Where were you when the Brat Pack took over Hollywood?
Core 1980s Brat Pack member Andrew McCarthy revisits his iconic teen past alongside his fellow “It” actors for documentary “Brats,” which McCarthy writes and directs. Reclaiming the term first coined in David Blum’s 1985 New York Magazine cover story, “Brats” unpacks the teen films — and their stars — of the ’80s that shaped a generation.
McCarthy’s former co-stars Emilio Estevez, Ally Sheedy, Demi Moore, Rob Lowe, Lea Thompson, Timothy Hutton, and Jon Cryer are among those featured in the documentary. McCarthy says he had not previously seen most of his past colleagues for more than 30 years.
Notably, Molly Ringwald is not part of the doc, despite her discussions on the role of the Brat Pack in cinematic history. The actress previously cited that she was typecast because of the moniker, telling The Guardian that “darker roles” weren’t available to...
Core 1980s Brat Pack member Andrew McCarthy revisits his iconic teen past alongside his fellow “It” actors for documentary “Brats,” which McCarthy writes and directs. Reclaiming the term first coined in David Blum’s 1985 New York Magazine cover story, “Brats” unpacks the teen films — and their stars — of the ’80s that shaped a generation.
McCarthy’s former co-stars Emilio Estevez, Ally Sheedy, Demi Moore, Rob Lowe, Lea Thompson, Timothy Hutton, and Jon Cryer are among those featured in the documentary. McCarthy says he had not previously seen most of his past colleagues for more than 30 years.
Notably, Molly Ringwald is not part of the doc, despite her discussions on the role of the Brat Pack in cinematic history. The actress previously cited that she was typecast because of the moniker, telling The Guardian that “darker roles” weren’t available to...
- 5/22/2024
- by Samantha Bergeson
- Indiewire
“Surreal.” That’s the best way Margaret Qualley can sum up her experience at the Cannes Film Festival this year, as one of the only actors to star in not one, but two films premiering in competition — Yorgos Lanthimos’ bizarre black comedy “Kinds of Kindness” and Coralie Fargeat’s feminist body horror thriller “The Substance.”
This is Qualley’s third time at Cannes. For her first, in 2012, she walked the red carpet with her mother, Andie MacDowell; the second was in 2022, where she starred opposite Joe Alwyn in Claire Denis’ “Stars at Noon,” making her Cannes debut as an actor.
“I’m the luckiest person,” Qualley told Variety about her various experiences at the festival. “First time was a baby. I was deer in the headlights. I didn’t know what I wanted to do with myself or my life or how to do it.”
On that second trip, as...
This is Qualley’s third time at Cannes. For her first, in 2012, she walked the red carpet with her mother, Andie MacDowell; the second was in 2022, where she starred opposite Joe Alwyn in Claire Denis’ “Stars at Noon,” making her Cannes debut as an actor.
“I’m the luckiest person,” Qualley told Variety about her various experiences at the festival. “First time was a baby. I was deer in the headlights. I didn’t know what I wanted to do with myself or my life or how to do it.”
On that second trip, as...
- 5/22/2024
- by Angelique Jackson
- Variety Film + TV
The star-studded world premiere of The Substance brought A-list glamour to the 77th Cannes Film Festival on Saturday night. Leading the red carpet charge were acting legends Demi Moore and Dennis Quaid, joined by rising talents Margaret Qualley and director Coralie Fargeat.
All eyes were on Moore, 61, who defied age in a champagne Schiaparelli gown. The ageless beauty exuded confidence as she posed fiercely for photographers on the famed Palais des Festivals red carpet.
Moore’s co-star Quaid, 69, looked dapper in a classic tuxedo. The veteran actor flashed his trademark grin alongside his younger on-screen love interest, the 28-year-old Qualley.
Qualley, the daughter of Andie MacDowell, has been earning raves for her breakout performance in the psychological thriller. She stunned in a pretty white and pink dress with finely embroidered designs and feathers along the bottom edge.
French director Fargeat, who turned heads in a pale pink dress, rounded out the film’s glamorous quartet.
All eyes were on Moore, 61, who defied age in a champagne Schiaparelli gown. The ageless beauty exuded confidence as she posed fiercely for photographers on the famed Palais des Festivals red carpet.
Moore’s co-star Quaid, 69, looked dapper in a classic tuxedo. The veteran actor flashed his trademark grin alongside his younger on-screen love interest, the 28-year-old Qualley.
Qualley, the daughter of Andie MacDowell, has been earning raves for her breakout performance in the psychological thriller. She stunned in a pretty white and pink dress with finely embroidered designs and feathers along the bottom edge.
French director Fargeat, who turned heads in a pale pink dress, rounded out the film’s glamorous quartet.
- 5/22/2024
- by Lauren Ramsey
- Uinterview
We know the drill: When Hollywood actresses hit a certain age, they’re pushed off the industry conveyor belt. Some find a few roles, or perhaps a gig as a brand ambassador, spokesperson, or fitness guru. That’s the world of Elisabeth Sparkle, as played by Demi Moore, in Coralie Fargeat’s body-horror industry satire “The Substance.” However, this film represents the best role in the 61-year-old Moore’s career.
In the mid-1990s, Moore was a star after “St. Elmo’s Fire,” “Ghost,” “A Few Good Men,” “Indecent Proposal,” “Disclosure.” She hit her financial peak with the 1996 “Striptease” — $12 million, which inspired snarky asides of “Gimme Moore” — but the reviews were bad and the box office not much better. Her career shifted into smaller movies and smaller roles (including a standout turn in 2011’s “Margin Call”), many of which didn’t deserve her presence and, well, sparkle.
This year Moore had...
In the mid-1990s, Moore was a star after “St. Elmo’s Fire,” “Ghost,” “A Few Good Men,” “Indecent Proposal,” “Disclosure.” She hit her financial peak with the 1996 “Striptease” — $12 million, which inspired snarky asides of “Gimme Moore” — but the reviews were bad and the box office not much better. Her career shifted into smaller movies and smaller roles (including a standout turn in 2011’s “Margin Call”), many of which didn’t deserve her presence and, well, sparkle.
This year Moore had...
- 5/22/2024
- by Ryan Lattanzio
- Indiewire
A handful of competition premieres just made their way to the Palais to mixed results as the festival starts to wind down, the Cannes Marche du Film shutters Wednesday, and guests pack it up and head home.
In his second time competing for the Palme d’Or after “Red Rocket” three years ago, Sean Baker debuted the spectacularly alive and even exasperating “Anora” (Neon), starring Mikey Madison (“Better Things”) in a breakout, brilliant-from-the-gate lead performance as sex worker Ani. Living paycheck to paycheck in Queens while working as an exotic dancer in Manhattan, she meets a wealthy Russian, Timothée Chalamet-esque Ivan. He pays Ani $15,000 to be his “very horny girlfriend” for a week of debauchery in Vegas and in his remote Brooklyn cocaine mansion. They end up getting married impromptu, much to the unhappiness of Ivan’s parents, who make their return to the U.S. from Russia to get the marriage canceled.
In his second time competing for the Palme d’Or after “Red Rocket” three years ago, Sean Baker debuted the spectacularly alive and even exasperating “Anora” (Neon), starring Mikey Madison (“Better Things”) in a breakout, brilliant-from-the-gate lead performance as sex worker Ani. Living paycheck to paycheck in Queens while working as an exotic dancer in Manhattan, she meets a wealthy Russian, Timothée Chalamet-esque Ivan. He pays Ani $15,000 to be his “very horny girlfriend” for a week of debauchery in Vegas and in his remote Brooklyn cocaine mansion. They end up getting married impromptu, much to the unhappiness of Ivan’s parents, who make their return to the U.S. from Russia to get the marriage canceled.
- 5/22/2024
- by Ryan Lattanzio
- Indiewire
The 77th edition of the Cannes Film Festival continues on Day 9 with the world premieres of The Comte de Monte-Cristo, Motel Destino & All We Imagine as Light.
Pressers and photocalls today at Palais des Festivals included Marcello Mio; Anora; Being Maria; The Village Next To Paradise; Viet and Nam; September Says; Filmlovers! and Le Fil.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
The Croisette has been a buzz so far with glamorous parties and red-carpet fashion statements. Director Quentin Dupieux’s comedy, The Second Act, opened the festival with other highlight premieres from this year’s slate including George Miller’s dystopian saga Furiosa: A Mad Max Saga; Francis Ford Coppola’s star studded-ensemble Megalopolis; Yorgos Lanthimos’s Kinds of Kindness reuniting with past collaborators Emma Stone, Jesse Plemons, and Margaret Qualley; Jacques Audiard’s Emilia Pérez, led by Karla Sofía Gascón,...
Pressers and photocalls today at Palais des Festivals included Marcello Mio; Anora; Being Maria; The Village Next To Paradise; Viet and Nam; September Says; Filmlovers! and Le Fil.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
The Croisette has been a buzz so far with glamorous parties and red-carpet fashion statements. Director Quentin Dupieux’s comedy, The Second Act, opened the festival with other highlight premieres from this year’s slate including George Miller’s dystopian saga Furiosa: A Mad Max Saga; Francis Ford Coppola’s star studded-ensemble Megalopolis; Yorgos Lanthimos’s Kinds of Kindness reuniting with past collaborators Emma Stone, Jesse Plemons, and Margaret Qualley; Jacques Audiard’s Emilia Pérez, led by Karla Sofía Gascón,...
- 5/22/2024
- by Robert Lang
- Deadline Film + TV
Deadline photo studio hosted talent at the 77th annual Cannes Film Festival, as cast members of Cannes premiering films stopped by including David Cronenberg and Vincent Cassel for The Shrouds; Cayden Wyatt Costner, Jena Malone, Isabelle Fuhrman, Abbey Lee, Kevin Costner, Sienna Miller, Ella Hunt, Wase Chief, Georgia MacPhail, and Luke Wilson from Horizon: An American Saga, with Galen Johnson, Cate Blanchett, Guy Maddin and Evan Johnson attending for Rumours.
Sarocha Chankimha, Ramata-Toulaye Sy, Aseel Omran attended for Rsiff Women in Cinema; Francis Ford Coppola and Nathalie Emmanuel from Megalopolis; Willem Dafoe, Hong Chau, Hunter Schafer, Margaret Qualley and Mamoudou Athie for Kinds of Kindness; Ron Howard for Jim Henson Idea Man, George Miller, Anya Taylor-Joy, Chris Hemsworth and Tom Burke of Furiosa: A Mad Max Saga and many more.
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
The Deadline Studio at Cannes will run from May 14-22, where the...
Sarocha Chankimha, Ramata-Toulaye Sy, Aseel Omran attended for Rsiff Women in Cinema; Francis Ford Coppola and Nathalie Emmanuel from Megalopolis; Willem Dafoe, Hong Chau, Hunter Schafer, Margaret Qualley and Mamoudou Athie for Kinds of Kindness; Ron Howard for Jim Henson Idea Man, George Miller, Anya Taylor-Joy, Chris Hemsworth and Tom Burke of Furiosa: A Mad Max Saga and many more.
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
The Deadline Studio at Cannes will run from May 14-22, where the...
- 5/22/2024
- by Robert Lang
- Deadline Film + TV
Trump has spoken out against The Apprentice, but he’s not the first celebrity to attack an unflattering big-screen portrait
More than any film at this year’s Cannes film festival – more than Megalopolis or that film where Demi Moore pushes Margaret Qualley’s face out of her spine – Ali Abbasi’s new film The Apprentice has dominated the news cycle.
This is because The Apprentice is a Donald Trump biopic, and one that has aggressively chosen not to pull a single punch. Played by Sebastian Stan, the Trump of The Apprentice is seen receiving liposuction and hair transplants, and more seriously, raping his wife Ivana. Although reaction has been mixed – Peter Bradshaw called the film “obtuse and irrelevant” in his two-star review this week – it may yet prove to cause damage to Trump’s election chances this year.
More than any film at this year’s Cannes film festival – more than Megalopolis or that film where Demi Moore pushes Margaret Qualley’s face out of her spine – Ali Abbasi’s new film The Apprentice has dominated the news cycle.
This is because The Apprentice is a Donald Trump biopic, and one that has aggressively chosen not to pull a single punch. Played by Sebastian Stan, the Trump of The Apprentice is seen receiving liposuction and hair transplants, and more seriously, raping his wife Ivana. Although reaction has been mixed – Peter Bradshaw called the film “obtuse and irrelevant” in his two-star review this week – it may yet prove to cause damage to Trump’s election chances this year.
- 5/22/2024
- by Stuart Heritage
- The Guardian - Film News
The stars of Kinds of Kindness are out in full force at the 77th Annual Cannes Film Festival to promote their black comedy anthology film directed by Poor Things’ Yorgos Lanthimos.
At the photocall on Saturday, Emma Stone, Hunter Schafer, and Margaret Qualley all looked stunning in matching black-and-white dresses—each with a distinct flair—perfect for the French Riviera setting.
Emma Stone, Hunter Schafer, and Margaret Qualley coordinate in black-and-white outfits at the Kinds of Kindness Cannes photocall (Credit: Dave Bedrosian / Future Image / Cover Images)
Kinds of Kindness: A Triptych Fable
Kinds of Kindness tells three distinct but somewhat related stories, separated into three segments: “The Death of R.M.F.,” the first segment, centers on a man who tries to take control of his own life after severing ties with his influential boss; “R.M.F. is Flying,” the second segment, follows a man who becomes suspicious that...
At the photocall on Saturday, Emma Stone, Hunter Schafer, and Margaret Qualley all looked stunning in matching black-and-white dresses—each with a distinct flair—perfect for the French Riviera setting.
Emma Stone, Hunter Schafer, and Margaret Qualley coordinate in black-and-white outfits at the Kinds of Kindness Cannes photocall (Credit: Dave Bedrosian / Future Image / Cover Images)
Kinds of Kindness: A Triptych Fable
Kinds of Kindness tells three distinct but somewhat related stories, separated into three segments: “The Death of R.M.F.,” the first segment, centers on a man who tries to take control of his own life after severing ties with his influential boss; “R.M.F. is Flying,” the second segment, follows a man who becomes suspicious that...
- 5/21/2024
- by Anne De Guia
- Your Next Shoes
Chalk up another project for Glen Powell. Recently, the Hit Man star was announced to be in talks for the new unknown J.J. Abrams project. He was also announced to star in the thriller Huntington, which puts him alongside Margaret Qualley and Ed Harris, as well as joining Anthony Mackie and Laura Dern for the legal drama titled Monsanto. The Hollywood Reporter has now revealed that Powell is now set to star in a reimagining of Warren Beatty’s Heaven Can Wait for Paramount. Stephen Gaghan, who won an Academy Award for his script for Steven Soderbergh’s 2000 crime film Traffic, has been tapped to pen the screenplay for this update.
The 1978 Warren Beatty film was based on Harry Segall’s play of the same name and garnered nominations for nine Academy Awards, including Best Picture; however, the movie would only post a win for Best Art Direction. In the original,...
The 1978 Warren Beatty film was based on Harry Segall’s play of the same name and garnered nominations for nine Academy Awards, including Best Picture; however, the movie would only post a win for Best Art Direction. In the original,...
- 5/21/2024
- by EJ Tangonan
- JoBlo.com
Demi Moore was one of the members of the Hollywood group The Brat Pack, a bunch of Hollywood actors who broke out in acting and started together in coming-of-age films in the 90s. She rose to prominence with the 1990 supernatural romance film Ghost. The 90s was her best decade, when she became an A-list actress, while also being deemed one of the most beautiful movie stars in the industry.
Demi Moore and Patrick Swayze in 1990’s Ghost | Paramount Pictures
Despite her illustrious career, the actress has had problems maintaining her body image and has suffered from weight issues. In her memoir, Inside Out, Moore detailed the extent to which she went to shed her weight for a film and the pain it caused to her body. The actress clearly had a love-hate relationship with her body all her life.
Demi Moore’s Unhealthy Relationship With Her Body Affected Her Life...
Demi Moore and Patrick Swayze in 1990’s Ghost | Paramount Pictures
Despite her illustrious career, the actress has had problems maintaining her body image and has suffered from weight issues. In her memoir, Inside Out, Moore detailed the extent to which she went to shed her weight for a film and the pain it caused to her body. The actress clearly had a love-hate relationship with her body all her life.
Demi Moore’s Unhealthy Relationship With Her Body Affected Her Life...
- 5/21/2024
- by Rahul Thokchom
- FandomWire
Demi Moore Opens Up About Filming Nude Scenes. (Photo Credit – Instagram)
Demi Moore opened up about her experience stripping down at 61 for her latest film, “The Substance.” The stunning actress, who is no stranger to baring it all in films in the 90s, revealed it was a “vulnerable” experience seeing her own body on screen at the 2024 Cannes Film Festival.
Variety reported that while speaking at the press conference for “The Substance,” Demi Moore said the film pushed her out of her comfort zone but noted that nudity was necessary to tell the story that revolves around a celebrity’s obsession with youth.
In the movie, Demi Moore plays Elizabeth Sparkle, who uses a black-market drug that creates a younger version of herself (Margaret Qualley) to save her fading celebrity. Before taking the substance, Moore’s character studies her nude body in the film.
Trending Are Ben Affleck and Jennifer Lopez Finally Headed For Divorce?...
Demi Moore opened up about her experience stripping down at 61 for her latest film, “The Substance.” The stunning actress, who is no stranger to baring it all in films in the 90s, revealed it was a “vulnerable” experience seeing her own body on screen at the 2024 Cannes Film Festival.
Variety reported that while speaking at the press conference for “The Substance,” Demi Moore said the film pushed her out of her comfort zone but noted that nudity was necessary to tell the story that revolves around a celebrity’s obsession with youth.
In the movie, Demi Moore plays Elizabeth Sparkle, who uses a black-market drug that creates a younger version of herself (Margaret Qualley) to save her fading celebrity. Before taking the substance, Moore’s character studies her nude body in the film.
Trending Are Ben Affleck and Jennifer Lopez Finally Headed For Divorce?...
- 5/21/2024
- by Anushree Madappa
- KoiMoi
David Cronenberg has opened up on putting his film The Shrouds to Netflix executives as a television series, who greenlit writing a first episode before rejecting the director’s project.
The sci-fi drama, which aired in Cannes to a three-and-a-half minute applause before Cronenberg spoke to the audience, follows Karsh (Vincent Cassel), a prominent businessman and widower who, inconsolable since the death of his wife (Diane Kruger) invents a revolutionary and controversial technology that enables the living to monitor the decomposition of deceased loved ones in their graves.
Cronenberg spoke at Cannes’ press conference for the film on Tuesday, explaining how he envisioned the story working well as a series. He flew to Los Angeles to speak with two Netflix execs who financed the writing of a first episode – which they loved. But after the second, they did not want to go any further.
“They said – and this is a...
The sci-fi drama, which aired in Cannes to a three-and-a-half minute applause before Cronenberg spoke to the audience, follows Karsh (Vincent Cassel), a prominent businessman and widower who, inconsolable since the death of his wife (Diane Kruger) invents a revolutionary and controversial technology that enables the living to monitor the decomposition of deceased loved ones in their graves.
Cronenberg spoke at Cannes’ press conference for the film on Tuesday, explaining how he envisioned the story working well as a series. He flew to Los Angeles to speak with two Netflix execs who financed the writing of a first episode – which they loved. But after the second, they did not want to go any further.
“They said – and this is a...
- 5/21/2024
- by Lily Ford
- The Hollywood Reporter - Movie News
Here's a new project announcements that just gets better and better as it goes on: Laura Dern and Margaret Qualley are set to star in an A24-produced Netflix limited series adaptation of Daisy Jones & The Six author Taylor Jenkins Reid's Forever, Interrupted, with Yellowjackets co-producer/writer Julia Bicknell attached as writer-showrunner. That's quite the team-up.
As reported by Deadline, the series will be a tender tale of love and loss told across dual timelines. Forever, Interrupted centres around Elsie (Qualley), whose whirlwind romance with lover Ben is cut cruelly short when, just nine days after having gotten married and found their happily ever after, Ben unexpectedly dies. In the aftermath of her husband's passing, Elsie finds herself coming face-to-face with her mother-in-law Susan (Dern), who doesn't even know she exists. As the narrative unfolds, recollecting Elsie and Ben's meeting in the past and Elsie and Susan's frosty-yet-soon-thawing relationship in the present,...
As reported by Deadline, the series will be a tender tale of love and loss told across dual timelines. Forever, Interrupted centres around Elsie (Qualley), whose whirlwind romance with lover Ben is cut cruelly short when, just nine days after having gotten married and found their happily ever after, Ben unexpectedly dies. In the aftermath of her husband's passing, Elsie finds herself coming face-to-face with her mother-in-law Susan (Dern), who doesn't even know she exists. As the narrative unfolds, recollecting Elsie and Ben's meeting in the past and Elsie and Susan's frosty-yet-soon-thawing relationship in the present,...
- 5/21/2024
- by Jordan King
- Empire - TV
The Cannes audience gave a respectful embrace to David Cronenberg’s chilly drama The Shrouds, the latest from the Canadian king of horror.
Cronenberg joined castmembers Vincent Cassel, Diane Kruger, Guy Pearce, Sandrine Holt and Elizabeth Saunders to hit the Croisette for the film’s premiere Monday. Cronenberg rocked the red carpet wearing a pair of white rimmed wrap-around 1990s-style plastic sunglasses.
The film was met with applause that went on for three and a half minutes before Cronenberg put an end to it by taking the mic and thanking the crowd. The director explained that it was the first time he had seen the movie with an audience and added, “And it is completely different.”
Its reception was rather reserved, perhaps in keeping with the film’s subject matter of grief and death. The connection to the director’s own experience was made clear with Cassel’s character Karsh,...
Cronenberg joined castmembers Vincent Cassel, Diane Kruger, Guy Pearce, Sandrine Holt and Elizabeth Saunders to hit the Croisette for the film’s premiere Monday. Cronenberg rocked the red carpet wearing a pair of white rimmed wrap-around 1990s-style plastic sunglasses.
The film was met with applause that went on for three and a half minutes before Cronenberg put an end to it by taking the mic and thanking the crowd. The director explained that it was the first time he had seen the movie with an audience and added, “And it is completely different.”
Its reception was rather reserved, perhaps in keeping with the film’s subject matter of grief and death. The connection to the director’s own experience was made clear with Cassel’s character Karsh,...
- 5/20/2024
- by Scott Roxborough and Patrick Brzeski
- The Hollywood Reporter - Movie News
Luke Macfarlane isn’t the only Amish stud at Lifetime: Ryan McPartlin (Chuck, L.A.’s Finest) will star in and executive-produce the cabler’s Ripped from the Headlines movie Amish Affair, premiering Saturday, July 6 at 8/7c.
In the film, “Hannah (played by Upload’s Mackenize Cardwell) moves in with a charismatic Amish leader, Aaron (McPartlin), to help with his ailing wife,” reads the official synopsis. “Seeking refuge after leaving her Amish community, Hannah is grateful to Aaron and his wife for opening their home to her and giving her work but as she tends to her household chores,...
In the film, “Hannah (played by Upload’s Mackenize Cardwell) moves in with a charismatic Amish leader, Aaron (McPartlin), to help with his ailing wife,” reads the official synopsis. “Seeking refuge after leaving her Amish community, Hannah is grateful to Aaron and his wife for opening their home to her and giving her work but as she tends to her household chores,...
- 5/20/2024
- by Vlada Gelman
- TVLine.com
Demi Moore is living her best life at the 77th annual Cannes Film Festival. She and her The Substance co-stars received a 13-minute standing ovation as the “body horror with a feminist take” concluded at the Palais des Festivals et des Congrès. The 61-year-old has also debuted nearly 10 gorgeous and unique looks as they promote the film in the chic city in southwest France.
On May 17, Moore debuted her first Cannes look at the Kinds Of Kindness red carpet. The Ghost star doesn’t star in the dark comedy anthology film. But she earned a rightful place at the premiere with her starring role in The Substance. The horror-thriller movie follows a TV aerobics star (Moore) who ingests a drug that makes people a younger, better version of themselves. Margaret Qualley stars as Moore’s new and “improved” self.
Demi Moore at the ‘Kinds Of Kindness’ red carpet at Cannes...
On May 17, Moore debuted her first Cannes look at the Kinds Of Kindness red carpet. The Ghost star doesn’t star in the dark comedy anthology film. But she earned a rightful place at the premiere with her starring role in The Substance. The horror-thriller movie follows a TV aerobics star (Moore) who ingests a drug that makes people a younger, better version of themselves. Margaret Qualley stars as Moore’s new and “improved” self.
Demi Moore at the ‘Kinds Of Kindness’ red carpet at Cannes...
- 5/20/2024
- by Ali Hicks
- Showbiz Cheat Sheet
Revenge director Coralie Fargeat’s new body horror satire, The Substance, screened at the Cannes Film Festival over the weekend, and the reactions have been (mostly) very positive - although it sounds like the movie has its share of shocking moments.
The film focuses on an acclaimed actress turned celebrity host of a daytime exercise program (Demi Moore) who gets replaced by a younger star (Margaret Qualley), sparking a confrontation between the two women that ultimately turns violent.
The Substance reportedly features some pretty extreme gore, but the scene that's sparked the most discussion is a brutal fight between Moore and Qualley's characters - complete with graphic, full-frontal nudity.
“I had someone who was a great partner,” said Moore of her co-star. “We were obviously quite close at some moments… and naked. But there was also a levity [in shooting those scenes].”
Moore also noted that the film “pushed me out of the comfort zone,...
The film focuses on an acclaimed actress turned celebrity host of a daytime exercise program (Demi Moore) who gets replaced by a younger star (Margaret Qualley), sparking a confrontation between the two women that ultimately turns violent.
The Substance reportedly features some pretty extreme gore, but the scene that's sparked the most discussion is a brutal fight between Moore and Qualley's characters - complete with graphic, full-frontal nudity.
“I had someone who was a great partner,” said Moore of her co-star. “We were obviously quite close at some moments… and naked. But there was also a levity [in shooting those scenes].”
Moore also noted that the film “pushed me out of the comfort zone,...
- 5/20/2024
- ComicBookMovie.com
As ever, Cannes is providing serious buzz. It’s a key part of the festival circuit – films screen, conversation proliferates, and exciting must-sees come out of it all. And amid the myriad takes on Francis Ford Coppola’s Megalopolis, the debut of Kevin Costner’s Horizon, and the arrival of another new Yorgos Lanthimos joint Kinds Of Kindness, there’s one film that’s got everybody talking: The Substance. It’s an upcoming body horror from French filmmaker Coralie Fargeat (previously behind Revenge), and has provoked all kinds of conversation – in part for giving Demi Moore her biggest role in years.
Since The Substance has been acquired for distribution by Mubi, there’s already a teaser for the film. It’s only brief, but give it a watch here:
There’s not a huge amount to go off here, but the cryptic teaser does offer hints at the premise – of...
Since The Substance has been acquired for distribution by Mubi, there’s already a teaser for the film. It’s only brief, but give it a watch here:
There’s not a huge amount to go off here, but the cryptic teaser does offer hints at the premise – of...
- 5/20/2024
- by Ben Travis
- Empire - Movies
The Substance: Demi Moore body horror film earns 11 minute standing ovation and rave first reactions
Seven years have gone by since director Coralie Fargeat made her feature directorial debut with a very cool revenge movie that was appropriately titled Revenge – you can read our 8/10 review of the film at This Link. Now Fargeat is back with an “explosive feminist take on body horror” called The Substance, which stars Demi Moore (Ghost) and Margaret Qualley (Once Upon a Time in Hollywood). The film had its premiere at the Cannes Film Festival over the weekend, earning rave first reactions and an 11-minute standing ovation from the audience. (While also catching media attention with its scenes of Moore and Qualley displaying full frontal nudity.) We have assembled some of the reactions here:
I can’t get off my head #TheSubstance it’s an absolute brillant and well directed movie. Demi Moore and Margaret Qualley at their bests. Unbelievable that this movie is actually in Competition. Unforgettable session tonight!
I can’t get off my head #TheSubstance it’s an absolute brillant and well directed movie. Demi Moore and Margaret Qualley at their bests. Unbelievable that this movie is actually in Competition. Unforgettable session tonight!
- 5/20/2024
- by Cody Hamman
- JoBlo.com
More than just a director of animation, Hayao Miyazaki is one of the best filmmakers (of any kind) of all time. His films are beloved and studied. You might as well just hand him an Oscar when he makes a new one. So, it’s incredibly interesting to see what all goes into the making of one of his features.
Read More: ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes]
As seen in the trailer for “Hayao Miyazaki and the Heron,” you get a behind-the-scenes look at the creation of the Oscar-winning feature, “The Boy and the Heron.” Over the course of the two-hour documentary, you see the relationship between the filmmaker and his producing partner Toshio Suzuki, as both people play off each other and Suzuki, in particular, pushes Miyazaki to go even further with his creativity.
Continue reading ‘Hayao Miyazaki...
Read More: ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes]
As seen in the trailer for “Hayao Miyazaki and the Heron,” you get a behind-the-scenes look at the creation of the Oscar-winning feature, “The Boy and the Heron.” Over the course of the two-hour documentary, you see the relationship between the filmmaker and his producing partner Toshio Suzuki, as both people play off each other and Suzuki, in particular, pushes Miyazaki to go even further with his creativity.
Continue reading ‘Hayao Miyazaki...
- 5/20/2024
- by Martin Miller
- The Playlist
Demi Moore is using her juiciest leading role in years to make a statement against the sexism of Hollywood.
Moore stars in Coralie Fargeat’s body horror Hollywood satire “The Substance,” which premiered in competition at Cannes to rave reviews. The actress plays an aging star who acquires a mysterious serum that births a younger, more ideal version of herself, played by Margaret Qualley. The two women are nude throughout the film, which shows the horrors of women going to extremes to preserve their self-image in Hollywood. Moore credited Qualley for being a “great partner” during a nude scene they share together.
“We were obviously quite close at some moments…and naked,” Moore said during the Cannes press conference (via The Hollywood Reporter). “But there was also a levity [in shooting those scenes].”
Moore explained that the gross-out horror feature, which debuted at Cannes Sunday night, undermines the “male perspective of the ideal woman” to a harrowing degree.
Moore stars in Coralie Fargeat’s body horror Hollywood satire “The Substance,” which premiered in competition at Cannes to rave reviews. The actress plays an aging star who acquires a mysterious serum that births a younger, more ideal version of herself, played by Margaret Qualley. The two women are nude throughout the film, which shows the horrors of women going to extremes to preserve their self-image in Hollywood. Moore credited Qualley for being a “great partner” during a nude scene they share together.
“We were obviously quite close at some moments…and naked,” Moore said during the Cannes press conference (via The Hollywood Reporter). “But there was also a levity [in shooting those scenes].”
Moore explained that the gross-out horror feature, which debuted at Cannes Sunday night, undermines the “male perspective of the ideal woman” to a harrowing degree.
- 5/20/2024
- by Samantha Bergeson
- Indiewire
Coralie Fargeat’s The Substance is out in front on Screen’s Cannes jury grid with 2.7.
The comedy horror scored one star four (excellent) from the UK’s The Telegraph and eight three stars (good). This was followed by two two stars (average) while Mathieu Macharet gave it a zero (bad).
Demi Moore, Margaret Qualley and Dennis Quaid star in the Fargeat’s English-language debut in a tale of a fading star who takes drastic measures to stay youthful.
Also arriving on the jury was Kirill Serebrennikov’s Limonov: The Ballad which received an average of 2.2.
The biopic starring Ben Whishaw...
The comedy horror scored one star four (excellent) from the UK’s The Telegraph and eight three stars (good). This was followed by two two stars (average) while Mathieu Macharet gave it a zero (bad).
Demi Moore, Margaret Qualley and Dennis Quaid star in the Fargeat’s English-language debut in a tale of a fading star who takes drastic measures to stay youthful.
Also arriving on the jury was Kirill Serebrennikov’s Limonov: The Ballad which received an average of 2.2.
The biopic starring Ben Whishaw...
- 5/20/2024
- ScreenDaily
After 27 years, Demi Moore returned to the Cannes red carpet following the world premiere of her body horror The Substance, starring Margaret Qualley. Directed by French director Coralie Fargeat, the horror thriller has made waves, with critics deeming it Moore’s best big-screen role in decades.
The plot revolves around a new product, The Substance, which promises people to transform into the best version of themselves. However, it comes with a twist and the new horror is definitely not for the faint-hearted, as critics deemed it among the best films the genre has to offer.
The Substance Doesn’t Disappoint in the Body Horror Front Per Critics Demi Moore | Credit: Indecent Proposal ( Paramount Pictures)
Demi Moore‘s new film is a complete departure from her Industry image, which has earned her and the crew a 13-minute standing ovation at Cannes. Revolving around self-hatred, The Substance doesn’t shy away from...
The plot revolves around a new product, The Substance, which promises people to transform into the best version of themselves. However, it comes with a twist and the new horror is definitely not for the faint-hearted, as critics deemed it among the best films the genre has to offer.
The Substance Doesn’t Disappoint in the Body Horror Front Per Critics Demi Moore | Credit: Indecent Proposal ( Paramount Pictures)
Demi Moore‘s new film is a complete departure from her Industry image, which has earned her and the crew a 13-minute standing ovation at Cannes. Revolving around self-hatred, The Substance doesn’t shy away from...
- 5/20/2024
- by Santanu Roy
- FandomWire
Joe Alwyn has been the center of much media attention in the last few years. That may be news if you’ve been living in a hermetically sealed bunker. But outside that particular and unsolicited spotlight, the dandyish 33-year-old British actor has carved his name out in films from idiosyncratic auteurs. There was Joanna Hogg’s “The Souvenir Part II” as a grieving and queer-flirting film editor; Claire Denis’ sensuous 2022 Cannes Grand Prix winner “Stars at Noon” as a Brit adrift in Nicaragua having lots of sex with Margaret Qualley’s character; and most recently “Kinds of Kindness,” whose director Yorgos Lanthimos he previously starred for as a lusty baron in “The Favourite.”
Alwyn is back this year at Cannes in three roles in “Kinds of Kindness,” co-written with Lanthimos by his friend and “Alps” and “The Lobster” collaborator Efthimis Flippou. Which means we are very much in the mode of old-school Lanthimos,...
Alwyn is back this year at Cannes in three roles in “Kinds of Kindness,” co-written with Lanthimos by his friend and “Alps” and “The Lobster” collaborator Efthimis Flippou. Which means we are very much in the mode of old-school Lanthimos,...
- 5/20/2024
- by Ryan Lattanzio
- Indiewire
As the 77th Cannes Film Festival (May 14-25) arrives at its halfway point, here is THR executive editor of awards Scott Feinberg’s assessment of the awards prospects — at the Cannes closing ceremony and later in the fall — of the films that have screened at the fest so far.
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
The Two That Popped
One cannot know what the specific preferences and priorities of the Greta Gerwig-led main competition jury are, but one can categorically state that two competition films — both of which are so original and out-there that they have to be seen to be believed — have been particularly well received. Both garnered nine-minute standing ovations and rave reviews, including particular praise for their leading lady.
The first is The Substance, a body-horror flick from French filmmaker Coralie Fargeat that might be described as Sunset Blvd. meets Freaks, and an instant classic. Demi Moore, in a gutsy career-best turn...
- 5/20/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Speaking at the Cannes Film Festival press conference for Competition title The Substance, Demi Moore described how making the film was a challenging, vulnerable experience that left her “with a greater acceptance of myself as I am”.
“There was something freeing about this exploration,” said Moore. “It was a very raw experience that required a depth of vulnerability and willingness to expose myself emotionally and physically that definitely pushed me out of my comfort zone.”
Coming through the filming process with that acceptance was “a gift”, she added.
French filmaker Coralie Fargeat’s feminist body horror follows an actress aged...
“There was something freeing about this exploration,” said Moore. “It was a very raw experience that required a depth of vulnerability and willingness to expose myself emotionally and physically that definitely pushed me out of my comfort zone.”
Coming through the filming process with that acceptance was “a gift”, she added.
French filmaker Coralie Fargeat’s feminist body horror follows an actress aged...
- 5/20/2024
- ScreenDaily
Basada en el best-seller de Taylor Jenkins Reid.
De acuerdo con Deadline, Laura Dern (“Jurassic Park”) y Margaret Qualley (“Pobres Criaturas”) protagonizarán “Forever, Interrupted”, una serie limitada basada en la novela best-seller de 2013 de Taylor Jenkins Reid. La serie es un proyecto de A24 para Netflix con Julia Bicknell (“Por Trece Razones”) como guionista.
En “Forever, Interrupted”, el romance relámpago de Elsie (Qualley) y Ben es eléctrico – en pocos meses se casan y viven felices para siempre – cuando la inesperada muerte de Ben obliga a Elsie a encontrarse cara a cara con Susan (Dern), la suegra que no sabe que ella existe. Contada a través de una doble línea temporal, la serie narra el amor que Elsie y Ben se profesaron una vez en la vida, intercalado con el inesperado viaje de Elsie y Susan a medida que su al principio turbulenta conexión lleva finalmente a ambas mujeres a un catártico nuevo comienzo.
De acuerdo con Deadline, Laura Dern (“Jurassic Park”) y Margaret Qualley (“Pobres Criaturas”) protagonizarán “Forever, Interrupted”, una serie limitada basada en la novela best-seller de 2013 de Taylor Jenkins Reid. La serie es un proyecto de A24 para Netflix con Julia Bicknell (“Por Trece Razones”) como guionista.
En “Forever, Interrupted”, el romance relámpago de Elsie (Qualley) y Ben es eléctrico – en pocos meses se casan y viven felices para siempre – cuando la inesperada muerte de Ben obliga a Elsie a encontrarse cara a cara con Susan (Dern), la suegra que no sabe que ella existe. Contada a través de una doble línea temporal, la serie narra el amor que Elsie y Ben se profesaron una vez en la vida, intercalado con el inesperado viaje de Elsie y Susan a medida que su al principio turbulenta conexión lleva finalmente a ambas mujeres a un catártico nuevo comienzo.
- 5/20/2024
- by Marta Medina
- mundoCine
Many were left scratching their heads when Cannes topper Thierry Frémaux made The Substance a part of the competition (and conversation) and the reason being that while the midnight films are a welcome inclusion in the overall line-up of the fest they are indeed a rarity in the competition line-up. Perhaps as he suggested Titane influenced his decision. Coralie Fargeat moved into English language terrain with her sophomore feature and judging by last night’s reaction this will indeed draw a strong … reaction among patrons. Filmed at the beginning of 2022, Demi Moore and Margaret Qualley get top billing in what is a two-handed serve – Dennis Quaid is a supporting character (who replaced Ray Liotta).…...
- 5/20/2024
- by Eric Lavallée
- IONCINEMA.com
Cannes – For a moment, we thought Coralie Fargeat’s “The Substance” had overstayed its welcome. But, no, the “Revenge” director was just taking a breath before unleashing a wild and operatic ending for her Cannes Film Festival debut. A bold dissection on aging and self-hatred Fargeat’s latest work is an utter visual marvel and features superb performances from its lead actresses; Demi Moore and Margaret Qualley.
Continue reading ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes] at The Playlist.
Continue reading ‘The Substance’ Review: Demi Moore & Margaret Qualley Switch In A Visionary Twist On ‘Death Becomes Her’ [Cannes] at The Playlist.
- 5/20/2024
- by Gregory Ellwood
- The Playlist
Demi Moore said performing in Coralie Fargeat’s body horror shocker The Substance required accepting a “level of vulnerability and rawness” with regard to her own body on screen.
Moore put it all out there for the film, a gory, campy satire on beauty standards, toxic masculinity and female self-hatred, with the movie’s frequent and prominent nudity, as well as its gruesome violence, attracting a lot of attention after its world premiere in Cannes. Moore plays Elisabeth Sparkle, an acclaimed actress turned celebrity host of a daytime exercise program who gets replaced by a younger, more beautiful star (Margaret Qualley), sparking a confrontation between the two women. One of the more graphic scenes in the movie shows Moore and Qualley having a naked, no-holds-barred bloody fight. The Cannes audience loved it, giving the film a rapturous reception Sunday night.
“I had someone who was a great partner,” said Moore of Qualley.
Moore put it all out there for the film, a gory, campy satire on beauty standards, toxic masculinity and female self-hatred, with the movie’s frequent and prominent nudity, as well as its gruesome violence, attracting a lot of attention after its world premiere in Cannes. Moore plays Elisabeth Sparkle, an acclaimed actress turned celebrity host of a daytime exercise program who gets replaced by a younger, more beautiful star (Margaret Qualley), sparking a confrontation between the two women. One of the more graphic scenes in the movie shows Moore and Qualley having a naked, no-holds-barred bloody fight. The Cannes audience loved it, giving the film a rapturous reception Sunday night.
“I had someone who was a great partner,” said Moore of Qualley.
- 5/20/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Demi Moore’s new film, the feminist body horror “The Substance,” sees her bare it all, with several scenes featuring full nudity. At the Cannes Film Festival press conference for the film on Monday, the 61-year-old actor discussed the “vulnerable experience.”
“Going into it, it was really spelled out — the level of vulnerability and rawness that was really required to tell the story,” Moore said. “And it was a very vulnerable experience and just required a lot of sensitivity and a lot of conversation about what we were trying to accomplish.”
In the film from “Revenge” helmer Coralie Fargeat, Moore plays a fading celebrity who uses a black market drug the film is named for — a cell-replicating device that winds up creating a young, better version of herself (Margaret Qualley). Not only must she share a space with this new creature, she has to spend half her time in a...
“Going into it, it was really spelled out — the level of vulnerability and rawness that was really required to tell the story,” Moore said. “And it was a very vulnerable experience and just required a lot of sensitivity and a lot of conversation about what we were trying to accomplish.”
In the film from “Revenge” helmer Coralie Fargeat, Moore plays a fading celebrity who uses a black market drug the film is named for — a cell-replicating device that winds up creating a young, better version of herself (Margaret Qualley). Not only must she share a space with this new creature, she has to spend half her time in a...
- 5/20/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
Demi Moore is officially back in The Substance or, as her co-star Dennis Quaid called it for her at the pic’s Cannes Film Festival press conference Monday, “an incredible third act” for the actress.
“Man, it’s inspirational,” said Quaid who also praised the movie’s filmmaker Coralie Fargeat, framing the body horror pic that wowed at its world premiere Sunday night as “the birth of a great auteur.”
The trio, after a 13-minute standing ovation here in Cannes, the longest so far at the 77th edition, also received a roaring applause as they took their seats in the fest’s press room today.
Related: Cannes Film Festival 2024: All Of Deadline’s Movie Reviews
The movie is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people into a better, younger version of themselves. It’s...
“Man, it’s inspirational,” said Quaid who also praised the movie’s filmmaker Coralie Fargeat, framing the body horror pic that wowed at its world premiere Sunday night as “the birth of a great auteur.”
The trio, after a 13-minute standing ovation here in Cannes, the longest so far at the 77th edition, also received a roaring applause as they took their seats in the fest’s press room today.
Related: Cannes Film Festival 2024: All Of Deadline’s Movie Reviews
The movie is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people into a better, younger version of themselves. It’s...
- 5/20/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Demi Moore made her debut in the Cannes Film Festival’s official selection Sunday evening with the competition title The Substance. The much-anticipated blood-splattered horror thriller from French director Coralie Fargeat was met with 13-minute ovation, the longest for a title so far at this year’s festival.
The applause was consistent from the minute the credits hit the screen on the pic, which also stars Margaret Qualley and Dennis Quaid. It is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people in the best version of themselves of their dreams. It’s an offer that comes with a twist.
Although The Substance premiere screening started late by 20 minutes, there was thunderous applause for the movie by the time it wrapped around 1 a.m., with rhythmic clapping for this big comeback movie from Moore.
Moore, Qualley and...
The applause was consistent from the minute the credits hit the screen on the pic, which also stars Margaret Qualley and Dennis Quaid. It is billed as a body horror with a feminist take, revolving around a new product called The Substance that promises to transform people in the best version of themselves of their dreams. It’s an offer that comes with a twist.
Although The Substance premiere screening started late by 20 minutes, there was thunderous applause for the movie by the time it wrapped around 1 a.m., with rhythmic clapping for this big comeback movie from Moore.
Moore, Qualley and...
- 5/19/2024
- by Nancy Tartaglione and Anthony D'Alessandro
- Deadline Film + TV
Cannes Film Festival went apeshit for the jaw-dropping, nauseating, defiant, hilarious “The Substance” — a body horror thriller from French director Coralie Forgeat starring Demi Moore and Margaret Qualley — on Sunday night with an 11-minute standing ovation.
It’s the tale of a once-great actress (Moore) whose certain age has relegated her to a Jane Fonda-style fitness show. When she’s fired, she is offered a trial of the medical treatment the film is named for. It promises a younger, better version of herself through a cell replicating process.
Moore takes a leap of faith and winds up on the bathroom floor, spine split open like a Christmas ham, when this new version — played by Qualley — comes slithering out of her back. Young, supple and brimming with possibilities, the two characters are allowed to coexist with one important caveat: they must trade one week on, one week off in each body.
It’s the tale of a once-great actress (Moore) whose certain age has relegated her to a Jane Fonda-style fitness show. When she’s fired, she is offered a trial of the medical treatment the film is named for. It promises a younger, better version of herself through a cell replicating process.
Moore takes a leap of faith and winds up on the bathroom floor, spine split open like a Christmas ham, when this new version — played by Qualley — comes slithering out of her back. Young, supple and brimming with possibilities, the two characters are allowed to coexist with one important caveat: they must trade one week on, one week off in each body.
- 5/19/2024
- by Matt Donnelly and Ellise Shafer
- Variety Film + TV
The Substance, a gruesome body-horror flick, had its world premiere Sunday night in competition at the Cannes Film Festival and was greeted with a nine-minute standing ovation from the crowd at the Grand Lumiere Theatre.
The sophomore directorial effort and English-language debut of the French filmmaker Coralie Fargeat — she also wrote, produced and edited the film — stars Demi Moore, Dennis Quaid and Margaret Qualley (Qualley also appears in another competition title at this year’s fest, Kinds of Kindness), all of whom were on hand for the screening.
A gory fantasia that is a twisted cross between the classic films Sunset Boulevard and Freaks, it is one of the most out-there Cannes competition films since Titane — and, with the right mix of jurors, could follow that film to a major festival award, if not for the film, then perhaps for Moore.
Produced by Working Title’s art house mavens Tim Bevan and Eric Fellner,...
The sophomore directorial effort and English-language debut of the French filmmaker Coralie Fargeat — she also wrote, produced and edited the film — stars Demi Moore, Dennis Quaid and Margaret Qualley (Qualley also appears in another competition title at this year’s fest, Kinds of Kindness), all of whom were on hand for the screening.
A gory fantasia that is a twisted cross between the classic films Sunset Boulevard and Freaks, it is one of the most out-there Cannes competition films since Titane — and, with the right mix of jurors, could follow that film to a major festival award, if not for the film, then perhaps for Moore.
Produced by Working Title’s art house mavens Tim Bevan and Eric Fellner,...
- 5/19/2024
- by Scott Feinberg
- The Hollywood Reporter - Movie News
Few periods on the calendar mean more to cinephiles than the two weekends in May occupied by the Cannes Film Festival. Since its founding in 1946, the French festival has been a launchpad for some of the most artistically significant films of all time. The Palme d’Or is one of the most coveted film awards on the planet, and the festival’s ability to balance subversive arthouse work with major Hollywood premieres has led many to view it as the world’s most significant celebration of cinema.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
The 2024 lineup featured a mix of buzzy premieres from New Hollywood titans like Francis Ford Coppola and Paul Schrader alongside exciting new works from emerging directors. Between the Main Competition, Un Certain Regard, special screenings, and sidebars like the Directors’ Fortnight and Critics’ Week, the onslaught of new films can be overwhelming for anyone who isn’t able to give the festival their 24/7 attention.
- 5/19/2024
- by Christian Zilko
- Indiewire
Certainly the grossest, most way-out-there, and dare-you-to-lose-your-dinner film to debut in the Cannes competition so far, Coralie Fargeat’s “Revenge” follow-up “The Substance” premiered in the Palais Sunday night after a morning press screening that saw plenty of expected walkouts. Surely the same volume of repulsed exiters carried over to the premiere public screening, where Greta Gerwig’s jury got their first glimpse of the otherwise since-secretive film whose synopses and press notes tell you little. Mubi has distribution rights, which the company purchased just before the festival started. IndieWire’s David Ehrlich calls it an “instant classic.”
In this audacious, two-plus-hour feminist body horror, Demi Moore bares all to play a once-decorated actress quote-unquote past her prime named Elisabeth Sparkle, now resigned to Jane Fonda-esque fitness videos. But her time is finally up. She’s fired for being too old, sent packing home back to her sparse LA apartment,...
In this audacious, two-plus-hour feminist body horror, Demi Moore bares all to play a once-decorated actress quote-unquote past her prime named Elisabeth Sparkle, now resigned to Jane Fonda-esque fitness videos. But her time is finally up. She’s fired for being too old, sent packing home back to her sparse LA apartment,...
- 5/19/2024
- by Ryan Lattanzio
- Indiewire
Coralie Fargeat’s “The Substance” is a body horror film with all the subtlety of a sledgehammer. It smashes you over the head with its ideas and imagery, making even the fleeting moments of supposed beauty its characters are desperately chasing into something gloriously gruesome. It’s also great fun, pushing itself to greater heights and increasingly ludicrous lows at every turn as it riffs on the perils of youth and aging. It’s a lurid, loud and lewd film that comes at you.
The garishness of it all is Fargeat’s way of taking society’s often painfully narrow beauty standards and turning them all inside out. The filmmaker does so literally and figuratively, making it one of the most utterly ridiculous and unrestrained films to show at a festival this year. Few come even close.
While not as sensational as body horror films of festivals past, namely “Raw” and “Titane,...
The garishness of it all is Fargeat’s way of taking society’s often painfully narrow beauty standards and turning them all inside out. The filmmaker does so literally and figuratively, making it one of the most utterly ridiculous and unrestrained films to show at a festival this year. Few come even close.
While not as sensational as body horror films of festivals past, namely “Raw” and “Titane,...
- 5/19/2024
- by Chase Hutchinson
- The Wrap
Shocking and resonant, disarmingly grotesque and weirdly fun, “The Substance” is a feminist body-horror film that should be shown in movie theaters all over the land. By that, I don’t mean that it’s some elegant exercise in egghead darkness like the films of David Cronenberg, or a patchy postmodern punk curio like “Titane.” Coralie Fargeat, the writer-director of “The Substance,” has a voice that’s italicized, in-your-face, garishly accessible and thrillingly extreme. She draws on much of the hyperbolic flamboyance that’s come to define megaplex horror. But unlike 90 percent of those movies, “The Substance” is the work of a filmmaker with a vision. She’s got something primal to say to us.
“The Substance” tells the story of an aging Hollywood actress-turned-aerobics-workout-host, named Elisabeth Sparkle and played by Demi Moore, who gets fired from a TV network because she is now deemed too old. In a rage of desperation,...
“The Substance” tells the story of an aging Hollywood actress-turned-aerobics-workout-host, named Elisabeth Sparkle and played by Demi Moore, who gets fired from a TV network because she is now deemed too old. In a rage of desperation,...
- 5/19/2024
- by Owen Gleiberman
- Variety Film + TV
Have you ever dreamed about being a better version of yourself? With her second film, Coralie Fargeat not only addresses this question but takes aim at ageism and sexism in the entertainment industry with a riotous, dreamlike horror-thriller that ends in a delirious symphony of blood, guts and otherwise undefinable viscera. Imagine David Lynch’s Mulholland Drive fused in a telepod with David Cronenberg’s Dead Ringers, add the unbelievably dynamic pairing of Demi Moore and Margaret Qualley, process it through the ultra-vivid color palette that is Fargeat’s hyper-saturated imagination, sprinkle a bit of J.G. Ballard on top, and you have the perfect breakout genre movie of the year.
If you had “Demi Moore to make a hagsploitation body horror splatter movie” on your 2024 bingo card, you stand to make a fortune, but, come on, it’s not very likely; there’s been nothing in her filmography so far...
If you had “Demi Moore to make a hagsploitation body horror splatter movie” on your 2024 bingo card, you stand to make a fortune, but, come on, it’s not very likely; there’s been nothing in her filmography so far...
- 5/19/2024
- by Damon Wise
- Deadline Film + TV
An immensely, unstoppably, ecstatically demented fairy tale about female self-hatred, Coralie Fargeat’s “The Substance” will stop at nothing — and I mean nothing — to explode the ruthless beauty standards that society has inflicted upon women for thousands of years, a burden this camp-adjacent instant classic aspires to cast off with some of the most spectacularly disgusting body horror this side of “The Fly” or the final minutes of “Akira.”
If the “Revenge” director’s immaculately crafted debut tried to dismantle male toxicity with a shotgun blast square to the balls, Fargeat’s Cannes-approved follow-up turns that same attention inwards, allowing her to take aim at both the pointlessness she’s been conditioned to feel as a forty-something woman, and also at the resentment she’s been conditioned to feel toward her younger self. Squelching with fury at how a woman’s “fuckability” is used as the ultimate measure of her worth,...
If the “Revenge” director’s immaculately crafted debut tried to dismantle male toxicity with a shotgun blast square to the balls, Fargeat’s Cannes-approved follow-up turns that same attention inwards, allowing her to take aim at both the pointlessness she’s been conditioned to feel as a forty-something woman, and also at the resentment she’s been conditioned to feel toward her younger self. Squelching with fury at how a woman’s “fuckability” is used as the ultimate measure of her worth,...
- 5/19/2024
- by David Ehrlich
- Indiewire
Not long into Coralie Fargeat’s campy body horror The Substance, Elisabeth Sparkle (Demi Moore) is unceremoniously fired from her gig as the celebrity host of a daytime exercise program. The former actress’ credentials — an Academy Award, a prominent place on the Hollywood Walk of Fame — aren’t enough to save her Zumba-meets-Jillian-Michaels-style show, fittingly called Sparkle Your Life. Her producer, an oily personality conspicuously named Harvey (Dennis Quaid), wants to replace Elisabeth with a younger, more beautiful star. In his words: “This is network TV, not charity.”
The Substance, which premiered at Cannes in competition, is Fargeat’s second feature. It builds on the director’s interest in the disposability of women in a sexist society, a theme she first explored in her hyper-stylized and gory 2017 thriller Revenge. She gave that film a subversive feminist bent by turning the trophy girlfriend — a sunny blonde who is raped and murdered — into a vengeance-seeking hunter.
The Substance, which premiered at Cannes in competition, is Fargeat’s second feature. It builds on the director’s interest in the disposability of women in a sexist society, a theme she first explored in her hyper-stylized and gory 2017 thriller Revenge. She gave that film a subversive feminist bent by turning the trophy girlfriend — a sunny blonde who is raped and murdered — into a vengeance-seeking hunter.
- 5/19/2024
- by Lovia Gyarkye
- The Hollywood Reporter - Movie News
Entering what some may call her absurdist era, Emma Stone continues to captivate audiences, fresh off her peculiar yet heartwarming Poor Things performance that earned her a second Oscar. Now, she returns with another head-turning film titled Kinds of Kindness, which recently premiered at the Cannes Film Festival.
Emma Stone in a still from Yorgos Lanthimos’ Kinds of Kindness | Distribution: Searchlight Pictures
Labeling the film as anything less than utterly insane would fall short. Co-star Jesse Palmer’s response upon delving into the script echoed that of the audience who witnessed it unfold at Cannes. He confessed that experiencing the wide range of emotions stirred by the movie left him feeling as though his entire body was on fire.
Emma Stone’s Absurdist Film Kinds of Kindness Script Set Jesse Plemons’ Body on Fire
Kinds of Kindness is a bizarre, twisted, and dark comedy that weaves together three interconnected stories.
Emma Stone in a still from Yorgos Lanthimos’ Kinds of Kindness | Distribution: Searchlight Pictures
Labeling the film as anything less than utterly insane would fall short. Co-star Jesse Palmer’s response upon delving into the script echoed that of the audience who witnessed it unfold at Cannes. He confessed that experiencing the wide range of emotions stirred by the movie left him feeling as though his entire body was on fire.
Emma Stone’s Absurdist Film Kinds of Kindness Script Set Jesse Plemons’ Body on Fire
Kinds of Kindness is a bizarre, twisted, and dark comedy that weaves together three interconnected stories.
- 5/19/2024
- by Sampurna Banerjee
- FandomWire
Emma Stone and Jesse Plemons are hungry, wolfing down sandwiches at the start of our “Kinds of Kindness” interview. They’re in Cannes to promote the singular three-part anthology film, which has been well-received. They laugh a lot. She’s a Yorgos Lanthimos veteran, and just won her second Oscar embodying the free-spirited Bella Baxter in “Poor Things.” After that, it seems, nothing will faze her and she’ll do anything for her soulmate director. Announced at Cannes: Their next movie to be shot this summer, “Bugonia” (Focus Features), a remake of a Korean thriller, co-starring Plemons.
The 36-year-old one-time child actor is the new kid in town, joining such familiar faces as Stone, Margaret Qualley, and Willem Dafoe in the Lanthimos ensemble. When the “Fargo” and “Killers of the Flower Moon” star got the call from his agent, even before he read the “Kinds of Kindness” script, he said,...
The 36-year-old one-time child actor is the new kid in town, joining such familiar faces as Stone, Margaret Qualley, and Willem Dafoe in the Lanthimos ensemble. When the “Fargo” and “Killers of the Flower Moon” star got the call from his agent, even before he read the “Kinds of Kindness” script, he said,...
- 5/19/2024
- by Anne Thompson
- Indiewire
Demi Moore teased details of her role in Taylor Sheridan’s upcoming Paramount+ drama Landman and revealed she expects to be back on set for a second season in early 2025.
“It’s a very interesting world in the boomtown of Fort Worth, Texas. It’s kind of this subculture that we haven’t seen before, which is what I think Taylor does so well,” said Moore, in a talk at the American Pavilion at the Cannes Film Festival on Sunday.
“I play an oil tycoon’s wife… lots of nice clothes. The substance of it is really exploring the issues around oil, petroleum, on all sides…and then of course there’s – as Taylor does so well – there’s delicious drama within and family dynamics.”
Other cast members include Billy Bob Thornton and Jon Hamm as rival oil tycoons, with Hamm playing Moore’s husband.
On playing opposite Hamm again,...
“It’s a very interesting world in the boomtown of Fort Worth, Texas. It’s kind of this subculture that we haven’t seen before, which is what I think Taylor does so well,” said Moore, in a talk at the American Pavilion at the Cannes Film Festival on Sunday.
“I play an oil tycoon’s wife… lots of nice clothes. The substance of it is really exploring the issues around oil, petroleum, on all sides…and then of course there’s – as Taylor does so well – there’s delicious drama within and family dynamics.”
Other cast members include Billy Bob Thornton and Jon Hamm as rival oil tycoons, with Hamm playing Moore’s husband.
On playing opposite Hamm again,...
- 5/19/2024
- by Melanie Goodfellow
- Deadline Film + TV
This one is for the true Lanthimites, the Dogtooth sisters, the biscuit women, The Killing of a Sacred Deer heads, a film to which the callbacks are so abundant that one can’t help but wonder what the connection is for writer-director Yorgos Lanthimos and co-screenwriter Efthimis Filippou behind the scenes, outside of simply sharing tones and themes that all of their other films share. Regardless, the director as we knew him pre-Emma Stone is back (relatively speaking). And this time… with Emma Stone!
In his eighth feature, old and new Lanthimos merge, the former reflected in story scope, unreal realism, and bone-dry Greek comedy, all wrapped up in the much-felt return of Filippou, with whom he last wrote Sacred Deer just before he launched into the Hollywood stratosphere with Tony McNamara and The Favourite, the dawn of his Emma Stone collaboration-turned-creative-partnership. And the latter is reflected in, well,...
In his eighth feature, old and new Lanthimos merge, the former reflected in story scope, unreal realism, and bone-dry Greek comedy, all wrapped up in the much-felt return of Filippou, with whom he last wrote Sacred Deer just before he launched into the Hollywood stratosphere with Tony McNamara and The Favourite, the dawn of his Emma Stone collaboration-turned-creative-partnership. And the latter is reflected in, well,...
- 5/19/2024
- by Luke Hicks
- The Film Stage
Jesse Plemons has become an undisputed auteur’s favorite. The 36-year-old star’s beguiling unshowiness onscreen has landed him memorable parts in films from Paul Thomas Anderson (The Master), Steven Spielberg (Bridge of Spies, The Post), Martin Scorsese (The Irishman, Killers of the Flower Moon), Charlie Kaufman (I’m Thinking of Ending Things), Adam McKay (Vice) and Jane Campion (The Power of the Dog), among so many others. Arguably even more viewers know him from his indelible work on the small screen, which began with his breakthrough role on NBC’s Friday Night Lights, continued through AMC’s landmark hit series Breaking Bad and culminated with an Emmy nomination for FX’s Fargo, where he met his wife, actress and co-star Kirsten Dunst.
Plemons touched down for the Cannes Film Festival on Friday for the world premiere of Yorgos Lanthimos’ Kinds of Kindness, the acclaimed Greek director’s follow-up to his multi-Oscar-winning period fantasy Poor Things.
Plemons touched down for the Cannes Film Festival on Friday for the world premiere of Yorgos Lanthimos’ Kinds of Kindness, the acclaimed Greek director’s follow-up to his multi-Oscar-winning period fantasy Poor Things.
- 5/19/2024
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
The 2024 Cannes Film Festival is still going full steam, with deals and screenings galore. We’ve got the first responses to some highly anticipated projects including the new films from Emma Stone and Nicolas Cage, a filmmaker weighing in on the Harvey Weinstein conviction reversal and a studio going all in on a single filmmaker.
“Kinds of Kindness” Confounds
Yorgos Lanthimos, just a few months since his bizarre, female-empowerment madcap science fiction movie “Poor Things” scooped up four Oscars (including Best Actress for Emma Stone), debuted his new film, “Kinds of Kindness.”
The movie reunites the filmmaker with his frequent writing partner, Efthimis Filippo, and his muse, Emma Stone. The movie is not a straightforward narrative but an anthology film comprised of three loosely connected storylines, where the actors play different characters in each segment. (This is Searchlight’s big summer movie; it’s going up against the new “Quiet Place” prequel.
“Kinds of Kindness” Confounds
Yorgos Lanthimos, just a few months since his bizarre, female-empowerment madcap science fiction movie “Poor Things” scooped up four Oscars (including Best Actress for Emma Stone), debuted his new film, “Kinds of Kindness.”
The movie reunites the filmmaker with his frequent writing partner, Efthimis Filippo, and his muse, Emma Stone. The movie is not a straightforward narrative but an anthology film comprised of three loosely connected storylines, where the actors play different characters in each segment. (This is Searchlight’s big summer movie; it’s going up against the new “Quiet Place” prequel.
- 5/18/2024
- by Drew Taylor
- The Wrap
Fresh off his brief but scene-stealing performance in “Civil War,” Jesse Plemons is reteaming with six-time Academy Award-nominated filmmaker Yorgos Lanthimos for his next film, now titled “Bugonia,” which has landed at Focus Features for North America. Plemons is also one of the many ensemble talents in Lanthimos’ “Kinds Of Kindness,” which just premiered at the Cannes Film Festival and co-stars Emma Stone, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, and Hunter Schafer (read our review).
Continue reading Jesse Plemons Joins Emma Stone In Yorgos Lanthimos’ ‘Bugonia’ For Focus Features at The Playlist.
Continue reading Jesse Plemons Joins Emma Stone In Yorgos Lanthimos’ ‘Bugonia’ For Focus Features at The Playlist.
- 5/18/2024
- by Rodrigo Perez
- The Playlist
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