With a career spanning 25 years, music supervisor Matt Biffa is a specialist in source music research and copyright clearance. His projects include Sex Education, I May Destroy You, Harry Potter and the Goblet of Fire, Harry Potter and the Deathly Hallows: Part 1, Paddington, Carol, The End of the F**king World and, most recently, the HBO Max comedy series Hacks.
Biffa joined renowned music services company Air-Edel as a receptionist in 1996, where his impressive knowledge of music was quickly recognized. He cut his creative teeth sourcing music for commercials, such as Jonathan Glazer’s “Swimblack” campaign for Guinness. As Biffa began cultivating relationships with key members of the music industry, he moved into feature films, where he has garnered a reputation for being a canny negotiator and a veritable walking encyclopedia of the history of popular music.
In 2021, together with Ciara Elwis, Matt won the award for Outstanding Music...
Biffa joined renowned music services company Air-Edel as a receptionist in 1996, where his impressive knowledge of music was quickly recognized. He cut his creative teeth sourcing music for commercials, such as Jonathan Glazer’s “Swimblack” campaign for Guinness. As Biffa began cultivating relationships with key members of the music industry, he moved into feature films, where he has garnered a reputation for being a canny negotiator and a veritable walking encyclopedia of the history of popular music.
In 2021, together with Ciara Elwis, Matt won the award for Outstanding Music...
- 5/6/2024
- by Cydney Fisher
- Film Independent News & More
Music supervisors are now solely eligible to win the Emmy in their category, as part of rules changes announced today by the Television Academy. Previously, showrunners who contributed musical ideas to their shows were eligible too, and have won three times.
The new rules clarified entry requirements in the category. Emmys can only be awarded to the “credited music supervisor… A Music Supervisor’s on-screen credit must reflect their primary function as a music supervisor.” Additionally, music supervisors no longer need to upload their cue sheets with their submissions.
In the past, some shows have added the showrunner’s name to the entry as well. This rule modification paves the way for music supervisors to receive that sole recognition. Many in the music for screens community have voiced displeasure in the past with the co-credit allowance.
As Joel C. High, Guild of Music Supervisors (Gms) board member and president, stated...
The new rules clarified entry requirements in the category. Emmys can only be awarded to the “credited music supervisor… A Music Supervisor’s on-screen credit must reflect their primary function as a music supervisor.” Additionally, music supervisors no longer need to upload their cue sheets with their submissions.
In the past, some shows have added the showrunner’s name to the entry as well. This rule modification paves the way for music supervisors to receive that sole recognition. Many in the music for screens community have voiced displeasure in the past with the co-credit allowance.
As Joel C. High, Guild of Music Supervisors (Gms) board member and president, stated...
- 12/20/2021
- by Jazz Tangcay
- Variety Film + TV
Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez won their first primetime Emmy Sunday night for their popular “Agatha All Along” song from Marvel Studios and Disney Plus’ limited series “WandaVision.”
The collaborators, whose Academy Award wins include Disney’s “Frozen” and “Coco” movies, won in Emmy’s music and lyrics category, beating out tunes from “The Queen’s Gambit,” “The Boys,” “Zoey’s Extraordinary Playlist,” “Bo Burnham: Inside” and “Soundtrack of Our Lives.”
“Agatha All Along” shot to No. 1 on iTunes’ soundtrack chart after it appeared in the series’ penultimate episode, explaining the role that devious witch Agatha Harkness (Kathryn Hahn) had played throughout the unraveling mystery of the town of Westview.
Anderson-Lopez, in accepting the award, said she and her husband hadn’t been in Los Angeles in 21 months and “every return to normalcy should come with a big party and a shiny statue.” She called the “WandaVision” track “a...
The collaborators, whose Academy Award wins include Disney’s “Frozen” and “Coco” movies, won in Emmy’s music and lyrics category, beating out tunes from “The Queen’s Gambit,” “The Boys,” “Zoey’s Extraordinary Playlist,” “Bo Burnham: Inside” and “Soundtrack of Our Lives.”
“Agatha All Along” shot to No. 1 on iTunes’ soundtrack chart after it appeared in the series’ penultimate episode, explaining the role that devious witch Agatha Harkness (Kathryn Hahn) had played throughout the unraveling mystery of the town of Westview.
Anderson-Lopez, in accepting the award, said she and her husband hadn’t been in Los Angeles in 21 months and “every return to normalcy should come with a big party and a shiny statue.” She called the “WandaVision” track “a...
- 9/13/2021
- by Jon Burlingame
- Variety Film + TV
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