An experienced filmmaker, he is credited with revolutionizing the way professional wrestling was shot for television. Up to that time, professional wrestling was being shot with only two cameras, one camera (unmanned) for establishing (wide) shots of the ring and a second mobile camera (with cameraperson) for medium shots. With the introduction of new portable television cameras, he had multiple cameras covering the action, picking up closeups, even from inside the ring itself. He also had multiple microphones at the ring and on the cameras (the wrestlers could no longer give each other verbal cues, and they had to watch their language). With his advancements in lighting, editing and music, he gave the local television presentations the look and feel of a major league sporting event. With the boost in production values, his work for Fritz Von Erich's "World Class Championship Wrestling" turned the regional territory based in Dallas into a syndication and cable success that was seen by audiences nationwide and in over 25 foreign countries.