Dario Argento’s chilling giallo aesthetic kicks off the summer season at Film at Lincoln Center.
IndieWire exclusively announces “Beware of Dario Argento: A 20-Film Retrospective” hosted by Film at Lincoln Center and Cinecittà. The retrospective rolls out from June 17 through 29, and ushers in the third decade of collaboration between Film at Lincoln Center and Italian state-owned film archive Cinecittà, whose main shareholder is the Italian Ministry of Culture.
Argento’s vast catalog of classic films like “Suspiria” and “Inferno,” both part of the “Three Mothers” trilogy, debut new 4K restorations by Cinecittà. Seventeen films are newly restored. The famed director will be in person for select screenings, introducing films and conducting Q&As. The lineup also will host the North American Premiere of “Dark Glasses,” Argento’s first film in 10 years, distributed by Shudder.
“We are delighted to celebrate the 30th anniversary of our ongoing partnership with Flc, by...
IndieWire exclusively announces “Beware of Dario Argento: A 20-Film Retrospective” hosted by Film at Lincoln Center and Cinecittà. The retrospective rolls out from June 17 through 29, and ushers in the third decade of collaboration between Film at Lincoln Center and Italian state-owned film archive Cinecittà, whose main shareholder is the Italian Ministry of Culture.
Argento’s vast catalog of classic films like “Suspiria” and “Inferno,” both part of the “Three Mothers” trilogy, debut new 4K restorations by Cinecittà. Seventeen films are newly restored. The famed director will be in person for select screenings, introducing films and conducting Q&As. The lineup also will host the North American Premiere of “Dark Glasses,” Argento’s first film in 10 years, distributed by Shudder.
“We are delighted to celebrate the 30th anniversary of our ongoing partnership with Flc, by...
- 5/31/2022
- by Samantha Bergeson
- Indiewire
The Museum of Modern Art and Cinecittà announced that Federico Fellini, a retrospective honoring the Italian director, will run from Dec. 1 to Jan. 12, 2022 at MoMA’s Debra and Leon Black Family Film Center in the Roy and Niuta Titus Theaters.
The retrospective will open with “I Vitelloni,” Fellini’s semi-autobiographical 1953 film translating to “The Young and the Passionate” in English, as well as the U.S. premiere of Cinecittà’s 4K restoration of 1954’s “La Strada,” which won the first-ever Academy Award for foreign language film. The closing film will be 1980’s “La Città Delle Donne,” or “City of Women.”
Federico Fellini is organized by La Frances Hui, MoMA’s curator in the department of film, as well as Cinecittà’s Camilla Cormanni and Paola Ruggiero.
“There is no better tribute to a cinema titan like Fellini than a complete retrospective of all his films fully restored in 4K,” Hui said.
The retrospective will open with “I Vitelloni,” Fellini’s semi-autobiographical 1953 film translating to “The Young and the Passionate” in English, as well as the U.S. premiere of Cinecittà’s 4K restoration of 1954’s “La Strada,” which won the first-ever Academy Award for foreign language film. The closing film will be 1980’s “La Città Delle Donne,” or “City of Women.”
Federico Fellini is organized by La Frances Hui, MoMA’s curator in the department of film, as well as Cinecittà’s Camilla Cormanni and Paola Ruggiero.
“There is no better tribute to a cinema titan like Fellini than a complete retrospective of all his films fully restored in 4K,” Hui said.
- 11/11/2021
- by Selome Hailu
- Variety Film + TV
Corpo Celeste (Heavenly Body), Le Meravigile (The Wonders) and Lazzaro Felice (Happy As Lazzaro) director/screenwriter Alice Rohrwacher with Alba Rohrwacher Photo: Anne-Katrin Titze
Cannes Best Screenplay winner Happy As Lazzaro (Lazzaro Felice), shot by Hélène Louvart, executive produced by Martin Scorsese, and starring Adriano Tardiolo with Alba Rohrwacher, Luca Chikovani, Agnese Graziani, David Bennent, Nicoletta Braschi, Sergi López, and Tommaso Ragno, was the opening night film in The Wonders: Alice and Alba Rohrwacher, organised by Museum of Modern Art Department of Film Curator Josh Siegel with Camilla Cormanni and Paola Ruggiero of Luce Cinecittà.
Alice Rohrwacher with Alba Rohrwacher: “I think fairy tales were very important for us. Especially the collection of Italian folktales done by Italo Calvino.” Photo: Anne-Katrin Titze
The casting of David Bennent (Volker Schlöndorff’s adaptation of Günter Grass’s The Tin Drum), the magic of Italo Calvino (Italian Folktales), Astrid Lindgren, Angela Carter (The...
Cannes Best Screenplay winner Happy As Lazzaro (Lazzaro Felice), shot by Hélène Louvart, executive produced by Martin Scorsese, and starring Adriano Tardiolo with Alba Rohrwacher, Luca Chikovani, Agnese Graziani, David Bennent, Nicoletta Braschi, Sergi López, and Tommaso Ragno, was the opening night film in The Wonders: Alice and Alba Rohrwacher, organised by Museum of Modern Art Department of Film Curator Josh Siegel with Camilla Cormanni and Paola Ruggiero of Luce Cinecittà.
Alice Rohrwacher with Alba Rohrwacher: “I think fairy tales were very important for us. Especially the collection of Italian folktales done by Italo Calvino.” Photo: Anne-Katrin Titze
The casting of David Bennent (Volker Schlöndorff’s adaptation of Günter Grass’s The Tin Drum), the magic of Italo Calvino (Italian Folktales), Astrid Lindgren, Angela Carter (The...
- 12/22/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Alice Rohrwacher with Alba Rohrwacher at the Museum of Modern Art in New York for The Wonders: Alice and Alba Rohrwacher Photo: Anne-Katrin Titze
Before the start of The Wonders: Alice and Alba Rohrwacher, organised by Museum of Modern Art Department of Film Curator Josh Siegel with Camilla Cormanni and Paola Ruggiero of Luce Cinecittà, Alice Rohrwacher, the director/screenwriter of the 2018 Cannes Best Screenplay winner Happy As Lazzaro (shared with Jafar Panahi and Nader Saeivar for Three Faces), met with me inside MoMA’s Cullman building, while the first snow of the season fell on the streets of Manhattan. Just as in her 2014 Cannes Grand Prix winner, The Wonders (Le Meravigile), her sister Alba Rohrwacher is a strong presence in Lazzaro. Alice’s first feature Corpo Celeste (Heavenly Body) had also been selected for the 2011 Cannes Film Festival.
Lazzaro (Adriano Tardiolo) with Tancredi (Luca Chikovani)
Happy As Lazzaro (Lazzaro Felice), shot by Hélène Louvart,...
Before the start of The Wonders: Alice and Alba Rohrwacher, organised by Museum of Modern Art Department of Film Curator Josh Siegel with Camilla Cormanni and Paola Ruggiero of Luce Cinecittà, Alice Rohrwacher, the director/screenwriter of the 2018 Cannes Best Screenplay winner Happy As Lazzaro (shared with Jafar Panahi and Nader Saeivar for Three Faces), met with me inside MoMA’s Cullman building, while the first snow of the season fell on the streets of Manhattan. Just as in her 2014 Cannes Grand Prix winner, The Wonders (Le Meravigile), her sister Alba Rohrwacher is a strong presence in Lazzaro. Alice’s first feature Corpo Celeste (Heavenly Body) had also been selected for the 2011 Cannes Film Festival.
Lazzaro (Adriano Tardiolo) with Tancredi (Luca Chikovani)
Happy As Lazzaro (Lazzaro Felice), shot by Hélène Louvart,...
- 12/4/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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