“Avatar: The Way of Water” has made history once more.
As James Cameron’s long-gestating sequel continues its climb up the all-time box-office charts, “The Way of Water” set a new record for the most nominations for a single project from the Visual Effects Society Awards, announced this morning. The film’s 14 nods highlight achievements that range from VFX to character animation to emerging technology, where it accounts for three of the category’s five nominees. This tally surpasses the previous records set by the 11 nominations for the original “Avatar” in 2010 and the 13 nominations for “The Mandalorian” in 2021.
Joining “The Way of Water” on the Ves leaderboard are “Guillermo del Toro’s Pinocchio” and “The Lord of the Rings: The Rings of Power,” which respectively top the animation and TV fields with six and seven nominations. The 21st annual Visual Effects Society Awards will take place February 15 at the Beverly Hilton,...
As James Cameron’s long-gestating sequel continues its climb up the all-time box-office charts, “The Way of Water” set a new record for the most nominations for a single project from the Visual Effects Society Awards, announced this morning. The film’s 14 nods highlight achievements that range from VFX to character animation to emerging technology, where it accounts for three of the category’s five nominees. This tally surpasses the previous records set by the 11 nominations for the original “Avatar” in 2010 and the 13 nominations for “The Mandalorian” in 2021.
Joining “The Way of Water” on the Ves leaderboard are “Guillermo del Toro’s Pinocchio” and “The Lord of the Rings: The Rings of Power,” which respectively top the animation and TV fields with six and seven nominations. The 21st annual Visual Effects Society Awards will take place February 15 at the Beverly Hilton,...
- 1/17/2023
- by Erik Adams
- Indiewire
James Cameron’s “Avatar: The Way of Water” leads the feature competition at the 21st Annual Ves Awards.
The film earned a total of 14 Ves Awards nominations, setting a new record for record nominations for a feature film. The original “Avatar” was the previous record holder when it received 11 nominations at the 8th Annual Ves Awards held in 2010.
“Guillermo Del Toro’s Pinocchio” received six nominations in the animation category making it the top animated contender.
Ves members selected nominees in 25 categories at 27 in-person and virtual nomination events conducted worldwide. The winners will be announced on Feb. 15 at the Beverly Hilton Hotel in Los Angeles.
This year marks the presentation of the first Ves Emerging Technology Award, which celebrates the creators of the technology behind the visuals and honors the inventors of a novel and uniquely innovative tool, device, software or methodology of outstanding value to the art and science of visual effects,...
The film earned a total of 14 Ves Awards nominations, setting a new record for record nominations for a feature film. The original “Avatar” was the previous record holder when it received 11 nominations at the 8th Annual Ves Awards held in 2010.
“Guillermo Del Toro’s Pinocchio” received six nominations in the animation category making it the top animated contender.
Ves members selected nominees in 25 categories at 27 in-person and virtual nomination events conducted worldwide. The winners will be announced on Feb. 15 at the Beverly Hilton Hotel in Los Angeles.
This year marks the presentation of the first Ves Emerging Technology Award, which celebrates the creators of the technology behind the visuals and honors the inventors of a novel and uniquely innovative tool, device, software or methodology of outstanding value to the art and science of visual effects,...
- 1/17/2023
- by Jazz Tangcay
- Variety Film + TV
There’s a monster in “Come Play” that no one can quite grab, and if there’s an underlying metaphor for that monster, writer-director Jacob Chase (adapting his short film) has similar difficulties getting his arms around any deeper meaning.
Not that all monster movies have to be laden with significance, obviously, but without some deeper idea at play here, all that’s left is a routine, jump-scare-laden PG-13 horror tale featuring a cast that’s above the film’s paygrade.
Azhy Robertson stars as Oliver, an autistic child who, like many children, spends most of his day staring at screens, although when he’s not watching “SpongeBob Squarepants,” he uses an app on his phone for verbal communication. Oliver’s special needs have, perhaps, strained the marriage of his parents Sarah (Gillian Jacobs) and Marty (John Gallagher Jr.), but their estrangement is one of several plot threads the film raises,...
Not that all monster movies have to be laden with significance, obviously, but without some deeper idea at play here, all that’s left is a routine, jump-scare-laden PG-13 horror tale featuring a cast that’s above the film’s paygrade.
Azhy Robertson stars as Oliver, an autistic child who, like many children, spends most of his day staring at screens, although when he’s not watching “SpongeBob Squarepants,” he uses an app on his phone for verbal communication. Oliver’s special needs have, perhaps, strained the marriage of his parents Sarah (Gillian Jacobs) and Marty (John Gallagher Jr.), but their estrangement is one of several plot threads the film raises,...
- 10/28/2020
- by Alonso Duralde
- The Wrap
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