Happy (almost) May Day, readers! A new month brings us new home media releases, and we have another great batch of titles to look forward to this week. For all you movie monster fans out there, Tremors: A Cold Day in Hell hits both Blu-ray and DVD, and Universal has assembled Tremors: The Complete Collection on DVD as well. Cult film fans are going to want to pick up the new HD releases of Blood Hook and Terror, and for those of you who missed it in theaters earlier this year, Winchester comes home to haunt your shelves this Tuesday.
Other releases for May 1st include Desolation, Stephanie, Caught, Followers, The Ballerina, Trailer Park Shark, The Unwilling, and Kaleidoscope.
Blood Hook
7 years ago, Peter's grandfather went missing under mysterious circumstances. Now, Peter and his friends have returned to the placid Wisconsin town to check out his inherited lake house and...
Other releases for May 1st include Desolation, Stephanie, Caught, Followers, The Ballerina, Trailer Park Shark, The Unwilling, and Kaleidoscope.
Blood Hook
7 years ago, Peter's grandfather went missing under mysterious circumstances. Now, Peter and his friends have returned to the placid Wisconsin town to check out his inherited lake house and...
- 5/1/2018
- by Heather Wixson
- DailyDead
This May, Scream Factory is set to release two IFC Midnight films on Blu-ray and DVD. Up first is Kaleidoscope, starring Toby Jones as a man who has made great strides to free himself of his past until it comes back to haunt him. Then there is Desolation (read Heather Wixson's review here), which follows a widow, her son, and best friend into the woods... and usually nothing good happens in the woods in a horror movie.
From Scream Factory: "We are pleased to announce that we have two new IFC Midnight films planned for release on Blu-ray & DVD this May!
Kaleidoscope – This intense, twisty thriller unfolds in the darkest corners of a man's mind. Recently released from prison, mild-mannered Carl (Toby Jones, Captain America: The Winter Soldier) quietly attempts to move on with his life. Just as he embarks on his first date in 15 years, Carl's fresh start...
From Scream Factory: "We are pleased to announce that we have two new IFC Midnight films planned for release on Blu-ray & DVD this May!
Kaleidoscope – This intense, twisty thriller unfolds in the darkest corners of a man's mind. Recently released from prison, mild-mannered Carl (Toby Jones, Captain America: The Winter Soldier) quietly attempts to move on with his life. Just as he embarks on his first date in 15 years, Carl's fresh start...
- 2/13/2018
- by Tamika Jones
- DailyDead
It’s not only Friday, Dreadheads! It’s also time for an exclusive clip from IFC Midnight’s release of Sam Patton’s Desolation! Look for the flick in select theaters, VOD, and Digital platforms beginning Today! Jaimi Paige, Alyshia Ochse, Claude Duhamel, and Toby Nichols star. Synopsis: After the death of her husband, Abby (Jaimi Page); her son, Sam (Toby […]
The post Exclusive Desolation Clip Let Out of Isolation appeared first on Dread Central.
The post Exclusive Desolation Clip Let Out of Isolation appeared first on Dread Central.
- 12/15/2017
- by Steve Barton
- DreadCentral.com
Horror films are often rightly criticized for their lack of character development and overreliance on cheap jump scares. Sam Patton's debut feature Desolation avoids such potential stumbling blocks with nuanced characterizations, well-crafted dialogue and a slow-burn, non-exploitative approach. Unfortunately, this tale about three people being stalked by a menacing psycho in the wilderness lacks one essential component — suspense. Its running time is a mere 78 minutes, but the pic feels like it takes much longer getting to nowhere particularly interesting.
The story concerns Abby (Jaimi Paige), her best friend Jen (Alyshia Oschse) and Abby's 13-year-old son Sam (Toby...
The story concerns Abby (Jaimi Paige), her best friend Jen (Alyshia Oschse) and Abby's 13-year-old son Sam (Toby...
- 12/14/2017
- by Frank Scheck
- The Hollywood Reporter - Movie News
A camping trip takes a turn into unsettling territory in the new film Desolation, which comes out this week and is teased in a new batch of images in today's Horror Highlights. We also have a December contest from our friends at Comet TV, the trailer for the new horror film The Bone Box, and details on the star-studded cast of Surge of Power: The Stuff of Heroes.
New Stills from Desolation: IFC Midnight will release Desolation in select theaters and on VOD and digital platforms on December 15th, including special Q&A screenings:
"New York City
Special Advance Screening on Thursday, December 14, at 9pm at the IFC Center with Q&A with editor Alexander Frasse, producer Kim Patton, associate producer Ned Donovan, and composer Marcus Bagala. Tickets available here: http://www.ifccenter.com/films/desolation/
L.A.
Opening Night Q&A on Friday, December 15 (9:05pm show), with director Sam Patton,...
New Stills from Desolation: IFC Midnight will release Desolation in select theaters and on VOD and digital platforms on December 15th, including special Q&A screenings:
"New York City
Special Advance Screening on Thursday, December 14, at 9pm at the IFC Center with Q&A with editor Alexander Frasse, producer Kim Patton, associate producer Ned Donovan, and composer Marcus Bagala. Tickets available here: http://www.ifccenter.com/films/desolation/
L.A.
Opening Night Q&A on Friday, December 15 (9:05pm show), with director Sam Patton,...
- 12/14/2017
- by Derek Anderson
- DailyDead
On tap for you cats right now we have a new round of images from IFC Midnight’s release of Sam Patton’s Desolation, which is coming to select theaters, VOD, and Digital platforms in the U.S. on December 15, 2017. Dig it! Jaimi Paige, Alyshia Ochse, Claude Duhamel, and Toby Nichols star. Synopsis: After the death of her […]
The post New Stills Pulled From Desolation appeared first on Dread Central.
The post New Stills Pulled From Desolation appeared first on Dread Central.
- 12/13/2017
- by Steve Barton
- DreadCentral.com
"Dad said you should never go off trail." IFC Midnight has unveiled an official trailer for a horror thriller titled Desolation, the feature directorial debut of filmmaker Sam Patton. This first premiered at the Los Angeles Film Festival, but hasn't played at too many other festivals. In Desolation, a young mother, her best friend and son venture into the wilderness for a camping trip only to find themselves the hunted prey in a deranged killer’s terrifying game. The cast includes Jaimi Paige, Alyshia Ochse, Claude Duhamel, and Toby Nichols. This looks like an interesting horror thriller, but I'm pretty sure I've already figured out the twist. Though I guess I don't really know. The sunglasses dude doesn't seem that creepy, but that's just me. Here's the first official trailer (+ poster) for Sam Patton's Desolation, direct from IFC's YouTube: A young mother (Jaimi Paige) takes her son and her...
- 11/14/2017
- by Alex Billington
- firstshowing.net
On tap for you cats right now we have the official trailer and poster for IFC Midnight’s release of Sam Patton’s Desolation which is coming to select theaters, VOD, and via digital platforms in the U.S. on December 15, 2017. Dig it! Jaimi Paige, Alyshia Ochse, Claude Duhamel, and Toby Nichols star. Synopsis: After the death […]
The post Desolation Trailer Goes Off Trail appeared first on Dread Central.
The post Desolation Trailer Goes Off Trail appeared first on Dread Central.
- 11/13/2017
- by Steve Barton
- DreadCentral.com
Following their exciting first wave of announcements, the Telluride Horror Show has revealed its second slate of films, and they are definitely a worthy follow-up to the first wave, with the anticipated titles including Mickey Keating's Psychopaths, Tyler MacIntyre's Tragedy Girls, and many more:
Press Release: The highly anticipated second wave of films and guests, as well as special events and schedule, has been announced for the 2017 Telluride Horror Show, which will kick off on Friday the 13th of October and run through October 15th in picturesque Telluride, Colorado.
The second wave includes the World Premieres of Derelicts and Never Hike Alone (a fan tribute to Friday The 13th), as well as the U.S. Premiere of Borley Rectory and Colorado Premieres of Tragedy Girls, Desolation, Cold Hell, and Psychopaths. Fourteen additional short films have been included.
More guests have been confirmed, including directors Greg McLean (Jungle), Patrick Brice...
Press Release: The highly anticipated second wave of films and guests, as well as special events and schedule, has been announced for the 2017 Telluride Horror Show, which will kick off on Friday the 13th of October and run through October 15th in picturesque Telluride, Colorado.
The second wave includes the World Premieres of Derelicts and Never Hike Alone (a fan tribute to Friday The 13th), as well as the U.S. Premiere of Borley Rectory and Colorado Premieres of Tragedy Girls, Desolation, Cold Hell, and Psychopaths. Fourteen additional short films have been included.
More guests have been confirmed, including directors Greg McLean (Jungle), Patrick Brice...
- 9/29/2017
- by Derek Anderson
- DailyDead
Back in June, the 2017 Los Angeles Film Festival took over Southern California, hosting screenings at numerous locations and featuring numerous genre films that horror and sci-fi fans should definitely keep on their radars in the coming months. Here are my thoughts on three of the movies that I had the opportunity to watch at the festival:
Replace: As far genre feature film debuts go, co-writer/director Norbert Keil has a lot to be proud of with Replace, a stunning and beautifully executed cinematic mystery that’s part body horror/part psychological thriller. Something of a hallucinatory fever dream at times, Keil has crafted an intriguing and chilling portrait of just how far some folks are willing to go in the name of vanity, and the whole affair is anchored by a trio of powerhouse performances by Rebecca Forsythe, Barbara Crampton, and Lucie Aron.
In Replace, we’re introduced to...
Replace: As far genre feature film debuts go, co-writer/director Norbert Keil has a lot to be proud of with Replace, a stunning and beautifully executed cinematic mystery that’s part body horror/part psychological thriller. Something of a hallucinatory fever dream at times, Keil has crafted an intriguing and chilling portrait of just how far some folks are willing to go in the name of vanity, and the whole affair is anchored by a trio of powerhouse performances by Rebecca Forsythe, Barbara Crampton, and Lucie Aron.
In Replace, we’re introduced to...
- 8/16/2017
- by Heather Wixson
- DailyDead
A mysterious man with reflective glasses stalks a trio of isolated campers in Desolation, the feature directorial debut of filmmaker Sam Patton. When Abby (Jaimi Paige) loses her husband to sickness, she takes her 13-year-old son Sam (Toby Nichols) and her best friend Jenn (Alyshia Ochse) on a multi-day hiking trip to spread her husband’s […]
The post ‘Desolation’ Review: There’s a New Killer in the Woods [Laff] appeared first on /Film.
The post ‘Desolation’ Review: There’s a New Killer in the Woods [Laff] appeared first on /Film.
- 6/22/2017
- by Ben Pearson
- Slash Film
Premiering tonight as part of the 2017 Los Angeles Film Festival is Sam Patton’s Desolation, which follows a grieving mom named Abby (Jaimi Paige), her teenage son, Sam (Toby Nichols), and their friend Jen (Alyshia Ochse), who head out to the woods in an effort to honor Abby’s deceased husband’s wishes and spread his ashes, only to come across a mysterious loner who begins following their every move. The trio must find a way to elude their woodland stalker before he can make them his next victims in a deadly game of cat and mouse.
Daily Dead recently had the chance to speak with Patton about his first time at the helm of a feature film, and he discussed how his time working at Blumhouse helped prepare him to take the directorial reins on Desolation, working with his cast, and more.
Great to speak with you, Sam. I noticed on your résumé on IMDb that you've been working in different facets of the film industry for a while, and I noticed specifically that a lot of those happen to be with Blumhouse Productions. Because I know Jason Blum and their mantra in terms of making films on a smaller scale, do you feel like being in that environment and being involved with projects on that level helped prepare you for when it was time for you to go out and make your first feature?
Sam Patton: Oh, one hundred percent. A thousand percent, even. I got my start in Hollywood as an intern at Blumhouse, and within a few months was getting paid to work on their movies and I love all the folks over there. I've got a couple of mentors in that organization and it was just a great crash course. I started working with them when they were still in little offices on the Paramount lot, right after Insidious, which was really their first home-grown movie, because Paranormal Activity was an acquisition.
So, I watched them go from being a little company to a really big company making tons and tons of films, and I got to be part of a lot of them. So, it was a crash course in learning how to make a movie for a small amount of money in a contained environment with a small cast, and still tell great stories that deserve an audience. I could talk for an hour just about all the lessons I learned there.
And it was actually after a few years there when the opportunity came to make this movie, and I wanted to go for it. I don't think I would have been nearly as confident that it could be done for so little, for a modest budget, if I hadn't been coming straight from doing so many movies there.
Was there something in particular about this script, because I know this was co-written by Matt Anderson and Michael Larson-Kangas, that made you go, "Yes, this is absolutely the project I want to be out there making for my debut,"?
Sam Patton: Well, it was two things. It was the characters, which I fell in love with. The son is named Sam, which was the case when I read the first draft of the script, but it's made for plenty of jokes about what a traumatic childhood I must have had, and how this movie is autobiographical.
I was going to ask [laughs].
Sam Patton: No, no, that was in the first draft I read [laughs]. But it was the characters that jumped off the page immediately to me. I felt for them. I felt for their situations. The closest comparison to their situation in my life that I have experience with was when my grandmother passed away when I was nine. She was only 60, which is young, right? And all of her children and my grandfather all had really strong relationships with her and not that they had bad relationships with each other, but they all related through her. And so when she was gone, they had to sort of figure it out. She was the one that brought them all together for family things.
And so now, Abby and Sam, it's not that they don't love each other, they just don't get each other at all. But now they're all they have, and so they need to come together. And that character struggle was what drew me in. When I went looking for a contained environment horror film to make, the producer in me was looking for something small and doable on a small budget, but this was one of the first scripts I read. I fell in love with it, but I thought, "No, you can't make the first script you read." And I read more scripts, but came back to this one because it was so great.
And then the second part of it that made this script so important to me, it has this mirror element where it’s not quite an allegory—it's not like Metamorphosis with Kafka, where it's straight allegory—but there are parallels in the external story to the internal story, and I just thought that was really good storytelling and I wanted to bring it to the screen. And I thought we could do it.
For me, though, I have to find a point when it has to be made. It has to be now that we make a movie, and then we do it. So, that personal urgency is something I always try to find in every project, or else, how are you going to put two, three years into a movie, if you're not passionate every day about it?
Because you were working with basically four actors in this movie, was it conscientious on your part that you were trying to really keep this intimate and contained in terms of both the story and these characters?
Sam Patton: Definitely. There was at least one draft that had flashbacks to Michael in the hospital and we definitely discussed other scenes where there were park rangers finding a dead body, too, and an action opener. There were a lot of things discussed and I kept coming back to this idea that the movie should start and end in the woods, and it should be about these four people, and we should believe in the world they talk about, but you don't have to see it. Because to me, that's almost more real.
One example I give to people when I try and explain the right way to do it is, in the first Star Wars film, they blow up Alderaan. They blow an entire planet out of the sky. And we don't see anybody on Alderaan, but we see an old Jedi clutch his heart and sit down, and then we know something really terrible happened. You don't need to see the Marvel-level movie destruction of Alderaan to get it. You need to see a quiet moment, you know what I mean? So, yes, to answer your question, definitely for me it was important to keep it small and intimate.
And also—this is something I definitely discussed a lot with my cinematographer—we tried to challenge ourselves to do everything with less. If we thought a scene needed four setups, could we do it with two? Could we do it with one? Could we do a scene with one setup? If so, we're doing it with one setup, so how do we keep it interesting? And so that was sort of a challenge all the way through. It's like, "We don't need that. What's the fewest number of characters we need? What's the fewest number of locations?"
So, I like to think of working in a box as a really creatively liberating thing. Limitations, I like them a lot, because it gives you somewhere to start, it gives you a frame of reference. Some people don't always embrace that as a creative tool, and I think people should when they're making movies, small movies especially, that don't have the benefit of big budgets or stars to carry them.
The post Laff 2017 Interview: Desolation Director Sam Patton on Crafting an Intimate Survival Thriller appeared first on Daily Dead.
Daily Dead recently had the chance to speak with Patton about his first time at the helm of a feature film, and he discussed how his time working at Blumhouse helped prepare him to take the directorial reins on Desolation, working with his cast, and more.
Great to speak with you, Sam. I noticed on your résumé on IMDb that you've been working in different facets of the film industry for a while, and I noticed specifically that a lot of those happen to be with Blumhouse Productions. Because I know Jason Blum and their mantra in terms of making films on a smaller scale, do you feel like being in that environment and being involved with projects on that level helped prepare you for when it was time for you to go out and make your first feature?
Sam Patton: Oh, one hundred percent. A thousand percent, even. I got my start in Hollywood as an intern at Blumhouse, and within a few months was getting paid to work on their movies and I love all the folks over there. I've got a couple of mentors in that organization and it was just a great crash course. I started working with them when they were still in little offices on the Paramount lot, right after Insidious, which was really their first home-grown movie, because Paranormal Activity was an acquisition.
So, I watched them go from being a little company to a really big company making tons and tons of films, and I got to be part of a lot of them. So, it was a crash course in learning how to make a movie for a small amount of money in a contained environment with a small cast, and still tell great stories that deserve an audience. I could talk for an hour just about all the lessons I learned there.
And it was actually after a few years there when the opportunity came to make this movie, and I wanted to go for it. I don't think I would have been nearly as confident that it could be done for so little, for a modest budget, if I hadn't been coming straight from doing so many movies there.
Was there something in particular about this script, because I know this was co-written by Matt Anderson and Michael Larson-Kangas, that made you go, "Yes, this is absolutely the project I want to be out there making for my debut,"?
Sam Patton: Well, it was two things. It was the characters, which I fell in love with. The son is named Sam, which was the case when I read the first draft of the script, but it's made for plenty of jokes about what a traumatic childhood I must have had, and how this movie is autobiographical.
I was going to ask [laughs].
Sam Patton: No, no, that was in the first draft I read [laughs]. But it was the characters that jumped off the page immediately to me. I felt for them. I felt for their situations. The closest comparison to their situation in my life that I have experience with was when my grandmother passed away when I was nine. She was only 60, which is young, right? And all of her children and my grandfather all had really strong relationships with her and not that they had bad relationships with each other, but they all related through her. And so when she was gone, they had to sort of figure it out. She was the one that brought them all together for family things.
And so now, Abby and Sam, it's not that they don't love each other, they just don't get each other at all. But now they're all they have, and so they need to come together. And that character struggle was what drew me in. When I went looking for a contained environment horror film to make, the producer in me was looking for something small and doable on a small budget, but this was one of the first scripts I read. I fell in love with it, but I thought, "No, you can't make the first script you read." And I read more scripts, but came back to this one because it was so great.
And then the second part of it that made this script so important to me, it has this mirror element where it’s not quite an allegory—it's not like Metamorphosis with Kafka, where it's straight allegory—but there are parallels in the external story to the internal story, and I just thought that was really good storytelling and I wanted to bring it to the screen. And I thought we could do it.
For me, though, I have to find a point when it has to be made. It has to be now that we make a movie, and then we do it. So, that personal urgency is something I always try to find in every project, or else, how are you going to put two, three years into a movie, if you're not passionate every day about it?
Because you were working with basically four actors in this movie, was it conscientious on your part that you were trying to really keep this intimate and contained in terms of both the story and these characters?
Sam Patton: Definitely. There was at least one draft that had flashbacks to Michael in the hospital and we definitely discussed other scenes where there were park rangers finding a dead body, too, and an action opener. There were a lot of things discussed and I kept coming back to this idea that the movie should start and end in the woods, and it should be about these four people, and we should believe in the world they talk about, but you don't have to see it. Because to me, that's almost more real.
One example I give to people when I try and explain the right way to do it is, in the first Star Wars film, they blow up Alderaan. They blow an entire planet out of the sky. And we don't see anybody on Alderaan, but we see an old Jedi clutch his heart and sit down, and then we know something really terrible happened. You don't need to see the Marvel-level movie destruction of Alderaan to get it. You need to see a quiet moment, you know what I mean? So, yes, to answer your question, definitely for me it was important to keep it small and intimate.
And also—this is something I definitely discussed a lot with my cinematographer—we tried to challenge ourselves to do everything with less. If we thought a scene needed four setups, could we do it with two? Could we do it with one? Could we do a scene with one setup? If so, we're doing it with one setup, so how do we keep it interesting? And so that was sort of a challenge all the way through. It's like, "We don't need that. What's the fewest number of characters we need? What's the fewest number of locations?"
So, I like to think of working in a box as a really creatively liberating thing. Limitations, I like them a lot, because it gives you somewhere to start, it gives you a frame of reference. Some people don't always embrace that as a creative tool, and I think people should when they're making movies, small movies especially, that don't have the benefit of big budgets or stars to carry them.
The post Laff 2017 Interview: Desolation Director Sam Patton on Crafting an Intimate Survival Thriller appeared first on Daily Dead.
- 6/21/2017
- by Heather Wixson
- DailyDead
Exclusive: Sam Patton’s thriller Desolation is gearing for its world premiere in the Nightfall section of the Los Angeles Film Festival which kicks off tomorrow. Written by Matt Anderson and Michael Larson-Kangas, the film revolves around a a young mother, her son, and her best friend who venture into the remote wilderness to scatter her late husband’s ashes. On their trek home, they begin to realize that a lone hiker has been following them. A series of disturbing…...
- 6/13/2017
- Deadline
Director Sam Patton has crafted a tense, emotionally charged psychological thriller about a grieving family’s worst nightmare in the woods In Desolation, on a trip into remote wilderness to scatter her late husband’s ashes, a mother, her son, and her best friend must confront their deepest fears when a lone hiker begins following them. The film will …
The post Horror/Thriller Desolation to World Premiere at La Film Festival first appeared on Hnn | Horrornews.net 2017 - Official Horror News Site...
The post Horror/Thriller Desolation to World Premiere at La Film Festival first appeared on Hnn | Horrornews.net 2017 - Official Horror News Site...
- 5/30/2017
- by Horrornews.net
- Horror News
Midnighters is an upcoming thriller. From a trio of brothers, the film is slated for a World Premiere, at the La Film Festival. In the film, a couple hit a man, on a darkened night. They bring him back to their house, where they realize he is not dead. Midnighters centrally stars: Alex Essoe (Starry Eyes, 2014) and Dylan McTee. Recently, several stills have been released for the film, now that it is complete. A preview of the film's upcoming theatrical launch is hosted here. The official synopsis also talks more about the man, in the road. He is armed and he was on his way to the couple's home. But, what are his intentions? The La Film Festival will show dozens and dozens of films. Midnighters is part of the festival's "Nightfall" collection. Along with Sam Patton's Desolation and director Colin Minihan's It Stains the Sands Reds, Midnighters will show,...
- 5/17/2017
- by noreply@blogger.com (Michael Allen)
- 28 Days Later Analysis
This year’s Los Angeles Film Festival, better known as Laff if you’re fun, has unveiled its full slate of 2017 offerings, including new offerings from Vincent Grashaw, Leena Pendharkar, Hong Sangsoo, Lea Thompson and many more. The slate includes 48 feature films, 51 short films, 15 high school short films and 10 short episodic works representing 32 countries. The festival’s five competitions feature 37 World Premieres, 2 International Premieres and 9 North American Premieres. Across the competition categories, 42% of the films are directed by women and 40% are directed by people of color.
“Our competitions reflect who Film Independent is as an organization,” said La Film Festival Director Jennifer Cochis. “Within each section you’ll find discovery, diversity, and promising talent both in front of and behind the camera.” Programming Director Roya Rastegar added, “The films curated for the 2017 competition reflect the changing political climate’s impact on emerging independent filmmakers, who are compelled to tell stories about the power of conviction,...
“Our competitions reflect who Film Independent is as an organization,” said La Film Festival Director Jennifer Cochis. “Within each section you’ll find discovery, diversity, and promising talent both in front of and behind the camera.” Programming Director Roya Rastegar added, “The films curated for the 2017 competition reflect the changing political climate’s impact on emerging independent filmmakers, who are compelled to tell stories about the power of conviction,...
- 5/9/2017
- by Kate Erbland
- Indiewire
The days are getting longer and the nights are getting warmer, which means that we're edging ever closer to this year's La Film Festival. Taking place June 14th–22nd, the La Film Festival's 2017 competition lineup has been unveiled, and of particular interest for genre fans is the Nightfall section, which includes Colin Minihan's It Stains the Sands Red, Julius Ramsay's Midnighters, and Amanda Evans' Serpent.
Press Release: Los Angeles (May 9, 2017)— Today the La Film Festival, produced by Film Independent, the nonprofit arts organization that also produces the Film Independent Spirit Awards, unveiled the official U.S. Fiction, Documentary, World Fiction, La Muse and Nightfall sections. The 2017 La Film Festival will screen a diverse slate of feature films, shorts and episodic series, along with programs such as Coffee Talks and Future Filmmakers Showcase. The La Film Festival takes place June 14 – June 22, 2017 headquartered at ArcLight Cinemas Culver City, with additional screenings at ArcLight Hollywood,...
Press Release: Los Angeles (May 9, 2017)— Today the La Film Festival, produced by Film Independent, the nonprofit arts organization that also produces the Film Independent Spirit Awards, unveiled the official U.S. Fiction, Documentary, World Fiction, La Muse and Nightfall sections. The 2017 La Film Festival will screen a diverse slate of feature films, shorts and episodic series, along with programs such as Coffee Talks and Future Filmmakers Showcase. The La Film Festival takes place June 14 – June 22, 2017 headquartered at ArcLight Cinemas Culver City, with additional screenings at ArcLight Hollywood,...
- 5/9/2017
- by Derek Anderson
- DailyDead
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