Exclusive: New York-based sales company Visit Films has sold Geoff McFetridge: Drawing A Life, which debuted at SXSW, and New York Film Festival title The Practice to Gravitas Ventures for North American distribution.
Gravitas Ventures will release both films in July on all platforms.
The Practice (La Práctica) is directed by Martin Rejtman and premiered at the San Sebastian Film Festival before playing fests around the circuit, including New York Film Festival and BFI London. The film follows Gustavo, a recently separated yoga instructor, as he must deal with increasingly absurd situations and relationships to land back on his feet. Starring are Esteban Bigliardi, and Camila Hirane (Fugitives). The Practice is a co-production of Un Puma, Quijote Films, Rosa Filmes, Pandora Film Produktion, África, in association with Arte/Zdf. It was produced by Joaquim Sapinho, Victoria Marotta, Christoph Friedel,...
Gravitas Ventures will release both films in July on all platforms.
The Practice (La Práctica) is directed by Martin Rejtman and premiered at the San Sebastian Film Festival before playing fests around the circuit, including New York Film Festival and BFI London. The film follows Gustavo, a recently separated yoga instructor, as he must deal with increasingly absurd situations and relationships to land back on his feet. Starring are Esteban Bigliardi, and Camila Hirane (Fugitives). The Practice is a co-production of Un Puma, Quijote Films, Rosa Filmes, Pandora Film Produktion, África, in association with Arte/Zdf. It was produced by Joaquim Sapinho, Victoria Marotta, Christoph Friedel,...
- 4/18/2024
- by Zac Ntim
- Deadline Film + TV
Feature also screened at New York, London film festivals.
Visit Films will kick off talks at AFM in Santa Monica next week on San Sebastian absurdist comedy The Practice.
‘The Practice’: San Sebastian Review
Martín Rejtman wrote and directed the Argentina-Chile-Portugal- Germany co-production about recently separated yoga instructors Gustavo and Vanesa who find it difficult to live apart.
The film centres on a recently separated yoga instructor with a knee injury who must deal with the search for a new home, a meddling mother, and a flirtatious student.
Esteban Bigliardi, Camila Hirane (Fugitives), Manuela Oyarzún (The Good Life), and...
Visit Films will kick off talks at AFM in Santa Monica next week on San Sebastian absurdist comedy The Practice.
‘The Practice’: San Sebastian Review
Martín Rejtman wrote and directed the Argentina-Chile-Portugal- Germany co-production about recently separated yoga instructors Gustavo and Vanesa who find it difficult to live apart.
The film centres on a recently separated yoga instructor with a knee injury who must deal with the search for a new home, a meddling mother, and a flirtatious student.
Esteban Bigliardi, Camila Hirane (Fugitives), Manuela Oyarzún (The Good Life), and...
- 10/25/2023
- by Jeremy Kay
- ScreenDaily
Writer-director Martín Rejtman’s La Práctica skillfully eases us into a world where yoga is a lifestyle and not just an exercise. This is a world that promises health for the health-conscious, an improvement of one’s life through strict scheduling discipline, and freedom from earthly troubles thanks to the influence of Hinduism that can still be felt in yoga’s practice. Pity, then, that Gustavo (Esteban Bigliardi), an Argentinian yoga instructor living in Chile, is no longer grounded in his connection to that practice, as his separation from his wife, Vanesa (Manuela Oyarzún), prompts a series of life changes that a Vinyasa pose can’t fix.
Despite his dedication to exercise and a vegan diet, Gustavo’s health is threatened by a series of stretching accidents and pratfalls, forcing him to teach his yoga classes with a limp. He lives, at first, with Vanesa’s brother and the man’s wife,...
Despite his dedication to exercise and a vegan diet, Gustavo’s health is threatened by a series of stretching accidents and pratfalls, forcing him to teach his yoga classes with a limp. He lives, at first, with Vanesa’s brother and the man’s wife,...
- 9/30/2023
- by Zach Lewis
- Slant Magazine
Dark comedy stars Esteban Bigliardi from J.A. Bayona’s Spanish Oscar submission ’Society of The Snow’.
Ryan Kampe’s Visit Films has picked up worldwide sales excluding Argentina, Chile, Portugal and Germany to Argentine director Martín Rejtman’s The Practice (La Practica) ahead of its world premiere at San Sebastian (September 22-30).
The dark comedy will subsequently receive its North American premiere in the 61st New York Film Festival’s (NYFF) Main Slate on September 30.
It stars Esteban Bigliardi from J.A. Bayona’s Spanish Oscar submission and San Sebastian entry Society Of The Snow and NYFF selection The Delinquents...
Ryan Kampe’s Visit Films has picked up worldwide sales excluding Argentina, Chile, Portugal and Germany to Argentine director Martín Rejtman’s The Practice (La Practica) ahead of its world premiere at San Sebastian (September 22-30).
The dark comedy will subsequently receive its North American premiere in the 61st New York Film Festival’s (NYFF) Main Slate on September 30.
It stars Esteban Bigliardi from J.A. Bayona’s Spanish Oscar submission and San Sebastian entry Society Of The Snow and NYFF selection The Delinquents...
- 9/20/2023
- by Jeremy Kay
- ScreenDaily
The San Sebastián Film Festival has revealed the Official Selection for its latest edition, which is due to unfold from September 22 — 30.
The festival, which is celebrating its 71st edition, will screen Romanian filmmaker Cristi Puiu’s latest film Mmxx in competition. The festival describes the pic as a story that captures the “wanderings of a bunch of errant souls stuck at the crossroads of history.”
Belgian filmmaker Joachim Lafosse returns to San Sebastian this year with his tenth full-length film, A Silence, a drama starring Emmanuelle Devos and Daniel Auteuil. In 2015, he won the fest’s Silver Shell for Best Director for The White Knights, and two of his films have screened in the Perlak sidebar: After Love (2016) and The Restless (2021).
American filmmaker Raven Jackson will enter Competition with her debut film, All Dirt Roads Taste of Salt. The festival described the pic as “a lyrical exploration of the life of a woman in Mississippi.
The festival, which is celebrating its 71st edition, will screen Romanian filmmaker Cristi Puiu’s latest film Mmxx in competition. The festival describes the pic as a story that captures the “wanderings of a bunch of errant souls stuck at the crossroads of history.”
Belgian filmmaker Joachim Lafosse returns to San Sebastian this year with his tenth full-length film, A Silence, a drama starring Emmanuelle Devos and Daniel Auteuil. In 2015, he won the fest’s Silver Shell for Best Director for The White Knights, and two of his films have screened in the Perlak sidebar: After Love (2016) and The Restless (2021).
American filmmaker Raven Jackson will enter Competition with her debut film, All Dirt Roads Taste of Salt. The festival described the pic as “a lyrical exploration of the life of a woman in Mississippi.
- 7/7/2023
- by Zac Ntim
- Deadline Film + TV
“About three years ago, a 20-year-old boy was murdered in Santiago because he was gay. He was tortured for hours: his legs broken, a swastika carved on his stomach using shattered bottles, a piece of his ear torn out. By coincidence, that young boy was a fan of my work as a musician and I knew who he was because we’d spoken a couple of times. I met his family and they urged me to continue “speaking on behalf of boys like him”, not usually represented in the media or even art: in short, a gay and poor kid.”
This is what motivated Alex Anwandter, a widely acclaimed Chilean musician to make “You’ll Never Be Alone”/ “Nunca vas a estar solo”. However, he adds,
“This story, however, shifts its focus onto the father of the boy. This is my way of saying: it was not one boy, it’s many boys and girls, and women and men. And the life we should examine more carefully is not the boys’, it’s the rest of us. We who allow this to repeat over and over.”
Born in Santiago, Chile in 1983 Alex’s career as a musician started in 2005 to immediate and widespread acclaim in Chile and South America. His first four albums were released to critical and commercial recognition and subsequent touring the U.S., Europe and Latin America, becoming one of Chile's most renowned artists.
Growing up as a big cinephile, Alex Anwandter took to directing music videos for his own projects and other artists in 2005.
Named by Time Magazine as an artist “poised for U.S. stardom”, his music
and videos have been featured everywhere from Billboard to Vice Magazine and MTV, with NPR celebrating his video for “Cómo puedes vivir contigo mismo?”, an homage to “Paris is Burning”, for its courageous message of equality and non-discrimination.
In 2012 Alex Anwandter started preparing a new phase in his career.
Moved by the murder of young Daniel Zamudio, a gay boy murdered in a hate-crime in Santiago and fan of his work, Anwandter wrote his first script “You’ll Never Be Alone”. The film won both Sanfic’s and FICGuadalajara Work in Progress sections in 2015. In 2016 at its World Premiere in the Berlinale’s Panorama it won the Teddy Award’s Special Jury Prize and went on to win Ficg’s Premio Maguey, its top Lgbt Award.
In Guadalajara I caught up with the producer, Isabel Orellana Guarello of Araucaria Cine and asked her the following questions:
Sydney Levine: How did you finance “You’ll Never Be Alone”?
Isabel Orellana Guarello: We financed the shooting with private investment and sponsorship provided by the Recoleta Municipality of Santiago and the association with the film school of University of Development ( Escuela de Cine Udd) and Ortega Maniques.
After the shooting we obtained help from the Postproduction Fund supported by Council for the Arts & Culture of Chile (Cnca).There was also an important amount of investment provided by 5Am Producciones & Araucaria Cine, the companies that produced the film.
Sl: Did you participate in pre-markets, workshops, etc.?
Iog: The film participated in two competitions of work in progress, one in Sanfic October 2014, just 2 months after we wrapped the shooting, and which we won. And after that the film participated at Films in Progress at FICGuadalajara,where we won two prizes provided by Retina HD and Red Melissa.
Also the project participated at Sanfic Net and Industry Days of Locarno Film Festival both in 2014 and 2015 as part of the catalogue of projects of Araucaria Cine.
Sl: How did you choose your actors?
Iog: For the main character of Juan we directly contacted Sergio Hernandez, whom we loved from previous collaborations with Raul Ruiz and Sebastián Lelio.
It happened in the same way with other cast members such as Edgardo Bruna (the boss of Juan), Antonia Zegers (the doctor) Camila Hirane (the bank executive).
For the young cast we did an open call organized by Ivan Parra Reinoso, We searched in several acting schools and finally reached out to Andrew Bargsted (Pablo) and her real-life best friend Astrid Roldan (Mari). Both had an amazing chemistry between them.
In the open casting call we also found Jaime Leiva (Felix, Pablo's lover) and Benjamín Westfall (Martin, the leader of the Nazi gang).
All together, they created an amazing casting of which we're very proud.
Sl: How did the producers come on board, and particularly Daniel Dreifuss (my friend)?
Iog: I met Daniel Dreifuss at Sanfic Net in 2014. I pitched the project to him since I felt he could connect with this story and he definitely did. Then he finally came on board as Executive Producer of the film in 2015.
Sl: Does the film have Chilean distribution and if so what is the plan?
Iog: The film has already secured Chilean distribution and we're expecting soon to have the specific release dates. The film is gaining a lot of attention back in Chile and audiences are waiting for it after its success at the Berlinale and Guadalajara.
Does it have an international sales agent?
Iog: Yes, the international sales are handled by Wide Management, a French company. We actually met them at Films in Progress 2014!
Sl: How did you come to this project?
Iog: I came on board in February 2014, after meeting Alex through a common friend.
When I read the script - that he'd been working for 2 years already- I was profoundly moved by it. We started working right away. The shooting was in July 2014, so everything was pretty fast.
Sl: Does this depict Chile today?
Iog: Unfortunately yes. Just the same day we received the Teddy Jury Award at Berlinale, a Chilean transgender boy was shot and killed in San Bernardo, Santiago. His name was Marcelo Lepe.
These homophobic killings will continue to occur if there is not deeper reflection about our society and our actions. That's why we made “You'll Never Be Alone”.
Sl: Will this film go toward changing the situation?
Iog: We hope so. We still believe that cinema can make strong change of hearts and minds. So we're eager to show the film in Chile and also Latin America, and hopefully open some debates around the issues of homophobia and social injustice depicted in the film.
We also have a plan with the Municipality of Recoleta to show the film at high schools inside their Sexual Diversity Program, when we complete our commercial release.
It's very important to us that the film is discussed inside Chile and we're making all our best efforts for that to happen.
Sl: What are your current and next projects?
Iog: The director Alex Anwandter is currently releasing his new album "Amiga" in April. So new music videos and songs are coming up from him.
About me as producer, Araucaria Cine is currently producing a feature documentary with director Roberto Collio (“White Death”) and Rodrigo Robledo, named “Petit Frère” which will compete at Focus Chile in Visions du Reel 2016. Also I'm developing a feature doc with Maria Jesus Valenzuela, “Interna." Both projects were funded by the Council of the Arts & Culture and Corfo Chile.
This is what motivated Alex Anwandter, a widely acclaimed Chilean musician to make “You’ll Never Be Alone”/ “Nunca vas a estar solo”. However, he adds,
“This story, however, shifts its focus onto the father of the boy. This is my way of saying: it was not one boy, it’s many boys and girls, and women and men. And the life we should examine more carefully is not the boys’, it’s the rest of us. We who allow this to repeat over and over.”
Born in Santiago, Chile in 1983 Alex’s career as a musician started in 2005 to immediate and widespread acclaim in Chile and South America. His first four albums were released to critical and commercial recognition and subsequent touring the U.S., Europe and Latin America, becoming one of Chile's most renowned artists.
Growing up as a big cinephile, Alex Anwandter took to directing music videos for his own projects and other artists in 2005.
Named by Time Magazine as an artist “poised for U.S. stardom”, his music
and videos have been featured everywhere from Billboard to Vice Magazine and MTV, with NPR celebrating his video for “Cómo puedes vivir contigo mismo?”, an homage to “Paris is Burning”, for its courageous message of equality and non-discrimination.
In 2012 Alex Anwandter started preparing a new phase in his career.
Moved by the murder of young Daniel Zamudio, a gay boy murdered in a hate-crime in Santiago and fan of his work, Anwandter wrote his first script “You’ll Never Be Alone”. The film won both Sanfic’s and FICGuadalajara Work in Progress sections in 2015. In 2016 at its World Premiere in the Berlinale’s Panorama it won the Teddy Award’s Special Jury Prize and went on to win Ficg’s Premio Maguey, its top Lgbt Award.
In Guadalajara I caught up with the producer, Isabel Orellana Guarello of Araucaria Cine and asked her the following questions:
Sydney Levine: How did you finance “You’ll Never Be Alone”?
Isabel Orellana Guarello: We financed the shooting with private investment and sponsorship provided by the Recoleta Municipality of Santiago and the association with the film school of University of Development ( Escuela de Cine Udd) and Ortega Maniques.
After the shooting we obtained help from the Postproduction Fund supported by Council for the Arts & Culture of Chile (Cnca).There was also an important amount of investment provided by 5Am Producciones & Araucaria Cine, the companies that produced the film.
Sl: Did you participate in pre-markets, workshops, etc.?
Iog: The film participated in two competitions of work in progress, one in Sanfic October 2014, just 2 months after we wrapped the shooting, and which we won. And after that the film participated at Films in Progress at FICGuadalajara,where we won two prizes provided by Retina HD and Red Melissa.
Also the project participated at Sanfic Net and Industry Days of Locarno Film Festival both in 2014 and 2015 as part of the catalogue of projects of Araucaria Cine.
Sl: How did you choose your actors?
Iog: For the main character of Juan we directly contacted Sergio Hernandez, whom we loved from previous collaborations with Raul Ruiz and Sebastián Lelio.
It happened in the same way with other cast members such as Edgardo Bruna (the boss of Juan), Antonia Zegers (the doctor) Camila Hirane (the bank executive).
For the young cast we did an open call organized by Ivan Parra Reinoso, We searched in several acting schools and finally reached out to Andrew Bargsted (Pablo) and her real-life best friend Astrid Roldan (Mari). Both had an amazing chemistry between them.
In the open casting call we also found Jaime Leiva (Felix, Pablo's lover) and Benjamín Westfall (Martin, the leader of the Nazi gang).
All together, they created an amazing casting of which we're very proud.
Sl: How did the producers come on board, and particularly Daniel Dreifuss (my friend)?
Iog: I met Daniel Dreifuss at Sanfic Net in 2014. I pitched the project to him since I felt he could connect with this story and he definitely did. Then he finally came on board as Executive Producer of the film in 2015.
Sl: Does the film have Chilean distribution and if so what is the plan?
Iog: The film has already secured Chilean distribution and we're expecting soon to have the specific release dates. The film is gaining a lot of attention back in Chile and audiences are waiting for it after its success at the Berlinale and Guadalajara.
Does it have an international sales agent?
Iog: Yes, the international sales are handled by Wide Management, a French company. We actually met them at Films in Progress 2014!
Sl: How did you come to this project?
Iog: I came on board in February 2014, after meeting Alex through a common friend.
When I read the script - that he'd been working for 2 years already- I was profoundly moved by it. We started working right away. The shooting was in July 2014, so everything was pretty fast.
Sl: Does this depict Chile today?
Iog: Unfortunately yes. Just the same day we received the Teddy Jury Award at Berlinale, a Chilean transgender boy was shot and killed in San Bernardo, Santiago. His name was Marcelo Lepe.
These homophobic killings will continue to occur if there is not deeper reflection about our society and our actions. That's why we made “You'll Never Be Alone”.
Sl: Will this film go toward changing the situation?
Iog: We hope so. We still believe that cinema can make strong change of hearts and minds. So we're eager to show the film in Chile and also Latin America, and hopefully open some debates around the issues of homophobia and social injustice depicted in the film.
We also have a plan with the Municipality of Recoleta to show the film at high schools inside their Sexual Diversity Program, when we complete our commercial release.
It's very important to us that the film is discussed inside Chile and we're making all our best efforts for that to happen.
Sl: What are your current and next projects?
Iog: The director Alex Anwandter is currently releasing his new album "Amiga" in April. So new music videos and songs are coming up from him.
About me as producer, Araucaria Cine is currently producing a feature documentary with director Roberto Collio (“White Death”) and Rodrigo Robledo, named “Petit Frère” which will compete at Focus Chile in Visions du Reel 2016. Also I'm developing a feature doc with Maria Jesus Valenzuela, “Interna." Both projects were funded by the Council of the Arts & Culture and Corfo Chile.
- 4/7/2016
- by Sydney Levine
- Sydney's Buzz
A Lonely Way to Die: Anwandter Explores the Elements of a Hate Crime
The 2012 murder of openly gay Chilean Daniel Zamudio provides the basis for Alex Antwandter’s elegiac directorial debut, You’ll Never Be Alone. Recalling a legion of cinematic examinations concerned with the aftershocks of homophobic violence, similarities to the Matthew Shepard tragedy (turned into 2002 film The Laramie Project) or the skinheads responsible for the savage murder of Frenchman Francois Chenu (examined in the 2005 documentary Beyond Hatred) are irrefutable. Rather than focus on the motives of the malefactors or the societal prized machismo and misogyny which continues to allow these cycles of hatred to flourish in each new generation, the film’s focus is the creeping devastation to those directly and irreparably affected by such despicable barbarism. Sans answers or resolution, it’s merely an unassuming tale of loss, frustration, and combatting helplessness.
Eighteen year old Pablo (Andrew...
The 2012 murder of openly gay Chilean Daniel Zamudio provides the basis for Alex Antwandter’s elegiac directorial debut, You’ll Never Be Alone. Recalling a legion of cinematic examinations concerned with the aftershocks of homophobic violence, similarities to the Matthew Shepard tragedy (turned into 2002 film The Laramie Project) or the skinheads responsible for the savage murder of Frenchman Francois Chenu (examined in the 2005 documentary Beyond Hatred) are irrefutable. Rather than focus on the motives of the malefactors or the societal prized machismo and misogyny which continues to allow these cycles of hatred to flourish in each new generation, the film’s focus is the creeping devastation to those directly and irreparably affected by such despicable barbarism. Sans answers or resolution, it’s merely an unassuming tale of loss, frustration, and combatting helplessness.
Eighteen year old Pablo (Andrew...
- 2/16/2016
- by Nicholas Bell
- IONCINEMA.com
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