The Academy Museum of Motion Pictures debuts Regeneration: Black Cinema, 1898–1971 on August 21, 2022. The ambitious exhibition, on view through April 9, 2023, explores the achievements and challenges of Black filmmakers in the US in both independent production and the studio system—in front of the camera and behind it—from cinema’s infancy in the 1890s to the early 1970s.
The Academy Museum’s second exhibition in the 11,000-square-foot Marilyn and Jeffrey Katzenberg Gallery, Regeneration includes rarely seen excerpts of films, documentaries, newsreels, and home movies, as well as historical photographs, costumes, props, and posters. Regeneration will also feature contemporary artworks referencing the impact of the legacy of Black filmmaking and Ar elements designed for the exhibition. The exhibition will be accompanied by a range of film screenings, including world premieres of films newly restored by the Academy Film Archive, an interactive microsite with supplemental content, a robust curriculum to engage high school students and teachers,...
The Academy Museum’s second exhibition in the 11,000-square-foot Marilyn and Jeffrey Katzenberg Gallery, Regeneration includes rarely seen excerpts of films, documentaries, newsreels, and home movies, as well as historical photographs, costumes, props, and posters. Regeneration will also feature contemporary artworks referencing the impact of the legacy of Black filmmaking and Ar elements designed for the exhibition. The exhibition will be accompanied by a range of film screenings, including world premieres of films newly restored by the Academy Film Archive, an interactive microsite with supplemental content, a robust curriculum to engage high school students and teachers,...
- 8/18/2022
- by Michelle Hannett
- WeAreMovieGeeks.com
The Academy Museum of Motion Pictures on Wednesday detailed how its upcoming exhibit “Regeneration: Black Cinema 1898-1971” will explore Black filmmakers from Oscar Micheaux to Melvin Van Peebles.
The Museum shared details of the exhibit, which will open on Aug. 21 and run through April 9, 2023 in the Marilyn and Jeffrey Katzenberg Gallery. It is the second major temporary exhibit at the Academy Museum, after the current installation devoted to the work of Japanese animator Hayao Miyazaki.
In a press release, the Academy Museum described the exhibition this way:
“The exhibition explores the achievements and challenges of both independent production and the studio system, from cinema’s infancy in the 1890s through the height of the civil rights movement. ‘Regeneration’ features rarely seen excerpts of films restored by the Academy Film Archive, as well as other narrative films and documentaries; newsreels and home movies; photographs; scripts; drawings; costumes; equipment; posters; and historical materials,...
The Museum shared details of the exhibit, which will open on Aug. 21 and run through April 9, 2023 in the Marilyn and Jeffrey Katzenberg Gallery. It is the second major temporary exhibit at the Academy Museum, after the current installation devoted to the work of Japanese animator Hayao Miyazaki.
In a press release, the Academy Museum described the exhibition this way:
“The exhibition explores the achievements and challenges of both independent production and the studio system, from cinema’s infancy in the 1890s through the height of the civil rights movement. ‘Regeneration’ features rarely seen excerpts of films restored by the Academy Film Archive, as well as other narrative films and documentaries; newsreels and home movies; photographs; scripts; drawings; costumes; equipment; posters; and historical materials,...
- 5/4/2022
- by Steve Pond
- The Wrap
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Black Film Archive
Created by Maya Cade, the newly-launched Black Film Archive is an essential resource featuring every Black film made between 1915 and 1979 that is currently available stream. With over 200 films indexed, if you’re looking for a place to start, check out Cade’s curator picks, ranging from Ousmane Sembène’s Black Girl to Perry Henzell’s The Harder They Come to Madeline Anderson’s I Am Somebody. Also, if you’re able to help the evolving, self-funded project, consider supporting their PayPal, Cash App, or their monthly Substack here.
Where to Stream: Black Film Archive
The Courier (Dominic Cooke)
Early on in The Courier, directed by Dominic Cooke, British salesman Greville Wynne (Benedict Cumberbatch) realizes he’s sitting at a...
Black Film Archive
Created by Maya Cade, the newly-launched Black Film Archive is an essential resource featuring every Black film made between 1915 and 1979 that is currently available stream. With over 200 films indexed, if you’re looking for a place to start, check out Cade’s curator picks, ranging from Ousmane Sembène’s Black Girl to Perry Henzell’s The Harder They Come to Madeline Anderson’s I Am Somebody. Also, if you’re able to help the evolving, self-funded project, consider supporting their PayPal, Cash App, or their monthly Substack here.
Where to Stream: Black Film Archive
The Courier (Dominic Cooke)
Early on in The Courier, directed by Dominic Cooke, British salesman Greville Wynne (Benedict Cumberbatch) realizes he’s sitting at a...
- 8/27/2021
- by Jordan Raup
- The Film Stage
After unveiling the discs that will be arriving in April, including Bong Joon Ho’s Memories of Murder, Olivier Assayas’ Irma Vep, and more, Criterion has now announced what will be coming to their streaming channel next month.
Highlights include retrospectives dedicated to Guy Maddin, Ruby Dee, Lana Turner, and Gordon Parks, plus selections from Marlene Dietrich & Josef von Sternberg’s stellar box set. They will also present the exclusive streaming premieres of Bill Duke’s The Killing Floor, William Greaves’s Nationtime, Kevin Jerome Everson’s Park Lanes, and more.
Jim Jarmusch’s Ghost Dog: The Way of the Samurai, which recently arrived on the collection, will be landing on the channel as well, along with a special “Lovers on the Run” series including film noir (They Live by Night) to New Hollywood (Badlands) to the French New Wave (Pierrot le fou) to Blaxploitation (Thomasine & Bushrod) and beyond. Also...
Highlights include retrospectives dedicated to Guy Maddin, Ruby Dee, Lana Turner, and Gordon Parks, plus selections from Marlene Dietrich & Josef von Sternberg’s stellar box set. They will also present the exclusive streaming premieres of Bill Duke’s The Killing Floor, William Greaves’s Nationtime, Kevin Jerome Everson’s Park Lanes, and more.
Jim Jarmusch’s Ghost Dog: The Way of the Samurai, which recently arrived on the collection, will be landing on the channel as well, along with a special “Lovers on the Run” series including film noir (They Live by Night) to New Hollywood (Badlands) to the French New Wave (Pierrot le fou) to Blaxploitation (Thomasine & Bushrod) and beyond. Also...
- 1/26/2021
- by Leonard Pearce
- The Film Stage
The thoughtfully curated doc tribute section Black Cinema Matters has generated wide interest at the Ji.hlava Intl. Documentary Film Festival – and not just among Czechs.
Screening 13 films covering three decades, ranging from the 1963 polemic “Take This Hammer” through Madeline Anderson’s provocative 1969 doc “Tribute to Malcolm X – Black Journal Segment” to 1995 intimate portrait of queer siblings “Vintage: Families of Value,” the section showcases what the fest calls “a radical change in the perspective of the Black American narrative, which has long been dividing not only the American public but is also bogged down with a lot of prejudice, ignorance and lack of empathy.”
Filmmaker, artist and performer Coco Fusco contributed her frenetic 2004 sendup of the FBI surveillance that dogged Angela Davis in 1970 during the heyday of the Black Panthers, “a/k/a Mrs. George Gilbert,” a work hailed as a brilliant use of irony in the face of police state tactics.
Screening 13 films covering three decades, ranging from the 1963 polemic “Take This Hammer” through Madeline Anderson’s provocative 1969 doc “Tribute to Malcolm X – Black Journal Segment” to 1995 intimate portrait of queer siblings “Vintage: Families of Value,” the section showcases what the fest calls “a radical change in the perspective of the Black American narrative, which has long been dividing not only the American public but is also bogged down with a lot of prejudice, ignorance and lack of empathy.”
Filmmaker, artist and performer Coco Fusco contributed her frenetic 2004 sendup of the FBI surveillance that dogged Angela Davis in 1970 during the heyday of the Black Panthers, “a/k/a Mrs. George Gilbert,” a work hailed as a brilliant use of irony in the face of police state tactics.
- 10/30/2020
- by Will Tizard
- Variety Film + TV
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
7500 (Patrick Vollrath)
Patrick Vollrath’s 7500 is a one-room, one-man show. It asks you to spend 92 minutes inside the cockpit of an Airbus A319, and in intimate quarters with a young first officer who must land it back to safety once the aircraft is hijacked by a group of Islamist terrorists. It is, for the best part of its brisk running time, a stomach-churning ride that bursts with the same force and anxieties of another recent–but far superior–single-setting drama: Steven Knight’s Locke. Much like Knight’s sophomore directorial work, it seesaws between claustrophobic and expansive, a testament to how much can be achieved in...
7500 (Patrick Vollrath)
Patrick Vollrath’s 7500 is a one-room, one-man show. It asks you to spend 92 minutes inside the cockpit of an Airbus A319, and in intimate quarters with a young first officer who must land it back to safety once the aircraft is hijacked by a group of Islamist terrorists. It is, for the best part of its brisk running time, a stomach-churning ride that bursts with the same force and anxieties of another recent–but far superior–single-setting drama: Steven Knight’s Locke. Much like Knight’s sophomore directorial work, it seesaws between claustrophobic and expansive, a testament to how much can be achieved in...
- 6/19/2020
- by Jordan Raup
- The Film Stage
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Ad Astra (James Gray)
A testament to the immaculate scope that can be realized when a director with a specific vision is given the resources to convey it, Ad Astra is a masterclass in detail. In this Brad Pitt-led story of a space odyssey, one gets the sense that every miniscule touch was carefully considered, culminating in the most purely pleasurable time I had at a theater last year (a feeling invigorated by one of the biggest IMAX screens in the world). The nearly indescribable sensations Gray is able to conjure by going for more subdued grace notes make the awe-inspiring moments all the more sublime.
Ad Astra (James Gray)
A testament to the immaculate scope that can be realized when a director with a specific vision is given the resources to convey it, Ad Astra is a masterclass in detail. In this Brad Pitt-led story of a space odyssey, one gets the sense that every miniscule touch was carefully considered, culminating in the most purely pleasurable time I had at a theater last year (a feeling invigorated by one of the biggest IMAX screens in the world). The nearly indescribable sensations Gray is able to conjure by going for more subdued grace notes make the awe-inspiring moments all the more sublime.
- 6/12/2020
- by Jordan Raup
- The Film Stage
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