An fünf Abenden findet in diesem Jahr zum dritten Mal das „Kino am Mehringplatz“ in Berlin-Kreuzberg statt. Start ist am 22. Juni.
Nach anfänglicher Ablehnung erfreut sich das „Kino am Mehringplatz“ zwischenzeitlich großer Beliebtheit (Credit: Barbarella Entertainment)
In Zusammenarbeit mit dem Quartiersmanagement Mehringplatz und mit Unterstützung der Berliner Senatsverwaltung für Stadtentwicklung, Bauen und Wohnen startet Barbarella Entertainment am 22. Juni die dritte Ausgabe von „Kino am Mehringplatz“. Bis in den September hinein werden auf diesem Platz in Berlin-Kreuzberg an insgesamt fünf Abenden unter freiem Himmel Filme gezeigt.
Rund um den im Zweiten Weltkrieg fast vollständig zerstörten und in den 1960er Jahren von Architekt Werner Düttmann unter Auflagen für sozialen Wohnungsbau neu gestalteten Platz in Berlins zweitärmsten Kiez leben aktuell knapp 7.000 Menschen.
Beim Start von „Kino am Mehringplatz“ im Sommer 2022 ging es den Veranstaltern nach eigenen Aussagen vor allem darum, „unter Einbindung der Anwohner*innen und umliegenden Institutionen, offene und öffentliche Kulturräume in den Großraum Mehringplatz einzupassen,...
Nach anfänglicher Ablehnung erfreut sich das „Kino am Mehringplatz“ zwischenzeitlich großer Beliebtheit (Credit: Barbarella Entertainment)
In Zusammenarbeit mit dem Quartiersmanagement Mehringplatz und mit Unterstützung der Berliner Senatsverwaltung für Stadtentwicklung, Bauen und Wohnen startet Barbarella Entertainment am 22. Juni die dritte Ausgabe von „Kino am Mehringplatz“. Bis in den September hinein werden auf diesem Platz in Berlin-Kreuzberg an insgesamt fünf Abenden unter freiem Himmel Filme gezeigt.
Rund um den im Zweiten Weltkrieg fast vollständig zerstörten und in den 1960er Jahren von Architekt Werner Düttmann unter Auflagen für sozialen Wohnungsbau neu gestalteten Platz in Berlins zweitärmsten Kiez leben aktuell knapp 7.000 Menschen.
Beim Start von „Kino am Mehringplatz“ im Sommer 2022 ging es den Veranstaltern nach eigenen Aussagen vor allem darum, „unter Einbindung der Anwohner*innen und umliegenden Institutionen, offene und öffentliche Kulturräume in den Großraum Mehringplatz einzupassen,...
- 5/30/2024
- by Jochen Müller
- Spot - Media & Film
Jonathan Glazers Holocaustdrama hat bei der gestrigen Verleihung des Civis Medienpreises den Publikumspreis erhalten.
Der Civis Medienpreis wurde gestern erstmals im Rahmen der re:publica vergeben (Credit: CIVIS_Bernhard_Ludewig)
Bei der gestrigen Vergabe des Civis Medienpreises, die erstmals im Rahmen der re:publica in Berlin stattgefunden hat, sind Regisseur Jonathan Glazer sowie die Produzenten James Wilson und Ewa Puszczyńska für das Holocaust-Drama „The Zone of Interest“ mit Sandra Hüller und Christian Friedel in den Hauptrollen mit dem Publikumspreis ausgezeichnet worden.
Der mit 15.000 Euro dotierte Hauptpreis, der Civis Top Award, ging an das Social-Media-Format „STRG_F: Israel und Gaza: Leben zwischen Terror und Krieg“ (Ndr | funk). Die Autoren Manuel Biallas, Armin Ghassim, Lisa Hagen, Mariam Noori, Timo Robben, Sulaiman Tadmory. Schildern darin das Schicksal zweier junger Menschen, die vom Überfall der Hamas auf Israel und vom Krieg Israels in Gaza betroffen sind: die Deutsch-Israelin Yarden und der Deutsch-Palästinenser Abed.
Die Jury des...
Der Civis Medienpreis wurde gestern erstmals im Rahmen der re:publica vergeben (Credit: CIVIS_Bernhard_Ludewig)
Bei der gestrigen Vergabe des Civis Medienpreises, die erstmals im Rahmen der re:publica in Berlin stattgefunden hat, sind Regisseur Jonathan Glazer sowie die Produzenten James Wilson und Ewa Puszczyńska für das Holocaust-Drama „The Zone of Interest“ mit Sandra Hüller und Christian Friedel in den Hauptrollen mit dem Publikumspreis ausgezeichnet worden.
Der mit 15.000 Euro dotierte Hauptpreis, der Civis Top Award, ging an das Social-Media-Format „STRG_F: Israel und Gaza: Leben zwischen Terror und Krieg“ (Ndr | funk). Die Autoren Manuel Biallas, Armin Ghassim, Lisa Hagen, Mariam Noori, Timo Robben, Sulaiman Tadmory. Schildern darin das Schicksal zweier junger Menschen, die vom Überfall der Hamas auf Israel und vom Krieg Israels in Gaza betroffen sind: die Deutsch-Israelin Yarden und der Deutsch-Palästinenser Abed.
Die Jury des...
- 5/28/2024
- by Jochen Müller
- Spot - Media & Film
The Panorama prizes have been handed out at the Berlin International Film Festival, with top honours going to Baqyt (Happiness) and Aşk, Mark ve Ölüm (Love, Deutschmarks and Death).
Askar Uzabayev picked up the 24th Panorama Audience Award for best feature film for Baqyt, while Cem Kaya collected the Panorama Dokumente award for Aşk, Mark ve Ölüm.
The prizes were awarded by the Berlinale section Panorama, in partnership with radioeins and rbb television (Rundfunk Berlin-Brandenburg). In all, 8000 cinema-goers’ votes were cast over the course of the Panorama section of the festival. The complete winners’ list is below.
In the film Baqyt, the main character is an orange-clothed influencer, whose brand is ‘Happiness’, contrasting with her dark and brutal home life. Judges said, “This film shows us what it costs to escape the trap of misogyny.”
Cem Kaya’s documentary essay celebrates 60 years of Turkish music in Germany, offering an alternative...
Askar Uzabayev picked up the 24th Panorama Audience Award for best feature film for Baqyt, while Cem Kaya collected the Panorama Dokumente award for Aşk, Mark ve Ölüm.
The prizes were awarded by the Berlinale section Panorama, in partnership with radioeins and rbb television (Rundfunk Berlin-Brandenburg). In all, 8000 cinema-goers’ votes were cast over the course of the Panorama section of the festival. The complete winners’ list is below.
In the film Baqyt, the main character is an orange-clothed influencer, whose brand is ‘Happiness’, contrasting with her dark and brutal home life. Judges said, “This film shows us what it costs to escape the trap of misogyny.”
Cem Kaya’s documentary essay celebrates 60 years of Turkish music in Germany, offering an alternative...
- 2/19/2022
- by Caroline Frost
- Deadline Film + TV
The film looks at the music sub-culture of Germany’s Turkish guest workers
London-based documentary specialists Taskovski Films has picked up German feature documentary Love, Deutschmarks And Death, which is screening in Berlin Panorama this week.
Taskovski has taken worldwide sales and distribution rights, except Germany, Austria and German-speaking Switzerland for the film. Rapid Eye Movies holds the German rights and will release the film in Germany later this year.
Directed by Cem Kaya, the film uncovers a forgotten subculture – that of the music made by the Turkish “guest workers” who came to Germany from the early 1960s onwards. Often suffering from homesickness,...
London-based documentary specialists Taskovski Films has picked up German feature documentary Love, Deutschmarks And Death, which is screening in Berlin Panorama this week.
Taskovski has taken worldwide sales and distribution rights, except Germany, Austria and German-speaking Switzerland for the film. Rapid Eye Movies holds the German rights and will release the film in Germany later this year.
Directed by Cem Kaya, the film uncovers a forgotten subculture – that of the music made by the Turkish “guest workers” who came to Germany from the early 1960s onwards. Often suffering from homesickness,...
- 2/13/2022
- by Geoffrey Macnab
- ScreenDaily
Berlinale Series Market, Co-Production Market name selections.
The world premiere of French filmmaker Alain Guiraudie’s Nobody’s Hero will open the Panorama section at next month’s Berlin International Film Festival, marking the first time the director has screened at the event.
Nobody’s Hero is one of 16 world premiere additions to the Panorama strand, joining the 13 titles confirmed last month for a complete list of 29 films.
Scroll down for the full list of new titles
The film takes place after a terrorist attack in Clermont-Ferrand in France, and centres on a likeable man in his mid-thirties, an older...
The world premiere of French filmmaker Alain Guiraudie’s Nobody’s Hero will open the Panorama section at next month’s Berlin International Film Festival, marking the first time the director has screened at the event.
Nobody’s Hero is one of 16 world premiere additions to the Panorama strand, joining the 13 titles confirmed last month for a complete list of 29 films.
Scroll down for the full list of new titles
The film takes place after a terrorist attack in Clermont-Ferrand in France, and centres on a likeable man in his mid-thirties, an older...
- 1/18/2022
- by Ben Dalton
- ScreenDaily
The program announcements continue for the 72nd Berlin International Film Festival this week, with the full Panorama line-up now confirmed.
Adding to the initial titles unveiled back in April are films including Alain Guiraudie’s Nobody’s Hero, which opens the strand this year.
Also confirmed today were the titles that will participate in the Berlinale Series Market and Co-Pro Series event this year.
Taking part in Berlinale Series Market Selects will be The Fear Index, the upcoming show from Left Bank Pictures that is set to star Josh Hartnett, as well as projects from Keshet, Viaplay and Globo. See the full lists below.
Tomorrow, Berlin chiefs Carlo Chatrian and Mariette Rissenbeek will unveil the 2022 Competition line-up at an event that kicks off at 11Am Cet.
Panorama Additions:
Aşk, Mark ve Ölüm
Germany
by Cem Kaya
World premiere / Panorama Dokumente
Baqyt (Happiness)
Kazakhstan
by Askar Uzabayev
with Laura Myrzakhmetova,...
Adding to the initial titles unveiled back in April are films including Alain Guiraudie’s Nobody’s Hero, which opens the strand this year.
Also confirmed today were the titles that will participate in the Berlinale Series Market and Co-Pro Series event this year.
Taking part in Berlinale Series Market Selects will be The Fear Index, the upcoming show from Left Bank Pictures that is set to star Josh Hartnett, as well as projects from Keshet, Viaplay and Globo. See the full lists below.
Tomorrow, Berlin chiefs Carlo Chatrian and Mariette Rissenbeek will unveil the 2022 Competition line-up at an event that kicks off at 11Am Cet.
Panorama Additions:
Aşk, Mark ve Ölüm
Germany
by Cem Kaya
World premiere / Panorama Dokumente
Baqyt (Happiness)
Kazakhstan
by Askar Uzabayev
with Laura Myrzakhmetova,...
- 1/18/2022
- by Tom Grater
- Deadline Film + TV
French auteur Alain Guiraudie’s political drama “Nobody’s Hero” has been set as the opener of the 2022 Berlin Film Festival’s multifaceted Panorama strand, which has announced its full lineup.
The latest feature from Guiraudie, who is best known for his 2016 “Staying Vertical,” takes place in Clermont-Ferrand, central France, where a terrorist attack triggers some paranoid dynamics involving a young homeless man, a middle-aged sex worker and her married lover who have taken refuge in a building. The film’s cast comprises actor-director Noémie Lvovsky, Jean-Charles Clichet and Doria Tillier.
The ten-title Panorama Dokumente strand, which runs concurrently with the feature films, comprises previously announced transgender-themed doc “Nel Mio Nome” (“Into My Name”) by Italian director and producer Nicolò Bassetti. Elliot Page has come on board as executive producer to support the doc which observes gender transition from a female to a male identity of four characters within a...
The latest feature from Guiraudie, who is best known for his 2016 “Staying Vertical,” takes place in Clermont-Ferrand, central France, where a terrorist attack triggers some paranoid dynamics involving a young homeless man, a middle-aged sex worker and her married lover who have taken refuge in a building. The film’s cast comprises actor-director Noémie Lvovsky, Jean-Charles Clichet and Doria Tillier.
The ten-title Panorama Dokumente strand, which runs concurrently with the feature films, comprises previously announced transgender-themed doc “Nel Mio Nome” (“Into My Name”) by Italian director and producer Nicolò Bassetti. Elliot Page has come on board as executive producer to support the doc which observes gender transition from a female to a male identity of four characters within a...
- 1/18/2022
- by Nick Vivarelli
- Variety Film + TV
Review by Mark Longden
If you’re a bad movie aficionado, then chances are your knowledge of Turkish cinema comes from bootleg copies of “Turkish Star Wars”, “Turkish Star Trek” or “Captain America and Santo vs. Spider-Man”; gleeful ignorers of copyright law and common sense. If you’re more of a cineaste, then you might be familiar with the dark, deliberately paced dramas of Nuri Bilge Ceylan. This documentary, Remake, Remix, Rip-off: About Copy Culture & Turkish Pop Cinema, while more about the former than the latter, gives a real flavour of its times and is a fascinating insight into an industry we in the West know very little about.
Turkish cinema is known as Yeşilçam (literally: Green Pine), named after the Istanbul street which housed the most famous cinema and the offices of many production companies. At its height, 300-400 movies a year were produced there, from the 1950s to...
If you’re a bad movie aficionado, then chances are your knowledge of Turkish cinema comes from bootleg copies of “Turkish Star Wars”, “Turkish Star Trek” or “Captain America and Santo vs. Spider-Man”; gleeful ignorers of copyright law and common sense. If you’re more of a cineaste, then you might be familiar with the dark, deliberately paced dramas of Nuri Bilge Ceylan. This documentary, Remake, Remix, Rip-off: About Copy Culture & Turkish Pop Cinema, while more about the former than the latter, gives a real flavour of its times and is a fascinating insight into an industry we in the West know very little about.
Turkish cinema is known as Yeşilçam (literally: Green Pine), named after the Istanbul street which housed the most famous cinema and the offices of many production companies. At its height, 300-400 movies a year were produced there, from the 1950s to...
- 7/5/2018
- by Movie Geeks
- WeAreMovieGeeks.com
Stare at the magnificent poster, and then read the official announcement of what the greatest film festival in the world is up to at the end of September.
Fantastic Fest announces the first wave programming lineup for its 11th annual celebration of exciting genre-bending films, including the World Premiere of Bone Tomahawk with Kurt Russell and Matthew Fox in attendance, a retrospective of Turkish Genre Cinema, and a special Mondo Gallery event and programming series curated by filmmaker Nicolas Winding Refn to celebrate the release of his new book Nicolas Winding Refn: The Act of Seeing, which profiles Refn’s collection of vintage exploitation-era American movie posters. “We’re very excited about this year’s mix of premieres, unique events and a retrospective theme unlike any other featuring audacious and otherworldly Turkish remakes of classic Hollywood films,” said Fantastic Fest founder Tim League.
See the full list of first...
Fantastic Fest announces the first wave programming lineup for its 11th annual celebration of exciting genre-bending films, including the World Premiere of Bone Tomahawk with Kurt Russell and Matthew Fox in attendance, a retrospective of Turkish Genre Cinema, and a special Mondo Gallery event and programming series curated by filmmaker Nicolas Winding Refn to celebrate the release of his new book Nicolas Winding Refn: The Act of Seeing, which profiles Refn’s collection of vintage exploitation-era American movie posters. “We’re very excited about this year’s mix of premieres, unique events and a retrospective theme unlike any other featuring audacious and otherworldly Turkish remakes of classic Hollywood films,” said Fantastic Fest founder Tim League.
See the full list of first...
- 8/25/2015
- by Jeff Bayer
- The Scorecard Review
There's a strong temptation in writing about "Remake, Remix, Rip-Off," considering it's playing at the Göteborg International Film Festival in Sweden, to forge some labored pun about "sweding," a more systematized version of which is essentially what the indigenous Turkish film industry thrived on from the mid-1940s to the late '80s. But Cem Kaya's raucous, heartfelt documentary quickly renders that comparison irrelevant — this is not the ironic recreation of Hollywood classics for consumption by a bunch of hipster kids temporarily embracing a lo-fi approach to mass culture. It's the ethos that was embraced for roughly four decades by what was at one point the fifth largest national film industry in the world that reached untold millions in viewership both at home and through the Turkish diaspora. Still today it exerts a powerful influence in the remaining film and TV infrastructure, and in the nostalgia felt by a new generation of commentators.
- 1/26/2015
- by Jessica Kiang
- The Playlist
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