Series about the hunt for Isis terrorists is being developed by Brussels-based Versus Production.
Adil El Arbi and Bilall Fallah, the Belgian filmmakers behind the recently shelved Batgirl movie, are teaming again with fellow director Mathieu Mortelmans for a series about the hunt for Islamic State terrorists in Belgium.
The trio plan to join forces on the series Terrorist Hunter, which is being developed by Brussels-based Versus Production. It based on the best-selling book by Lionel D. and Annemie Bulté, Terrorist Hunter - The Special Units And The Hunt For Abdeslam.
The book centres on events in 2015 in Belgium, when...
Adil El Arbi and Bilall Fallah, the Belgian filmmakers behind the recently shelved Batgirl movie, are teaming again with fellow director Mathieu Mortelmans for a series about the hunt for Islamic State terrorists in Belgium.
The trio plan to join forces on the series Terrorist Hunter, which is being developed by Brussels-based Versus Production. It based on the best-selling book by Lionel D. and Annemie Bulté, Terrorist Hunter - The Special Units And The Hunt For Abdeslam.
The book centres on events in 2015 in Belgium, when...
- 10/10/2022
- by Tim Dams
- ScreenDaily
Series about the hunt for Isis terrorists is being developed by Brussels-based Versus Production.
Adil El Arbi and Billal Fallah, the Belgian filmmakers behind the recently shelved Batgirl movie, are teaming again with fellow director Mathieu Mortelmans for a series about the hunt for Islamic State terrorists in Belgium.
The trio plan to join forces on the series Terrorist Hunter, which is being developed by Brussels-based Versus Production. It based on the best-selling book by Lionel D. and Annemie Bulté, Terrorist Hunter - The Special Units And The Hunt For Abdeslam.
The book centres on events in 2015 in Belgium, when...
Adil El Arbi and Billal Fallah, the Belgian filmmakers behind the recently shelved Batgirl movie, are teaming again with fellow director Mathieu Mortelmans for a series about the hunt for Islamic State terrorists in Belgium.
The trio plan to join forces on the series Terrorist Hunter, which is being developed by Brussels-based Versus Production. It based on the best-selling book by Lionel D. and Annemie Bulté, Terrorist Hunter - The Special Units And The Hunt For Abdeslam.
The book centres on events in 2015 in Belgium, when...
- 10/10/2022
- by Tim Dams
- ScreenDaily
The discussion, organised by Ji.hlava International Documentary Film Festival and moderated by Cineuropa's editor-in-chief Domenico La Porta, was held online on 16 April. On Friday 16 April, Ji.hlava International Documentary Film Festival hosted a special online talk entitled “Pandemic as an opportunity”. The panel, moderated by Cineuropa's editor-in-chief Domenico La Porta, came at a critical moment for the entire audiovisual sector and aimed to discuss the opportunities that the post-Covid world may offer. La Porta introduced the four Emerging Producers participating to the talk, namely Maximilian Haslberger of Germany's Amerikafilm, Iva Plemić Divjak of Serbia's Horopter Film Production, Racha Helen Larsen of Norway's Yellow Log and Marek Novák of Czech Republic's Xova Film. Each participant represented one geographical part of Europe and, before joining the panel, attended dedicated roundtables with the other fourteen 2021 Emerging Producers. The floor was first given to Larsen, who wished to see “more fluidity in.
The producers of Oleg Sentsov's Rhino are invited to speak about their collaboration and the financing of their film, which has received Eurimages support. The Co-production Podcast is a collaboration between Cineuropa and Eurimages. Each episode welcomes producers to share best practices and to inspire new industry-wide collaborations in Europe and beyond. In the second episode of the Co-production Podcast, Cineuropa’s editor-in-chief, Domenico La Porta, and producers Denis Ivanov, Dariusz Jablonski, and Heino Deckert discuss the production of Rhino, written and directed by Oleg Sentsov.Note: this episode runs 5 minutes longer than usual due to important contextual information related to the director, who was unjustly incarcerated at the beginning of the production process.
Cineuropa's editor-in-chief Domenico La Porta speaks with Roberto Olla, executive director of Eurimages, about their new collaboration and the European audiovisual landscape. The Co-production Podcast is a collaboration between Cineuropa and Eurimages. Each episode welcomes producers to share best practices and to inspire new industry-wide collaborations in Europe and beyond. In the prequel episode of the Co-production Podcast, Cineuropa's editor-in-chief, Domenico La Porta, speaks with Roberto Olla, executive director of Eurimages, about their new collaboration and the role of Eurimages in our European audiovisual landscape.
The producers of Between Life and Death are invited to speak about their collaboration and the financing of their film, which has received Eurimages support. The Co-production Podcast is a collaboration between Cineuropa and Eurimages. Each episode welcomes producers to share best practices and to inspire new industry-wide collaborations in Europe and beyond. In the first episode of the Co-production Podcast, Cineuropa’s editor-in-chief, Domenico La Porta, and producers Jean Yves Roubin, Jérôme Vidal and Adrià Monès discuss the production of Between Life and Death (Entre la vie et la mort) (read news), written and directed by Giordano Gederlini.
The Venice Production Bridge panel entitled “Opportunities and challenges in the Arthouse sector following the pandemic” saw the participation of seven prestigious speakers. On 5 September, the third day of the Venice Production Bridge (3-11 September), a panel entitled “Opportunities and challenges in the Arthouse sector following the pandemic” took place at the Hotel Excelsior's Spazio Incontri. The discussion, moderated by Cineuropa's own editor-in-chief Domenico La Porta, saw the participation of seven industry speakers, namely Cnc's director of international relations Mathieu Fournet, Iffr director Vanja Kaludjercic, President of Cicae and of the Ag Kino association of German arthouse cinemas Christian Bräuer, President of the Fice association of Italian arthouse cinemas Domenico Di Noia, Imagine Film Distribution's associate manager Tinne Bral, Poland's Kino Pod Baranami director and member of Krakow Film Klaster Marynia Gierat and chair of the European Parliament's Culture and Education Committee Sabine Verheyen. La Porta, after introducing the.
It was all about “the empathy formula” during the “Story Structure and Empathy Characters. Why Does It Matter?” webinar. And James Van Der Beek’s crying face. Presented as part of the 17th Sofia Meetings Online – unspooling from 3-8 July and picking up right where its May edition left off – the webinar “Story Structure and Empathy Characters. Why Does It Matter?” made one thing clear. As argued by Cineuropa’s own Domenico La Porta, also known for his work as a story editor, ghost writer and screenwriter, there is something that successful stories share: they follow the rules. Welcome to Fight Club. He also shared his career path, starting in Sicily (“A region with many stories”), and following stints as a fireman and a lawyer – or Claes Bang’s Dracula, according to the visual aids – La Porta moved onto his real passion: stories. It’s a passion he has been.
Frederike Migom’s Binti lets out a roar as it bags the Cinekid Lion for Best Children’s Film. As the 33rd edition of the media festival for children Cinekid drew to a close (on 25 October), the Flemish-Dutch production Binti (produced by Bulletproof Cupid and Family Affair Films) was awarded the Cinekid Lion for Best Children’s Film and €7,500 – as decided by jurors, directors Likarion Wainana and Ronald Rovers, The Film Kitchen’s Ineke Kanters and Cineuropa’s editor-in-chief, Domenico La Porta. Also chosen as this year’s opening film, it tells the story of a young vlogger trying to fight for her family, threatened again after previously having fled Congo for Belgium: a girl that simply can’t take ‘no’ for an answer. “I can not understand why children are sent to countries they’ve never been to, so I researched and studied this [subject]” – said winning writer-director Frederike Migom about her feature.
- 10/28/2019
- Cineuropa - The Best of European Cinema
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.