One of my most memorable experiences of last year's festival circuit was seeing Daniel Robinson's outstanding debut feature Nestor (review.
The one man production made entirely by Robinson is described as:
A man wakes to find himself alone in a remote, abandoned village. With only vague memories of his surroundings, the man relies on his instincts and creativity to discover his purpose and survive the crippling isolation.
That's pretty much the plot but there's so much information crammed into Robinson's 62 minute feature that this vague description is good as any other. The movie's real power is in the theme which is just as [Continued ...]...
The one man production made entirely by Robinson is described as:
A man wakes to find himself alone in a remote, abandoned village. With only vague memories of his surroundings, the man relies on his instincts and creativity to discover his purpose and survive the crippling isolation.
That's pretty much the plot but there's so much information crammed into Robinson's 62 minute feature that this vague description is good as any other. The movie's real power is in the theme which is just as [Continued ...]...
- 7/12/2016
- QuietEarth.us
I sometimes wonder if people really understand what a movie is about on a first watch. Sure, sometimes there's nothing to get but other times, times when you watch a movie like Nestor, I'm not convinced anyone can really make sense of it from one viewing. There's simply too much going on. Or maybe not enough. This one is definitely a brain teaser.
Nestor is Daniel Robinson's debut feature. Typically when you say that, or in this case type that, there's a team of people who helped make the movie but in this case, there isn't. Nestor is written, directed, edited, produced and stars Robinson in the movie's single role and before you start thinking that this means the movie compromises on some aspect, you'll be happy to know that it does not. I find super low budget m [Continued ...]...
Nestor is Daniel Robinson's debut feature. Typically when you say that, or in this case type that, there's a team of people who helped make the movie but in this case, there isn't. Nestor is written, directed, edited, produced and stars Robinson in the movie's single role and before you start thinking that this means the movie compromises on some aspect, you'll be happy to know that it does not. I find super low budget m [Continued ...]...
- 12/7/2015
- QuietEarth.us
The 15th anniversary of what's considered ‘Canada's coolest film festival' is rapidly approaching. The 2015 Whistler Film Festival (Wff) will take place December 2 to 6 with new films, special guests, industry connections, great events and time to enjoy on of North America’s premiere mountain resort destinations. Wff has announced its first 18 confirmed films, plus industry and event programming highlights.
The Whistler Film Festival combines an international film competition with a focused industry Summit dedicated to the art and business of filmmaking in the digital age. Featuring over 80 innovative and original films from around the world and opportunities to connect with the people who made them, this year’s fest will be filled with a solid lineup of premieres, honored guests, lively celebrations, and unique industry initiatives.
Wff’s Director of Programming and industry veteran Paul Gratton had this to say about the 2015 lineup confirmed to date: “The Whistler Film Festival continues to be a must-attend event for hip, young, film buffs and emerging filmmakers, and we are pleased to carve out our own unique niche by offering an impressive selection of Canadian premieres. This year's titles cast a wide net in terms of subject matter, and our Summit will complement our film programming by addressing key challenges and opportunities facing the industry this year. WFF15 has something for everyone. "While our final line-up of titles is far from complete, early programming trends suggest a very strong year for female directors and innovative new voices from young directors hoping to find new ways of telling stories and connecting with audiences.”
A great example of innovation will be the World Premiere screening of Daniel Robinson's "Nestor," the first narrative feature ever made by one person, who wrote, produced, directed, edited and stars in this compelling tale of outdoor survival.
Another example of seeking out new narrative approaches, and leading this year's women directors present at Whistler, is Diy queen Ingrid Veninger’s latest "He Hated Pigeons" about a young man pushed to the border of sanity as he steps into manhood. Shot in South America, the film is designed to support a spontaneous live score to be performed during the screening. In other words, each screening will evoke different responses depending on the approach taken by the live musicians accompanying the showing. Other female directed highlights coming to Whistler include the World Premiere of Vancouver filmmaker Melanie Jones' "Fsm," a contemporary study of a female DJ trying to find love in a world of technological innovation and all-night raves.
Continuing its love of quirky musicals, Wff will present the Western Canadian premiere of Jude Klassen’s debut feature film "Love in the Sixth," an unromantic musical comedy of “enviromantic” angst. Another Canadian Premiere is Valerie Weiss' "A Lights Beneath Their Feet," a superb study of the mutually dependent relationship between a young student hoping to leave home for college and her bipolar mother who can't cope with the thought of letting her go. Taryn Manning, Maddie Hasson and Madison Davenport lead the cast. Another moving look at mother/daughter relationships can be found in the World Premiere of Siobhan Devine’s "The Birdwatcher," a family drama about a mother and daughter reconnecting starring WFF14 Rising Star Camille Sullivan and Gabrielle Rose.
Jeremy Lalonde's "How to Plan an Orgy in a Small Town," featuring Lauren Holly and Katharine Isabelle; and Sergio Navarretta's "The Colossal Failure of the Modern Relationship," set during a mouth-watering winetasting tour of the Niagara region; focus on the challenge of maintaining interpersonal relationships. Darker still is the Canadian Premiere of Josh Hope's "The Life and Death of an Unhappily Married Man," in which a disillusioned young man decides to visit his past to see where it all went wrong. Brian Stockton's "The Sabbatical" is a comedic look at a photography professor's mid-life crisis and a young artist who rekindles the lost spirit of his youth, and Matthew Yim's "Basic Human Needs" follows a young couple whose plans to get out of Regina are thwarted by a missing prophylactic.
BC's own Fred Ewanuick stars as a man who can see two minutes into the future in Vancouver filmmaker O. Corbin Saleken's first feature "Patterson's Wager."
BC based genre specialist Jeffery Lando will be gracing the late night screens with the Western Canadian Premiere of his latest horror work "Suspension." John Ainslie will be unveiling the World premiere of his tense psychological thriller "The Sublet," about a new mother unraveling psychologically after and she and her fiance move into a sublet apartment, featuring Vancouver actress Tianna Nori in the lead.
On the documentary front, Wff will be presenting the North American premiere of Jan Foukal's "Amerika," a lyrical look at a unique Eastern European phenomenon known as 'tramping', as Vancouver-based Barbara Adler takes us on a mission into the mountains and the forests of the Czech Republic where she encounters social dropouts who choose to live what they consider to be a North American back-to-the-wilderness lifestyle. "Last Harvest," from director Jane Hui Wang, is a Canadian documentary feature that looks at an elderly Chinese couple forced to relocate by the government to make way for a mammoth water diversion project. Also, on the international front, Whistler is proud to present the Canadian Premiere of "Blood Cells" by Joseph Bull and Luke Seomore about a lost man wandering through the British countryside, which premiered at the Venice Film Festival.
As always, Whistler is pleased to feature the best of Quebec cinema, and this year the festival has two titles already lined up. Bernard Emond's "Diary of an Old Man" is a deeply moving adaptation of an Anton Chekov story about an old man fighting feelings of bitterness despite his privileged life as an academic, starring Paul Savoie in a Canada Screen Awards worthy performance. Finally, a haunting look at childhood innocence, at risk from the evils of an outside world is Philippe Lesage's "The Demons" starring Pascale Bussières and Laurent Lucas, about a tight-knit small-town community beset by a child serial killer.
Celebrating its 12th edition in 2015, Wff’s coveted Borsos Award for Best Canadian Feature honors independent vision, original directorial style and the diversity of talent found in Canadian independent film. New for 2015, all Canadian feature films in the festival with Western Canadian premiere status will be included in the Borsos Competition and there is no longer a six film restriction to the number that can compete. An international jury of three will decide on four awards including a $15,000 Cdn prize.
Wff’s slate of special events confirmed to date include the Opening and Closing Galas, Signature Series including the Pandora Tribute and Variety 10 Screenwriters to Watch In Conversation, ShortWork Showdown, Awards Brunch and a grand15th Anniversary Celebration, with more to come.
New for 2015, Wff introduces the L’Oreal Mens Expert Bobsleigh Race on December 3 at the Whistler Sliding Centre, one of the fastest tracks in the world, where celebrities, filmmakers, VIP guests and corporate teams will experience the thrill of a lifetime reaching speeds up to 125 km per hour. And the adrenaline continues to flow with Wff’s annual Columbia Celebrity Challenge on December 5, with corporate teams and festival guests joining the stars of the screen and the stars of the slopes in a fun, guess your time, dual slalom race on Whistler Mountain. Proceeds from these fun-raising” events will support Wff’s annual programs for Canadian artists, including the industry initiatives, labs and festival.
Film meets music at Wff’s Music Café, which has expanded to two days to include an evening showcase on December 4, and daytime showcase and dedicated industry panel on December 5, with the possibility of additional performances during the festival. Up to 10 export-ready British Columbia songwriters and artists from across the musical spectrum will be selected to each play a live 20-minute set and meet with key international music and film executives and delegates attending the festival.
Wff's Industry Summit will feature three concentrated days of business programs and networking that address the business and future of Canadian film, locally and in the international marketplace, as well as the ever-changing landscape of filmmaking in the digital age. Featuring over 20 interactive sessions, Wff's Summit is designed to provide practical business and creative intel, and foster business collaborations for filmmakers and deal-makers. Offering in-depth conversations, lively debates and critical insight into a broad range of issues vital to the domestic and international film communities while addressing crossing borders and platforms, Whistler is the place to be, connect and deal this December. 1,000 delegates are expected to attend.
The Whistler Summit directly connects to Wff’s slate of project development programs designed to provide creative and business immersion experiences for Canadian artists including the Feature Project Lab, Praxis Screenwriters Lab, Aboriginal Filmmaker Fellowship and Music Café. Wff also collaborates with several industry organizations by hosting specific third party initiatives at the Whistler Summit including the Variety 10 Screenwriters to Watch, Women in the Directors Chair Industry Immersion, Women in Film & Television Film Market Preparation Mentorship, and the Mppia Short Film Award Pitch with the Motion Picture Production Industry Association and Creative BC. Application details and information for all Wff industry and project development programs are available at whistlerfilmfestival.com.
The Whistler Film Festival combines an international film competition with a focused industry Summit dedicated to the art and business of filmmaking in the digital age. Featuring over 80 innovative and original films from around the world and opportunities to connect with the people who made them, this year’s fest will be filled with a solid lineup of premieres, honored guests, lively celebrations, and unique industry initiatives.
Wff’s Director of Programming and industry veteran Paul Gratton had this to say about the 2015 lineup confirmed to date: “The Whistler Film Festival continues to be a must-attend event for hip, young, film buffs and emerging filmmakers, and we are pleased to carve out our own unique niche by offering an impressive selection of Canadian premieres. This year's titles cast a wide net in terms of subject matter, and our Summit will complement our film programming by addressing key challenges and opportunities facing the industry this year. WFF15 has something for everyone. "While our final line-up of titles is far from complete, early programming trends suggest a very strong year for female directors and innovative new voices from young directors hoping to find new ways of telling stories and connecting with audiences.”
A great example of innovation will be the World Premiere screening of Daniel Robinson's "Nestor," the first narrative feature ever made by one person, who wrote, produced, directed, edited and stars in this compelling tale of outdoor survival.
Another example of seeking out new narrative approaches, and leading this year's women directors present at Whistler, is Diy queen Ingrid Veninger’s latest "He Hated Pigeons" about a young man pushed to the border of sanity as he steps into manhood. Shot in South America, the film is designed to support a spontaneous live score to be performed during the screening. In other words, each screening will evoke different responses depending on the approach taken by the live musicians accompanying the showing. Other female directed highlights coming to Whistler include the World Premiere of Vancouver filmmaker Melanie Jones' "Fsm," a contemporary study of a female DJ trying to find love in a world of technological innovation and all-night raves.
Continuing its love of quirky musicals, Wff will present the Western Canadian premiere of Jude Klassen’s debut feature film "Love in the Sixth," an unromantic musical comedy of “enviromantic” angst. Another Canadian Premiere is Valerie Weiss' "A Lights Beneath Their Feet," a superb study of the mutually dependent relationship between a young student hoping to leave home for college and her bipolar mother who can't cope with the thought of letting her go. Taryn Manning, Maddie Hasson and Madison Davenport lead the cast. Another moving look at mother/daughter relationships can be found in the World Premiere of Siobhan Devine’s "The Birdwatcher," a family drama about a mother and daughter reconnecting starring WFF14 Rising Star Camille Sullivan and Gabrielle Rose.
Jeremy Lalonde's "How to Plan an Orgy in a Small Town," featuring Lauren Holly and Katharine Isabelle; and Sergio Navarretta's "The Colossal Failure of the Modern Relationship," set during a mouth-watering winetasting tour of the Niagara region; focus on the challenge of maintaining interpersonal relationships. Darker still is the Canadian Premiere of Josh Hope's "The Life and Death of an Unhappily Married Man," in which a disillusioned young man decides to visit his past to see where it all went wrong. Brian Stockton's "The Sabbatical" is a comedic look at a photography professor's mid-life crisis and a young artist who rekindles the lost spirit of his youth, and Matthew Yim's "Basic Human Needs" follows a young couple whose plans to get out of Regina are thwarted by a missing prophylactic.
BC's own Fred Ewanuick stars as a man who can see two minutes into the future in Vancouver filmmaker O. Corbin Saleken's first feature "Patterson's Wager."
BC based genre specialist Jeffery Lando will be gracing the late night screens with the Western Canadian Premiere of his latest horror work "Suspension." John Ainslie will be unveiling the World premiere of his tense psychological thriller "The Sublet," about a new mother unraveling psychologically after and she and her fiance move into a sublet apartment, featuring Vancouver actress Tianna Nori in the lead.
On the documentary front, Wff will be presenting the North American premiere of Jan Foukal's "Amerika," a lyrical look at a unique Eastern European phenomenon known as 'tramping', as Vancouver-based Barbara Adler takes us on a mission into the mountains and the forests of the Czech Republic where she encounters social dropouts who choose to live what they consider to be a North American back-to-the-wilderness lifestyle. "Last Harvest," from director Jane Hui Wang, is a Canadian documentary feature that looks at an elderly Chinese couple forced to relocate by the government to make way for a mammoth water diversion project. Also, on the international front, Whistler is proud to present the Canadian Premiere of "Blood Cells" by Joseph Bull and Luke Seomore about a lost man wandering through the British countryside, which premiered at the Venice Film Festival.
As always, Whistler is pleased to feature the best of Quebec cinema, and this year the festival has two titles already lined up. Bernard Emond's "Diary of an Old Man" is a deeply moving adaptation of an Anton Chekov story about an old man fighting feelings of bitterness despite his privileged life as an academic, starring Paul Savoie in a Canada Screen Awards worthy performance. Finally, a haunting look at childhood innocence, at risk from the evils of an outside world is Philippe Lesage's "The Demons" starring Pascale Bussières and Laurent Lucas, about a tight-knit small-town community beset by a child serial killer.
Celebrating its 12th edition in 2015, Wff’s coveted Borsos Award for Best Canadian Feature honors independent vision, original directorial style and the diversity of talent found in Canadian independent film. New for 2015, all Canadian feature films in the festival with Western Canadian premiere status will be included in the Borsos Competition and there is no longer a six film restriction to the number that can compete. An international jury of three will decide on four awards including a $15,000 Cdn prize.
Wff’s slate of special events confirmed to date include the Opening and Closing Galas, Signature Series including the Pandora Tribute and Variety 10 Screenwriters to Watch In Conversation, ShortWork Showdown, Awards Brunch and a grand15th Anniversary Celebration, with more to come.
New for 2015, Wff introduces the L’Oreal Mens Expert Bobsleigh Race on December 3 at the Whistler Sliding Centre, one of the fastest tracks in the world, where celebrities, filmmakers, VIP guests and corporate teams will experience the thrill of a lifetime reaching speeds up to 125 km per hour. And the adrenaline continues to flow with Wff’s annual Columbia Celebrity Challenge on December 5, with corporate teams and festival guests joining the stars of the screen and the stars of the slopes in a fun, guess your time, dual slalom race on Whistler Mountain. Proceeds from these fun-raising” events will support Wff’s annual programs for Canadian artists, including the industry initiatives, labs and festival.
Film meets music at Wff’s Music Café, which has expanded to two days to include an evening showcase on December 4, and daytime showcase and dedicated industry panel on December 5, with the possibility of additional performances during the festival. Up to 10 export-ready British Columbia songwriters and artists from across the musical spectrum will be selected to each play a live 20-minute set and meet with key international music and film executives and delegates attending the festival.
Wff's Industry Summit will feature three concentrated days of business programs and networking that address the business and future of Canadian film, locally and in the international marketplace, as well as the ever-changing landscape of filmmaking in the digital age. Featuring over 20 interactive sessions, Wff's Summit is designed to provide practical business and creative intel, and foster business collaborations for filmmakers and deal-makers. Offering in-depth conversations, lively debates and critical insight into a broad range of issues vital to the domestic and international film communities while addressing crossing borders and platforms, Whistler is the place to be, connect and deal this December. 1,000 delegates are expected to attend.
The Whistler Summit directly connects to Wff’s slate of project development programs designed to provide creative and business immersion experiences for Canadian artists including the Feature Project Lab, Praxis Screenwriters Lab, Aboriginal Filmmaker Fellowship and Music Café. Wff also collaborates with several industry organizations by hosting specific third party initiatives at the Whistler Summit including the Variety 10 Screenwriters to Watch, Women in the Directors Chair Industry Immersion, Women in Film & Television Film Market Preparation Mentorship, and the Mppia Short Film Award Pitch with the Motion Picture Production Industry Association and Creative BC. Application details and information for all Wff industry and project development programs are available at whistlerfilmfestival.com.
- 9/7/2015
- by Peter Belsito
- Sydney's Buzz
Fans across the social media landscape cried foul Friday when Jesse Eisenberg, who is neither bald, middle-aged nor Bryan Cranston, was cast as Lex Luthor in “Batman Vs. Superman.” “The Social Network” star’s major offense: He does not instantly call to mind Superman’s arch-nemisis. He will, you know, have to act. Noah J. Thomas declared, “Batman vs. Superman is going to be the worst movie ever.” And Daniel Robinson inveighed, “I love Jesse Eisenberg but Lex Luthor he is most certainly not, what a terrible decision sort your casting director out.” The instantaneous outcry over Eisenberg’s casting...
- 1/31/2014
- by Brent Lang
- The Wrap
Franklin Stein: A Modern Tale of Corporate Horror Written by C.J. Thom Directed by John Harlacher The Connelly Theater, NYC Through September 14, 2013
Franklin Stein is a horror story told in the tradition of Theater of the Absurd as practiced by Eugene Ionesco, the early work of Edward Albee, the plays of Samuel Beckett, and other international playwrights commencing in the late 1950s. Such plays are meditations on the absurdity of human existence, in which conventions of plot and characterization are distorted to convey, as one dictionary defined it, "the irrationally of existence and the isolation of humanity." Playwright C.J. Thom, with an exceptionally fine cast and artistic team, succeeds in presenting a powerful evening of theater which asks the question: What does it take to have heart against the backdrop of the pernicious corporatization of human life and interaction?
A corporate flunky named Franklin Stein meets with Dr.
Franklin Stein is a horror story told in the tradition of Theater of the Absurd as practiced by Eugene Ionesco, the early work of Edward Albee, the plays of Samuel Beckett, and other international playwrights commencing in the late 1950s. Such plays are meditations on the absurdity of human existence, in which conventions of plot and characterization are distorted to convey, as one dictionary defined it, "the irrationally of existence and the isolation of humanity." Playwright C.J. Thom, with an exceptionally fine cast and artistic team, succeeds in presenting a powerful evening of theater which asks the question: What does it take to have heart against the backdrop of the pernicious corporatization of human life and interaction?
A corporate flunky named Franklin Stein meets with Dr.
- 9/8/2013
- by Jay Reisberg
- www.culturecatch.com
Body of Proof featured us a connection between the living and the dead in "Point of Origin" as a deceased woman's search prodded Peter to open up about his past.
This was a tough case for Peter. First, he saved Jenna from the fire... only to find out there was a second person he didn't save. The look on his face when he discovered the latter said a lot about this man. Others told him he'd already done more than most people would have by saving Jenna, but Peter obviously felt like he let a man die.
When Peter learned that Jenna had been searching for her birth parents, the parallel hit a little too close to home. Then, to know that hours before her death her birth father literally slammed the door on her, it was almost too much for him.
Daniel Robinson was a man with a lot to hide,...
This was a tough case for Peter. First, he saved Jenna from the fire... only to find out there was a second person he didn't save. The look on his face when he discovered the latter said a lot about this man. Others told him he'd already done more than most people would have by saving Jenna, but Peter obviously felt like he let a man die.
When Peter learned that Jenna had been searching for her birth parents, the parallel hit a little too close to home. Then, to know that hours before her death her birth father literally slammed the door on her, it was almost too much for him.
Daniel Robinson was a man with a lot to hide,...
- 10/19/2011
- by christine@tvfanatic.com (C. Orlando)
- TVfanatic
On Sunday, June 19th, the Roseland Ballroom in New York City was packed for the annual charity event, Broadway Bares. Each year, dozens upon dozens of the sexiest actors, singers, and dancers on Broadway join together and take it all off to raise money for Broadway Cares/Equity Fights AIDS. For obvious reasons, the show has garnered a pretty naughty reputation, and this year they certainly didn't disappoint.
And AfterElton.com was there, both in the audience and ... wait for it ... backstage!
That's right. We spent a few hours in a packed dressing area with the hottest bodies on the East Coast. Hey, there are worse ways to spend a Sunday night.
Here's a look at some of the chaos backstage ...
Next page... Photos from the show!
Once the doors opened, the line that literally extended around the block -- and we have some pretty damn big blocks in New York -- began pouring in,...
And AfterElton.com was there, both in the audience and ... wait for it ... backstage!
That's right. We spent a few hours in a packed dressing area with the hottest bodies on the East Coast. Hey, there are worse ways to spend a Sunday night.
Here's a look at some of the chaos backstage ...
Next page... Photos from the show!
Once the doors opened, the line that literally extended around the block -- and we have some pretty damn big blocks in New York -- began pouring in,...
- 6/22/2011
- by Tim OLeary
- The Backlot
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