Marble by Cinematique Instruments
240 €/ $270
After releasing the Ensemblia series last year, Germany-based developer Cinematique Instruments decided to switch gears and create a unique combination of their trademark traditional-meets-bizarre sounds with clever and innovative programming. The result was Marble.
Marble is a Kontakt-based library that runs on the full version of Kontakt 5.3, comes with more than 800 presets, and is comprised of more than 2,500 samples.
General Overview
At the core of Marble lie two parallel sound slots (called “Tracks”) equipped with their respective 16-step sequencers. But there is a twist; each of these two sequencers is completely ‘open’ — in other words, you can tweak every single one of the twelve parameters provided for each sound slot, individually for each of the 16 steps of the sequencer.
One of the greatest values of this library is its flexibility and tweakability. Cinematique Instruments essentially provide us with a complex yet extremely intuitive and simple-to-use ‘system...
240 €/ $270
After releasing the Ensemblia series last year, Germany-based developer Cinematique Instruments decided to switch gears and create a unique combination of their trademark traditional-meets-bizarre sounds with clever and innovative programming. The result was Marble.
Marble is a Kontakt-based library that runs on the full version of Kontakt 5.3, comes with more than 800 presets, and is comprised of more than 2,500 samples.
General Overview
At the core of Marble lie two parallel sound slots (called “Tracks”) equipped with their respective 16-step sequencers. But there is a twist; each of these two sequencers is completely ‘open’ — in other words, you can tweak every single one of the twelve parameters provided for each sound slot, individually for each of the 16 steps of the sequencer.
One of the greatest values of this library is its flexibility and tweakability. Cinematique Instruments essentially provide us with a complex yet extremely intuitive and simple-to-use ‘system...
- 3/31/2016
- by Stellita Loukas
- SCOREcastOnline.com
In this brand new edition of SCOREcast’s Spotlight On, Éanán Paterson and Stellita Loukas bring you along on a deep dive through Output’s newest flagship product Signal — a beast of a library driven by two independent pulse engines — that will breathe new life and glorious color into your music.
For more information and to purchase, please visit the Output website.
If you cannot see the video below, please click here.
Eanan Patterson
Award-winning composer Eanan Patterson recently wrote original music & arrangements for the new Irish dance show, "Celtic Rising", and the score for Season 5 of Microsoft's hit web series "The Guild". At the age thirteen, Eanan was accepted to the prestigious Juilliard School of Music, studying violin and piano, and went on to earn a specialist certificate in Music Theory & Orchestration from the Berklee College of Music. Also a prolific music producer, Eanan has produced for companies like Rte,...
For more information and to purchase, please visit the Output website.
If you cannot see the video below, please click here.
Eanan Patterson
Award-winning composer Eanan Patterson recently wrote original music & arrangements for the new Irish dance show, "Celtic Rising", and the score for Season 5 of Microsoft's hit web series "The Guild". At the age thirteen, Eanan was accepted to the prestigious Juilliard School of Music, studying violin and piano, and went on to earn a specialist certificate in Music Theory & Orchestration from the Berklee College of Music. Also a prolific music producer, Eanan has produced for companies like Rte,...
- 9/14/2015
- by Eanan Patterson
- SCOREcastOnline.com
Welcome back to the third and final article on woodwinds! This time I would like to explore the different ways in which woodwinds can carry the harmony within an orchestration.
I. Considerations
As it has been mentioned before, woodwinds do not possess the blending ability of strings. In other words, when combining instruments of the string section the result is a smooth homogenous sound. With woodwinds, however, due to great differences in tone colour from one instrument to another (and between different registers of the same instrument), it is much harder to achieve a homogenous sound.
The most important characteristic that a harmony part should exhibit is as Rimsky-Korsakov calls it “resonance equally distributed throughout”. In other words, different harmony parts should blend well together without moving the ear’s focus away from the melody parts. When it comes to woodwind harmony, there are a few tricks we can use...
I. Considerations
As it has been mentioned before, woodwinds do not possess the blending ability of strings. In other words, when combining instruments of the string section the result is a smooth homogenous sound. With woodwinds, however, due to great differences in tone colour from one instrument to another (and between different registers of the same instrument), it is much harder to achieve a homogenous sound.
The most important characteristic that a harmony part should exhibit is as Rimsky-Korsakov calls it “resonance equally distributed throughout”. In other words, different harmony parts should blend well together without moving the ear’s focus away from the melody parts. When it comes to woodwind harmony, there are a few tricks we can use...
- 10/25/2012
- by Stellita Loukas
- SCOREcastOnline.com
Welcome back! Having gotten the technical part out of the way, let’s now explore the different ways in which we can have the woodwind section play our melody.
I. Anatomy Of The Woodwind Section
Woodwinds are found in an orchestra in three basic configurations :
Solo woodwinds : one of each ; 1 Flute – 1 Clarinet – 1 Oboe – 1 Bassoon Woodwinds in Pairs : two of each ; 2 Flutes – 2 Clarinets – 2 Oboes – 2 Bassoons Woodwinds in Threes : three of each ; 3 Flutes – 3 Clarinets – 3 Oboes – 3 Bassoons
However, many woodwind players are proficient in more than one instrument of the same family (e.g. flutes, clarinets, bassoons etc) and can be asked to double on another instrument if the orchestration calls for it. For example, a flutist can be asked to double on the piccolo at some point during the orchestration (provided that a flute is not required at the same time!). When there are more than one of each instrument available,...
I. Anatomy Of The Woodwind Section
Woodwinds are found in an orchestra in three basic configurations :
Solo woodwinds : one of each ; 1 Flute – 1 Clarinet – 1 Oboe – 1 Bassoon Woodwinds in Pairs : two of each ; 2 Flutes – 2 Clarinets – 2 Oboes – 2 Bassoons Woodwinds in Threes : three of each ; 3 Flutes – 3 Clarinets – 3 Oboes – 3 Bassoons
However, many woodwind players are proficient in more than one instrument of the same family (e.g. flutes, clarinets, bassoons etc) and can be asked to double on another instrument if the orchestration calls for it. For example, a flutist can be asked to double on the piccolo at some point during the orchestration (provided that a flute is not required at the same time!). When there are more than one of each instrument available,...
- 10/18/2012
- by Stellita Loukas
- SCOREcastOnline.com
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