Exclusive: German-based TV event Seriencamp will return to Cologne in June and has a raft of key industry players signed up for its upcoming tenth edition.
Seriencamp attracts delegates from across Europe and has become a fixture in the calendar of international TV events. A first look at the 2024 line-up reveals sessions with key producers, distributors, broadcasters and platforms, as well as specific segments on artificial intelligence and TV soundtracks.
Director Oliver Hirschbiegel, Supervising Art Director Cornelia Ott and producers Daniel Hetzer and Jakob Neuhäusser will be in town to discuss their work on Apple TV+ sci-fi series Constellation. There will also be a focus on the role of music in TV drama in a ‘How Soundtracks Shape the Way We See’ session with music supervisor Catherine Grieves who has worked on Killing Eve and Extraordinary among other film and TV projects.
Industry events now routinely examine how artificial intelligence...
Seriencamp attracts delegates from across Europe and has become a fixture in the calendar of international TV events. A first look at the 2024 line-up reveals sessions with key producers, distributors, broadcasters and platforms, as well as specific segments on artificial intelligence and TV soundtracks.
Director Oliver Hirschbiegel, Supervising Art Director Cornelia Ott and producers Daniel Hetzer and Jakob Neuhäusser will be in town to discuss their work on Apple TV+ sci-fi series Constellation. There will also be a focus on the role of music in TV drama in a ‘How Soundtracks Shape the Way We See’ session with music supervisor Catherine Grieves who has worked on Killing Eve and Extraordinary among other film and TV projects.
Industry events now routinely examine how artificial intelligence...
- 4/24/2024
- by Stewart Clarke
- Deadline Film + TV
Exclusive: Nick Angel, Sarah Bridge, Iain Cooke and Catherine Grieves, four of the UK’s most esteemed film and TV music supervisors, have banded together to launch 45 Rpm, a music supervision collective that will be a “one-stop shop” for creatives.
The company, which is the first of its kind in the UK, will specialize in all aspects of music supervision for film and TV, from collaborating on the creative vision for a soundtrack, choosing a perfect song, helping to engage the best score composers, negotiate music rights and manage music budgets as well as on-camera music supervision.
The four professionals bring more than 50 years of experience across a range of eclectic projects: Angel is one of the most well-known music supervisors in Britain, having worked across projects ranging from the Bridget Jones trilogy to Paddington 2 and Hot Fuzz; Bridge has worked on The Crown and Oscar-nominated picture Theory of...
The company, which is the first of its kind in the UK, will specialize in all aspects of music supervision for film and TV, from collaborating on the creative vision for a soundtrack, choosing a perfect song, helping to engage the best score composers, negotiate music rights and manage music budgets as well as on-camera music supervision.
The four professionals bring more than 50 years of experience across a range of eclectic projects: Angel is one of the most well-known music supervisors in Britain, having worked across projects ranging from the Bridget Jones trilogy to Paddington 2 and Hot Fuzz; Bridge has worked on The Crown and Oscar-nominated picture Theory of...
- 9/11/2023
- by Diana Lodderhose
- Deadline Film + TV
“Relief” was the first word that came to mind when BAFTA-nominated director James Hawes realized the Apple TV+ series “Slow Horses” had become a success. “It felt like an enormous responsibility to take on these much loved books,” he admits. “And also to find a place in the spy genre where we could give it a different flavor, a different smell. That’s something that the team you have here and I talked about a lot. How do we clue in to everything there is in the British spy genre, where it’s at, and give it just that little twist.”
See Gary Oldman (‘Slow Horses’) on playing a flatulent spy and reuniting with ‘Darkest Hour’ co-star Kristin Scott Thomas
To celebrate the acclaimed series, watch our special “Making of” roundtable discussion with Hawes and four key players from “Slow Horses” — Oscar-nominated cinematographer Danny Cohen, BAFTA-nominated production designer Tom Burton,...
See Gary Oldman (‘Slow Horses’) on playing a flatulent spy and reuniting with ‘Darkest Hour’ co-star Kristin Scott Thomas
To celebrate the acclaimed series, watch our special “Making of” roundtable discussion with Hawes and four key players from “Slow Horses” — Oscar-nominated cinematographer Danny Cohen, BAFTA-nominated production designer Tom Burton,...
- 6/20/2022
- by Denton Davidson
- Gold Derby
Slow Horses composer Daniel Pemberton admits he still hasn’t entirely wrapped his head around the fact that he got to pen the song “Strange Game” alongside Mick Jagger, which the Rolling Stones frontman sang for the Apple TV+ series.
“The show is about these quite crap spies, and so I tried to create the sound world that was very wonky and disjointed for them,” Pemberton said during an onstage conversation at Deadline’s Sound & Screen event, after performing the song with Jagger who joined the festivities virtually.
That led to the idea to create an original song.
“I chatted with the director [James Hawes] and we wanted a British voice, and his favorite choice was Mick Jagger and I was ‘Yeah. Great idea…There’s no way we’ll ever get Mick Jagger. Let’s not even bother.’ ” But when music supervisor Catherine Grieves provided a connection to Jagger,...
“The show is about these quite crap spies, and so I tried to create the sound world that was very wonky and disjointed for them,” Pemberton said during an onstage conversation at Deadline’s Sound & Screen event, after performing the song with Jagger who joined the festivities virtually.
That led to the idea to create an original song.
“I chatted with the director [James Hawes] and we wanted a British voice, and his favorite choice was Mick Jagger and I was ‘Yeah. Great idea…There’s no way we’ll ever get Mick Jagger. Let’s not even bother.’ ” But when music supervisor Catherine Grieves provided a connection to Jagger,...
- 5/6/2022
- by Scott Huver
- Deadline Film + TV
This year’s Emmy nominees in the seven music categories include such familiar scoring names as Ludwig Göransson, Pinar Toprak, Nicholas Britell, Mark Isham and Trent Reznor & Atticus Ross as well as figures from the pop world like Pharrell Williams, Dawes’ Taylor Goldsmith, Ingrid Michaelson, Sheila E and the RZA.
Labrinth joined Reznor and Ross in being nominated in both song and score categories. The latter Nine Inch Nails members (and Oscar winners for “The Social Network”) are up for scoring “Watchmen” as well as contributing an original 1940s-themed song (“The Way It Used to Be”) to the HBO limited series. Labrinth’s two noms are for Showtime’s “Euphoria,” which earned him both a series dramatic score nomination and a song nod (“All for Us”).
Nathan Barr has the most nominations in the music categories, with three. He’s up against himself in the main title theme category,...
Labrinth joined Reznor and Ross in being nominated in both song and score categories. The latter Nine Inch Nails members (and Oscar winners for “The Social Network”) are up for scoring “Watchmen” as well as contributing an original 1940s-themed song (“The Way It Used to Be”) to the HBO limited series. Labrinth’s two noms are for Showtime’s “Euphoria,” which earned him both a series dramatic score nomination and a song nod (“All for Us”).
Nathan Barr has the most nominations in the music categories, with three. He’s up against himself in the main title theme category,...
- 7/28/2020
- by Chris Willman
- Variety Film + TV
The 10th annual Hollywood Music in Media Awards rewarded a diverse crop of composers, songwriters and music supervisors who contributed to film, TV and videogames over the last year, from scorers Alan Silvestri, Hildur Guðnadóttir, Marco Beltrami and Michael Abels to tunesmiths Cynthia Erivo, Bebe Rexha and the Avett Brothers to Quentin Tarantino’s longtime music sidekick, Mary Ramos.
The ceremony also included several performances, with rockers Jakob Dylan and Michelle Phillips (of the Mamas and the Papas) offering a sample of the ’60s pop that helped “Echo in the Canyon” win the award for best music documentary; composer Kris Bowers performing an excerpt from his music for Netflix’s “When They See Us,” which won him best original score for TV/limited series; veteran writer Charles Fox doing a medley that included his vintage themes for “Happy Days” and “The Love Boat”; and a rendering of Diane Warren’s...
The ceremony also included several performances, with rockers Jakob Dylan and Michelle Phillips (of the Mamas and the Papas) offering a sample of the ’60s pop that helped “Echo in the Canyon” win the award for best music documentary; composer Kris Bowers performing an excerpt from his music for Netflix’s “When They See Us,” which won him best original score for TV/limited series; veteran writer Charles Fox doing a medley that included his vintage themes for “Happy Days” and “The Love Boat”; and a rendering of Diane Warren’s...
- 11/25/2019
- by Chris Willman
- Variety Film + TV
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