Yoshiwara (1937) Poster

(1937)

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6/10
Geisha blues
dbdumonteil11 August 2007
Although Max Ophuls' works of that era are not highly praised ("Werther" "Sans Lendemain" "De Mayerling A Sarajevo") ,they nevertheless bear the stamp of the director.These are all romantic stories with doomed lovers,be they fictitious (the two first movies) or historic (the latter)."Yoshiwara " was made in the studio and reportedly in the Japanese Garden of the Porte de Saint-Cloud in Paris(it was first intended to be filmed in Japan),and the lack of means is obvious.

Rather listless in its first part ,this story of love between a geisha and a Russian lieutenant features at least a great scene in the second one: "the night at the opera" .There is a similar scene in "letters from an unknown woman" when the lovers pretend they are traveling on a magic train.Another equivalent is Edwige Feuillère's pilgrimage at the ski resort in "Sans Lendemain".

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7/10
Volga Boatman
writers_reign5 June 2009
Warning: Spoilers
The average film buff tends to think of Max Ophuls in terms of the three films he made in Hollywood at the end of the forties - Letter From An Unknown Woman, The Reckless Moment, Caught - and the final four films of his long career made in Paris in the fifties - La Ronde, Le Plaisir, Madame D ... and Lola Montes whilst his career was much wider than that embracing early films made in Germany and France. Yashiwara belongs to the films he made in thirties France - a time when fellow German director/actor Erich Von Stroheim was also enjoying a fruitful career in French films - and is something of a curio. The story is unashamedly Madame Butterfly under another name and with a Russian naval officer rather than an American falling in love with a Japanese geisha. A third facet is added by the Japanese servant who is also in love with the girl but the film is largely uneven redeemed only by a stunning 'opera' sequence in which the Russian mesmerises the girl into believing they are taking a fantastic journey. Not one of Ophuls best by any means but compared to the new wavelet dross a masterpiece.
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5/10
I've Seen Too Many Japanese Movies To Take This Seriously
boblipton29 June 2023
Michiko Tanaka's family sells her to a geisha house in Yoshiwara, Tokyo's red-light district. She is carried to her place of business by rickshaw man Sessue Hayakawa, who falls in love with her and tries to buy her freedom, to no avail; she doesn't begin to have enough money. Noble, virtuous Russian naval officer Pierre Richard-Willm finds her while rebuking a fellow officer who went thither for a good time. They fall in love, and he pays the owner of the house money for all her time while he's been assigned to Tokyo for the purposes of the plot. Meanwhile, Hayakawa is let out of prison if he spies constantly on Willm.

It should come as no surprise to begin by noting that Max Ophüls' movie is an exercise in formalism, a stage play with fine camerawork by Eugen Schüfftan. The story it is based on is derivative junk, written by someone who apparently had seen MADAME BUTTERFLY, and perhaps Miss Tanaka in her stage premiere in DIE GEISHA. Willm is a good actor and performs his role with conviction, even though what is important to him varies from minute to minute. Hayakawa acts superbly in a largely physical role -- the producers thought he spoke French and cut his dialogue on discovering he did not.

Miss Tanaka performs her role well. She was actually an opera singer, and had performed in Puccini's opera. She was the niece of the Japanese Ambassador to Vienna, and had moved thither to study violin and singing. There she married the wealthy owner of a chain store, and began a career that lasted many years. She died in 1988, aged 74.
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