The Vagabond Queen (1929) Poster

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6/10
"Bolony for the Bolonians"
richardchatten19 May 2024
A glance at the credits of 'The Vagabond Queen' provides evidence of both the slipshod and the accomplished: the former by the misspelling of the director's name (which would be apt for one of the characters), the latter by the name of Oscar-winning Hollywood cameraman Charles Rosher.

This British retread of 'The Prisoner of Zenda' places its narrative on the tiny but substantial frame of Betty Balfour. The unusual supporting cast includes one of only two film role for the eminent stage actor Glenn Byam Shaw (the other being as Mary Ure's father in 'Look Anger' as a rather subdued leading man (the plot device that he's an inventor working on an experimental television transmitter is rather surprisingly soon abandoned), Ernest Thesiger wearing at least three top hats - judging from the amount of punishment they take - a wing collar and a frock coat; while Harry Terry as the pretender to the throne provides an ugly face that reached its apogee ten years later in the title role of 'The Face at the Window'.
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7/10
Girls of Zenda!
allenrogerj21 June 2006
Warning: Spoilers
I went to see this as part of my Ernest Thesiger Completist project. A voiceless Thesiger loses some of his effect, but as Lidoff, the would-be Machiavellian ambassador ("Oh dear! I forgot to mention you are married") of the Balkan state of Bolonia he is still effective. our heroine, Sally the housemaid, is an exact double of Princess Zonia of Bolonia and Lidoff takes her and her lover Jimmie (who is inventing television) to Bolonia, expecting the would-be military dictator General Winkleburg to kill Sally ("It's a pity she'll die. She's a nice little thing.") instead of the Princess en route to the coronation. The plot is foiled by coincidence, foreign incompetence, chance and Jimmie. Going by this film, Betty Balfour isn't much like Pickford- tougher and working-class. She plays Sally well and doesn't have much to do except wear the clothes as if she's used to them as the princess. It's standard British humour- servants and landladies in the first half and- even with an Austrian director- standard British ideas of the Balkans in the second half. Not very imaginative visually- the usual British film-making technique- get good actors and just point the camera at them. The actors all act the way they're meant to act. The continuous musical accompaniment- recorded with the appearance of sound films just after the film was made- has some entertaining effects.
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