Song of the Saddle (1936) Poster

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6/10
An old plot line but I found it performed with a refreshing new approach.
scottebear14 November 2002
Warning: Spoilers
Within the first ten minutes the players are well established in their usual rolls. The standard indignant revenge motive is uncorked for our hero's actions (hey, Hollywood still uses it today as the premise for a large sect of it's movies). And we all settle in for expected happy ending.

What's good about this movie is the method of vindication used by our hero. He's not going to catch the bad guys in the act and have justice run its course (all hail good over evil). He's going to arrange events so as to let the villains do themselves in one at a time. *(SPOILER WARNING) With each successive death he wipes their names and chalk likeness off a wall. *(END WARNING)

Dick Foran's voice is very good and he keeps the musical interludes down to a respectable number. The way the story is presented is believable by the viewer. Add this one to your early Western classics, and you won't be sorry.
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7/10
Patience And Care
bkoganbing22 July 2011
Song Of The Saddle is a nice adaption of The Count Of Monte Cristo set in the old Hollywood west. I wonder how many viewers in 1936 caught on that this was inspired by the classic Dumas revenge tale.

Addison Richards and son George Earnest are pioneers heading west when they meet up with Charles Middleton and henchmen. Middleton who was the ultimate screen villain as Ming the Merciless in Flash Gordon is as pitiless here as he is in that serial. He sells Richards supplies and then kills him for them back and whatever else he can rob. But the boy survives takes names and numbers.

When he grows up to be Dick Foran he comes back and he's not just going to kill these guys. No Foran has a rather intricate scheme of revenge going for him and he executes it with patience and care.

Foran sings a couple of nice, but forgettable western ballads. The action here is on the plot, done with far more care than normally given B pictures of any kind. You really have to see this one to appreciate how he accomplishes his mission.

Like another pulp hero, Foran loves it when a plan comes together.
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6/10
Say...wasn't that.................!
bsmith555225 June 2018
Warning: Spoilers
"Song of the Saddle was the second of twelve "B" westerns from Warner Bros. starring Dick Foran as "The Singing Cowboy". As another reviewer has pointed out, the story is apparently based on the classic revenge story, "The Count of Monte Cristo".

The first part of the story takes place in 1850 where Frank Wilson (Addison Richards) and his son Frank Jr. (George Earnest) are travelling west from Ohio. Young Jen Coburn (Bonita Granville) is travelling with them. They arrive in a town controlled by Phineas Hood (Charles Middleton). Wilson a peddler, sells his goods to Hood for a profit and goes to return to Ohio to re-stock.

The evil Hood dispatches the Bannion brothers, Jake (Eddie Shubert) and Simon (Monte Montague) dressed as Indians, to retrieve the money. in the course of the robbery, Wilson is killed but Frank Jr. escapes.

Fast forward 10 years and Frank Jr. (Foran) returns as "The Singing Cowboy" to avenge his father's death. He finds that Hood and the Bannions are still operating, so he devises a plan to exact his revenge. He also meets up with the adult Jen Coburn (Alma Lloyd) and renews their friendship.

Frank manages to have the Bannions be killed by their own men then he goes after Hood and.................................................................

Foran croons a couple of songs and young Earnest as young Frank Jr. gets to sing one as well. From the blink and you'll miss him dept. , watch for a young Roy Rogers calling a square dance at the barbecue sequence as well as, The Sons of the Pioneers playing in the background.

Really unrelated to the story and totally unnecessary, the opening sequence features a land rush, obviously stock footage, to set up Middleton's murder of a settler in order to take his claim. And Foran doesn't appear until a quarter of the way through the story.

Charles Middleton is best remembered as Ming the Merciless in Universal's three Flash Gordon serials. Bud Osborne (billed as "Bob") appears as rancher Porter.
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7/10
The Roots of Vengence
mmtoucan1 December 2018
In 1931, at Columbia, Buck Jones sang a song before becoming "The Avenger," outfoxing the villian and his two henchmen and orchestrating thier doom, one by one. The backstory is quite different here, as Jones played an adult Mexican who witnesses his brother's brutal murder and Dick Foran is a singing cowboy who witnessed his pioneer father's murder as a child. Before this, Ken Maynard, Bob Steele, Johnny Mack Brown and others had also used this kind of childhood preface. The audience has a strong emotional stake in the hero's quest for vengence and at the same time can't condone his out-right murder of the villians. Buck Jones as a Mexican couldn't get justice in white man's California, and our singing cowboy can't because "It happened too long ago" and he has no proof. Like Buck, though, he writes the three villians names on a wall, to be checked off. As in The Avenger, their fates are are almost identical. So this Warners' B+ western qualifies as an unofficial remake, getting no points for originality. But in the B's especially, "it ain't what you do, it's the way that you do it," and Song of the Saddle does it very well. I loved best Charles Middleton, dark-souled and merciless as ever. Too frail for fights and lassoing, but larger than life in the scarey man dept.
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