The Visions du Réel film festival’s greatest singularity is two-fold: its lack of pretense and judicious curatorial eye. The first is, of course, directly related to the other. In centering the festival on the quality, even radicalness, of film praxes, instead of a locus for glamour and business, VdR makes room for cinematic pearls to emerge. Those pearls may not be programmed at any other film festival, and in the quiet Swiss town of Nyon, a 15-minute train ride from Geneva, they amounted to a stunningly consistent lineup.
One of the most sparkling pearls in that lineup was the unclassifiable The Documentary Journey of Madame Anita Conti. Director Louise Hémon’s medium-length film relies on narration from a text by French explorer and photographer Anita Conti’s travel diary from her time on a fishing boat in open sea in 1952—along with an audio interview with Conti, 16mm footage from the expedition,...
One of the most sparkling pearls in that lineup was the unclassifiable The Documentary Journey of Madame Anita Conti. Director Louise Hémon’s medium-length film relies on narration from a text by French explorer and photographer Anita Conti’s travel diary from her time on a fishing boat in open sea in 1952—along with an audio interview with Conti, 16mm footage from the expedition,...
- 4/19/2024
- by Diego Semerene
- Slant Magazine
It’s as well-worn a trope as any in the coming-of-age genre: the elusive, underground subculture that draws in a young protagonist, whose discovery of this world helps them learn more about themselves in the process. Director Lola Quivoron’s latest feature Rodeo, an Un Certain Regard prize winner at last year’s Cannes, mercifully sidesteps such cliches in its exploration of a motocross community that exists just off the fringes of suburban Paris. Unfortunately, this is because it becomes overly formulaic in a different way, very quickly transforming into a familiar tale of a young person’s indoctrination into a criminal gang and lacking enough depth in cultural specificities of its surrounding world to ever truly stand out.
This is something of a surprise––Quivoron has spent extensive amounts of time in the cross-bitume community, which previously formed the backdrop for her 2016 short Au Loin, Baltimore, another tale of...
This is something of a surprise––Quivoron has spent extensive amounts of time in the cross-bitume community, which previously formed the backdrop for her 2016 short Au Loin, Baltimore, another tale of...
- 3/15/2023
- by Alistair Ryder
- The Film Stage
While at least half of the month’s film-related discussion will, unfortunately, be consumed by the endless Oscar race chatter, we’re here to cut through the noise and highlight gems worth seeking out in March. From a superhero film actually worth a watch to a fascinating archival documentary to highlights from not only this year’s Sundance but the 2022 edition as well, check out my picks to see.
15. Rodeo (Lola Quivoron; March 17)
One of the breakouts of last year’s Cannes Film Festival, where it premiered in the Un Certain Regard section and picked up a jury prize, was Lola Quivoron’s feature debut Rodeo. Starring Julie Ledru Kaïs, Yannis Lafki Ophélie, Antonia Buresi, Cody Schroeder, Louis Sotton, and Junior Correia, it follows a young woman who enters the underground world of dirt biking. Set for a NYC premiere at First Look, it’ll arrive later this month from Music Box Films.
15. Rodeo (Lola Quivoron; March 17)
One of the breakouts of last year’s Cannes Film Festival, where it premiered in the Un Certain Regard section and picked up a jury prize, was Lola Quivoron’s feature debut Rodeo. Starring Julie Ledru Kaïs, Yannis Lafki Ophélie, Antonia Buresi, Cody Schroeder, Louis Sotton, and Junior Correia, it follows a young woman who enters the underground world of dirt biking. Set for a NYC premiere at First Look, it’ll arrive later this month from Music Box Films.
- 3/2/2023
- by Jordan Raup
- The Film Stage
One of the breakouts of last year’s Cannes Film Festival, where it premiered in the Un Certain Regard section and picked up a jury prize, was Lola Quivoron’s feature debut Rodeo. Starring Julie Ledru Kaïs, Yannis Lafki Ophélie, Antonia Buresi, Cody Schroeder, Louis Sotton, and Junior Correia, the film follows a young woman who enters the underground world of dirt biking. Ahead of an NYC premiere at First Look and release from Music Box Films on March 17, the first trailer has now arrived.
“Hot-tempered and fiercely independent, Julia (Julie Ledru) is a gearhead who thrives in hostile environments and turns every situation to her advantage. She has a talent for scamming condescending men who think it’s cute that she shows interest in their used motorbikes–and can’t fathom her riding away with gleeful abandon,” reads the official synopsis. “Her obsession with the high-octane world of urban...
“Hot-tempered and fiercely independent, Julia (Julie Ledru) is a gearhead who thrives in hostile environments and turns every situation to her advantage. She has a talent for scamming condescending men who think it’s cute that she shows interest in their used motorbikes–and can’t fathom her riding away with gleeful abandon,” reads the official synopsis. “Her obsession with the high-octane world of urban...
- 2/16/2023
- by Jordan Raup
- The Film Stage
An adrenaline junkie crosses tracks with a motorbike stunt ring, and the rest is a bloodied history.
Director Lola Quivoron’s feature debut “Rodeo” centers on a gearhead (Julie Ledru) who gets deeper with a con artist crew of motorcyclists. The film, produced by Charles Gillibert, debuted at the 2022 Cannes Film Festival, where it won the Coup de Cœur du Jury special prize.
Per the film’s official synopsis, “hot-tempered and fiercely independent, Julia (Ledru) is a gearhead who thrives in hostile environments and turns every situation to her advantage. She has a talent for scamming condescending men who think it’s cute that she shows interest in their used motorbikes and can’t fathom her riding away with gleeful abandon. Her obsession with the high-octane world of urban Rodeos, illicit gatherings where riders show off their bikes and latest daring stunts, sparks a chance meeting with a volatile clique.
Director Lola Quivoron’s feature debut “Rodeo” centers on a gearhead (Julie Ledru) who gets deeper with a con artist crew of motorcyclists. The film, produced by Charles Gillibert, debuted at the 2022 Cannes Film Festival, where it won the Coup de Cœur du Jury special prize.
Per the film’s official synopsis, “hot-tempered and fiercely independent, Julia (Ledru) is a gearhead who thrives in hostile environments and turns every situation to her advantage. She has a talent for scamming condescending men who think it’s cute that she shows interest in their used motorbikes and can’t fathom her riding away with gleeful abandon. Her obsession with the high-octane world of urban Rodeos, illicit gatherings where riders show off their bikes and latest daring stunts, sparks a chance meeting with a volatile clique.
- 2/15/2023
- by Samantha Bergeson
- Indiewire
Julia (Julie Ledru) arrives at a house in the suburbs to purchase a motorcycle she found online. She loves what she sees, and clearly knows her stuff, picking up on the bike's minute detailing, and is equally well versed in information like the engine specifics. "I was born with a bike between my legs," she tells the seller. She wants to purchase it, but she needs to test it out first -- something that immediately concerns the guy she's buying from. Julia can tell he is uncomfortable, but she knows exactly what she needs to do to put his mind at ease. She tells him that surely he wouldn't buy a motorcycle without trying it first. Julia also offers him the ultimate security, giving the seller her bag, with her passport and all the money to purchase the bike. Somewhat reluctantly, the man agrees to let Julia take the bike...
- 11/7/2022
- by Barry Levitt
- Slash Film
Lola Quivoron’s debut is set in the world of dirt-bike racing.
Curzon has secured UK and Ireland rights to Lola Quivoron’s Rodeo from Les Films Du Losange following its award-winning debut at Cannes last month.
The French feature, set in the world of urban dirt-bike riders, will receive a theatrical release by Curzon later this year or in early 2023.
It marks the feature directorial debut of Quivoron and won the Coup de Coeur du Jury special prize at Cannes in May, where the film received its world premiere in Un Certain Regard.
Newcomer Julie Ledru stars as a...
Curzon has secured UK and Ireland rights to Lola Quivoron’s Rodeo from Les Films Du Losange following its award-winning debut at Cannes last month.
The French feature, set in the world of urban dirt-bike riders, will receive a theatrical release by Curzon later this year or in early 2023.
It marks the feature directorial debut of Quivoron and won the Coup de Coeur du Jury special prize at Cannes in May, where the film received its world premiere in Un Certain Regard.
Newcomer Julie Ledru stars as a...
- 6/21/2022
- by Michael Rosser
- ScreenDaily
“Rodeo” might have had a clearer (and catchier) title if it had been called “Wheelie.” It’s a drama set among French motocross riders, who are a bit like the outlaw bikers of the ’60s except that they wear cropped hair and athletic logo T-shirts instead of hippie manes and satanic leather jackets. And in this movie, at least, they don’t rove. They’re rooted in a desolate suburb of Paris, where they gather to zoom along the road and pop up on one wheel, which the movie describes to us as a feeling of intense liberation. It sure looks that way.
But it’s only in fits and starts, mostly during the first 20 minutes, that “Rodeo” gets off on those stunts. Julia (Julie Ledru), the feral but untrained biker who joins the gravity-tweaking competitors, is the only female on hand, and she never does learn how to pop...
But it’s only in fits and starts, mostly during the first 20 minutes, that “Rodeo” gets off on those stunts. Julia (Julie Ledru), the feral but untrained biker who joins the gravity-tweaking competitors, is the only female on hand, and she never does learn how to pop...
- 6/1/2022
- by Owen Gleiberman
- Variety Film + TV
Lola Quivoron wowed critics and audiences at Cannes with her bold first film “Rodeo” which picked up the Coup de Coeur prize at the Cannes Film Festival’s Un Certain Regard section.
Following the world premiere of “Rodeo,” Quiveron started being courted by a flurry of U.S. agents while Les Films du Losange, which is selling her movie, is fielding several offers from top North American buyers.
Produced by Charles Gillibert (“Annette”) at CG Cinema, “Rodeo” follows a hot tempered and fiercely independent young woman who infiltrates an underground dirt bike community in France. Julie Ledru makes her acting debut in the film as Julia, a small-time thug who has a passion for motorcycles and the high-octane world of urban ‘Rodeos’ – illicit gatherings where riders show off their bikes and their latest daring stunts.
Quiveron, a bright filmmaker with a strong personality and vision, sat with Variety to discuss her fascination for urban rodeos,...
Following the world premiere of “Rodeo,” Quiveron started being courted by a flurry of U.S. agents while Les Films du Losange, which is selling her movie, is fielding several offers from top North American buyers.
Produced by Charles Gillibert (“Annette”) at CG Cinema, “Rodeo” follows a hot tempered and fiercely independent young woman who infiltrates an underground dirt bike community in France. Julie Ledru makes her acting debut in the film as Julia, a small-time thug who has a passion for motorcycles and the high-octane world of urban ‘Rodeos’ – illicit gatherings where riders show off their bikes and their latest daring stunts.
Quiveron, a bright filmmaker with a strong personality and vision, sat with Variety to discuss her fascination for urban rodeos,...
- 5/28/2022
- by Elsa Keslassy
- Variety Film + TV
Rodeo, Lola Quivoron’s vibrant and impressively funky fiction debut, ambitiously attempts to put a lot of heart into a gang movie that mutates quietly and organically into a heist thriller but doesn’t know quite how to fuse these strands into a satisfying finale. Though it promises all the elements of a cult crossover, and comes tantalizingly close to delivering, the Un Certain Regard title’s destination is most likely the festival circuit, where it will certainly stand out as a very different kind of rites-of-passage movie.
Newcomer Julie Ledru stars as Julia, who lives on and off in social housing with her brother and mother. Julia’s relationship with her mother is fraught and on the brink of collapsing altogether; she has a job, but her attendance is sketchy. The only thing that she is passionate about is motocross, and since it’s a hobby she can’t afford,...
Newcomer Julie Ledru stars as Julia, who lives on and off in social housing with her brother and mother. Julia’s relationship with her mother is fraught and on the brink of collapsing altogether; she has a job, but her attendance is sketchy. The only thing that she is passionate about is motocross, and since it’s a hobby she can’t afford,...
- 5/19/2022
- by Damon Wise
- Deadline Film + TV
Julia (an astounding Julie Ledru) has no interest in half-measures. Her dirt bike gets stolen? Time to steal someone else’s. She needs gas for that new bike? Take it off the first dude who looks her way. She wants some quick cash? Smash and grab a truckload of fancy bikes and literally just ride away with her new fortune. Nothing is out of the reach of her sticky fingers, but even lone wolf Julia hungers for companionship, and in Lola Quivoron’s visceral “Rodeo,” she gets it — at a price.
“Rodeo” is a heart-pounding, wholly unique ride, punctuated by incredible stunt work from Ledru and the rest of the cast — shepherded by veteran stunt expert Mathieu Lardot, who has worked on everything from the Jason Bourne franchise to the “Mission: Impossible” films — and possessed by a kinetic, high-energy drive. Some crafty Hollywood executive will likely pitch an Americanized version...
“Rodeo” is a heart-pounding, wholly unique ride, punctuated by incredible stunt work from Ledru and the rest of the cast — shepherded by veteran stunt expert Mathieu Lardot, who has worked on everything from the Jason Bourne franchise to the “Mission: Impossible” films — and possessed by a kinetic, high-energy drive. Some crafty Hollywood executive will likely pitch an Americanized version...
- 5/19/2022
- by Kate Erbland
- Indiewire
“Annette” producer Charles Gillibert is set to produce “Rodeo,” Lola Quivoron’s daring feature debut about a young woman who infiltrates an underground dirt bike community in France.
Quivoron previously directed the short film “Au Loin, Baltimore,” which played at Locarno in 2016 and, co-directed (with Antonia Buresi) “Headshot,” a documentary about today’s youth that aired on Franco-German network Arte.
“Rodeo” shot entirely on the outskirts of Bordeaux, France, and follows a young misfit and small-time thug, Julia, who is fiercely passionate about riding. One summer, she encounters a crew of dirt riders and sets off to infiltrates their male-dominated world, but an accident will compromise her ability to fit in. As its title suggests, “Rodeo” will be packed with action scenes spearheaded by Mathieu Lardot, a stunt expert who’s worked on “Jason Bourne,” “Spectre,” “Rogue City,” “Tom Clancy’s Jack Ryan” and “Mission: Impossible – Fallout,” among others.
Gillibert...
Quivoron previously directed the short film “Au Loin, Baltimore,” which played at Locarno in 2016 and, co-directed (with Antonia Buresi) “Headshot,” a documentary about today’s youth that aired on Franco-German network Arte.
“Rodeo” shot entirely on the outskirts of Bordeaux, France, and follows a young misfit and small-time thug, Julia, who is fiercely passionate about riding. One summer, she encounters a crew of dirt riders and sets off to infiltrates their male-dominated world, but an accident will compromise her ability to fit in. As its title suggests, “Rodeo” will be packed with action scenes spearheaded by Mathieu Lardot, a stunt expert who’s worked on “Jason Bourne,” “Spectre,” “Rogue City,” “Tom Clancy’s Jack Ryan” and “Mission: Impossible – Fallout,” among others.
Gillibert...
- 11/17/2021
- by Elsa Keslassy
- Variety Film + TV
Just when you think modern cinema has exploited the found-footage conceit from every conceivable angle, along comes a tragicomic mockumentary tracing Bosnia’s recent war-ravaged history via the travails of a young French film crew getting to the root of a reincarnated identity crisis. Aude Léa Rapin’s first narrative feature “Heroes Don’t Die” is nothing if not novel, passing its elaborate concept through a range of genre possibilities — from droll road movie to post-war trauma study to metaphysical ghost story — without settling on one in the course of 85 minutes. Yet this amount of fussing over its final form means the film’s own characters never quite come into focus, making it hard to invest much belief in their wilfully absurd meta-movie: The final result is a curio at best, given flashes of human dimension by the ever-reliable Adèle Haenel as the project’s forbearing director.
For Haenel, “Heroes...
For Haenel, “Heroes...
- 5/21/2019
- by Guy Lodge
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.