“La Mesías” star Carmen Machi, Almodóvar muse Rossy de Palma and Blanca Portillo, a Cannes best actress co-winner for Almodóvar’s “Volver,” are set to star in “The Prey” (“Dia de Caza”), billed as a contemporary revision of Carlos Saura’s 1965 pic “The Hunt,” quite possibly his crowing achievement.
The film is set to shoot in July in Spain’s Extremadura, with theatrical release scheduled for autumn 2025.
Brutal, kinetic at times and taking no prisoners, Saura’s original won a Berlin Silver Bear. The film follows three once-close friends reuinting for a rabbit hunt; the final bloody outcome was read as a broad metaphor of the social elite in dictator Francisco Franco’s Spain.
Directed by Pedro Aguilera “The Prey,” set in the summer of 2024, has three women reuniting for a rabbit hunt in the very same stark valley where Saura shot “The Hunt” almost 60 years before. Under a remorseless sun,...
The film is set to shoot in July in Spain’s Extremadura, with theatrical release scheduled for autumn 2025.
Brutal, kinetic at times and taking no prisoners, Saura’s original won a Berlin Silver Bear. The film follows three once-close friends reuinting for a rabbit hunt; the final bloody outcome was read as a broad metaphor of the social elite in dictator Francisco Franco’s Spain.
Directed by Pedro Aguilera “The Prey,” set in the summer of 2024, has three women reuniting for a rabbit hunt in the very same stark valley where Saura shot “The Hunt” almost 60 years before. Under a remorseless sun,...
- 5/17/2024
- by John Hopewell
- Variety Film + TV
Madrid — As far as film genres go, comedies often have the greatest difficulties in traveling abroad and translating in a meaningful way to foreign audiences. But, by the very nature of its narrative, Daniel Castro’s “Old Man in Love,” and upcoming project and part of the Ecam Incubator for Spanish films in development, will to buck that trend.
An intercontinental “love story,” “Old Man in Love” follows a too-trusting professor in his 70s across the globe as he looks to track down the four-decades-younger girl of his dreams.
Carlos, who teaches at the University of Navarre – one of Spain’s most prestigious and conservative Catholic universities – has all but given up on finding love as his online endeavors to court someone less than half his age have so far proved fruitless.
Just as his hope runs out, the genial geriatric is contacted by a young swimsuit model in Argentina named Claudia,...
An intercontinental “love story,” “Old Man in Love” follows a too-trusting professor in his 70s across the globe as he looks to track down the four-decades-younger girl of his dreams.
Carlos, who teaches at the University of Navarre – one of Spain’s most prestigious and conservative Catholic universities – has all but given up on finding love as his online endeavors to court someone less than half his age have so far proved fruitless.
Just as his hope runs out, the genial geriatric is contacted by a young swimsuit model in Argentina named Claudia,...
- 9/23/2018
- by Jamie Lang
- Variety Film + TV
Madrid — Multi-prized Spanish actress Emma Suárez, star of Pedro Almodovar’s “Julieta,” is attached to topline “Josefina,” a co-production between Madrid’s White Leaf Producciones and Berlin’s One Two Films, whose recent films include Jennifer Fox’s “The Tale” and Isabel Coixet’s “The Bookshop.”
A romantic drama-comedy to be directed by Spanish short filmmaker Javier Marco, “Josefina” turns on 50-year-old Juan, a prison officer attracted to Berta, the mother of one of the inmates, who passes himself off as another parent visiting the prison in order to see his incarcerated daughter, Josefina.
Josefina’s presence, however fictitious, facilitates a relationship between two people with grave emotional deficiencies, “lending an optimism, and moments of near surrealism and comedy to the film,” screenwriter Belén Sánchez-Arévalo said at the inaugural The Incubator, a development program launched this year by the Ecam Madrid Film School.
Suárez, also the star of Michel Franco’s “April’s Daughter,...
A romantic drama-comedy to be directed by Spanish short filmmaker Javier Marco, “Josefina” turns on 50-year-old Juan, a prison officer attracted to Berta, the mother of one of the inmates, who passes himself off as another parent visiting the prison in order to see his incarcerated daughter, Josefina.
Josefina’s presence, however fictitious, facilitates a relationship between two people with grave emotional deficiencies, “lending an optimism, and moments of near surrealism and comedy to the film,” screenwriter Belén Sánchez-Arévalo said at the inaugural The Incubator, a development program launched this year by the Ecam Madrid Film School.
Suárez, also the star of Michel Franco’s “April’s Daughter,...
- 7/11/2018
- by John Hopewell
- Variety Film + TV
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