During his monologue for the 2024 Oscars, host Jimmy Kimmel was quick to call out the Film Academy for failing to nominate Greta Gerwig for Barbie.
“It was a hard year but it was also a great year for movies despite the fact that everything stopped,” Kimmel reflected, alluding to the 2023 actors and writers strikes.
“Here we are all dressed up celebrating the best of the best beginning with Barbie,” Kimmel said, describing the film starring Margot Robbie and Ryan Gosling as a “monster hit.”
“What an achievement to take a plastic doll no one even liked anymore… Now Barbie is a feminist icon thanks to Greta Gerwig who many believe deserved to be nominated for best director,” Kimmel added. After the audience erupted into an applause Kimmel quipped, “I know you’re clapping, but you’re the ones who didn’t vote for her by the way. Don’t act...
“It was a hard year but it was also a great year for movies despite the fact that everything stopped,” Kimmel reflected, alluding to the 2023 actors and writers strikes.
“Here we are all dressed up celebrating the best of the best beginning with Barbie,” Kimmel said, describing the film starring Margot Robbie and Ryan Gosling as a “monster hit.”
“What an achievement to take a plastic doll no one even liked anymore… Now Barbie is a feminist icon thanks to Greta Gerwig who many believe deserved to be nominated for best director,” Kimmel added. After the audience erupted into an applause Kimmel quipped, “I know you’re clapping, but you’re the ones who didn’t vote for her by the way. Don’t act...
- 3/10/2024
- by Lexy Perez
- The Hollywood Reporter - Movie News
Exclusive: After taking on Sigmund Freud in Sony Pictures Classics’ Freud’s Last Session, Academy Award winner has been set to star in Eyes in the Trees, a reimagining of the classic H.G. Wells novel The Island of Dr. Moreau, from director Timothy Woodward Jr.
In the film, Hopkins portrays a geneticist who has been isolated after the government stopped funding his research following the violent outbreak of one of his test subjects. Later, two renowned filmmakers and their crew embark on a journey of discovery, only to find their excursion turned into a fight for survival for not just themselves, but the entire human race.
A seminal work of science fiction published in 1896, The Island of Dr. Moreau has inspired numerous screen adaptations over the years, including 1932’s Island of Lost Souls and 1977’s The Island of Dr. Moreau starring Burt Lancaster. Most famous among them is the 1996 film of the same name,...
In the film, Hopkins portrays a geneticist who has been isolated after the government stopped funding his research following the violent outbreak of one of his test subjects. Later, two renowned filmmakers and their crew embark on a journey of discovery, only to find their excursion turned into a fight for survival for not just themselves, but the entire human race.
A seminal work of science fiction published in 1896, The Island of Dr. Moreau has inspired numerous screen adaptations over the years, including 1932’s Island of Lost Souls and 1977’s The Island of Dr. Moreau starring Burt Lancaster. Most famous among them is the 1996 film of the same name,...
- 3/6/2024
- by Matt Grobar
- Deadline Film + TV
John Lennon and Harry Nilsson weren’t just friends: they were collaborators. They made a whole album together that includes a mix of classic cover songs and original compositions. Afterward, John was asked if he was influenced by Nilsson in any way. Regardless of what he said, the album the two made together has endured and still influences modern singers.
John Lennon and Harry Nilsson put their own spin on tracks by Bob Dylan and Bill Haley
John produced Nilsson’s record Pussy Cats. The cover of the record depicts the two rockers as anthropomorphic kittens. Pussy Cats features some new songs, most famously “Don’t Forget Me,” as well as recordings of standards such as Bob Dylan’s “Subterranean Homesick Blues,” Bill Haley & His Comets’ “Rock Around the Clock,” and The Drifters’ “Save the Last Dance for Me.”
During a 1975 interview with Rolling Stone, John was asked if he...
John Lennon and Harry Nilsson put their own spin on tracks by Bob Dylan and Bill Haley
John produced Nilsson’s record Pussy Cats. The cover of the record depicts the two rockers as anthropomorphic kittens. Pussy Cats features some new songs, most famously “Don’t Forget Me,” as well as recordings of standards such as Bob Dylan’s “Subterranean Homesick Blues,” Bill Haley & His Comets’ “Rock Around the Clock,” and The Drifters’ “Save the Last Dance for Me.”
During a 1975 interview with Rolling Stone, John was asked if he...
- 11/12/2023
- by Matthew Trzcinski
- Showbiz Cheat Sheet
Christopher Nolan’s career rebounded quite nicely after his planned Howard Hughes biopic was scrapped to make way for “The Aviator.” But that doesn’t mean he’s seen Martin Scorsese’s film about the famously eccentric businessman and pilot.
Nolan told Variety that he admitted to “The Aviator” actor Leonardo DiCaprio while collaborating with the Oscar winner on “Inception” that he had never watched Scorsese’s 2004 period piece. “The Aviator” was released by Warner Bros., the studio which Nolan partnered with for close to 20 years.
Nolan’s take on Howard Hughes was expected to cast Jim Carrey, but Nolan had to walk away from the script after Scorsese’s film went into production.
“It was very emotional to not get to make something I’d poured all that into,” Nolan said of the project.
Now, even with Scorsese crediting Nolan among the few filmmakers still preserving the merits of cinema today,...
Nolan told Variety that he admitted to “The Aviator” actor Leonardo DiCaprio while collaborating with the Oscar winner on “Inception” that he had never watched Scorsese’s 2004 period piece. “The Aviator” was released by Warner Bros., the studio which Nolan partnered with for close to 20 years.
Nolan’s take on Howard Hughes was expected to cast Jim Carrey, but Nolan had to walk away from the script after Scorsese’s film went into production.
“It was very emotional to not get to make something I’d poured all that into,” Nolan said of the project.
Now, even with Scorsese crediting Nolan among the few filmmakers still preserving the merits of cinema today,...
- 11/11/2023
- by Samantha Bergeson
- Indiewire
David Fincher is sometimes accused of a smug misanthropy, as his obsessive fascination with procedure, behavior, and psychology can suggest an unfeeling smirk or a weary shake of the head at the human condition. Though The Killer does touch on some weighty themes related to death and fate, particularly in a lyrical scene where Michael Fassbender’s character has a showdown with a glamorous, nihilistic fellow assassin (Tilda Swinton), the film’s relatively slight, linear narrative seems to have permitted the director to cease his investigations for a little while. His calculating approach is instead applied in service of a straightforwardly entertaining film, and while it might not offer much in the way of originality or depth, it’s undeniably effective and refreshingly unafraid to embrace its own shallowness. In conjunction with the film’s release, we ranked all of Fincher’s features to date. David Robb
Editor’s Note:...
Editor’s Note:...
- 11/7/2023
- by Slant Staff
- Slant Magazine
Bigger and longer are not always better. Case in point: Freud’s Last Session, the lavish film based on a modest off-Broadway play that captivated theater audiences a decade ago. Playwright Mark St. Germain worked with director Matthew Brown (The Man Who Knew Infinity) to reshape his two-character drama about an imaginary conversation between Sigmund Freud and C.S. Lewis as they debate the existence of God. That provocative exchange is still in the movie, and it sometimes crackles, thanks to the performances of Matthew Goode as Lewis and, especially, Anthony Hopkins as Freud. But the heart of the story is constantly undermined by a surfeit of asides about Lewis’ experiences in the First World War, Freud’s highly charged relationship with his daughter Anna, and several other subplots.
The main culprit here may be the current fashion for time-fractured, nonlinear narratives. It is rare these days to see a movie...
The main culprit here may be the current fashion for time-fractured, nonlinear narratives. It is rare these days to see a movie...
- 10/29/2023
- by Stephen Farber
- The Hollywood Reporter - Movie News
Christopher Nolan’s “Oppenheimer” was adapted from Kai Bird and Martin J. Sherwin’s biography “American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer.” But the celebrated filmmaker doesn’t want anyone to call it a biopic.
In a recent panel at City University of New York (via Variety), Nolan explained that he dislikes the term “biopic” because the entirety of a person’s life can’t be accurately conveyed in a movie. In his view, trying to capture someone’s whole biography in a film will needlessly simplify their existence.
“There is a tendency in biography post-Freud to attribute characteristics of the person you’re dealing with to their genetics from their parents. It’s a very reductive view of a human being,” said. “If you’re writing a book that’s 500 pages or 1,000 pages, there’s a way to balance that with their individuality and experiences.
In a recent panel at City University of New York (via Variety), Nolan explained that he dislikes the term “biopic” because the entirety of a person’s life can’t be accurately conveyed in a movie. In his view, trying to capture someone’s whole biography in a film will needlessly simplify their existence.
“There is a tendency in biography post-Freud to attribute characteristics of the person you’re dealing with to their genetics from their parents. It’s a very reductive view of a human being,” said. “If you’re writing a book that’s 500 pages or 1,000 pages, there’s a way to balance that with their individuality and experiences.
- 10/28/2023
- by Christian Zilko
- Indiewire
Sometimes a cigar is just a cigar. And sometimes it’s a loaded symbol in an imagined conversation between world-famous “sex doc” Sigmund Freud and converted atheist C.S. Lewis.
In the stage play turned only-slightly-less-stagy film, “Freud’s Last Session,” these two titans of 20th-century thought meet at the psychoanalyst’s London home in early September 1939 to discuss God, father figures (both spiritual and biological) and, of course, sex. Freud famously had a way of making everything about sex, and once he lights his cigar — a prop that Freud treats every bit as portentously as one might Chekhov’s proverbial gun — the subject effectively chases out their more gripping disagreement over faith.
Expanding only slightly on the stuffiness of his tweedy 2015 biopic, “The Man Who Knew Infinity,” director Matthew Brown has taken the play by Mark St. Germain and whittled away a bit of the talk (thereby making room for formative...
In the stage play turned only-slightly-less-stagy film, “Freud’s Last Session,” these two titans of 20th-century thought meet at the psychoanalyst’s London home in early September 1939 to discuss God, father figures (both spiritual and biological) and, of course, sex. Freud famously had a way of making everything about sex, and once he lights his cigar — a prop that Freud treats every bit as portentously as one might Chekhov’s proverbial gun — the subject effectively chases out their more gripping disagreement over faith.
Expanding only slightly on the stuffiness of his tweedy 2015 biopic, “The Man Who Knew Infinity,” director Matthew Brown has taken the play by Mark St. Germain and whittled away a bit of the talk (thereby making room for formative...
- 10/28/2023
- by Peter Debruge
- Variety Film + TV
Hollywood has tried for decades to make psychoanalysis compelling for the layman, whether that’s David Cronenberg’s “A Dangerous Method” to Bill Condon’s “Kinsey.” Director Matthew Brown (“The Man Who Knew Infinity”) is the latest to look at the density of psychology, philosophy and existentialism with his quasi-historical drama “Freud’s Last Session.”
The film tells the story of a fictional meeting between Sigmund Freud (Anthony Hopkins) and author C.S. Lewis (Matthew Goode). Freud is suffering from oral cancer while Lewis has embraced a newfound love for Christianity. The pair meet in the hopes of crafting some type of relationship and spend the day going back and forth on the everything from God to the meaning of life.
It’s a fairly simple premise that holds promise: what would the greatest psychoanalyst and the most pronounced theologian have to talk about? The answer is enough to fill a two...
The film tells the story of a fictional meeting between Sigmund Freud (Anthony Hopkins) and author C.S. Lewis (Matthew Goode). Freud is suffering from oral cancer while Lewis has embraced a newfound love for Christianity. The pair meet in the hopes of crafting some type of relationship and spend the day going back and forth on the everything from God to the meaning of life.
It’s a fairly simple premise that holds promise: what would the greatest psychoanalyst and the most pronounced theologian have to talk about? The answer is enough to fill a two...
- 10/28/2023
- by Kristen Lopez
- The Wrap
On the heels of the wonderful 2019 The Two Popes, in which Anthony Hopkins starred as Pope Benedict XVI in an imagined conversation with Jonathan Pryce’s future Pope Francis, Hopkins is once again involved in the same kind of cinematic historical fictional meeting as founder of psychoanalysis Sigmund Freud, who is engaged in a private debate with The Chronicles of Narnia author and theologian C.S. Lewis (played by Matthew Goode) on the existence of God. As with The Two Popes, there is no proof whatsoever that any meeting ever took place, but it clearly provides lots of material to wrap your head around. That is exactly what Mark St. Germain did in creating his 2009 play Freud’s Last Session, which was built on the 1967 Harvard lectures of Dr. Armond M. Nicholi Jr in his presentation “The Question of God: C.S. Lewis and Sigmund Freud Debate God, Love, Sex, and the Meaning of Life.
- 10/28/2023
- by Pete Hammond
- Deadline Film + TV
Sony Pictures Classics has dropped the teaser trailer for the feature “Freud’s Last Session” starring two-time Oscar winner Anthony Hopkins and Matthew Goode that imagines a daylong conversation between famed psychoanalyst Sigmund Freud (Hopkins) and author C.S. Lewis (Goode) on September 3, 1939, two days after Hitler invaded Poland and three weeks before Freud’s death from cancer. Watch the trailer above.
As the film opens, the threat of German bombs rattles England, and Freud – seriously ill with the cancer that would soon take his life – has fled Nazi forces invading his homeland and brought his family from Vienna to London, where he’s visited by author and Oxford theologian Lewis. Lewis – whose “Chronicles of Narnia” books would later bring him worldwide acclaim – is an atheist turned devout Christian hoping to confront the Father of Psychoanalysis about the gap between science and religion and faith and logic, and how studying the mind...
As the film opens, the threat of German bombs rattles England, and Freud – seriously ill with the cancer that would soon take his life – has fled Nazi forces invading his homeland and brought his family from Vienna to London, where he’s visited by author and Oxford theologian Lewis. Lewis – whose “Chronicles of Narnia” books would later bring him worldwide acclaim – is an atheist turned devout Christian hoping to confront the Father of Psychoanalysis about the gap between science and religion and faith and logic, and how studying the mind...
- 10/26/2023
- by Ray Richmond
- Gold Derby
Sony Pictures Classic has debuted a new trailer for the Anthony Hopkins and Matthew Goode-led ‘Freud’s Last Session.’
On the eve of the Second World War, two of the greatest minds on the twentieth century, C.S. Lewis and Sigmund Freud converge for their own personal battle over the existence of God. The film interweaves the lives of Freud and Lewis, past, present, and through fantasy, bursting from the confines of Freud’s study on a dynamic journey.
Matt Brown directs, Alan Greisman, Rick Nicita, Meg Thomson, Hannah Leader, Tristan Orpen Lynch, and Robert Stillman produce.
Also in trailer – “Something is happening…” Trailer lands for apocalyptic thriller ‘Leave The World Behind’
The film is set to get a release in New York and Los Angeles theaters on December 22nd with an expansion into other markets set for January 2024.
The post Anthony Hopkins & Matthew Goode star in trailer for ‘Freud’s Last Session’ appeared first on HeyUGuys.
On the eve of the Second World War, two of the greatest minds on the twentieth century, C.S. Lewis and Sigmund Freud converge for their own personal battle over the existence of God. The film interweaves the lives of Freud and Lewis, past, present, and through fantasy, bursting from the confines of Freud’s study on a dynamic journey.
Matt Brown directs, Alan Greisman, Rick Nicita, Meg Thomson, Hannah Leader, Tristan Orpen Lynch, and Robert Stillman produce.
Also in trailer – “Something is happening…” Trailer lands for apocalyptic thriller ‘Leave The World Behind’
The film is set to get a release in New York and Los Angeles theaters on December 22nd with an expansion into other markets set for January 2024.
The post Anthony Hopkins & Matthew Goode star in trailer for ‘Freud’s Last Session’ appeared first on HeyUGuys.
- 10/26/2023
- by Zehra Phelan
- HeyUGuys.co.uk
"Why would come here to see me if you disagree so passionately with my views?" Sony Pictures Classics has unveiled a first look teaser trailer for a film titled Freud's Last Session, directed by filmmaker Matt Brown, based on Mark St. Germain's play of the same name. The film is premiering at AFI Fest in LA this weekend, hence this trailer out now, and it will sneak into the awards season debuting in select theaters in December at the end of the year. On the eve of WWII, two of the greatest minds of the 20th Century, author C.S. Lewis and psychologist Sigmund Freud, converge for their own personal battle over the existence of God, each with opposing views. Freud's Last Session interweaves the lives of Freud & Lewis, past, present, and through fantasy, bursting from the confines of Freud's study on a dynamic journey. Starring Anthony Hopkins as Freud,...
- 10/25/2023
- by Alex Billington
- firstshowing.net
Sigmund Freud and C.S. Lewis battle over the existence of God on the eve of World War II in Freud’s Last Session.
The first trailer for the Sony Pictures Classics film starring Anthony Hopkins and Matthew Goode released on Wednesday, and sees the two actors portraying the famed psychologist and author, respectively.
“Why would you come here to see me if you disagree so passionately with my views?” Hopkins’ Freud asks Goode’s Lewis from across his office desk.
It’s two days after Hitler has invaded Poland, as German bombs rattle England, Freud — who fled Vienna following Nazi forces’ presence in his homeland — is now visited by the theologian Lewis in London. Not quite famous yet to the degree his Chronicles of Narnia series will bring him, the former atheist turned Christian has come to confront the “Father of Psychoanalysis.”
The topics of discussion? The gaps between science and religion,...
The first trailer for the Sony Pictures Classics film starring Anthony Hopkins and Matthew Goode released on Wednesday, and sees the two actors portraying the famed psychologist and author, respectively.
“Why would you come here to see me if you disagree so passionately with my views?” Hopkins’ Freud asks Goode’s Lewis from across his office desk.
It’s two days after Hitler has invaded Poland, as German bombs rattle England, Freud — who fled Vienna following Nazi forces’ presence in his homeland — is now visited by the theologian Lewis in London. Not quite famous yet to the degree his Chronicles of Narnia series will bring him, the former atheist turned Christian has come to confront the “Father of Psychoanalysis.”
The topics of discussion? The gaps between science and religion,...
- 10/25/2023
- by Abbey White
- The Hollywood Reporter - Movie News
Sigmund Freud squares off against C.S. Lewis over nothing less than the existence of God in the first trailer for “Freud’s Last Session.”
The Sony Pictures Classics acquisition will debut in theaters on Dec. 22, positioning the Anthony Hopkins and Matthew Goode vehicle as a year-end awards season contender.
The official plot synopsis for “Freud’s Last Session” reads: “On the eve of the Second World War, two of the greatest minds of the 20th Century, Sigmund Freud (Hopkins) and C.S. Lewis (Goode), converge for their own personal battle over the existence of God.” The movie “interweaves the lives of Freud and Lewis, past, present and through fantasy, bursting from the confines of Freud’s study on a dynamic journey.”
Matt Brown (“The Man Who Knew Infinity”) directed while Mark St. Germain (“The God Committee”) adapted his play of the same name.
The trailer positions the feature as a dialogue-driven two-hander,...
The Sony Pictures Classics acquisition will debut in theaters on Dec. 22, positioning the Anthony Hopkins and Matthew Goode vehicle as a year-end awards season contender.
The official plot synopsis for “Freud’s Last Session” reads: “On the eve of the Second World War, two of the greatest minds of the 20th Century, Sigmund Freud (Hopkins) and C.S. Lewis (Goode), converge for their own personal battle over the existence of God.” The movie “interweaves the lives of Freud and Lewis, past, present and through fantasy, bursting from the confines of Freud’s study on a dynamic journey.”
Matt Brown (“The Man Who Knew Infinity”) directed while Mark St. Germain (“The God Committee”) adapted his play of the same name.
The trailer positions the feature as a dialogue-driven two-hander,...
- 10/25/2023
- by Scott Mendelson
- The Wrap
Christopher Nolan’s Oppenheimer sits at $942 million at the worldwide box office, which makes it the highest-grossing biopic of all time, but it’s a genre label that the director disputes.
Christopher Nolan recently spoke at a City University of New York event alongside producer Emma Thomas and Pulitzer Prize-winning author Kai Bird, who co-wrote the novel on which Oppenheimer is based. When asked why Oppenheimer doesn’t include aspects of the title character’s childhood, Nolan rejected the idea of the biopic.
“There is a tendency in biography post-Freud to attribute characteristics of the person you’re dealing with to their genetics from their parents. It’s a very reductive view of a human being,” Nolan said. “If you’re writing a book that’s 500 pages or 1,000 pages, there’s a way to balance that with their individuality and experiences. When you compress and strip down to the necessary simplicity of a screenplay,...
Christopher Nolan recently spoke at a City University of New York event alongside producer Emma Thomas and Pulitzer Prize-winning author Kai Bird, who co-wrote the novel on which Oppenheimer is based. When asked why Oppenheimer doesn’t include aspects of the title character’s childhood, Nolan rejected the idea of the biopic.
“There is a tendency in biography post-Freud to attribute characteristics of the person you’re dealing with to their genetics from their parents. It’s a very reductive view of a human being,” Nolan said. “If you’re writing a book that’s 500 pages or 1,000 pages, there’s a way to balance that with their individuality and experiences. When you compress and strip down to the necessary simplicity of a screenplay,...
- 10/21/2023
- by Kevin Fraser
- JoBlo.com
Vienna-based Terra Mater Studios, a subsidiary of Red Bull, is developing its first fictional series “Salon of Sugar.”
The historical drama will focus on Berta Zuckerkandl, born in 1864: a writer, journalist and a hostess of an important literary salon in Vienna, frequented by the likes of Auguste Rodin, Gustav Klimt, director Max Reinhardt or Stefan Zweig.
“Composer Gustav Mahler actually met his wife Alma there,” says producer Nina Steiner, teasing other familiar faces bound to appear in the show, from Freud to Georges Clemenceau. Verena Puhm writes.
According to the makers, by creating an environment where revolutionary ideas and discussions flourished, Berta found herself at the very center of cultural and intellectual evolution during a “transformative” era in European history.
“I was drawn to this story because it encapsulates the timeless struggle for freedom and equality amidst a backdrop of societal change. Berta’s journey embodies the resilience and...
The historical drama will focus on Berta Zuckerkandl, born in 1864: a writer, journalist and a hostess of an important literary salon in Vienna, frequented by the likes of Auguste Rodin, Gustav Klimt, director Max Reinhardt or Stefan Zweig.
“Composer Gustav Mahler actually met his wife Alma there,” says producer Nina Steiner, teasing other familiar faces bound to appear in the show, from Freud to Georges Clemenceau. Verena Puhm writes.
According to the makers, by creating an environment where revolutionary ideas and discussions flourished, Berta found herself at the very center of cultural and intellectual evolution during a “transformative” era in European history.
“I was drawn to this story because it encapsulates the timeless struggle for freedom and equality amidst a backdrop of societal change. Berta’s journey embodies the resilience and...
- 10/17/2023
- by Marta Balaga
- Variety Film + TV
Demonic possession is all the rage in Hollywood. This year alone, we’ve been haunted by Huesera: The Bone Woman, Attachment, Evil Dead Rise, Talk to Me, It Lives Inside, Run Rabbit Run, and The Nun II. Hell, they even rebooted The Exorcist with Ellen Burstyn and cast none other than Russell Crowe as a boozy Italian man of the cloth who locks horns with al diavolo. Now there’s In the Fire, a new film from director Conor Allyn (No Man’s Land).
On the surface, it has all the...
On the surface, it has all the...
- 10/13/2023
- by Marlow Stern
- Rollingstone.com
One of the great unsung traditions of horror is a character’s external environment reflecting their internal state. It has found its way into films as diverse as Repulsion (1965), The Texas Chain Saw Massacre (1974), Wes Craven’s New Nightmare (1994), and Relic (2020) to name just a few. Edgar Allan Poe was hardly the first to use the device, it had been a feature of the Gothic romances popular in the decades before him, but Poe moved it from character-deepening subtext to overt metaphor in his short story “The Fall of the House of Usher.”
Roger Corman’s 1960 film adaptation of the story latches onto and expands this and several of Poe’s obsessions into what has become a classic of slow-burning terror. The Fall of the House of Usher is the first in what has come to be called the Corman Poe Cycle. These eight films produced between 1960 and 1964 are among the most stylish,...
Roger Corman’s 1960 film adaptation of the story latches onto and expands this and several of Poe’s obsessions into what has become a classic of slow-burning terror. The Fall of the House of Usher is the first in what has come to be called the Corman Poe Cycle. These eight films produced between 1960 and 1964 are among the most stylish,...
- 10/11/2023
- by Brian Keiper
- bloody-disgusting.com
Sony Pictures Classics has set a December 22 release for its awards hopeful Freud’s Last Session starring Anthony Hopkins and Matthew Goode.
The film will expand in January and is directed by Matt Brown from a screenplay by Mark St. Germain (The God Committee) based on his play of the same name.
The story takes place on the eve of the Second World War as pioneering psychoanalyst Sigmund Freud (Hopkins) and renowned author and C.S. Lewis (Goode), converge for their own personal battle over the existence of God.
The film weaves together the lives of Freud and Lewis, past, present,...
The film will expand in January and is directed by Matt Brown from a screenplay by Mark St. Germain (The God Committee) based on his play of the same name.
The story takes place on the eve of the Second World War as pioneering psychoanalyst Sigmund Freud (Hopkins) and renowned author and C.S. Lewis (Goode), converge for their own personal battle over the existence of God.
The film weaves together the lives of Freud and Lewis, past, present,...
- 10/5/2023
- by Jeremy Kay
- ScreenDaily
Sony Pictures Classics will release “Freud’s Last Session” in New York and Los Angeles theaters on Dec. 22, 2023, followed by an expansion nationwide in January.
The late-in-the-year limited release date with a nationwide release at the first of the new year points to a studio potentially feeling good about a movie’s Oscar chances.
And given the star wattage, subject matter and the fact that it is based on a play, could “Freud’s Last Session” be a secret Academy Awards powerhouse?
The movie stars Anthony Hopkins and Matthew Goode and is directed by Matt Brown, with a screenplay courtesy of Mark St. Germain, based on a play of the same name (also written by St. Germain).
The official plot synopsis reads: “On the eve of the Second World War, two of the greatest minds of the twentieth century, Sigmund Freud (Hopkins) and C.S. Lewis (Goode), converge for their own personal battle over the existence of God.
The late-in-the-year limited release date with a nationwide release at the first of the new year points to a studio potentially feeling good about a movie’s Oscar chances.
And given the star wattage, subject matter and the fact that it is based on a play, could “Freud’s Last Session” be a secret Academy Awards powerhouse?
The movie stars Anthony Hopkins and Matthew Goode and is directed by Matt Brown, with a screenplay courtesy of Mark St. Germain, based on a play of the same name (also written by St. Germain).
The official plot synopsis reads: “On the eve of the Second World War, two of the greatest minds of the twentieth century, Sigmund Freud (Hopkins) and C.S. Lewis (Goode), converge for their own personal battle over the existence of God.
- 10/5/2023
- by Drew Taylor
- The Wrap
Updated, 11:34 a.m.: Sony Pictures Classics has firmed up release plans for its drama Freud’s Last Session, starring Anthony Hopkins and Matthew Goode, which charts the relationship between psychoanalyst Sigmund Freud and author C.S. Lewis. Based on the stage play by Mark St. Germain, who wrote the script, the film opens in theaters in New York and L.A. December 22, with an expansion to follow in January.
The move positions the pic to open opposite A24’s wrestling drama The Iron Claw, Searchlight’s romantic drama All of Us Strangers, MGM’s buzzy festival title American Fiction, and Uni and Illumination’s original animated pic Migration.
Matt Brown (The Man Who Knew Infinity) served as the film’s director. In addition to North America, SPC is distributing in the Middle East, India, Eastern Europe (excluding Russia) and Turkey, and on airlines worldwide. Read more about the project below.
The move positions the pic to open opposite A24’s wrestling drama The Iron Claw, Searchlight’s romantic drama All of Us Strangers, MGM’s buzzy festival title American Fiction, and Uni and Illumination’s original animated pic Migration.
Matt Brown (The Man Who Knew Infinity) served as the film’s director. In addition to North America, SPC is distributing in the Middle East, India, Eastern Europe (excluding Russia) and Turkey, and on airlines worldwide. Read more about the project below.
- 10/5/2023
- by Matt Grobar
- Deadline Film + TV
This article has Oppenheimer spoilers.
At a whopping three hours and with a massively starry ensemble cast, Christopher Nolan’s Oppenheimer covers a lot of ground. The largest area of ground possible, in a way, since it charts the birth of humanity’s ability to completely wipe itself out. So it’s understandable why some of Oppenheimer’s real life characters don’t get the chance to be as filled out as they could be.
One notable example is Jean Tatlock, brought to vibrant life by Florence Pugh. Tatlock is a communist Oppenheimer meets at a party, and who becomes his lover. Later Oppenheimer marries Kitty (Emily Blunt), who, when they met, was married to Richard Stewart Harrison. Kitty and Oppenheimer have two children, but later Oppenheimer resumes an affair with Jean. It ends tragically when a troubled Jean takes her own life.
But who was she before she met...
At a whopping three hours and with a massively starry ensemble cast, Christopher Nolan’s Oppenheimer covers a lot of ground. The largest area of ground possible, in a way, since it charts the birth of humanity’s ability to completely wipe itself out. So it’s understandable why some of Oppenheimer’s real life characters don’t get the chance to be as filled out as they could be.
One notable example is Jean Tatlock, brought to vibrant life by Florence Pugh. Tatlock is a communist Oppenheimer meets at a party, and who becomes his lover. Later Oppenheimer marries Kitty (Emily Blunt), who, when they met, was married to Richard Stewart Harrison. Kitty and Oppenheimer have two children, but later Oppenheimer resumes an affair with Jean. It ends tragically when a troubled Jean takes her own life.
But who was she before she met...
- 7/24/2023
- by Rosie Fletcher
- Den of Geek
In the early scenes of “Oppenheimer,” J. Robert Oppenheimer (Cillian Murphy), an American physics student attending graduate school in England and Germany in the 1920s, with bright blue marble eyes and a curly wedge of hair that stands up like Charlie Chaplin’s, keeps having visions of particles and waves. We see the images that are disrupting his mind, the particles pulsating, the waves aglow in vibratory bands of light. Oppenheimer can see the brave new world of quantum physics, and the visual razzmatazz is exactly the sort of thing you’d expect from a biopic written and directed by Christopher Nolan: a molecular light show as a reflection of the hero’s inner spirit.
But even when “Oppenheimer” settles down into a more realistic, less phantasmagorical groove (which it does fairly quickly), it remains every inch a Nolan film. You feel that in the heady, dense, dizzying way it slices and dices chronology,...
But even when “Oppenheimer” settles down into a more realistic, less phantasmagorical groove (which it does fairly quickly), it remains every inch a Nolan film. You feel that in the heady, dense, dizzying way it slices and dices chronology,...
- 7/19/2023
- by Owen Gleiberman
- Variety Film + TV
The film was shot in Italy and is now in post-production.
London-based WestEnd Films has boarded Eran Riklis’ Reading Lolita In Tehran starring Golshifteh Farahani and Zar Amir-Ebrahimi, and will introduce the film to buyers in Cannes.
The film was shot in Italy and is now in post-production.
Adapted from Azar Nafisi’s autobiographical novel, the story centres around a teacher in Iran who secretly gathers a group of female students to read forbidden western classics. Marjorie David wrote the screenplay.
It is an Italy-Israel co-production between United King Films, Topia Communications, Eran Riklis Productions, Minerva Pictures and Rosamont with Rai Cinema.
London-based WestEnd Films has boarded Eran Riklis’ Reading Lolita In Tehran starring Golshifteh Farahani and Zar Amir-Ebrahimi, and will introduce the film to buyers in Cannes.
The film was shot in Italy and is now in post-production.
Adapted from Azar Nafisi’s autobiographical novel, the story centres around a teacher in Iran who secretly gathers a group of female students to read forbidden western classics. Marjorie David wrote the screenplay.
It is an Italy-Israel co-production between United King Films, Topia Communications, Eran Riklis Productions, Minerva Pictures and Rosamont with Rai Cinema.
- 5/5/2023
- by Ellie Calnan
- ScreenDaily
Joaquin Phoenix as Beau in Beau Is Afraid. Courtesy of A24.
Beau Is Afraid – and confused and feeling guilty and often fleeing in panic, as he is caught in a world of bizarre events, in director/writer Ari Aster’s nightmarish fever dream of a movie, Beau Is Afraid. And mostly, Beau has mommy issues. This unsettling horror mind-trip, with a touch of darkest humor and surrealist fantasy, has the prefect star, that master of madness, Joaquin Phoenix, who plays an anxious, nervous man who might be prone to hallucinations who sets out to do a seemingly simple thing: visit his mother.
Craziness is afoot and there is plenty for Beau to be afraid of in Ari Aster’s Beau Is Afraid. The weird, imaginative and sometimes darkly humorous Beau Is Afraid is a squirm-inducing experience from a director who is scary good at creating unsettling movies, whose previous films...
Beau Is Afraid – and confused and feeling guilty and often fleeing in panic, as he is caught in a world of bizarre events, in director/writer Ari Aster’s nightmarish fever dream of a movie, Beau Is Afraid. And mostly, Beau has mommy issues. This unsettling horror mind-trip, with a touch of darkest humor and surrealist fantasy, has the prefect star, that master of madness, Joaquin Phoenix, who plays an anxious, nervous man who might be prone to hallucinations who sets out to do a seemingly simple thing: visit his mother.
Craziness is afoot and there is plenty for Beau to be afraid of in Ari Aster’s Beau Is Afraid. The weird, imaginative and sometimes darkly humorous Beau Is Afraid is a squirm-inducing experience from a director who is scary good at creating unsettling movies, whose previous films...
- 4/21/2023
- by Cate Marquis
- WeAreMovieGeeks.com
Ari Aster’s first two films, 2018’s “Hereditary” and 2019’s “Midsommar,” cultivated the young director enough cachet for A24 to hand him a blank check for “Beau is Afraid,” his “Jewish ‘Lord of the Rings’” about the psychological horror of visiting your mother. The three-hour horror-comedy epic is the indie studio’s most expensive movie to date. Starring Oscar winner Joaquin Phoenix as the stunted and anxiety-ridden Beau of the title, the movie defies easy categorization and is, expectedly, inspiring awe and disgust in nearly equal measure – often within individual viewers.
Beau lives in an urban hellscape that approximates what “New York City looked like in the mind of Travis Bickle and Bernhard Goetz” and is in a persistent state of waiting for the other shoe to drop. When it finally does, it’s a chandelier on top of his mother’s head (it wouldn’t be an Aster film...
Beau lives in an urban hellscape that approximates what “New York City looked like in the mind of Travis Bickle and Bernhard Goetz” and is in a persistent state of waiting for the other shoe to drop. When it finally does, it’s a chandelier on top of his mother’s head (it wouldn’t be an Aster film...
- 4/14/2023
- by Ronald Meyer
- Gold Derby
“Freud’s Last Session,” which stars Anthony Hopkins as Sigmund Freud and Matthew Goode as author C. S. Lewis, is in its final stages of filming in Ireland.
“Freud’s Last Session” is set on the eve of the Second World War, when at the end of his life, Freud (Hopkins) invites “The Chronicles of Narnia” author C.S. Lewis (Goode) to debate the existence of God. Interweaving past, present and fantasy, the film explores Freud’s unique relationship with his daughter Anna (Liv Lisa Fries), and Lewis’ unconventional relationship with his best friend’s mother.
Sony Pictures Classics last year snapped up all rights for North America, the Middle East, Turkey, India, Eastern Europe (excluding Cis), Asia and Latin America and worldwide airlines. WestEnd Films, which is selling the film, has also struck deals across Australia (Sharmill Films), Scandinavia (Scanbox), Italy (Adler), Benelux (Just Entertainment), Portugal (Nos), Israel (United King) and Greece...
“Freud’s Last Session” is set on the eve of the Second World War, when at the end of his life, Freud (Hopkins) invites “The Chronicles of Narnia” author C.S. Lewis (Goode) to debate the existence of God. Interweaving past, present and fantasy, the film explores Freud’s unique relationship with his daughter Anna (Liv Lisa Fries), and Lewis’ unconventional relationship with his best friend’s mother.
Sony Pictures Classics last year snapped up all rights for North America, the Middle East, Turkey, India, Eastern Europe (excluding Cis), Asia and Latin America and worldwide airlines. WestEnd Films, which is selling the film, has also struck deals across Australia (Sharmill Films), Scandinavia (Scanbox), Italy (Adler), Benelux (Just Entertainment), Portugal (Nos), Israel (United King) and Greece...
- 4/11/2023
- by Manori Ravindran
- Variety Film + TV
WestEnd Films and CAA Media Finance are selling the film.
Babylon Berlin star Liv Lisa Fries has joined Anthony Hopkins and Matthew Goode in the cast of Freud’s Last Session, which is in its final stages of filming in Ireland.
A first look at the film, in which Oscar-winner Hopkins plays Sigmund Freud and Goode plays author C.S. Lewis, has been released by WestEnd Films, which handles sales alongside US-based CAA Media Finance.
German actress Fries plays Freud’s daughter in the film, which is set on the eve of the Second World War and sees the founder of...
Babylon Berlin star Liv Lisa Fries has joined Anthony Hopkins and Matthew Goode in the cast of Freud’s Last Session, which is in its final stages of filming in Ireland.
A first look at the film, in which Oscar-winner Hopkins plays Sigmund Freud and Goode plays author C.S. Lewis, has been released by WestEnd Films, which handles sales alongside US-based CAA Media Finance.
German actress Fries plays Freud’s daughter in the film, which is set on the eve of the Second World War and sees the founder of...
- 4/11/2023
- by Michael Rosser
- ScreenDaily
Westend Films has released the first image of Anthony Hopkins and Matthew Goode in Freud’s Last Session, as the legendary psychoanalyst Sigmund Freud and writer and academic C.S. Lewis, prior to his Chronicles Of Narnia fame.
Filming is in its final stages in Ireland.
Set on the eve of the Second World War, the film revolves around a meeting between Freud and Lewis, at the psychoanalyst’s London home, during which they debate the existence of God.
The film also explores Freud’s unique relationship with his daughter Anna, played by Liv Lisa Fries and Lewis’ unconventional relationship with his best friend’s mother.
The film is directed by Matthew Brown (The Man Who Knew Infinity) and was written by Mark St. Germain (The God Committee) with revisions by Brown, based on the play of the same name.
Producers are Alan Greisman (The Bucket List...
Filming is in its final stages in Ireland.
Set on the eve of the Second World War, the film revolves around a meeting between Freud and Lewis, at the psychoanalyst’s London home, during which they debate the existence of God.
The film also explores Freud’s unique relationship with his daughter Anna, played by Liv Lisa Fries and Lewis’ unconventional relationship with his best friend’s mother.
The film is directed by Matthew Brown (The Man Who Knew Infinity) and was written by Mark St. Germain (The God Committee) with revisions by Brown, based on the play of the same name.
Producers are Alan Greisman (The Bucket List...
- 4/11/2023
- by Melanie Goodfellow
- Deadline Film + TV
It’s good to be the king! And it’s great to see Mel Brooks’ iconic farce finally getting the raunchy, riotous follow-up fans have been wanting since 1981 in History of the World, Part II. “We wanted to honor the film but also really honor Mel,” says David Stassen, who executive produces the eight-episode hoot with the legendary comic as well as Ike Barinholtz (The Afterparty), Nick Kroll (Big Mouth), and Wanda Sykes (The Upshaws). They succeeded. In the sequel series, which rolls out over four nights (March 6 through March 9 on Hulu), Brooks’ narration introduces historical vignettes with the same side-splitting mix of high- and low-brow humor, sight gags, and sly social commentary. Sketches that skewer the Civil War, the Russian Revolution, Shirley Chisholm’s presidential bid, and the story of Jesus provide the backbone of Part II, recurring throughout the season. Some of the stand-alone topics: Noah’s Ark, Freud,...
- 2/26/2023
- TV Insider
Alan Cumming is busy. He’s been touring his one-man show “Alan Cumming Is Not Acting His Age,” he’s the host of Peacock’s U.S. version of the hit Netherlands reality competition show “The Traitors” – think an elaborate game of Mafia in a Scottish castle with pseudo-celebs and real people — and he’ll be stateside in Los Angeles on Jan. 28 to return as host of AARP’s Movies for Grownups Awards.
I caught up with the Tony winner for a chat on this week’s “Just for Variety” podcast.
When did you first feel like you were a grownup?
It’s so funny because I talk about this in my show that I’m doing here, about this exact thing. And I actually only felt I was a grownup when I was asked to play Eli Gold in “The Good Wife,” because I actually remember thinking, “Why are...
I caught up with the Tony winner for a chat on this week’s “Just for Variety” podcast.
When did you first feel like you were a grownup?
It’s so funny because I talk about this in my show that I’m doing here, about this exact thing. And I actually only felt I was a grownup when I was asked to play Eli Gold in “The Good Wife,” because I actually remember thinking, “Why are...
- 1/26/2023
- by Marc Malkin
- Variety Film + TV
The 1955 cult classic horror "The Night of the Hunter" may be one of the scariest films of all time, but not because of a well-timed jump-scare or dazzling practical effects. What is it that makes Charles Laughton's sole directorial credit so very terrifying? Robert Mitchum's performance as a Bible-thumping villain is enough to set your teeth on edge, but it's the haunting set design and Hilyard M. Brown and skillful camera work by Stanley Cortez that have always struck me to my core.
"The Night of the Hunter" was filmed at the tail end of Hollywood's golden era. Most of the major studios were running out of money in the mid-50s and early '60s, and there are tell-tale signs of budget cuts in a lot of films, a sort of canned quality. Cut costs meant that studios were forcing directors to put their huge sound stages...
"The Night of the Hunter" was filmed at the tail end of Hollywood's golden era. Most of the major studios were running out of money in the mid-50s and early '60s, and there are tell-tale signs of budget cuts in a lot of films, a sort of canned quality. Cut costs meant that studios were forcing directors to put their huge sound stages...
- 12/18/2022
- by Shae Sennett
- Slash Film
UK production and sales company Embankment Films has hired former WestEnd Films executive Toby Hill as Head of Production & Acquisitions.
At Embankment, Hill will manage company IP with the goal of converting IP to production and global distribution. He will work closely with Embankment CEO Tim Haslam, co-founding partner Hugo Grumbar, and producer Kevin Loader — who teamed with Embankment earlier this year to create a new label, Free Range Entertainment.
Hill succeeds Max Pirkis, who leaves Embankment after nine years.
Hill was previously Head of Acquisitions & Development at WestEnd Films, where he worked on titles like Mr. Malcolm’s List, The Last Rifleman, and the forthcoming Freud’s Last Session, starring Anthony Hopkins.
Prior to that, he was Head of Global Acquisitions at the UK-based financing company AI Film. During his time at AI, Hill was responsible for greenlighting titles like I, Tonya, American Animals, Mr. Holmes, and Lee Daniels’ The Butler.
At Embankment, Hill will manage company IP with the goal of converting IP to production and global distribution. He will work closely with Embankment CEO Tim Haslam, co-founding partner Hugo Grumbar, and producer Kevin Loader — who teamed with Embankment earlier this year to create a new label, Free Range Entertainment.
Hill succeeds Max Pirkis, who leaves Embankment after nine years.
Hill was previously Head of Acquisitions & Development at WestEnd Films, where he worked on titles like Mr. Malcolm’s List, The Last Rifleman, and the forthcoming Freud’s Last Session, starring Anthony Hopkins.
Prior to that, he was Head of Global Acquisitions at the UK-based financing company AI Film. During his time at AI, Hill was responsible for greenlighting titles like I, Tonya, American Animals, Mr. Holmes, and Lee Daniels’ The Butler.
- 10/26/2022
- by Zac Ntim
- Deadline Film + TV
Hill joins as head of production and acquisitions.
UK production and sales outfit Embankment Films has hired former WestEnd Films and AI Film executive Toby Hill as head of production and acquisitions.
Hill will lead all of Embankment’s management of intellectual property, converting IP into production and global distribution. He will collaborate closely with producer Kevin Loader – whose London-based production outfit Free Range Films joined forces in May of this year with Embankment to form new umbrella company, Free Range Entertainment – plus Embankment CEO Tim Haslam and co-founding partner Hugo Grumbar.
Hill takes over from Max Pirkis, head of acquisitions and distribution,...
UK production and sales outfit Embankment Films has hired former WestEnd Films and AI Film executive Toby Hill as head of production and acquisitions.
Hill will lead all of Embankment’s management of intellectual property, converting IP into production and global distribution. He will collaborate closely with producer Kevin Loader – whose London-based production outfit Free Range Films joined forces in May of this year with Embankment to form new umbrella company, Free Range Entertainment – plus Embankment CEO Tim Haslam and co-founding partner Hugo Grumbar.
Hill takes over from Max Pirkis, head of acquisitions and distribution,...
- 10/26/2022
- by Mona Tabbara
- ScreenDaily
The film, which follows former Guantánamo detainees in a rehabilitation program, sparked concerns over consent and ethics. Then came the backlash
The footage is indeed remarkable. A group of former Guantánamo detainees, held captive by the US for 15 years or more, are undergoing what is described as a rehabilitation program for Islamic militants in Saudi Arabia. We watch as they learn about Freud in interpersonal skills training, draw their feelings in art therapy, swim laps in a state-of-the-art indoor pool. “Right now, you smell like sweat,” one instructor tells them in a lecture on how to find a wife. “How will she put up with you? Dress nicely for her.”
Such intimate access to men made largely invisible by America’s “war on terror” is a rare feat in journalism, especially in a secretive dictatorship like Saudi Arabia. So how did the documentary film-maker behind Jihad Rehab, since renamed The UnRedacted,...
The footage is indeed remarkable. A group of former Guantánamo detainees, held captive by the US for 15 years or more, are undergoing what is described as a rehabilitation program for Islamic militants in Saudi Arabia. We watch as they learn about Freud in interpersonal skills training, draw their feelings in art therapy, swim laps in a state-of-the-art indoor pool. “Right now, you smell like sweat,” one instructor tells them in a lecture on how to find a wife. “How will she put up with you? Dress nicely for her.”
Such intimate access to men made largely invisible by America’s “war on terror” is a rare feat in journalism, especially in a secretive dictatorship like Saudi Arabia. So how did the documentary film-maker behind Jihad Rehab, since renamed The UnRedacted,...
- 10/23/2022
- by Noa Yachot
- The Guardian - Film News
We’ve all looked at skyscrapers thrusting tall and proud into the unsuspecting sky and snorted to think of what was subconsciously driving the (inevitably male) architects. Right? Of course we have. Yet I cannot think of a single film before this one that takes our presumptions and seems to say, “Yes, heh heh, yesssss,” with a glint in its eye. I mean, sure, Kate Winslet’s snide aside in Titanic to White Star exec Bruce Ismay about Freud’s “ideas about the male preoccupation with size” is one thing. Eiffel is something else entirely. Also what it does is almost surely subconscious, too, which is sort of perfect. *snort*
This French romantic drama posits that engineer Gustave Eiffel had no interest in his company — which had just delivered the Statue of Liberty to New York City as a gift to America — building a massive tower for the 1889 World’s Fair in Paris.
This French romantic drama posits that engineer Gustave Eiffel had no interest in his company — which had just delivered the Statue of Liberty to New York City as a gift to America — building a massive tower for the 1889 World’s Fair in Paris.
- 8/17/2022
- by MaryAnn Johanson
- www.flickfilosopher.com
Filmmaker John Waters, the proud “Pope of Trash,” is no stranger to weird questions. But at a recent audience Q&a when someone asked him, “How did you avoid getting cancer?” he was flummoxed. “I thought, ‘I did smoke, I’m 76 — I guess it is a fair question,'” he says on a call from his home in Provincetown, Massachusetts. “I was explaining all this, and the audience starts laughing harder and harder. And then I realized I heard them wrong. They said, ‘How did you avoid getting canceled?'”
For nearly 60 years,...
For nearly 60 years,...
- 8/17/2022
- by Kory Grow
- Rollingstone.com
A 10-year-old playing a 33-year-old who’s pretending to be a nine-year-old is a tricky tightrope to walk for anybody, but then-preteen Isabelle Fuhrman achieved it with preternatural creepiness as the “little girl” Esther in 2009’s “Orphan.”
The Warner Bros. horror offering was an end-of-decade, word-of-mouth sleeper in spite of, and because of, its risible-on-paper plot — a nine-year-old Russian girl terrorizing her adoptive family is actually a 33-year-old Estonian woman with a rare hormonal disorder that stunts her physical growth. But what made the movie so sickly convincing and effective was how straight Jaume Collet-Serra’s direction and David Leslie Johnson’s screenplay played the ridiculous story. Still, it wouldn’t have worked without Fuhrman, now 25, and returning to the role 13 years later with Paramount’s sequel origin story, “Orphan: First Kill” (August 19), from “The Boy” director William Brent Bell.
“When I first found out I was coming back, I was joking to myself like,...
The Warner Bros. horror offering was an end-of-decade, word-of-mouth sleeper in spite of, and because of, its risible-on-paper plot — a nine-year-old Russian girl terrorizing her adoptive family is actually a 33-year-old Estonian woman with a rare hormonal disorder that stunts her physical growth. But what made the movie so sickly convincing and effective was how straight Jaume Collet-Serra’s direction and David Leslie Johnson’s screenplay played the ridiculous story. Still, it wouldn’t have worked without Fuhrman, now 25, and returning to the role 13 years later with Paramount’s sequel origin story, “Orphan: First Kill” (August 19), from “The Boy” director William Brent Bell.
“When I first found out I was coming back, I was joking to myself like,...
- 8/16/2022
- by Ryan Lattanzio
- Indiewire
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