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Cannes awards have become hugely influential in subsequent awards races, especially the Oscars. The top honor, the Palme d’Or, confers prestige and a stamp of approval — this year from the Competition jury led by multi hyphenate Greta Gerwig — that awards voters take seriously.
Palme winners “Parasite,” “Triangle of Sadness,” and “Anatomy of a Fall” were all Best Picture Oscar contenders and won Oscars. And they were all picked up by specialty distributor Neon before they won their Cannes prize. Neon did not break its streak. It acquired two eventual prize-winners before the closing ceremony: Sean Baker’s Palme d’Or winner “Anora,” the first American film to win the prize since Terence Malick’s “Tree of Life” in 2011, and Iranian dissident filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which took home a special award.
Thus “Anora,” from veteran indie filmmaker Baker (Cannes entry “The Florida Project...
Palme winners “Parasite,” “Triangle of Sadness,” and “Anatomy of a Fall” were all Best Picture Oscar contenders and won Oscars. And they were all picked up by specialty distributor Neon before they won their Cannes prize. Neon did not break its streak. It acquired two eventual prize-winners before the closing ceremony: Sean Baker’s Palme d’Or winner “Anora,” the first American film to win the prize since Terence Malick’s “Tree of Life” in 2011, and Iranian dissident filmmaker Mohammad Rasoulof’s “The Seed of the Sacred Fig,” which took home a special award.
Thus “Anora,” from veteran indie filmmaker Baker (Cannes entry “The Florida Project...
- 5/26/2024
- by Anne Thompson
- Indiewire
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Zum zweiten Mal in Folge geht das L’Oeil d’or, das Goldene Auge, die höchste Auszeichnung für Dokumentarfilme beim Festival de Cannes, an zwei Filme.
„Ernest Cole: Lost and Found” (Credit: Ernest Cole)
Das L’Oeil d’or, das Goldene Auge, das beim Festival de Cannes an den besten Dokumentarfilm verliehen wird, geht dieses Jahr (wie bereits 2023) ex aequo an zwei Filme. Die Jury um Nicolas Philibert, Dyana Gaye, Elise Jalladeau, Francis Legault und Mina Kavani wählte „Ernest Cole: Lost and Found“ des oscarnominierten Regisseurs Raoul Peck und „Rafaat einy ll sama“ („The Brink of Dreams“) von Ayman El Amir und Nada Riyadh aus.
In Pecks Film geht es um den gleichnamigen südafrikanischen Fotografen, der das Leben der unterdrückten schwarzen Bevölkerung seines Landes während der Apartheid dokumentierte. Der Schauspieler Lakeith Stanfield spricht in dem Film Texte des verstorbenen Künstlers. „Ernest Cole: Lost and Found“ wurde in der Sektion Special Screenings in Cannes uraufgeführt.
„Ernest Cole: Lost and Found” (Credit: Ernest Cole)
Das L’Oeil d’or, das Goldene Auge, das beim Festival de Cannes an den besten Dokumentarfilm verliehen wird, geht dieses Jahr (wie bereits 2023) ex aequo an zwei Filme. Die Jury um Nicolas Philibert, Dyana Gaye, Elise Jalladeau, Francis Legault und Mina Kavani wählte „Ernest Cole: Lost and Found“ des oscarnominierten Regisseurs Raoul Peck und „Rafaat einy ll sama“ („The Brink of Dreams“) von Ayman El Amir und Nada Riyadh aus.
In Pecks Film geht es um den gleichnamigen südafrikanischen Fotografen, der das Leben der unterdrückten schwarzen Bevölkerung seines Landes während der Apartheid dokumentierte. Der Schauspieler Lakeith Stanfield spricht in dem Film Texte des verstorbenen Künstlers. „Ernest Cole: Lost and Found“ wurde in der Sektion Special Screenings in Cannes uraufgeführt.
- 5/25/2024
- by Barbara Schuster
- Spot - Media & Film
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For the second year in a row, the L’Oeil d’or prize – the top award for documentary at the Cannes Film Festival – is being shared by two films.
The award announced on the Croisette today went to Ernest Cole: Lost and Found, directed by Oscar-nominated filmmaker Raoul Peck, and The Brink of Dreams, directed by Ayman El Amir and Nada Riyadh.
Peck’s film centers on the titular South African photographer who documented life under apartheid for his country’s oppressed Black population. Actor Lakeith Stanfield voices writings from the late artist in the film. Ernest Cole: Lost and Found premiered in the Special Screenings section of Cannes.
Director Raoul Peck at the Deadline Studio during the 77th Cannes Film Festival presented by Neom on May 22, 2024.
The L’Oeil d’or jury – comprised of president Nicolas Philibert, as well as Dyana Gaye, Elise Jalladeau, Francis Legault and Mina Kavani – wrote,...
The award announced on the Croisette today went to Ernest Cole: Lost and Found, directed by Oscar-nominated filmmaker Raoul Peck, and The Brink of Dreams, directed by Ayman El Amir and Nada Riyadh.
Peck’s film centers on the titular South African photographer who documented life under apartheid for his country’s oppressed Black population. Actor Lakeith Stanfield voices writings from the late artist in the film. Ernest Cole: Lost and Found premiered in the Special Screenings section of Cannes.
Director Raoul Peck at the Deadline Studio during the 77th Cannes Film Festival presented by Neom on May 22, 2024.
The L’Oeil d’or jury – comprised of president Nicolas Philibert, as well as Dyana Gaye, Elise Jalladeau, Francis Legault and Mina Kavani – wrote,...
- 5/24/2024
- by Matthew Carey
- Deadline Film + TV
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Raoul Peck’s Ernest Cole: Lost And Found and Nada Riyadh and Ayman El Amir’s The Brink Of Dreams have jointly won Cannes’ documentary award, the L’Œil d’or.
Ernest Cole: Lost And Found played in official selection as a Special Screening, while The Brink Of Dreams played in Critics’ Week.
Ernest Cole: Lost And Found is the latest film from Peck, whose body of work includes the Oscar-nominated I Am Not Your Negro and Cannes Directors’ Fortnight title Lumumba. The documentary is an account of the life of Ernest Cole, one of the first Black photo...
Ernest Cole: Lost And Found played in official selection as a Special Screening, while The Brink Of Dreams played in Critics’ Week.
Ernest Cole: Lost And Found is the latest film from Peck, whose body of work includes the Oscar-nominated I Am Not Your Negro and Cannes Directors’ Fortnight title Lumumba. The documentary is an account of the life of Ernest Cole, one of the first Black photo...
- 5/24/2024
- ScreenDaily
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Three days after its Critics’ Week world premiere, “The Brink of Dreams” director-producer team of Nada Riyadh and Ayman El Amir delved into the making of their documentary in an exclusive, behind-the-scenes conversation at the Palais des Festivals.
Hosted by the Cannes Docs sidebar of the Marché du Film, the conversation saw the Cairo-based Felucca Films duo offer insider intel and tips on their sophomore feature. Their debut feature, “Happily Ever After,” premiered at IDFA in 2016.
“The Brink of Dreams” follows the compelling coming-of-age story of an all-female theatre troupe in a remote village in southern Egypt, who take to the streets to act out their plays denouncing underage marriage, domestic violence and patriarchy in a deeply conservative society.
Shot over four years, the film takes viewers on a compelling journey from childhood to womanhood, featuring intimate scenes within the girls’ families and close-up conversations between the protagonists and their fiancés,...
Hosted by the Cannes Docs sidebar of the Marché du Film, the conversation saw the Cairo-based Felucca Films duo offer insider intel and tips on their sophomore feature. Their debut feature, “Happily Ever After,” premiered at IDFA in 2016.
“The Brink of Dreams” follows the compelling coming-of-age story of an all-female theatre troupe in a remote village in southern Egypt, who take to the streets to act out their plays denouncing underage marriage, domestic violence and patriarchy in a deeply conservative society.
Shot over four years, the film takes viewers on a compelling journey from childhood to womanhood, featuring intimate scenes within the girls’ families and close-up conversations between the protagonists and their fiancés,...
- 5/21/2024
- by Lise Pedersen
- Variety Film + TV
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“Are you happily married?” “Were you married off way too young?” “Are girls not allowed to love?” Few people dare to ask similar questions in southern Egypt – except for the all-female street theater troupe in remote Barsha village.
“They surprise their audience, but I clearly remember the first time they surprised me. I thought: ‘How are these girls so free, so eloquent and so daring? In every way?’” recalled Nada Riyadh, who directed “The Brink of Dreams” with Ayman El Amir.
“These young women, brought up in very conservative communities and economically restrictive situations, seemed freer than us. We went: ‘What is happening?!’ Even in Cairo, people don’t confront others like that.”
“With them, it’s always interactive. They are expressing themselves, but they also demand interaction, challenging long-standing traditions,” added El Amir.
“We are married, so they were asking us about that too. We would answer honestly and...
“They surprise their audience, but I clearly remember the first time they surprised me. I thought: ‘How are these girls so free, so eloquent and so daring? In every way?’” recalled Nada Riyadh, who directed “The Brink of Dreams” with Ayman El Amir.
“These young women, brought up in very conservative communities and economically restrictive situations, seemed freer than us. We went: ‘What is happening?!’ Even in Cairo, people don’t confront others like that.”
“With them, it’s always interactive. They are expressing themselves, but they also demand interaction, challenging long-standing traditions,” added El Amir.
“We are married, so they were asking us about that too. We would answer honestly and...
- 5/15/2024
- by Marta Balaga
- Variety Film + TV
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Following the main lineups for the 2024 Cannes Film Festival, a handful of sidebar slates have been unveiled, featuring Directors Fortnight, Critics Week, and Acid. Notable highlights include the Sundance favorite Good One (read our review here), Tyler Taormina’s Christmas Eve in Miller’s Point starring Michael Cera, the first film in over a decade from James White director Josh Mond, the Christopher Abbott-led It Doesn’t Matter, Eat the Night from Jessica Forever duo Caroline Poggi & Jonathan Vinel, Carson Lund’s Eephus, Patricia Mazuy’s Visting Hours, The Hyperboreans, a new film from The Wolf House directors Cristobal Leo & Joaquin Cocina, Matthew Rankin’s The Twentieth Century follow-up Universal Language, and more.
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
Check out the lineups below.
Cannes Directors Fortnight
Feature films:
“Ma Vie Ma Gueule,” Sophie Fillieres (France) – opening film
“A Son Image,” Thierry de Peretti (France)
“Christmas Eve in Miller’s Point,” Tyler Taormina (USA)
“Desert of Namibia,...
- 4/16/2024
- by Jordan Raup
- The Film Stage
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The Cannes Critics’ Week, the parallel film festival sidebar organized by the French film critics’ union, has unveiled its 2024 selection.
The psychological thriller Ghost Trail, the first feature from acclaimed French shorts director Jonathan Millet, will open the 2024 sidebar. Adam Bessa (star of 2022’s Un Certain Regard winner Harka) plays the lead in the manhunt drama about a man pursuing his former torturer, using only his sensory memories to guide him.
The competition lineup includes Brazilian drama Baby from director Marcelo Caetano, a portrait of a young outsider growing up in São Paulo; Constance Tsang’s Blue Sun Palace, which looks at the lives of Chinese immigrants in Queens; and the Egyptian/French/Danish/Qatari/Saudi Arabian drama The Brink of Dreams about a group of girls from the disenfranchised Christian Copts who defy tradition and set up an all-female street theater troupe.
Baby
Other competition titles include Antoine Chevrollier’s Block Pass,...
The psychological thriller Ghost Trail, the first feature from acclaimed French shorts director Jonathan Millet, will open the 2024 sidebar. Adam Bessa (star of 2022’s Un Certain Regard winner Harka) plays the lead in the manhunt drama about a man pursuing his former torturer, using only his sensory memories to guide him.
The competition lineup includes Brazilian drama Baby from director Marcelo Caetano, a portrait of a young outsider growing up in São Paulo; Constance Tsang’s Blue Sun Palace, which looks at the lives of Chinese immigrants in Queens; and the Egyptian/French/Danish/Qatari/Saudi Arabian drama The Brink of Dreams about a group of girls from the disenfranchised Christian Copts who defy tradition and set up an all-female street theater troupe.
Baby
Other competition titles include Antoine Chevrollier’s Block Pass,...
- 4/15/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
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Cannes Critics’ Week, spotlighting first and second features, has unveiled the competition and special screenings selection for its 63rd edition running May 15-23.
Scroll down for full list of titles
Artistic director Ava Cahen, now in her third year in the position, announced the selection of 11 features chosen from 1,050 films screened. Seven films will vie for four top prizes in competition, chosen by a jury led by Spanish filmmaker Rodrigo Sorogoyen. Nine are first films that will vie for the Camera d’Or and three are directed or co-directed by women.
The sidebar will open with French director Jonathan Millet...
Scroll down for full list of titles
Artistic director Ava Cahen, now in her third year in the position, announced the selection of 11 features chosen from 1,050 films screened. Seven films will vie for four top prizes in competition, chosen by a jury led by Spanish filmmaker Rodrigo Sorogoyen. Nine are first films that will vie for the Camera d’Or and three are directed or co-directed by women.
The sidebar will open with French director Jonathan Millet...
- 4/15/2024
- ScreenDaily
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Cannes Critics’ Week, the sidebar dedicated to first and second films, will open with Jonathan Millet’s psychological thriller “Ghost Trail” and wrap with Emma Benestan’s genre film “Animale.”
“Ghost Trail” and “Animale” are two of the 11 features slated for Critics’ Week, which runs alongside the Cannes Film Festival.
The sole U.S. film of the selection is Constance Tsang’s “Blue Sun Palace,” a bittersweet film about two Chinese immigrants living in Queens who bond following a tragic death and find meaning in each other’s company. “As humble and dignified as its characters, this first, realistic and intimate, film sheds light on a community that is little seen,” said Ava Cahen, Critics’ Week’s artistic director. “Blue Sun Palace” stars Lee Kang-sheng whose recent credits include “Twisted Strings.”
Besides the opening and closing films, the Special Screenings section will comprise of Saïd Hamich Benlarbi’s “Across the...
“Ghost Trail” and “Animale” are two of the 11 features slated for Critics’ Week, which runs alongside the Cannes Film Festival.
The sole U.S. film of the selection is Constance Tsang’s “Blue Sun Palace,” a bittersweet film about two Chinese immigrants living in Queens who bond following a tragic death and find meaning in each other’s company. “As humble and dignified as its characters, this first, realistic and intimate, film sheds light on a community that is little seen,” said Ava Cahen, Critics’ Week’s artistic director. “Blue Sun Palace” stars Lee Kang-sheng whose recent credits include “Twisted Strings.”
Besides the opening and closing films, the Special Screenings section will comprise of Saïd Hamich Benlarbi’s “Across the...
- 4/15/2024
- by Elsa Keslassy
- Variety Film + TV
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Cannes Critics’ Week championing work by emerging filmmakers has unveiled the line-up for its 63rd edition running from May 15 to 23.
The traditionally compact parallel selection will showcase 11 features, seven in competition, as well as 13 short films, selected from 1,050 features and 2,150 short films. (scroll down for full list)
The 2024 edition marks Artistic Director Ava Cahen’s third at the helm, with buzzy discoveries under her directorship to date including Tiger Stripes, The Rapture, Aftersun and Love According To Dalva.
Opening and closing films
French director Jonathan Millet’s psychological manhunt thriller Ghost Trail (Les Fantômes) will open the section. It marks his first feature after half a dozen shorts including Tell Me About The Stars.
Adam Bessa, who won the Un Certain Regard prize for his performance in Harka in 2022, stars as a man in pursuit of his former torturer. He never saw his oppressor’s face, but knows his smell,...
The traditionally compact parallel selection will showcase 11 features, seven in competition, as well as 13 short films, selected from 1,050 features and 2,150 short films. (scroll down for full list)
The 2024 edition marks Artistic Director Ava Cahen’s third at the helm, with buzzy discoveries under her directorship to date including Tiger Stripes, The Rapture, Aftersun and Love According To Dalva.
Opening and closing films
French director Jonathan Millet’s psychological manhunt thriller Ghost Trail (Les Fantômes) will open the section. It marks his first feature after half a dozen shorts including Tell Me About The Stars.
Adam Bessa, who won the Un Certain Regard prize for his performance in Harka in 2022, stars as a man in pursuit of his former torturer. He never saw his oppressor’s face, but knows his smell,...
- 4/15/2024
- by Melanie Goodfellow
- Deadline Film + TV
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TorinoFilmLab (Tfl) has selected three international co-productions as winners of its 2024 Audience Design Fund, which provides financial aid and coaching for films at the distribution stage.
The three awarded projects are Indian director Kapadia Payal’s All We Imagine As Light; Egyptian directors Nada Riyadh and Ayman El Amir’s The Brink Of Dreams; and US-based Nepalese director Deepak Rauniyar’s The Sky Is Mine.
Each film is currently in post-production and will receive a €45,000 grant plus three online consultancy sessions to advise on innovative audience engagement and outreach strategies.
All We Imagine As Light is the second film from Kapadia Payal,...
The three awarded projects are Indian director Kapadia Payal’s All We Imagine As Light; Egyptian directors Nada Riyadh and Ayman El Amir’s The Brink Of Dreams; and US-based Nepalese director Deepak Rauniyar’s The Sky Is Mine.
Each film is currently in post-production and will receive a €45,000 grant plus three online consultancy sessions to advise on innovative audience engagement and outreach strategies.
All We Imagine As Light is the second film from Kapadia Payal,...
- 4/8/2024
- ScreenDaily
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Saudi Arabia’s Red Sea Film Fund has unveiled its latest round of feature film grantees from the Arab world and Africa.
The announcement comes just days after the fund revealed it had boarded French director Maïwenn’s upcoming costume drama Jeanne du Barry starring Johnny Depp, in its first European investment as executive producer.
In its latest funding round for Arab and African filmmakers, it is getting behind 36 productions by Saudi, Arab and African filmmakers, 25 in or on the verge of production, 11 in post-production.
The 25 production grant winners include upcoming films by established directors such as Abderrahmane Sissako’s The Perfumed Hill, Haifaa Al-Mansour’s Miss Camel, Annemarie Jacir, Kaouther Ben Hania’s Mime, Cherien Dabis, and Karim Moussaoui’s The Vanishing.
The fund has also gotten behind buzzy, emerging talents such as Saudi Arabian filmmaker Sara Mesfer, who is gearing up for her first solo feature Habibi And I In Eden.
The announcement comes just days after the fund revealed it had boarded French director Maïwenn’s upcoming costume drama Jeanne du Barry starring Johnny Depp, in its first European investment as executive producer.
In its latest funding round for Arab and African filmmakers, it is getting behind 36 productions by Saudi, Arab and African filmmakers, 25 in or on the verge of production, 11 in post-production.
The 25 production grant winners include upcoming films by established directors such as Abderrahmane Sissako’s The Perfumed Hill, Haifaa Al-Mansour’s Miss Camel, Annemarie Jacir, Kaouther Ben Hania’s Mime, Cherien Dabis, and Karim Moussaoui’s The Vanishing.
The fund has also gotten behind buzzy, emerging talents such as Saudi Arabian filmmaker Sara Mesfer, who is gearing up for her first solo feature Habibi And I In Eden.
- 1/18/2023
- by Melanie Goodfellow
- Deadline Film + TV
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Further projects come from Mehdi M. Barsaoui, Ameer Fakher Eldin, Haifaa Al-Mansour and Annemarie Jacir.
The Red Sea Film Festival Foundation has unveiled the 36 recipients of the Red Sea Fund’s 2022 production and post-production funding cycles.
All titles are from Arab and African filmmakers, who will receive grants to help them complete films that shine a light on narratives and new talents emerging from the region.
Two films selected have previously received support at the development stage by the Red Sea Fund. Captain Mbaye from Rwandan filmmaker Joel Karekezi follows a Un observer sent to Rwanda as genocide breaks out.
The Red Sea Film Festival Foundation has unveiled the 36 recipients of the Red Sea Fund’s 2022 production and post-production funding cycles.
All titles are from Arab and African filmmakers, who will receive grants to help them complete films that shine a light on narratives and new talents emerging from the region.
Two films selected have previously received support at the development stage by the Red Sea Fund. Captain Mbaye from Rwandan filmmaker Joel Karekezi follows a Un observer sent to Rwanda as genocide breaks out.
- 1/18/2023
- by Mona Tabbara
- ScreenDaily
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Venice Film Festival’s Final Cut, dedicated to films in post-production from African and Arab countries, wrapped its anniversary 10th edition on Sept. 5. As fest director Alberto Barbera welcomed the audience to “the final stage of the Final Cut,” La Biennale di Venezia Prize – and cash award of € 5,000 – went to “Inshallah a Boy,” directed by Amjad Al Rasheed.
Jurors Claire Diao, Rasha Salti and Gaetano Maiorino praised it for “brilliant direction and performances, tackling a really dramatic social issue and for honoring the resilience of women in a conservative context.”
The film, a co-production between Jordan, Egypt, Saudi Arabia and Qatar, is overseen by Rula Nasser for The Imaginarium Films.
“We are just proud we made something that speaks to people,” she told Variety after the ceremony.
“We are still a conservative society, but this protagonist, this woman, she’s strong. She decides she needs to stand up and say:...
Jurors Claire Diao, Rasha Salti and Gaetano Maiorino praised it for “brilliant direction and performances, tackling a really dramatic social issue and for honoring the resilience of women in a conservative context.”
The film, a co-production between Jordan, Egypt, Saudi Arabia and Qatar, is overseen by Rula Nasser for The Imaginarium Films.
“We are just proud we made something that speaks to people,” she told Variety after the ceremony.
“We are still a conservative society, but this protagonist, this woman, she’s strong. She decides she needs to stand up and say:...
- 9/6/2022
- by Marta Balaga
- Variety Film + TV
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Final Cut, a workshop supporting films in post-production from African and Arab countries – launched by the Venice Film Festival’s industry section, Venice Production Bridge – celebrates its 10th anniversary this week.
Its goals have remained the same, however, as it continues to provide emerging filmmakers with concrete assistance as well as visibility, all the while strengthening Venice’s role as “bridge builder,” says Alessandra Speciale, its curator. The final selection features titles made by directors from nine different countries: Algeria, Jordan, Guinea, Egypt, Lebanon, Morocco, Palestine, Central African Republic and Tunisia.
This year, two additional projects were added to the usual six work-in-progress films, thanks to the France in Focus initiative, supported by Unifrance: Karim Bensalah’s debut “Black Light,” sold internationally by The Party Film Sales, and “The Cemetery of Cinema,” directed by Thierno Souleymane Diallo and marking Guinea’s first presence at the workshop.
Diallo, who has been...
Its goals have remained the same, however, as it continues to provide emerging filmmakers with concrete assistance as well as visibility, all the while strengthening Venice’s role as “bridge builder,” says Alessandra Speciale, its curator. The final selection features titles made by directors from nine different countries: Algeria, Jordan, Guinea, Egypt, Lebanon, Morocco, Palestine, Central African Republic and Tunisia.
This year, two additional projects were added to the usual six work-in-progress films, thanks to the France in Focus initiative, supported by Unifrance: Karim Bensalah’s debut “Black Light,” sold internationally by The Party Film Sales, and “The Cemetery of Cinema,” directed by Thierno Souleymane Diallo and marking Guinea’s first presence at the workshop.
Diallo, who has been...
- 9/1/2022
- by Marta Balaga
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BMGRkY2RmNDUtMTBmNi00OGJlLWI0ODMtYTRkNGIwZWRmMzAxXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,9,500,281_.jpg)
The selection includes Amjad Al Rasheed’s Inshallah A Boy.
The dark comedy Inshallah A Boy, from former Screen Arab Star of Tomorrow Amjad Al Rasheed, is one of eight feature projects selected for the 10th edition of Venice’s Final Cut, supporting work-in-progress films from Africa and the Middle East.
The progarmme will run as part of the Venice International Film Festival’s Venice Production Bridge.
The selected projects, which include three fiction and five documentaries, will be shown to producers, buyers, distributors, post-production companies and film festival programmers during a three day workshop from September 3-5.
Inshallah A...
The dark comedy Inshallah A Boy, from former Screen Arab Star of Tomorrow Amjad Al Rasheed, is one of eight feature projects selected for the 10th edition of Venice’s Final Cut, supporting work-in-progress films from Africa and the Middle East.
The progarmme will run as part of the Venice International Film Festival’s Venice Production Bridge.
The selected projects, which include three fiction and five documentaries, will be shown to producers, buyers, distributors, post-production companies and film festival programmers during a three day workshop from September 3-5.
Inshallah A...
- 7/12/2022
- by Ellie Calnan
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BMGRkY2RmNDUtMTBmNi00OGJlLWI0ODMtYTRkNGIwZWRmMzAxXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,9,500,281_.jpg)
The selection includes Amjad Al Rasheed’s Inshallah A Boy.
The dark comedy Inshallah A Boy, from former Arab Screen Star of Tomorrow Amjad Al Rasheed, is one of eight feature projects selected for the 10th edition of Venice’s Final Cut, supporting work-in-progress films from Africa and the Middle East.
The progarmme will run as part of the Venice International FIlm Festival’s Venice Production Bridge.
The selected projects, which include three fiction and five documentaries, will be shown to producers, buyers, distributors, post-production companies and film festival programmers during a three day workshop from September 3-5.
Inshallah A...
The dark comedy Inshallah A Boy, from former Arab Screen Star of Tomorrow Amjad Al Rasheed, is one of eight feature projects selected for the 10th edition of Venice’s Final Cut, supporting work-in-progress films from Africa and the Middle East.
The progarmme will run as part of the Venice International FIlm Festival’s Venice Production Bridge.
The selected projects, which include three fiction and five documentaries, will be shown to producers, buyers, distributors, post-production companies and film festival programmers during a three day workshop from September 3-5.
Inshallah A...
- 7/12/2022
- by Ellie Calnan
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BYzAwOTI3NDMtYjM2YS00MWMyLTk2OGEtZGU3NWNhNzMwZjg1XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Cameroon’s Cyrielle Raingou has won the Kirch Foundation Award, which comes with a €5,000 cash prize, for her film project “I’m Coming for You.”
The award comes at the conclusion of the first edition of Munich Film Up!, an eight-month mentoring and residency program for film school graduates that started in November.
The program was created by the Pop Up Film Residency, in partnership with the University of Television and Film Munich (Hff München) and the Munich Film Festival.
The six filmmakers who took part in the program were:
Lana Bregar, Slovenia (Film school: Agfrt Ljubljana) with “Dark Head”
Erec Brehmer, Germany (Film school: Hff München) with “Lightness and Weight”
Anastasiya Gruba, Ukraine (Film school: Kyiv University) with “Women Suicide Season”
Loïc Hobi, Switzerland/France (Film school: Ecole de la Cité) with “Crypto Lover”
Cyrielle Raingou, Cameroon (Film school: Doc Nomads Master) with “I’m Coming for You”
Pratik Thakare,...
The award comes at the conclusion of the first edition of Munich Film Up!, an eight-month mentoring and residency program for film school graduates that started in November.
The program was created by the Pop Up Film Residency, in partnership with the University of Television and Film Munich (Hff München) and the Munich Film Festival.
The six filmmakers who took part in the program were:
Lana Bregar, Slovenia (Film school: Agfrt Ljubljana) with “Dark Head”
Erec Brehmer, Germany (Film school: Hff München) with “Lightness and Weight”
Anastasiya Gruba, Ukraine (Film school: Kyiv University) with “Women Suicide Season”
Loïc Hobi, Switzerland/France (Film school: Ecole de la Cité) with “Crypto Lover”
Cyrielle Raingou, Cameroon (Film school: Doc Nomads Master) with “I’m Coming for You”
Pratik Thakare,...
- 6/24/2022
- by Leo Barraclough
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BMDg1MDU3MGQtMGU5MS00MmQ1LTk0ZTMtNzgxYzFhMWE4Mzg2XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Six feature documentaries currently in post-production are selected.
Film Independent has revealed the 12 filmmakers and six projects selected for its 2022 Documentary Lab, with subjects including Baltimore police law, young women in Egypt and the legacy of a Lakota family.
The lab is designed for filmmakers currently in post-production on their feature-length documentary films and provides creative feedback from film professionals.
This year’s lead creative mentors are Chris Shellen, Jeff Malmberg and Anayansi Prado. Mentors and guest speakers include Oscar nominee Jessica Kingdon, Emmy winner Ali Johnes and Sundance Institute’s Carrie Lozano.
Projects supported by the Documentary Lab in...
Film Independent has revealed the 12 filmmakers and six projects selected for its 2022 Documentary Lab, with subjects including Baltimore police law, young women in Egypt and the legacy of a Lakota family.
The lab is designed for filmmakers currently in post-production on their feature-length documentary films and provides creative feedback from film professionals.
This year’s lead creative mentors are Chris Shellen, Jeff Malmberg and Anayansi Prado. Mentors and guest speakers include Oscar nominee Jessica Kingdon, Emmy winner Ali Johnes and Sundance Institute’s Carrie Lozano.
Projects supported by the Documentary Lab in...
- 5/24/2022
- by John Hazelton
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BY2I1NTBlNTUtYTM5OC00NDk3LTllNzgtMmE0ZWU2NzhkMTkyXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Film Independent has set the filmmakers and projects for its 2022 Documentary Lab. The list includes Alissa Figueroa, Shalon Buskirk and Drew Swedberg, Nada Riyadh and Ayman El Amir (Land of Women), Kit Vincent and Ed Owles, Alix Blair, Lauren Kushner and Elise McCave (Untitled Helen Project) and Jonathan Olshefski and Elizabeth Day (Without Arrows).
The Lab is an intensive program that provides creative feedback to filmmakers currently in post on feature-length docs, advancing the careers of its Fellows by introducing them to professionals who can advise on both the craft and business of documentary filmmaking. Chris Shellen and Jeff Malmberg (Marwencol) and Anayansi Prado (Maid in America) will this year serve as its Lead Creative Mentors, with additional Lab Mentors and Guest Speakers to include Sara Dosa and Shane Boris (Fire of Love), Academy Award nominee...
The Lab is an intensive program that provides creative feedback to filmmakers currently in post on feature-length docs, advancing the careers of its Fellows by introducing them to professionals who can advise on both the craft and business of documentary filmmaking. Chris Shellen and Jeff Malmberg (Marwencol) and Anayansi Prado (Maid in America) will this year serve as its Lead Creative Mentors, with additional Lab Mentors and Guest Speakers to include Sara Dosa and Shane Boris (Fire of Love), Academy Award nominee...
- 5/24/2022
- by Matt Grobar
- Deadline Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BOWE5MzRmZGMtNjA3YS00ZGJlLTllZjYtMWMyYTBhM2M1ODMzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Projects from director Woo Ming Jin and producer Anthony Chen among titles.
Full Circle Lab Philippines, the Southeast Asian project and talent development programme, has unveiled the line-up for its upcoming fourth edition, including new features by Malaysian director Woo Ming Jin and Singapore producer Anthony Chen.
The labs, led by Tatino Films’ Matthieu Darras and Izabela Igel and co-organised by the Film Development Council of the Philippines (Fdcp), will comprise 12 projects in development, three films in post-production, eight emerging producers and three story editors.
More than 40 participants and 12 mentors from 15 different countries are expected to participate in the in-person workshop,...
Full Circle Lab Philippines, the Southeast Asian project and talent development programme, has unveiled the line-up for its upcoming fourth edition, including new features by Malaysian director Woo Ming Jin and Singapore producer Anthony Chen.
The labs, led by Tatino Films’ Matthieu Darras and Izabela Igel and co-organised by the Film Development Council of the Philippines (Fdcp), will comprise 12 projects in development, three films in post-production, eight emerging producers and three story editors.
More than 40 participants and 12 mentors from 15 different countries are expected to participate in the in-person workshop,...
- 4/1/2022
- by Michael Rosser
- ScreenDaily
![Image](https://m.media-amazon.com/images/M/MV5BODZmOGY2YzQtMzZmZi00YmRkLThjZDMtZmZlNWUzMTJiYWM0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
The Industry Program of documentary festival IDFA launches Friday as an in-person event, while also offering remote access for those who are unable to get to Amsterdam. Head of industry Adriek van Nieuwenhuijzen and market manager Selin Murat speak to Variety about what participants can expect.
What was learned from the digital experimentation put in place last year has not been lost, van Nieuwenhuijzen says, and what has been delivered this year is a hybrid. “We know that, for the whole industry, these personal encounters, in-person meetings, are crucial,” she says. “But we also learned that we are far more accessible for many people [through remote access]. So that’s why I’m happy that we still have the opportunity to offer some visibility for [the producing] teams who cannot come to Amsterdam.” The online passes that IDFA is offering are “a great opportunity for people around the world to see what’s happening and to stay up to date,...
What was learned from the digital experimentation put in place last year has not been lost, van Nieuwenhuijzen says, and what has been delivered this year is a hybrid. “We know that, for the whole industry, these personal encounters, in-person meetings, are crucial,” she says. “But we also learned that we are far more accessible for many people [through remote access]. So that’s why I’m happy that we still have the opportunity to offer some visibility for [the producing] teams who cannot come to Amsterdam.” The online passes that IDFA is offering are “a great opportunity for people around the world to see what’s happening and to stay up to date,...
- 11/19/2021
- by Leo Barraclough
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BM2ZhZTgzZGUtOWJjYi00YzM3LWJhZTktMmFjMjE5NGFhYWJkXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,2,500,281_.jpg)
Project development initiative has opened up to projects from the wider Southeast Asian region.
Full Circle Lab, a project development programme backed by the Film Development Council of the Philippines (Fdcp), has announced the 20 projects selected for this year’s edition, which will take place online September 15-29.
The initiative, which is co-headed by Matthieu Darras and Izabela Igel, will be preceded by the Film Industry Conference (September 11-15), which will also be held online and open to a larger audience. Full Circle Lab was initially scheduled to take place in Manila in April, but was postponed due to the Covid-19 coronavirus.
Full Circle Lab, a project development programme backed by the Film Development Council of the Philippines (Fdcp), has announced the 20 projects selected for this year’s edition, which will take place online September 15-29.
The initiative, which is co-headed by Matthieu Darras and Izabela Igel, will be preceded by the Film Industry Conference (September 11-15), which will also be held online and open to a larger audience. Full Circle Lab was initially scheduled to take place in Manila in April, but was postponed due to the Covid-19 coronavirus.
- 8/27/2020
- by 89¦Liz Shackleton¦0¦
- ScreenDaily
Second edition of Lab in Manila will also support Filipino series and animation projects.
Full Circle Lab Philippines (Fcl), a project development initiative launched by Matthieu Darras and the Film Development Council of the Philippines (Fdcp), will start accepting projects from across Southeast Asia at its next edition.
Fcl is also expanding into Filipino series, due to the growing demand for episodic content from VOD platforms, and animation IP stories in development, designed to encourage original narratives from Filipino animators.
Scheduled to take place April 15-22 in Manila, the Lab expects to support at least 20 projects – six features, four animation...
Full Circle Lab Philippines (Fcl), a project development initiative launched by Matthieu Darras and the Film Development Council of the Philippines (Fdcp), will start accepting projects from across Southeast Asia at its next edition.
Fcl is also expanding into Filipino series, due to the growing demand for episodic content from VOD platforms, and animation IP stories in development, designed to encourage original narratives from Filipino animators.
Scheduled to take place April 15-22 in Manila, the Lab expects to support at least 20 projects – six features, four animation...
- 1/17/2020
- by 89¦Liz Shackleton¦0¦
- ScreenDaily
Cannes–The Pop Up Film Residency, a mentorship program launched this year by former TorinoFilmLab artistic director Matthieu Darras and Slovak producer Juraj Krasnohorsky, has announced three new residents, four new hosts, and two new creative partners for 2019.
Based in Bratislava, the program offers a three-week residency in Slovakia each month, along with a series of international residencies throughout the year with a growing network of partners, including Cannes Critics’ Week, Eave and the Doha Film Institute.
“The big difference between this residency and other support schemes for talents is that it’s really tailor-made,” said Darras. “Once we really get an understanding of the person, the project, we actually find the good residency.”
A former Cannes Critics’ Week programmer, Darras described the Pop Up Film Residency as a “passion project” designed to offer mentorship on an intimate scale. “I have 20 years of experience running labs, where I usually have programs with 20, 25 projects,...
Based in Bratislava, the program offers a three-week residency in Slovakia each month, along with a series of international residencies throughout the year with a growing network of partners, including Cannes Critics’ Week, Eave and the Doha Film Institute.
“The big difference between this residency and other support schemes for talents is that it’s really tailor-made,” said Darras. “Once we really get an understanding of the person, the project, we actually find the good residency.”
A former Cannes Critics’ Week programmer, Darras described the Pop Up Film Residency as a “passion project” designed to offer mentorship on an intimate scale. “I have 20 years of experience running labs, where I usually have programs with 20, 25 projects,...
- 5/23/2019
- by Christopher Vourlias
- Variety Film + TV
First Cut Lab director Matthieu Darras is teaming up with the Film Development Council of the Philippines (Fdcp) and the Indonesian Agency for Creative Economy (Bekraf).
First Cut Lab director Matthieu Darras is teaming up with the Film Development Council of the Philippines (Fdcp) and the Indonesian Agency for Creative Economy (Bekraf) to launch two new film labs for project development and editing consultancy.
The two labs, which are aimed at local directors, scriptwriters and producers, will each last around one week, starting with an editing consultancy programme and followed by a project development workshop. They will also feature masterclasses open to larger audiences.
First Cut Lab director Matthieu Darras is teaming up with the Film Development Council of the Philippines (Fdcp) and the Indonesian Agency for Creative Economy (Bekraf) to launch two new film labs for project development and editing consultancy.
The two labs, which are aimed at local directors, scriptwriters and producers, will each last around one week, starting with an editing consultancy programme and followed by a project development workshop. They will also feature masterclasses open to larger audiences.
- 2/9/2019
- by Liz Shackleton
- ScreenDaily
The Doha Film Institute, in partnership with the Torino Film Lab, will host two script development and screenwriting workshops to mentor local and regional talent, and support the future development of film and creative industries within the Mena region.
The partnership between the two organizations is aimed at training and capacity development, and will focus on enhancing script-writing skills and explore the universal appeal of local and regional films.
The program includes a Short Screenwriting Lab and the Hezayah Screenwriting Lab, designed to strengthen the individual filmmaker's personal voice and provide an opportunity to advance professional and creative skills while developing a network of industry relationships.
Commenting on the importance of skill development workshops, Fatma Al Remaihi, CEO of Doha Film Institute, said, “Our core mandate is to provide a platform for filmmakers in Qatar to grow both artistically and professionally. We do this by showcasing their talent to international industry partners at our film events and by providing relevant and topical professional training to bring out their best work. Arab cinema has been gaining widespread acclaim and international popularity and there is an increased focus on the quality of work coming out from the region. Through our partners at the TorinoFilmLab, we look forward to developing programs that help transfer specialist skills and knowledge to emerging talents from Qatar and the region and nurture their craft".
Savina Neirotti, Torino FilmLab Director, also added, “TorinoFilmLab focuses on filmmakers, and all of those professionals that help them develop clarity of vision, endurance and strength. Storytelling is at the center, always. We are pleased to collaborate with the Doha Film Institute that shares many of our goals and are looking forward to this year of intense work together.”
The Short Screenwriting Lab, a three-week workshop scheduled from Jan. 29 to Feb. 19, 2016, is designed to assist new and emerging Qatari screenwriters and writer-directors to develop and write a screenplay from an original idea with the support of international mentors.
The workshop will focus on 12 selected short film projects from local filmmakers based in Qatar. It will be structured in two parts; the first week consists of an introduction to the short-film format, analysis of key works, the short-film environment (including major festivals) and how to move from development into production. The lab will also comprise seminars and presentations by international experts in the short film industry. The second and third week of the program will focus on developing the scripts of the 12 selected projects.
The workshop will be led by Matthieu Darras, Head of Programs at TorinoFilmLab and supported by two script consultants, Egyptian filmmaker and academic Ayman El Amir, and Italian story editor and screenwriter Simona Nobile.
The Hezayah Screenwriting Lab, scheduled from April 2016 to February 2017, is designed to assist Qatari and regional screenwriters and writer-directors to develop and write a first draft feature-length screenplay from an original idea with the support of two international mentors. The lab consists of four-day workshops, held periodically over a 10-month period and is open to 12 selected projects. During the period, selected participants will receive feedback and follow-up sessions from an international lab leader and trained script consultants.
For more details you can visit www.dohafilminstitute.com...
The partnership between the two organizations is aimed at training and capacity development, and will focus on enhancing script-writing skills and explore the universal appeal of local and regional films.
The program includes a Short Screenwriting Lab and the Hezayah Screenwriting Lab, designed to strengthen the individual filmmaker's personal voice and provide an opportunity to advance professional and creative skills while developing a network of industry relationships.
Commenting on the importance of skill development workshops, Fatma Al Remaihi, CEO of Doha Film Institute, said, “Our core mandate is to provide a platform for filmmakers in Qatar to grow both artistically and professionally. We do this by showcasing their talent to international industry partners at our film events and by providing relevant and topical professional training to bring out their best work. Arab cinema has been gaining widespread acclaim and international popularity and there is an increased focus on the quality of work coming out from the region. Through our partners at the TorinoFilmLab, we look forward to developing programs that help transfer specialist skills and knowledge to emerging talents from Qatar and the region and nurture their craft".
Savina Neirotti, Torino FilmLab Director, also added, “TorinoFilmLab focuses on filmmakers, and all of those professionals that help them develop clarity of vision, endurance and strength. Storytelling is at the center, always. We are pleased to collaborate with the Doha Film Institute that shares many of our goals and are looking forward to this year of intense work together.”
The Short Screenwriting Lab, a three-week workshop scheduled from Jan. 29 to Feb. 19, 2016, is designed to assist new and emerging Qatari screenwriters and writer-directors to develop and write a screenplay from an original idea with the support of international mentors.
The workshop will focus on 12 selected short film projects from local filmmakers based in Qatar. It will be structured in two parts; the first week consists of an introduction to the short-film format, analysis of key works, the short-film environment (including major festivals) and how to move from development into production. The lab will also comprise seminars and presentations by international experts in the short film industry. The second and third week of the program will focus on developing the scripts of the 12 selected projects.
The workshop will be led by Matthieu Darras, Head of Programs at TorinoFilmLab and supported by two script consultants, Egyptian filmmaker and academic Ayman El Amir, and Italian story editor and screenwriter Simona Nobile.
The Hezayah Screenwriting Lab, scheduled from April 2016 to February 2017, is designed to assist Qatari and regional screenwriters and writer-directors to develop and write a first draft feature-length screenplay from an original idea with the support of two international mentors. The lab consists of four-day workshops, held periodically over a 10-month period and is open to 12 selected projects. During the period, selected participants will receive feedback and follow-up sessions from an international lab leader and trained script consultants.
For more details you can visit www.dohafilminstitute.com...
- 2/11/2016
- by Sydney Levine
- Sydney's Buzz
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