The Face Behind the Mask
Blu-ray (Plays on Region A players)
Viavision [Imprint] 44
1941 / B&w / 1:37 Academy / 68 min. / Street Date May 21, May 26 or June 2, 2021 / Available from / 34.95 au
Starring: Peter Lorre, Evelyn Keyes, Don Beddoe, George E. Stone,...
- 6/12/2021
- by Glenn Erickson
- Trailers from Hell
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Best in Show (Christopher Guest)
Christopher Guest has had an exceptionally strong ’00s with A Mighty Wind and For Your Consideration, and it remains to be seen how his upcoming Mascots will be received, but his arguable peak is still the gloriously funny mockumentary Best in Show. Guest’s other films have lovingly skewered egotistical oddballs and the insanity of subjective or objective criticism, so Best in Show is...
Best in Show (Christopher Guest)
Christopher Guest has had an exceptionally strong ’00s with A Mighty Wind and For Your Consideration, and it remains to be seen how his upcoming Mascots will be received, but his arguable peak is still the gloriously funny mockumentary Best in Show. Guest’s other films have lovingly skewered egotistical oddballs and the insanity of subjective or objective criticism, so Best in Show is...
- 7/7/2017
- by Jordan Raup
- The Film Stage
Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This July will feature an exciting assortment of films, as noted below.
To sign up for a free two-week trial here.
Saturday, July 1 Changing Faces
What does a face tell us even when it’s disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju’s Eyes Without a Face (1960) and Hiroshi Teshigahara’s The Face of Another (1966).
Tuesday, July 4 Tuesday’s Short + Feature: Premature* and Ten*
Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master...
To sign up for a free two-week trial here.
Saturday, July 1 Changing Faces
What does a face tell us even when it’s disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju’s Eyes Without a Face (1960) and Hiroshi Teshigahara’s The Face of Another (1966).
Tuesday, July 4 Tuesday’s Short + Feature: Premature* and Ten*
Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master...
- 6/26/2017
- by Ryan Gallagher
- CriterionCast
Troubling fact: the great director Otto Preminger's worst film is not Skidoo. Three physical misfits form an alternative family as a defense against the world. It's a good idea for a movie, but the writer and director do just about everything wrong that a writer and director can do. Tell Me That You Love Me, Junie Moon Blu-ray Olive Films 1970 / Color / 2:35 widescreen / 113 min. / Street Date August 16, 2016 / available through the Olive Films website / 29.98 Starring Liza Minnelli, Ken Howard, Robert Moore, James Coco, Kay Thompson, Fred Williamson, Anne Revere, Pete Seeger, Pacific Gas & Electric, Ben Piazza, Emily Yancy, Leonard Frey, Clarice Taylor, Julie Bovasso, Barbara Logan, Nancy Marchand, Angelique Pettyjohn. Cinematography Boris Kaufman, Stanley Cortez Production Design Lyle R. Wheeler Charles Schramm Makeup effects Charles Schramm Film Editors Dean Ball, Henry Berman Original Music Philip Springer Written by Marjorie Kellogg from her novel Produced and Directed by Otto Preminger
Reviewed...
Reviewed...
- 8/20/2016
- by Glenn Erickson
- Trailers from Hell
An exercise in dizzy disorientation, this Cornell Woolrich crazy-house noir pulls the rug out from under us at least three times. You want delirium, you got it -- the secret words for today are "Obsessive" and "Perverse." Innocent Robert Cummings is no match for sicko psychos Peter Lorre and Steve Cochran. The Chase Blu-ray Kino Classics 1946 / B&W / 1:37 flat Academy / 86 min. / Street Date May 24, 2016 / available through Kino Lorber / 29.95 Starring Robert Cummings, Michèle Morgan, Steve Cochran, Peter Lorre, Lloyd Corrigan, Jack Holt, Don Wilson, Alexis Minotis, Nina Koschetz, Yolanda Lacca, James Westerfield, Shirley O'Hara. Cinematography Frank F. Planer Film Editor Edward Mann Original Music Michel Michelet Written by Philip Yordan from the book The Black Path of Fear by Cornell Woolrich Produced by Seymour Nebenzal Directed by Arthur D. Ripley
Reviewed by Glenn Erickson
As Guy Maddin says on his (recommended) commentary, the public domain copies of this show were...
Reviewed by Glenn Erickson
As Guy Maddin says on his (recommended) commentary, the public domain copies of this show were...
- 5/7/2016
- by Glenn Erickson
- Trailers from Hell
Christian Petzold took a bold step into history with 2012's Barbara, exiling Nina Hoss's heroine into the diaphanous threats and suspicions of a provincial, 1980s East Germany. With Phoenix, his follow-up, Petzold takes this movement into history even further, striking starkly, deeply at questions of identity in a post-war Germany quivering silently with destitution, rage, and willful blindness. In a spectral sequence opening the film directly evoking the eerie clinical imagery of Georges Franju's lyrical horror film Eyes without a Face, Nelly, a concentration camp survivor, returns in quiet to Berlin after having reconstructive surgery following wartime mutilations. The woman who emerges from under the knife cannot be recognized. She emerges as embodied by Nina Hoss—a true queen in today's cinema—and her slender, lean physique becomes that of a post-war zombie, a ghost embodied, tottering and halting, a body not familiar with movements outside the camp,...
- 2/26/2015
- by Daniel Kasman
- MUBI
How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2014?
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
- 1/5/2015
- by Notebook
- MUBI
This weekend’s question may be mostly for my U.K. readers... though I suspect my readers elsewhere are likely crossculturally aware enough that they’ll have something to kick in here, too. So, bronxbee writes: is Guy Fawkes a folk hero? i mean, isn't he burned in effigy for trying to destroy the houses of parliment? did he kill himself rather than face execution? but today there was an article in the Nyt about the guy fawkes masks that are being worn as part of the Occupy# movement. here's a quote: "The face behind the mask has an appropriately subversive story. Guy Fawkes was an Englishman who tried to blow up the House of Parliament in the early 17th century as part of a plot to give Catholics more power amid a Protestant monarchy. He failed, then killed himself to avoid execution, but became a British folk hero whose effigy is burned each Nov.
- 10/29/2011
- by MaryAnn Johanson
- www.flickfilosopher.com
Above: Publicity still from John Parker's Dementia (1955).
Rep houses in San Francisco, like those in most American cities, are struggling to stay open. But for something like thirty nights a year, the clouds lift and big crowds materialize for films of the past: call it the noir exception. To be sure, one needn’t actually attend the Film Noir Foundation’s annual Noir City festival at the Castro or Elliot Lavine’s grittier programs at the Roxie to know that the generic fantasy of film noir (style, sex and violence washed together) still holds powerful allure. You could hardly miss the bus stop advert for Rockstar Games’ latest blockbuster, L.A. Noire, outside the Roxie during Lavine’s latest marathon, “I Wake Up Dreaming: The Legendary and the Lost”. For those of us still invested in the non-interactive cinema experience, however, the popularity of these series is a remarkable if curious thing.
Rep houses in San Francisco, like those in most American cities, are struggling to stay open. But for something like thirty nights a year, the clouds lift and big crowds materialize for films of the past: call it the noir exception. To be sure, one needn’t actually attend the Film Noir Foundation’s annual Noir City festival at the Castro or Elliot Lavine’s grittier programs at the Roxie to know that the generic fantasy of film noir (style, sex and violence washed together) still holds powerful allure. You could hardly miss the bus stop advert for Rockstar Games’ latest blockbuster, L.A. Noire, outside the Roxie during Lavine’s latest marathon, “I Wake Up Dreaming: The Legendary and the Lost”. For those of us still invested in the non-interactive cinema experience, however, the popularity of these series is a remarkable if curious thing.
- 6/13/2011
- MUBI
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