The Cannes audience gave a respectful embrace to David Cronenberg’s chilly drama The Shrouds, the latest from the Canadian king of horror.
Cronenberg joined castmembers Vincent Cassel, Diane Kruger, Guy Pearce, Sandrine Holt and Elizabeth Saunders to hit the Croisette for the film’s premiere Monday. Cronenberg rocked the red carpet wearing a pair of white rimmed wrap-around 1990s-style plastic sunglasses.
The film was met with applause that went on for three and a half minutes before Cronenberg put an end to it by taking the mic and thanking the crowd. The director explained that it was the first time he had seen the movie with an audience and added, “And it is completely different.”
Its reception was rather reserved, perhaps in keeping with the film’s subject matter of grief and death. The connection to the director’s own experience was made clear with Cassel’s character Karsh,...
Cronenberg joined castmembers Vincent Cassel, Diane Kruger, Guy Pearce, Sandrine Holt and Elizabeth Saunders to hit the Croisette for the film’s premiere Monday. Cronenberg rocked the red carpet wearing a pair of white rimmed wrap-around 1990s-style plastic sunglasses.
The film was met with applause that went on for three and a half minutes before Cronenberg put an end to it by taking the mic and thanking the crowd. The director explained that it was the first time he had seen the movie with an audience and added, “And it is completely different.”
Its reception was rather reserved, perhaps in keeping with the film’s subject matter of grief and death. The connection to the director’s own experience was made clear with Cassel’s character Karsh,...
- 5/20/2024
- by Scott Roxborough and Patrick Brzeski
- The Hollywood Reporter - Movie News
Demi Moore is living her best life at the 77th annual Cannes Film Festival. She and her The Substance co-stars received a 13-minute standing ovation as the “body horror with a feminist take” concluded at the Palais des Festivals et des Congrès. The 61-year-old has also debuted nearly 10 gorgeous and unique looks as they promote the film in the chic city in southwest France.
On May 17, Moore debuted her first Cannes look at the Kinds Of Kindness red carpet. The Ghost star doesn’t star in the dark comedy anthology film. But she earned a rightful place at the premiere with her starring role in The Substance. The horror-thriller movie follows a TV aerobics star (Moore) who ingests a drug that makes people a younger, better version of themselves. Margaret Qualley stars as Moore’s new and “improved” self.
Demi Moore at the ‘Kinds Of Kindness’ red carpet at Cannes...
On May 17, Moore debuted her first Cannes look at the Kinds Of Kindness red carpet. The Ghost star doesn’t star in the dark comedy anthology film. But she earned a rightful place at the premiere with her starring role in The Substance. The horror-thriller movie follows a TV aerobics star (Moore) who ingests a drug that makes people a younger, better version of themselves. Margaret Qualley stars as Moore’s new and “improved” self.
Demi Moore at the ‘Kinds Of Kindness’ red carpet at Cannes...
- 5/20/2024
- by Ali Hicks
- Showbiz Cheat Sheet
Revenge director Coralie Fargeat’s new body horror satire, The Substance, screened at the Cannes Film Festival over the weekend, and the reactions have been (mostly) very positive - although it sounds like the movie has its share of shocking moments.
The film focuses on an acclaimed actress turned celebrity host of a daytime exercise program (Demi Moore) who gets replaced by a younger star (Margaret Qualley), sparking a confrontation between the two women that ultimately turns violent.
The Substance reportedly features some pretty extreme gore, but the scene that's sparked the most discussion is a brutal fight between Moore and Qualley's characters - complete with graphic, full-frontal nudity.
“I had someone who was a great partner,” said Moore of her co-star. “We were obviously quite close at some moments… and naked. But there was also a levity [in shooting those scenes].”
Moore also noted that the film “pushed me out of the comfort zone,...
The film focuses on an acclaimed actress turned celebrity host of a daytime exercise program (Demi Moore) who gets replaced by a younger star (Margaret Qualley), sparking a confrontation between the two women that ultimately turns violent.
The Substance reportedly features some pretty extreme gore, but the scene that's sparked the most discussion is a brutal fight between Moore and Qualley's characters - complete with graphic, full-frontal nudity.
“I had someone who was a great partner,” said Moore of her co-star. “We were obviously quite close at some moments… and naked. But there was also a levity [in shooting those scenes].”
Moore also noted that the film “pushed me out of the comfort zone,...
- 5/20/2024
- ComicBookMovie.com
The 77th edition of the Cannes Film Festival continues on Day 7 with the world premiere of Ali Abbasi’s The Apprentice, starring Sebastian Stan, Jeremy Strong, Maria Bakalova and Martin Donovan.
The Apprentice charts a young Donald Trump’s (Stan) ascent to power through a Faustian deal with the influential right-wing lawyer and political fixer Roy Cohn (Strong). Hinging on Trump’s efforts to build his real estate business in New York in the ’70s and ’80s and charts the origins of a major American dynasty and reveals the moral and human cost of a culture defined by winners and losers.
Related: ‘The Apprentice’ Cannes Film Festival Premiere Photos: Sebastian Stan, Ali Abbasi, Maria Bakalova & More
Director David Cronenberg presents his latest film, The Shrouds, led by Diane Kruger, Vincent Cassel, and Guy Pearce. Greta Gerwig, Hirokazu Kore-eda, Gaspar Noé, and Michelle Rodriguez turned out for the premiere at Palais...
The Apprentice charts a young Donald Trump’s (Stan) ascent to power through a Faustian deal with the influential right-wing lawyer and political fixer Roy Cohn (Strong). Hinging on Trump’s efforts to build his real estate business in New York in the ’70s and ’80s and charts the origins of a major American dynasty and reveals the moral and human cost of a culture defined by winners and losers.
Related: ‘The Apprentice’ Cannes Film Festival Premiere Photos: Sebastian Stan, Ali Abbasi, Maria Bakalova & More
Director David Cronenberg presents his latest film, The Shrouds, led by Diane Kruger, Vincent Cassel, and Guy Pearce. Greta Gerwig, Hirokazu Kore-eda, Gaspar Noé, and Michelle Rodriguez turned out for the premiere at Palais...
- 5/20/2024
- by Robert Lang
- Deadline Film + TV
As ever, Cannes is providing serious buzz. It’s a key part of the festival circuit – films screen, conversation proliferates, and exciting must-sees come out of it all. And amid the myriad takes on Francis Ford Coppola’s Megalopolis, the debut of Kevin Costner’s Horizon, and the arrival of another new Yorgos Lanthimos joint Kinds Of Kindness, there’s one film that’s got everybody talking: The Substance. It’s an upcoming body horror from French filmmaker Coralie Fargeat (previously behind Revenge), and has provoked all kinds of conversation – in part for giving Demi Moore her biggest role in years.
Since The Substance has been acquired for distribution by Mubi, there’s already a teaser for the film. It’s only brief, but give it a watch here:
There’s not a huge amount to go off here, but the cryptic teaser does offer hints at the premise – of...
Since The Substance has been acquired for distribution by Mubi, there’s already a teaser for the film. It’s only brief, but give it a watch here:
There’s not a huge amount to go off here, but the cryptic teaser does offer hints at the premise – of...
- 5/20/2024
- by Ben Travis
- Empire - Movies
The Substance: Demi Moore body horror film earns 11 minute standing ovation and rave first reactions
Seven years have gone by since director Coralie Fargeat made her feature directorial debut with a very cool revenge movie that was appropriately titled Revenge – you can read our 8/10 review of the film at This Link. Now Fargeat is back with an “explosive feminist take on body horror” called The Substance, which stars Demi Moore (Ghost) and Margaret Qualley (Once Upon a Time in Hollywood). The film had its premiere at the Cannes Film Festival over the weekend, earning rave first reactions and an 11-minute standing ovation from the audience. (While also catching media attention with its scenes of Moore and Qualley displaying full frontal nudity.) We have assembled some of the reactions here:
I can’t get off my head #TheSubstance it’s an absolute brillant and well directed movie. Demi Moore and Margaret Qualley at their bests. Unbelievable that this movie is actually in Competition. Unforgettable session tonight!
I can’t get off my head #TheSubstance it’s an absolute brillant and well directed movie. Demi Moore and Margaret Qualley at their bests. Unbelievable that this movie is actually in Competition. Unforgettable session tonight!
- 5/20/2024
- by Cody Hamman
- JoBlo.com
“Emilia Pérez” has some competition on its heels in the Cannes competition: Coralie Fargeat’s body horror feminist industry satire “The Substance” premiered at the Palais last night to ecstatic raves and applause. While I’m not sure another genre film of this one’s gross-out, dare-you-to-lose-your-dinner extremeness can take the Palme d’Or so soon after big winner “Titane” surely paved the way three years ago for “The Substance” to be in the competition at all, this return to form for lead Demi Moore would be a bold choice from the jury.
I’d more expect to see Fargeat in contention for Best Director, as jury president Greta Gerwig might want to support a female filmmaker in a competition lacking in them. There are just four among the 22 films competing for the Palme, and at least one, “Wild Diamond,” feels like Thierry Frémaux’s effort to round that total of women directors up,...
I’d more expect to see Fargeat in contention for Best Director, as jury president Greta Gerwig might want to support a female filmmaker in a competition lacking in them. There are just four among the 22 films competing for the Palme, and at least one, “Wild Diamond,” feels like Thierry Frémaux’s effort to round that total of women directors up,...
- 5/20/2024
- by Ryan Lattanzio
- Indiewire
More than just a director of animation, Hayao Miyazaki is one of the best filmmakers (of any kind) of all time. His films are beloved and studied. You might as well just hand him an Oscar when he makes a new one. So, it’s incredibly interesting to see what all goes into the making of one of his features.
Read More: ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes]
As seen in the trailer for “Hayao Miyazaki and the Heron,” you get a behind-the-scenes look at the creation of the Oscar-winning feature, “The Boy and the Heron.” Over the course of the two-hour documentary, you see the relationship between the filmmaker and his producing partner Toshio Suzuki, as both people play off each other and Suzuki, in particular, pushes Miyazaki to go even further with his creativity.
Continue reading ‘Hayao Miyazaki...
Read More: ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes]
As seen in the trailer for “Hayao Miyazaki and the Heron,” you get a behind-the-scenes look at the creation of the Oscar-winning feature, “The Boy and the Heron.” Over the course of the two-hour documentary, you see the relationship between the filmmaker and his producing partner Toshio Suzuki, as both people play off each other and Suzuki, in particular, pushes Miyazaki to go even further with his creativity.
Continue reading ‘Hayao Miyazaki...
- 5/20/2024
- by Martin Miller
- The Playlist
Demi Moore is using her juiciest leading role in years to make a statement against the sexism of Hollywood.
Moore stars in Coralie Fargeat’s body horror Hollywood satire “The Substance,” which premiered in competition at Cannes to rave reviews. The actress plays an aging star who acquires a mysterious serum that births a younger, more ideal version of herself, played by Margaret Qualley. The two women are nude throughout the film, which shows the horrors of women going to extremes to preserve their self-image in Hollywood. Moore credited Qualley for being a “great partner” during a nude scene they share together.
“We were obviously quite close at some moments…and naked,” Moore said during the Cannes press conference (via The Hollywood Reporter). “But there was also a levity [in shooting those scenes].”
Moore explained that the gross-out horror feature, which debuted at Cannes Sunday night, undermines the “male perspective of the ideal woman” to a harrowing degree.
Moore stars in Coralie Fargeat’s body horror Hollywood satire “The Substance,” which premiered in competition at Cannes to rave reviews. The actress plays an aging star who acquires a mysterious serum that births a younger, more ideal version of herself, played by Margaret Qualley. The two women are nude throughout the film, which shows the horrors of women going to extremes to preserve their self-image in Hollywood. Moore credited Qualley for being a “great partner” during a nude scene they share together.
“We were obviously quite close at some moments…and naked,” Moore said during the Cannes press conference (via The Hollywood Reporter). “But there was also a levity [in shooting those scenes].”
Moore explained that the gross-out horror feature, which debuted at Cannes Sunday night, undermines the “male perspective of the ideal woman” to a harrowing degree.
- 5/20/2024
- by Samantha Bergeson
- Indiewire
Coralie Fargeat’s The Substance is out in front on Screen’s Cannes jury grid with 2.7.
The comedy horror scored one star four (excellent) from the UK’s The Telegraph and eight three stars (good). This was followed by two two stars (average) while Mathieu Macharet gave it a zero (bad).
Demi Moore, Margaret Qualley and Dennis Quaid star in the Fargeat’s English-language debut in a tale of a fading star who takes drastic measures to stay youthful.
Also arriving on the jury was Kirill Serebrennikov’s Limonov: The Ballad which received an average of 2.2.
The biopic starring Ben Whishaw...
The comedy horror scored one star four (excellent) from the UK’s The Telegraph and eight three stars (good). This was followed by two two stars (average) while Mathieu Macharet gave it a zero (bad).
Demi Moore, Margaret Qualley and Dennis Quaid star in the Fargeat’s English-language debut in a tale of a fading star who takes drastic measures to stay youthful.
Also arriving on the jury was Kirill Serebrennikov’s Limonov: The Ballad which received an average of 2.2.
The biopic starring Ben Whishaw...
- 5/20/2024
- ScreenDaily
After 27 years, Demi Moore returned to the Cannes red carpet following the world premiere of her body horror The Substance, starring Margaret Qualley. Directed by French director Coralie Fargeat, the horror thriller has made waves, with critics deeming it Moore’s best big-screen role in decades.
The plot revolves around a new product, The Substance, which promises people to transform into the best version of themselves. However, it comes with a twist and the new horror is definitely not for the faint-hearted, as critics deemed it among the best films the genre has to offer.
The Substance Doesn’t Disappoint in the Body Horror Front Per Critics Demi Moore | Credit: Indecent Proposal ( Paramount Pictures)
Demi Moore‘s new film is a complete departure from her Industry image, which has earned her and the crew a 13-minute standing ovation at Cannes. Revolving around self-hatred, The Substance doesn’t shy away from...
The plot revolves around a new product, The Substance, which promises people to transform into the best version of themselves. However, it comes with a twist and the new horror is definitely not for the faint-hearted, as critics deemed it among the best films the genre has to offer.
The Substance Doesn’t Disappoint in the Body Horror Front Per Critics Demi Moore | Credit: Indecent Proposal ( Paramount Pictures)
Demi Moore‘s new film is a complete departure from her Industry image, which has earned her and the crew a 13-minute standing ovation at Cannes. Revolving around self-hatred, The Substance doesn’t shy away from...
- 5/20/2024
- by Santanu Roy
- FandomWire
Joe Alwyn has been the center of much media attention in the last few years. That may be news if you’ve been living in a hermetically sealed bunker. But outside that particular and unsolicited spotlight, the dandyish 33-year-old British actor has carved his name out in films from idiosyncratic auteurs. There was Joanna Hogg’s “The Souvenir Part II” as a grieving and queer-flirting film editor; Claire Denis’ sensuous 2022 Cannes Grand Prix winner “Stars at Noon” as a Brit adrift in Nicaragua having lots of sex with Margaret Qualley’s character; and most recently “Kinds of Kindness,” whose director Yorgos Lanthimos he previously starred for as a lusty baron in “The Favourite.”
Alwyn is back this year at Cannes in three roles in “Kinds of Kindness,” co-written with Lanthimos by his friend and “Alps” and “The Lobster” collaborator Efthimis Flippou. Which means we are very much in the mode of old-school Lanthimos,...
Alwyn is back this year at Cannes in three roles in “Kinds of Kindness,” co-written with Lanthimos by his friend and “Alps” and “The Lobster” collaborator Efthimis Flippou. Which means we are very much in the mode of old-school Lanthimos,...
- 5/20/2024
- by Ryan Lattanzio
- Indiewire
As the 77th Cannes Film Festival (May 14-25) arrives at its halfway point, here is THR executive editor of awards Scott Feinberg’s assessment of the awards prospects — at the Cannes closing ceremony and later in the fall — of the films that have screened at the fest so far.
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
- 5/20/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Speaking at the Cannes Film Festival press conference for Competition title The Substance, Demi Moore described how making the film was a challenging, vulnerable experience that left her “with a greater acceptance of myself as I am”.
“There was something freeing about this exploration,” said Moore. “It was a very raw experience that required a depth of vulnerability and willingness to expose myself emotionally and physically that definitely pushed me out of my comfort zone.”
Coming through the filming process with that acceptance was “a gift”, she added.
French filmaker Coralie Fargeat’s feminist body horror follows an actress aged...
“There was something freeing about this exploration,” said Moore. “It was a very raw experience that required a depth of vulnerability and willingness to expose myself emotionally and physically that definitely pushed me out of my comfort zone.”
Coming through the filming process with that acceptance was “a gift”, she added.
French filmaker Coralie Fargeat’s feminist body horror follows an actress aged...
- 5/20/2024
- ScreenDaily
Basada en el best-seller de Taylor Jenkins Reid.
De acuerdo con Deadline, Laura Dern (“Jurassic Park”) y Margaret Qualley (“Pobres Criaturas”) protagonizarán “Forever, Interrupted”, una serie limitada basada en la novela best-seller de 2013 de Taylor Jenkins Reid. La serie es un proyecto de A24 para Netflix con Julia Bicknell (“Por Trece Razones”) como guionista.
En “Forever, Interrupted”, el romance relámpago de Elsie (Qualley) y Ben es eléctrico – en pocos meses se casan y viven felices para siempre – cuando la inesperada muerte de Ben obliga a Elsie a encontrarse cara a cara con Susan (Dern), la suegra que no sabe que ella existe. Contada a través de una doble línea temporal, la serie narra el amor que Elsie y Ben se profesaron una vez en la vida, intercalado con el inesperado viaje de Elsie y Susan a medida que su al principio turbulenta conexión lleva finalmente a ambas mujeres a un catártico nuevo comienzo.
De acuerdo con Deadline, Laura Dern (“Jurassic Park”) y Margaret Qualley (“Pobres Criaturas”) protagonizarán “Forever, Interrupted”, una serie limitada basada en la novela best-seller de 2013 de Taylor Jenkins Reid. La serie es un proyecto de A24 para Netflix con Julia Bicknell (“Por Trece Razones”) como guionista.
En “Forever, Interrupted”, el romance relámpago de Elsie (Qualley) y Ben es eléctrico – en pocos meses se casan y viven felices para siempre – cuando la inesperada muerte de Ben obliga a Elsie a encontrarse cara a cara con Susan (Dern), la suegra que no sabe que ella existe. Contada a través de una doble línea temporal, la serie narra el amor que Elsie y Ben se profesaron una vez en la vida, intercalado con el inesperado viaje de Elsie y Susan a medida que su al principio turbulenta conexión lleva finalmente a ambas mujeres a un catártico nuevo comienzo.
- 5/20/2024
- by Marta Medina
- mundoCine
Many were left scratching their heads when Cannes topper Thierry Frémaux made The Substance a part of the competition (and conversation) and the reason being that while the midnight films are a welcome inclusion in the overall line-up of the fest they are indeed a rarity in the competition line-up. Perhaps as he suggested Titane influenced his decision. Coralie Fargeat moved into English language terrain with her sophomore feature and judging by last night’s reaction this will indeed draw a strong … reaction among patrons. Filmed at the beginning of 2022, Demi Moore and Margaret Qualley get top billing in what is a two-handed serve – Dennis Quaid is a supporting character (who replaced Ray Liotta).…...
- 5/20/2024
- by Eric Lavallée
- IONCINEMA.com
Cannes – For a moment, we thought Coralie Fargeat’s “The Substance” had overstayed its welcome. But, no, the “Revenge” director was just taking a breath before unleashing a wild and operatic ending for her Cannes Film Festival debut. A bold dissection on aging and self-hatred Fargeat’s latest work is an utter visual marvel and features superb performances from its lead actresses; Demi Moore and Margaret Qualley.
Continue reading ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes] at The Playlist.
Continue reading ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes] at The Playlist.
- 5/20/2024
- by Gregory Ellwood
- The Playlist
Demi Moore said performing in Coralie Fargeat’s body horror shocker The Substance required accepting a “level of vulnerability and rawness” with regard to her own body on screen.
Moore put it all out there for the film, a gory, campy satire on beauty standards, toxic masculinity and female self-hatred, with the movie’s frequent and prominent nudity, as well as its gruesome violence, attracting a lot of attention after its world premiere in Cannes. Moore plays Elisabeth Sparkle, an acclaimed actress turned celebrity host of a daytime exercise program who gets replaced by a younger, more beautiful star (Margaret Qualley), sparking a confrontation between the two women. One of the more graphic scenes in the movie shows Moore and Qualley having a naked, no-holds-barred bloody fight. The Cannes audience loved it, giving the film a rapturous reception Sunday night.
“I had someone who was a great partner,” said Moore of Qualley.
Moore put it all out there for the film, a gory, campy satire on beauty standards, toxic masculinity and female self-hatred, with the movie’s frequent and prominent nudity, as well as its gruesome violence, attracting a lot of attention after its world premiere in Cannes. Moore plays Elisabeth Sparkle, an acclaimed actress turned celebrity host of a daytime exercise program who gets replaced by a younger, more beautiful star (Margaret Qualley), sparking a confrontation between the two women. One of the more graphic scenes in the movie shows Moore and Qualley having a naked, no-holds-barred bloody fight. The Cannes audience loved it, giving the film a rapturous reception Sunday night.
“I had someone who was a great partner,” said Moore of Qualley.
- 5/20/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Demi Moore’s new film, the feminist body horror “The Substance,” sees her bare it all, with several scenes featuring full nudity. At the Cannes Film Festival press conference for the film on Monday, the 61-year-old actor discussed the “vulnerable experience.”
“Going into it, it was really spelled out — the level of vulnerability and rawness that was really required to tell the story,” Moore said. “And it was a very vulnerable experience and just required a lot of sensitivity and a lot of conversation about what we were trying to accomplish.”
In the film from “Revenge” helmer Coralie Fargeat, Moore plays a fading celebrity who uses a black market drug the film is named for — a cell-replicating device that winds up creating a young, better version of herself (Margaret Qualley). Not only must she share a space with this new creature, she has to spend half her time in a...
“Going into it, it was really spelled out — the level of vulnerability and rawness that was really required to tell the story,” Moore said. “And it was a very vulnerable experience and just required a lot of sensitivity and a lot of conversation about what we were trying to accomplish.”
In the film from “Revenge” helmer Coralie Fargeat, Moore plays a fading celebrity who uses a black market drug the film is named for — a cell-replicating device that winds up creating a young, better version of herself (Margaret Qualley). Not only must she share a space with this new creature, she has to spend half her time in a...
- 5/20/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
Demi Moore is officially back in The Substance or, as her co-star Dennis Quaid called it for her at the pic’s Cannes Film Festival press conference Monday, “an incredible third act” for the actress.
“Man, it’s inspirational,” said Quaid who also praised the movie’s filmmaker Coralie Fargeat, framing the body horror pic that wowed at its world premiere Sunday night as “the birth of a great auteur.”
The trio, after a 13-minute standing ovation here in Cannes, the longest so far at the 77th edition, also received a roaring applause as they took their seats in the fest’s press room today.
Related: Cannes Film Festival 2024: All Of Deadline’s Movie Reviews
The movie is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people into a better, younger version of themselves. It’s...
“Man, it’s inspirational,” said Quaid who also praised the movie’s filmmaker Coralie Fargeat, framing the body horror pic that wowed at its world premiere Sunday night as “the birth of a great auteur.”
The trio, after a 13-minute standing ovation here in Cannes, the longest so far at the 77th edition, also received a roaring applause as they took their seats in the fest’s press room today.
Related: Cannes Film Festival 2024: All Of Deadline’s Movie Reviews
The movie is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people into a better, younger version of themselves. It’s...
- 5/20/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Demi Moore made her debut in the Cannes Film Festival’s official selection Sunday evening with the competition title The Substance. The much-anticipated blood-splattered horror thriller from French director Coralie Fargeat was met with 13-minute ovation, the longest for a title so far at this year’s festival.
The applause was consistent from the minute the credits hit the screen on the pic, which also stars Margaret Qualley and Dennis Quaid. It is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people in the best version of themselves of their dreams. It’s an offer that comes with a twist.
Although The Substance premiere screening started late by 20 minutes, there was thunderous applause for the movie by the time it wrapped around 1 a.m., with rhythmic clapping for this big comeback movie from Moore.
Moore, Qualley and...
The applause was consistent from the minute the credits hit the screen on the pic, which also stars Margaret Qualley and Dennis Quaid. It is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people in the best version of themselves of their dreams. It’s an offer that comes with a twist.
Although The Substance premiere screening started late by 20 minutes, there was thunderous applause for the movie by the time it wrapped around 1 a.m., with rhythmic clapping for this big comeback movie from Moore.
Moore, Qualley and...
- 5/19/2024
- by Nancy Tartaglione and Anthony D'Alessandro
- Deadline Film + TV
Cannes Film Festival went apeshit for the jaw-dropping, nauseating, defiant, hilarious “The Substance” — a body horror thriller from French director Coralie Forgeat starring Demi Moore and Margaret Qualley — on Sunday night with an 11-minute standing ovation.
It’s the tale of a once-great actress (Moore) whose certain age has relegated her to a Jane Fonda-style fitness show. When she’s fired, she is offered a trial of the medical treatment the film is named for. It promises a younger, better version of herself through a cell replicating process.
Moore takes a leap of faith and winds up on the bathroom floor, spine split open like a Christmas ham, when this new version — played by Qualley — comes slithering out of her back. Young, supple and brimming with possibilities, the two characters are allowed to coexist with one important caveat: they must trade one week on, one week off in each body.
It’s the tale of a once-great actress (Moore) whose certain age has relegated her to a Jane Fonda-style fitness show. When she’s fired, she is offered a trial of the medical treatment the film is named for. It promises a younger, better version of herself through a cell replicating process.
Moore takes a leap of faith and winds up on the bathroom floor, spine split open like a Christmas ham, when this new version — played by Qualley — comes slithering out of her back. Young, supple and brimming with possibilities, the two characters are allowed to coexist with one important caveat: they must trade one week on, one week off in each body.
- 5/19/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
The Substance, a gruesome body-horror flick, had its world premiere Sunday night in competition at the Cannes Film Festival and was greeted with a nine-minute standing ovation from the crowd at the Grand Lumiere Theatre.
The sophomore directorial effort and English-language debut of the French filmmaker Coralie Fargeat — she also wrote, produced and edited the film — stars Demi Moore, Dennis Quaid and Margaret Qualley (Qualley also appears in another competition title at this year’s fest, Kinds of Kindness), all of whom were on hand for the screening.
A gory fantasia that is a twisted cross between the classic films Sunset Boulevard and Freaks, it is one of the most out-there Cannes competition films since Titane — and, with the right mix of jurors, could follow that film to a major festival award, if not for the film, then perhaps for Moore.
Produced by Working Title’s art house mavens Tim Bevan and Eric Fellner,...
The sophomore directorial effort and English-language debut of the French filmmaker Coralie Fargeat — she also wrote, produced and edited the film — stars Demi Moore, Dennis Quaid and Margaret Qualley (Qualley also appears in another competition title at this year’s fest, Kinds of Kindness), all of whom were on hand for the screening.
A gory fantasia that is a twisted cross between the classic films Sunset Boulevard and Freaks, it is one of the most out-there Cannes competition films since Titane — and, with the right mix of jurors, could follow that film to a major festival award, if not for the film, then perhaps for Moore.
Produced by Working Title’s art house mavens Tim Bevan and Eric Fellner,...
- 5/19/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/19/2024
- by Christian Zilko
- Indiewire
Certainly the grossest, most way-out-there, and dare-you-to-lose-your-dinner film to debut in the Cannes competition so far, Coralie Fargeat’s “Revenge” follow-up “The Substance” premiered in the Palais Sunday night after a morning press screening that saw plenty of expected walkouts. Surely the same volume of repulsed exiters carried over to the premiere public screening, where Greta Gerwig’s jury got their first glimpse of the otherwise since-secretive film whose synopses and press notes tell you little. Mubi has distribution rights, which the company purchased just before the festival started. IndieWire’s David Ehrlich calls it an “instant classic.”
In this audacious, two-plus-hour feminist body horror, Demi Moore bares all to play a once-decorated actress quote-unquote past her prime named Elisabeth Sparkle, now resigned to Jane Fonda-esque fitness videos. But her time is finally up. She’s fired for being too old, sent packing home back to her sparse LA apartment,...
In this audacious, two-plus-hour feminist body horror, Demi Moore bares all to play a once-decorated actress quote-unquote past her prime named Elisabeth Sparkle, now resigned to Jane Fonda-esque fitness videos. But her time is finally up. She’s fired for being too old, sent packing home back to her sparse LA apartment,...
- 5/19/2024
- by Ryan Lattanzio
- Indiewire
Coralie Fargeat’s “The Substance” is a body horror film with all the subtlety of a sledgehammer. It smashes you over the head with its ideas and imagery, making even the fleeting moments of supposed beauty its characters are desperately chasing into something gloriously gruesome. It’s also great fun, pushing itself to greater heights and increasingly ludicrous lows at every turn as it riffs on the perils of youth and aging. It’s a lurid, loud and lewd film that comes at you.
The garishness of it all is Fargeat’s way of taking society’s often painfully narrow beauty standards and turning them all inside out. The filmmaker does so literally and figuratively, making it one of the most utterly ridiculous and unrestrained films to show at a festival this year. Few come even close.
While not as sensational as body horror films of festivals past, namely “Raw” and “Titane,...
The garishness of it all is Fargeat’s way of taking society’s often painfully narrow beauty standards and turning them all inside out. The filmmaker does so literally and figuratively, making it one of the most utterly ridiculous and unrestrained films to show at a festival this year. Few come even close.
While not as sensational as body horror films of festivals past, namely “Raw” and “Titane,...
- 5/19/2024
- by Chase Hutchinson
- The Wrap
Shocking and resonant, disarmingly grotesque and weirdly fun, “The Substance” is a feminist body-horror film that should be shown in movie theaters all over the land. By that, I don’t mean that it’s some elegant exercise in egghead darkness like the films of David Cronenberg, or a patchy postmodern punk curio like “Titane.” Coralie Fargeat, the writer-director of “The Substance,” has a voice that’s italicized, in-your-face, garishly accessible and thrillingly extreme. She draws on much of the hyperbolic flamboyance that’s come to define megaplex horror. But unlike 90 percent of those movies, “The Substance” is the work of a filmmaker with a vision. She’s got something primal to say to us.
“The Substance” tells the story of an aging Hollywood actress-turned-aerobics-workout-host, named Elisabeth Sparkle and played by Demi Moore, who gets fired from a TV network because she is now deemed too old. In a rage of desperation,...
“The Substance” tells the story of an aging Hollywood actress-turned-aerobics-workout-host, named Elisabeth Sparkle and played by Demi Moore, who gets fired from a TV network because she is now deemed too old. In a rage of desperation,...
- 5/19/2024
- by Owen Gleiberman
- Variety Film + TV
Have you ever dreamed about being a better version of yourself? With her second film, Coralie Fargeat not only addresses this question but takes aim at ageism and sexism in the entertainment industry with a riotous, dreamlike horror-thriller that ends in a delirious symphony of blood, guts and otherwise undefinable viscera. Imagine David Lynch’s Mulholland Drive fused in a telepod with David Cronenberg’s Dead Ringers, add the unbelievably dynamic pairing of Demi Moore and Margaret Qualley, process it through the ultra-vivid color palette that is Fargeat’s hyper-saturated imagination, sprinkle a bit of J.G. Ballard on top, and you have the perfect breakout genre movie of the year.
If you had “Demi Moore to make a hagsploitation body horror splatter movie” on your 2024 bingo card, you stand to make a fortune, but, come on, it’s not very likely; there’s been nothing in her filmography so far...
If you had “Demi Moore to make a hagsploitation body horror splatter movie” on your 2024 bingo card, you stand to make a fortune, but, come on, it’s not very likely; there’s been nothing in her filmography so far...
- 5/19/2024
- by Damon Wise
- Deadline Film + TV
An immensely, unstoppably, ecstatically demented fairy tale about female self-hatred, Coralie Fargeat’s “The Substance” will stop at nothing — and I mean nothing — to explode the ruthless beauty standards that society has inflicted upon women for thousands of years, a burden this camp-adjacent instant classic aspires to cast off with some of the most spectacularly disgusting body horror this side of “The Fly” or the final minutes of “Akira.”
If the “Revenge” director’s immaculately crafted debut tried to dismantle male toxicity with a shotgun blast square to the balls, Fargeat’s Cannes-approved follow-up turns that same attention inwards, allowing her to take aim at both the pointlessness she’s been conditioned to feel as a forty-something woman, and also at the resentment she’s been conditioned to feel toward her younger self. Squelching with fury at how a woman’s “fuckability” is used as the ultimate measure of her worth,...
If the “Revenge” director’s immaculately crafted debut tried to dismantle male toxicity with a shotgun blast square to the balls, Fargeat’s Cannes-approved follow-up turns that same attention inwards, allowing her to take aim at both the pointlessness she’s been conditioned to feel as a forty-something woman, and also at the resentment she’s been conditioned to feel toward her younger self. Squelching with fury at how a woman’s “fuckability” is used as the ultimate measure of her worth,...
- 5/19/2024
- by David Ehrlich
- Indiewire
Not long into Coralie Fargeat’s campy body horror The Substance, Elisabeth Sparkle (Demi Moore) is unceremoniously fired from her gig as the celebrity host of a daytime exercise program. The former actress’ credentials — an Academy Award, a prominent place on the Hollywood Walk of Fame — aren’t enough to save her Zumba-meets-Jillian-Michaels-style show, fittingly called Sparkle Your Life. Her producer, an oily personality conspicuously named Harvey (Dennis Quaid), wants to replace Elisabeth with a younger, more beautiful star. In his words: “This is network TV, not charity.”
The Substance, which premiered at Cannes in competition, is Fargeat’s second feature. It builds on the director’s interest in the disposability of women in a sexist society, a theme she first explored in her hyper-stylized and gory 2017 thriller Revenge. She gave that film a subversive feminist bent by turning the trophy girlfriend — a sunny blonde who is raped and murdered — into a vengeance-seeking hunter.
The Substance, which premiered at Cannes in competition, is Fargeat’s second feature. It builds on the director’s interest in the disposability of women in a sexist society, a theme she first explored in her hyper-stylized and gory 2017 thriller Revenge. She gave that film a subversive feminist bent by turning the trophy girlfriend — a sunny blonde who is raped and murdered — into a vengeance-seeking hunter.
- 5/19/2024
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
Entering what some may call her absurdist era, Emma Stone continues to captivate audiences, fresh off her peculiar yet heartwarming Poor Things performance that earned her a second Oscar. Now, she returns with another head-turning film titled Kinds of Kindness, which recently premiered at the Cannes Film Festival.
Emma Stone in a still from Yorgos Lanthimos’ Kinds of Kindness | Distribution: Searchlight Pictures
Labeling the film as anything less than utterly insane would fall short. Co-star Jesse Palmer’s response upon delving into the script echoed that of the audience who witnessed it unfold at Cannes. He confessed that experiencing the wide range of emotions stirred by the movie left him feeling as though his entire body was on fire.
Emma Stone’s Absurdist Film Kinds of Kindness Script Set Jesse Plemons’ Body on Fire
Kinds of Kindness is a bizarre, twisted, and dark comedy that weaves together three interconnected stories.
Emma Stone in a still from Yorgos Lanthimos’ Kinds of Kindness | Distribution: Searchlight Pictures
Labeling the film as anything less than utterly insane would fall short. Co-star Jesse Palmer’s response upon delving into the script echoed that of the audience who witnessed it unfold at Cannes. He confessed that experiencing the wide range of emotions stirred by the movie left him feeling as though his entire body was on fire.
Emma Stone’s Absurdist Film Kinds of Kindness Script Set Jesse Plemons’ Body on Fire
Kinds of Kindness is a bizarre, twisted, and dark comedy that weaves together three interconnected stories.
- 5/19/2024
- by Sampurna Banerjee
- FandomWire
Emma Stone and Jesse Plemons are hungry, wolfing down sandwiches at the start of our “Kinds of Kindness” interview. They’re in Cannes to promote the singular three-part anthology film, which has been well-received. They laugh a lot. She’s a Yorgos Lanthimos veteran, and just won her second Oscar embodying the free-spirited Bella Baxter in “Poor Things.” After that, it seems, nothing will faze her and she’ll do anything for her soulmate director. Announced at Cannes: Their next movie to be shot this summer, “Bugonia” (Focus Features), a remake of a Korean thriller, co-starring Plemons.
The 36-year-old one-time child actor is the new kid in town, joining such familiar faces as Stone, Margaret Qualley, and Willem Dafoe in the Lanthimos ensemble. When the “Fargo” and “Killers of the Flower Moon” star got the call from his agent, even before he read the “Kinds of Kindness” script, he said,...
The 36-year-old one-time child actor is the new kid in town, joining such familiar faces as Stone, Margaret Qualley, and Willem Dafoe in the Lanthimos ensemble. When the “Fargo” and “Killers of the Flower Moon” star got the call from his agent, even before he read the “Kinds of Kindness” script, he said,...
- 5/19/2024
- by Anne Thompson
- Indiewire
Demi Moore teased details of her role in Taylor Sheridan’s upcoming Paramount+ drama Landman and revealed she expects to be back on set for a second season in early 2025.
“It’s a very interesting world in the boomtown of Fort Worth, Texas. It’s kind of this subculture that we haven’t seen before, which is what I think Taylor does so well,” said Moore, in a talk at the American Pavilion at the Cannes Film Festival on Sunday.
“I play an oil tycoon’s wife… lots of nice clothes. The substance of it is really exploring the issues around oil, petroleum, on all sides…and then of course there’s – as Taylor does so well – there’s delicious drama within and family dynamics.”
Other cast members include Billy Bob Thornton and Jon Hamm as rival oil tycoons, with Hamm playing Moore’s husband.
On playing opposite Hamm again,...
“It’s a very interesting world in the boomtown of Fort Worth, Texas. It’s kind of this subculture that we haven’t seen before, which is what I think Taylor does so well,” said Moore, in a talk at the American Pavilion at the Cannes Film Festival on Sunday.
“I play an oil tycoon’s wife… lots of nice clothes. The substance of it is really exploring the issues around oil, petroleum, on all sides…and then of course there’s – as Taylor does so well – there’s delicious drama within and family dynamics.”
Other cast members include Billy Bob Thornton and Jon Hamm as rival oil tycoons, with Hamm playing Moore’s husband.
On playing opposite Hamm again,...
- 5/19/2024
- by Melanie Goodfellow
- Deadline Film + TV
Deadline photo studio hosted talent on Day 1 at the 77th annual Cannes Film Festival, as cast members of Cannes premiering films stopped by including Cayden Wyatt Costner, Jena Malone, Isabelle Fuhrman, Abbey Lee, Kevin Costner, Sienna Miller, Ella Hunt, Wase Chief, Georgia MacPhail, and Luke Wilson from Horizon: An American Saga; Galen Johnson, Cate Blanchett, Guy Maddin and Evan Johnson for Rumours; Sarocha Chankimha, Ramata-Toulaye Sy, Aseel Omran for Rsiff Women in Cinema; Francis Ford Coppola and Nathalie Emmanuel from Megalopolis; Willem Dafoe, Hong Chau, Hunter Schafer, Margaret Qualley and Mamoudou Athie for Kinds of Kindness; Ron Howard for Jim Henson Idea Man, George Miller, Anya Taylor-Joy, Chris Hemsworth and Tom Burke of Furiosa: A Mad Max Saga and many more.
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
The Deadline Studio at Cannes will run from May 14-22, where the cast and creatives behind the best and buzziest titles...
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
The Deadline Studio at Cannes will run from May 14-22, where the cast and creatives behind the best and buzziest titles...
- 5/19/2024
- by Robert Lang
- Deadline Film + TV
This one is for the true Lanthimites, the Dogtooth sisters, the biscuit women, The Killing of a Sacred Deer heads, a film to which the callbacks are so abundant that one can’t help but wonder what the connection is for writer-director Yorgos Lanthimos and co-screenwriter Efthimis Filippou behind the scenes, outside of simply sharing tones and themes that all of their other films share. Regardless, the director as we knew him pre-Emma Stone is back (relatively speaking). And this time… with Emma Stone!
In his eighth feature, old and new Lanthimos merge, the former reflected in story scope, unreal realism, and bone-dry Greek comedy, all wrapped up in the much-felt return of Filippou, with whom he last wrote Sacred Deer just before he launched into the Hollywood stratosphere with Tony McNamara and The Favourite, the dawn of his Emma Stone collaboration-turned-creative-partnership. And the latter is reflected in, well,...
In his eighth feature, old and new Lanthimos merge, the former reflected in story scope, unreal realism, and bone-dry Greek comedy, all wrapped up in the much-felt return of Filippou, with whom he last wrote Sacred Deer just before he launched into the Hollywood stratosphere with Tony McNamara and The Favourite, the dawn of his Emma Stone collaboration-turned-creative-partnership. And the latter is reflected in, well,...
- 5/19/2024
- by Luke Hicks
- The Film Stage
Jesse Plemons has become an undisputed auteur’s favorite. The 36-year-old star’s beguiling unshowiness onscreen has landed him memorable parts in films from Paul Thomas Anderson (The Master), Steven Spielberg (Bridge of Spies, The Post), Martin Scorsese (The Irishman, Killers of the Flower Moon), Charlie Kaufman (I’m Thinking of Ending Things), Adam McKay (Vice) and Jane Campion (The Power of the Dog), among so many others. Arguably even more viewers know him from his indelible work on the small screen, which began with his breakthrough role on NBC’s Friday Night Lights, continued through AMC’s landmark hit series Breaking Bad and culminated with an Emmy nomination for FX’s Fargo, where he met his wife, actress and co-star Kirsten Dunst.
Plemons touched down for the Cannes Film Festival on Friday for the world premiere of Yorgos Lanthimos’ Kinds of Kindness, the acclaimed Greek director’s follow-up to his multi-Oscar-winning period fantasy Poor Things.
Plemons touched down for the Cannes Film Festival on Friday for the world premiere of Yorgos Lanthimos’ Kinds of Kindness, the acclaimed Greek director’s follow-up to his multi-Oscar-winning period fantasy Poor Things.
- 5/19/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
The 2024 Cannes Film Festival is still going full steam, with deals and screenings galore. We’ve got the first responses to some highly anticipated projects including the new films from Emma Stone and Nicolas Cage, a filmmaker weighing in on the Harvey Weinstein conviction reversal and a studio going all in on a single filmmaker.
“Kinds of Kindness” Confounds
Yorgos Lanthimos, just a few months since his bizarre, female-empowerment madcap science fiction movie “Poor Things” scooped up four Oscars (including Best Actress for Emma Stone), debuted his new film, “Kinds of Kindness.”
The movie reunites the filmmaker with his frequent writing partner, Efthimis Filippo, and his muse, Emma Stone. The movie is not a straightforward narrative but an anthology film comprised of three loosely connected storylines, where the actors play different characters in each segment. (This is Searchlight’s big summer movie; it’s going up against the new “Quiet Place” prequel.
“Kinds of Kindness” Confounds
Yorgos Lanthimos, just a few months since his bizarre, female-empowerment madcap science fiction movie “Poor Things” scooped up four Oscars (including Best Actress for Emma Stone), debuted his new film, “Kinds of Kindness.”
The movie reunites the filmmaker with his frequent writing partner, Efthimis Filippo, and his muse, Emma Stone. The movie is not a straightforward narrative but an anthology film comprised of three loosely connected storylines, where the actors play different characters in each segment. (This is Searchlight’s big summer movie; it’s going up against the new “Quiet Place” prequel.
- 5/18/2024
- by Drew Taylor
- The Wrap
Fresh off his brief but scene-stealing performance in “Civil War,” Jesse Plemons is reteaming with six-time Academy Award-nominated filmmaker Yorgos Lanthimos for his next film, now titled “Bugonia,” which has landed at Focus Features for North America. Plemons is also one of the many ensemble talents in Lanthimos’ “Kinds Of Kindness,” which just premiered at the Cannes Film Festival and co-stars Emma Stone, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, and Hunter Schafer (read our review).
Continue reading Jesse Plemons Joins Emma Stone In Yorgos Lanthimos’ ‘Bugonia’ For Focus Features at The Playlist.
Continue reading Jesse Plemons Joins Emma Stone In Yorgos Lanthimos’ ‘Bugonia’ For Focus Features at The Playlist.
- 5/18/2024
- by Rodrigo Perez
- The Playlist
Jesse Plemons, Yorgos Lanthimos, Emma Stone and Willem Dafoe Photo: Richard Mowe There was a lot of “musing” going on when Kinds Of Kindness director Yorgos Lanthimos and star Emma Stone who has previously appeared under his guidance in three films, met at a media gathering at the Cannes Film Festival with fellow cast members Willem Dafoe and Margaret Qualley, Jesse Plemons, Mamoudou Athie, Hunter Schafer and Hong Chau.
Neither Lanthimos or Stone could decide who was the other’s muse - and finally both agreed that they inspired each other and she would sign up for anything he wants her to do.
The Greek film provocateur said: “I certainly don’t mistreat the body, at least practically. I’m observing life, and a lot of it is dark, and harm and ridiculousness and awkwardness. We try to incorporate all that, and it starts from physicality.”
Emma Stone on the...
Neither Lanthimos or Stone could decide who was the other’s muse - and finally both agreed that they inspired each other and she would sign up for anything he wants her to do.
The Greek film provocateur said: “I certainly don’t mistreat the body, at least practically. I’m observing life, and a lot of it is dark, and harm and ridiculousness and awkwardness. We try to incorporate all that, and it starts from physicality.”
Emma Stone on the...
- 5/18/2024
- by Richard Mowe
- eyeforfilm.co.uk
A new dream TV duo is upon us. Laura Dern and Margaret Qualley are set to co-star in the upcoming limited series Forever, Interrupted, which just landed at Netflix from production company A24. Per Deadline, they’ll also serve as co-executive producers.
Forever, Interrupted is based on the romance novel of the same name by Taylor Jenkins Reid, who’s also the author of Daisy Jones & the Six, which was adapted into a Prime Video limited series starring Riley Keough in 2023. Qualley will star as Elsie, who embarks on a whirlwind romance that leads to a supposedly idyllic marriage after just a few months. But when her husband unexpectedly dies, her path crosses with that of his mother Susan (Dern), who had no idea she even existed.
Forever, Interrupted is based on the romance novel of the same name by Taylor Jenkins Reid, who’s also the author of Daisy Jones & the Six, which was adapted into a Prime Video limited series starring Riley Keough in 2023. Qualley will star as Elsie, who embarks on a whirlwind romance that leads to a supposedly idyllic marriage after just a few months. But when her husband unexpectedly dies, her path crosses with that of his mother Susan (Dern), who had no idea she even existed.
- 5/18/2024
- by Kelly Martinez
- Primetimer
Cannes – They may have already collaborated on three feature films and a short, but get one thing straight. Emma Stone isn’t Yorgos Lanthimos‘ muse. It’s the other way around. As the two-time Best Actress winner noted with a sly wink during the “Kinds of Kindness” press conference, “He’s my muse.”
Read More: Cannes Film Festival 2022: The 22 Films Everyone Will Be Buzzing About
Stone was joined by co-stars Jesse Plemmons, Willem Dafoe, Joe Alwyn, Hong Chau, Hunter Schafer, Margaret Qualley, and Mamoudou Athie to discuss “Kinds” with the global press, but the subject kept coming back to Lanthimos.
Continue reading Emma Stone On Yorgos Lanthimos: “He’s My Muse” [Cannes] at The Playlist.
Read More: Cannes Film Festival 2022: The 22 Films Everyone Will Be Buzzing About
Stone was joined by co-stars Jesse Plemmons, Willem Dafoe, Joe Alwyn, Hong Chau, Hunter Schafer, Margaret Qualley, and Mamoudou Athie to discuss “Kinds” with the global press, but the subject kept coming back to Lanthimos.
Continue reading Emma Stone On Yorgos Lanthimos: “He’s My Muse” [Cannes] at The Playlist.
- 5/18/2024
- by Gregory Ellwood
- The Playlist
Those lucky enough to have discovered Yorgos Lanthimos right as he was establishing himself as a world-cinema weirdo — we’d carbon-date the initial who-the-fuck-is-this-guy?! moment as mid-2009, when his breakthrough film Dogtooth was worming its way through the festival circuit — remember what a shock it was to encounter the Greek filmmaker’s work. It was absurd, abstract, capable of spanning the humor gamut from deadpan to super-dark. Not even the gradual inclusion of name-brand actors like Colin Farrell, Rachel Weisz and Nicole Kidman could dull the bewilderment (try explaining the...
- 5/18/2024
- by David Fear
- Rollingstone.com
Emma Stone tackled several questions on feminism while speaking at the Cannes Film Festival press conference for Yorgos Lanthimos’ Kinds Of Kindness.
“I mean I am feminist, whether that’s activism or not it just makes sense to me,” the actor said regarding how her feminism influences the films she chooses. “These stories are just stories that feel interesting to me as an actor.
“I don’t know that I’m really the type of actor that’s like ’I need to do this film because it has this particular message’. I just find the characters interesting. The world is interesting,...
“I mean I am feminist, whether that’s activism or not it just makes sense to me,” the actor said regarding how her feminism influences the films she chooses. “These stories are just stories that feel interesting to me as an actor.
“I don’t know that I’m really the type of actor that’s like ’I need to do this film because it has this particular message’. I just find the characters interesting. The world is interesting,...
- 5/18/2024
- ScreenDaily
Yorgos Lanthimos’ Kinds Of Kindness has landed top of Screen International’s Cannes jury grid with an average score of 2.4.
The triptych drama is the first film so far to receive a four (excellent), both from Le Meduza’s Anton Dolin and Screen’s own critic. Others were less convinced with Mathieu Macharet (France’s Le Monde) and Stephanie Zacharek (US Time) both giving it just one (poor).
Click on the jury grid above for the most up-to-date version.
Lanthimos has proved divisive on the jury grid before, in 2017 with The Killing Of A Sacred Deer which scored a 1.9 overall...
The triptych drama is the first film so far to receive a four (excellent), both from Le Meduza’s Anton Dolin and Screen’s own critic. Others were less convinced with Mathieu Macharet (France’s Le Monde) and Stephanie Zacharek (US Time) both giving it just one (poor).
Click on the jury grid above for the most up-to-date version.
Lanthimos has proved divisive on the jury grid before, in 2017 with The Killing Of A Sacred Deer which scored a 1.9 overall...
- 5/18/2024
- ScreenDaily
The Cannes Film Festival is one of the most important cinematic events of the year. Not only is it a popular market for future and unreleased movies, but it is also the place where many films have their premiere and where the audiences can see them for the first time. After the premieres of Furiosa: A Mad Max Saga and Megalopolis, another upcoming hit also had its premiere yesterday and it seems that the critics are absolutely amazed with the movie! We have already written about Yorgos Lantihmos’ upcoming film, Kinds of Kindness, and we can confirm that the early reviews point to the Greek director having another major hit for us!
In case you have forgotten, Kinds of Kindness is based on an original script co-written by Efthimis Filippou and Lanthimos himself. Lanthimos described the film as “a contemporary film, set in the US – three different stories, with four...
In case you have forgotten, Kinds of Kindness is based on an original script co-written by Efthimis Filippou and Lanthimos himself. Lanthimos described the film as “a contemporary film, set in the US – three different stories, with four...
- 5/18/2024
- by Arthur S. Poe
- Fiction Horizon
At this point, any actor signing on for a Yorgos Lanthimos film knows they wont be resting on their laurels. Literally. One of his trademarks is a kind of heightened physicality — whether its Rachel Weisz and Joe Alwyn twerking in “The Favourite,” Emma Stone “furious jumping” in “Poor Things” or Nicole Kidman lending a man a hand, so to speak, in a parking lot in “The Killing of a Sacred Deer.”
This kind of movement, be it awkward, sexy or just bizarre, came up on Saturday during the Cannes Film Festival press conference for Lanthimos’ latest, “Kinds of Kindness.” Reunited with Stone, Willem Dafoe and Margaret Qualley, and newcomers Jesse Plemons, Mamoudou Athie, Hunter Schafer and Hong Chau, the new project sees the acting troupe engage in group sex, hardcore breakdancing, reckless driving and some light cannibalism. Another day on a Lanthimos set.
“I certainly don’t mistreat the body,...
This kind of movement, be it awkward, sexy or just bizarre, came up on Saturday during the Cannes Film Festival press conference for Lanthimos’ latest, “Kinds of Kindness.” Reunited with Stone, Willem Dafoe and Margaret Qualley, and newcomers Jesse Plemons, Mamoudou Athie, Hunter Schafer and Hong Chau, the new project sees the acting troupe engage in group sex, hardcore breakdancing, reckless driving and some light cannibalism. Another day on a Lanthimos set.
“I certainly don’t mistreat the body,...
- 5/18/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
Just eight months after filmmaker Yorgos Lanthimos and star Emma Stone unveiled Poor Things at Venice, the duo are back on the festival circuit with Kinds of Kindness. The frequent collaborators faced the press at Cannes, where they tried to define the alchemy between their relationship, which netted Stone an Oscar for Poor Things and also includes The Favourite. Stone brushed off the suggestion that she was Lanthimos’ muse, responding, ““He’s my muse.”
“I feel like I can do anything with him, because we’ve worked together so many times,” said Stone. “I trust him beyond the trust I’ve had with any director, and I’ve been lucky to work with great directors.”
As is common at Cannes, female stars are asked to share their thoughts on the #MeToo movement or being a woman in the industry. In this case, Stone was asked about how her work with...
“I feel like I can do anything with him, because we’ve worked together so many times,” said Stone. “I trust him beyond the trust I’ve had with any director, and I’ve been lucky to work with great directors.”
As is common at Cannes, female stars are asked to share their thoughts on the #MeToo movement or being a woman in the industry. In this case, Stone was asked about how her work with...
- 5/18/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
Mamoudou Athie can practically taste the lobster rolls from the Carlton hotel. He smiles wistfully as he taps into that sense memory of his first trip to the Cannes Film Festival. In 2023, Athie voiced the lead role in Disney-Pixar’s “Elemental,” which closed the fest. And he’s returning this week as part of the first-rate ensemble of Yorgos Lanthimos’ offbeat movie “Kinds of Kindness.”
Discussion of the crustacean-filled dish might seem irrelevant, but it’s perhaps not incidental. Athie begins our conversation by revealing that his first encounter with Lanthimos’ unique sensibilities was 2015’s “The Lobster.” The Mauritanian American actor, who was studying at Yale School of Drama at the time, was captivated by the originality of the material and the conviction the filmmaker brought to his craft.
“I love something that feels fresh and innovative and risky,” Athie says, sitting down with Variety in late April and eagerly...
Discussion of the crustacean-filled dish might seem irrelevant, but it’s perhaps not incidental. Athie begins our conversation by revealing that his first encounter with Lanthimos’ unique sensibilities was 2015’s “The Lobster.” The Mauritanian American actor, who was studying at Yale School of Drama at the time, was captivated by the originality of the material and the conviction the filmmaker brought to his craft.
“I love something that feels fresh and innovative and risky,” Athie says, sitting down with Variety in late April and eagerly...
- 5/17/2024
- by Angelique Jackson
- Variety Film + TV
Margaret Qualley and Demi Moore are teased as playing the same character for feminist body-horror thriller “The Substance.”
The Cannes feature, which premieres in competition at the festival, has already been picked up by Mubi for worldwide distribution. French director Coralie Fargeat helms her sophomore film, following her debut “Revenge” which premiered at TIFF in 2017.
“The Substance” is titled for a mysterious serum that transforms users into the ideal versions of themselves. The elusive official synopsis reads: “It generates another you. A new, younger, more beautiful, more perfect you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance…what could possibly go wrong?”
The teaser shows Moore intently watching an ad for the substance injection and contemplating undergoing its cellular division. Could Qualley be who Moore transforms into?...
The Cannes feature, which premieres in competition at the festival, has already been picked up by Mubi for worldwide distribution. French director Coralie Fargeat helms her sophomore film, following her debut “Revenge” which premiered at TIFF in 2017.
“The Substance” is titled for a mysterious serum that transforms users into the ideal versions of themselves. The elusive official synopsis reads: “It generates another you. A new, younger, more beautiful, more perfect you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance…what could possibly go wrong?”
The teaser shows Moore intently watching an ad for the substance injection and contemplating undergoing its cellular division. Could Qualley be who Moore transforms into?...
- 5/17/2024
- by Samantha Bergeson
- Indiewire
Exclusive: In a competitive situation, Netflix has landed for development Forever, Interrupted, a limited series based on the 2013 bestselling novel by Taylor Jenkins Reid, sources tell Deadline. Laura Dern and Margaret Qualley are set to star in and executive produce the project, from A24 and company-based producer Jessica Rhoades. Julia Bicknell is writing the adaptation and will serve as showrunner. Netflix declined comment.
In Forever, Interrupted, Elsie (Qualley) and Ben’s whirlwind romance is electric – within months they’re married and living happily ever after – when Ben’s unexpected death forces Elsie to come face to face with Susan (Dern), the mother-in-law who doesn’t know that she exists. Told through a dual timeline, the series recounts Elsie and Ben’s once-in-a-lifetime love, intercut with Elsie and Susan’s unexpected journey as their at first turbulent connection ultimately brings both women cathartic new beginnings.
Executive producing are Rhoades and Alison Mo Massey for Pacesetter Productions,...
In Forever, Interrupted, Elsie (Qualley) and Ben’s whirlwind romance is electric – within months they’re married and living happily ever after – when Ben’s unexpected death forces Elsie to come face to face with Susan (Dern), the mother-in-law who doesn’t know that she exists. Told through a dual timeline, the series recounts Elsie and Ben’s once-in-a-lifetime love, intercut with Elsie and Susan’s unexpected journey as their at first turbulent connection ultimately brings both women cathartic new beginnings.
Executive producing are Rhoades and Alison Mo Massey for Pacesetter Productions,...
- 5/17/2024
- by Nellie Andreeva
- Deadline Film + TV
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