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- After being falsely accused of being insane and put in a asylum so his wicked aunt and her daughters could steal his money, a recently released young man returns to seek the ultimate revenge against them.
- Santiago de Compostela and the Galician countryside, Spain, at the end of the 19th Century. A love story runs parallel to a student story. The lovers, helped by the young man's friends, deal with the intrigues of an ambitious family.
- Visual and sonorous journey where the stone is the main element from which emerge concepts as the work, death, the mystic, taking Galicia as the place to perform it, with a submerged culture that adores the stone.
- The Bike is a way of being, of moving, of gyrating, of ascending and of descending. A manner of transporting our systemic way of being through the welding to its structure by means of an absolute abstraction to all which crosses our path at that instant in time. The mere fact of riding the bike involves the acceptance, becoming at one with a secondary force capable of helping us to travel along the pathways, (internally and externally) of which the Routine cuts deep grooves upon life's surface. The mere fact of propelling the pedals signifies the assumption of its indispensability when confronting any individual initiative. That's why it is always available. Always. At the right time, at the right place, without fail, precise like a clock mechanism. That's where the Routine starts, the bike turns out to be necessary. And, hence, it shows up. For whoever and no-one. Being part of our lives. Of our Routine. And also of our more or less chromatic way of confronting it.