Via Vision Entertainment is excited to announce its newest media distribution expansion with the launch of Imprint Asia.
Imprint Asia will deliver ongoing releases of contemporary & classic Asian cinema across film festival, multi digital platforms, and physical media including 4K & Blu-ray for Australia and New Zealand.
Already working with some of the biggest Asian licencing partners in the market, the new brand will be launching with a host of key properties including Rui Cui's 2023 box office megahit ‘Lost In The Stars', Larry Yang's 2023 action comedy ‘Ride On' starring Jackie Chan and the 2023 Sci-Fi epic ‘The Wandering Earth II‘ starring Andy Lau.
In addition to the new release slate there will be ongoing classic releases with new restorations and extras produced for physical media collectors including Chen Kaige's ‘The Emperor and The Assassin' (1998) & ‘Farewell My Concubine' (1992), Tsui Hark's ‘The Legend of Zu' (2001), Kei Kumai...
Imprint Asia will deliver ongoing releases of contemporary & classic Asian cinema across film festival, multi digital platforms, and physical media including 4K & Blu-ray for Australia and New Zealand.
Already working with some of the biggest Asian licencing partners in the market, the new brand will be launching with a host of key properties including Rui Cui's 2023 box office megahit ‘Lost In The Stars', Larry Yang's 2023 action comedy ‘Ride On' starring Jackie Chan and the 2023 Sci-Fi epic ‘The Wandering Earth II‘ starring Andy Lau.
In addition to the new release slate there will be ongoing classic releases with new restorations and extras produced for physical media collectors including Chen Kaige's ‘The Emperor and The Assassin' (1998) & ‘Farewell My Concubine' (1992), Tsui Hark's ‘The Legend of Zu' (2001), Kei Kumai...
- 11/1/2023
- by Rhythm Zaveri
- AsianMoviePulse
Annecy animation ‘The Tunnel To Summer…’ has 100+ location release.
Paramount’s Mission: Impossible – Dead Reckoning Part One heads into its first weekend at the UK-Ireland box office, as the first of several summer blockbusters that will compete for audiences in the coming weeks.
Having started previews on Monday, July 10, Dead Reckoning Part One already has almost £4.1m in the bank. It will play in 717 locations this weekend – Paramount’s second-widest UK-Ireland release of all time, after the 741 of 2022’s Top Gun: Maverick, also starring Tom Cruise. 52 of those sites will be Imax, with Paramount looking to make the most...
Paramount’s Mission: Impossible – Dead Reckoning Part One heads into its first weekend at the UK-Ireland box office, as the first of several summer blockbusters that will compete for audiences in the coming weeks.
Having started previews on Monday, July 10, Dead Reckoning Part One already has almost £4.1m in the bank. It will play in 717 locations this weekend – Paramount’s second-widest UK-Ireland release of all time, after the 741 of 2022’s Top Gun: Maverick, also starring Tom Cruise. 52 of those sites will be Imax, with Paramount looking to make the most...
- 7/14/2023
- by Ben Dalton
- ScreenDaily
China’s first blockbuster of the summer of 2023, Lost in the Stars, is readying for release in North America, Australia and New Zealand later this week.
The film will launch on July 7 in approximately 60 locations across 30 cities in the U.S. and Canada, courtesy of China’s international distributor Cmc Pictures. The release in Australia and New Zealand, on July 6 and July 13, respectively, will be of a similar scale.
Lost in the Stars launched in China on June 22 and already has earned about $360 million there — more than what recent Hollywood hits like Spider-Man: Across the Spider-Verse ($343.4 million) and Guardians of the Galaxy Vol. 3 ($355 million) grossed at home in North America.
Chinese commercial blockbusters tend to play more like specialty releases in the West, however, primarily appealing to the Chinese diaspora market, while racking up earnings more in line with what breakthrough Asian arthouse titles earn. Well Go USA released...
The film will launch on July 7 in approximately 60 locations across 30 cities in the U.S. and Canada, courtesy of China’s international distributor Cmc Pictures. The release in Australia and New Zealand, on July 6 and July 13, respectively, will be of a similar scale.
Lost in the Stars launched in China on June 22 and already has earned about $360 million there — more than what recent Hollywood hits like Spider-Man: Across the Spider-Verse ($343.4 million) and Guardians of the Galaxy Vol. 3 ($355 million) grossed at home in North America.
Chinese commercial blockbusters tend to play more like specialty releases in the West, however, primarily appealing to the Chinese diaspora market, while racking up earnings more in line with what breakthrough Asian arthouse titles earn. Well Go USA released...
- 7/5/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
The top movie at the global box office last weekend was not “The Flash” or “Transformers: Rise of the Beasts.” It was China’s latest homegrown blockbuster, “Lost in the Stars,” which earned $70 million from Friday to Sunday, or $98 million over the four-day Dragon Boat Festival holiday weekend in the country. Counting Monday’s $23.3 million gross and $26 million on Tuesday, the mystery romance has $146.5 million thus far. That already puts it above every summer release in China including Hollywood’s “Fast X,” which has earned $138 million in China since its mid-May premiere.
It’s one more example of how Chinese audiences are showing a strong preference for homegrown movies over Hollywood fare, a conundrum for studios that once counted on China as a growth market. With theaters closed for the pandemic and Western streaming services mostly unwelcome in China’s tightly controlled internet market, there’s been little occasion to connect moviegoers with popular franchises,...
It’s one more example of how Chinese audiences are showing a strong preference for homegrown movies over Hollywood fare, a conundrum for studios that once counted on China as a growth market. With theaters closed for the pandemic and Western streaming services mostly unwelcome in China’s tightly controlled internet market, there’s been little occasion to connect moviegoers with popular franchises,...
- 6/27/2023
- by Scott Mendelson
- The Wrap
China’s first big blockbuster of the summer has arrived. Lost in the Stars, a mystery thriller produced by As One Productions, opened to $98.3 million over the four-day Dragon Boat Festival holiday weekend, according to data from regional box office consultancy Artisan Gateway. With advance ticket sales for Monday added to the tally, Lost in the Stars has easily crossed the $100 million mark.
Romantic drama Love Never Ends, from Lian Ray Picutres, came out one day earlier and scored second for the holiday with a $23.7 million five-day opening.
Lost in the Stars is co-written by Chen Sicheng, the hitmaking writer-director behind the Detective Chinatown franchise (the three films in the series have earned over $1.3 billion). Ticketing app Maoyan projects Lost in the Stars to eventually earn over $400 million.
Co-directed by Rui Cui and Xiang Liu, the film stars Zhu Yilong as a man whose wife (played by Janice Man) mysteriously...
Romantic drama Love Never Ends, from Lian Ray Picutres, came out one day earlier and scored second for the holiday with a $23.7 million five-day opening.
Lost in the Stars is co-written by Chen Sicheng, the hitmaking writer-director behind the Detective Chinatown franchise (the three films in the series have earned over $1.3 billion). Ticketing app Maoyan projects Lost in the Stars to eventually earn over $400 million.
Co-directed by Rui Cui and Xiang Liu, the film stars Zhu Yilong as a man whose wife (played by Janice Man) mysteriously...
- 6/26/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
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