At a certain point in history, the sun never set on the British Empire. Now that’s true of RuPaul’s Empire, with at least one version of “RuPaul’s Drag Race” always in production. Executive producer Tom Campbell has traveled the world for different iterations of the reality series and credits the franchise’s success to the goal (on a broad structural level and in micro-moments) of making RuPaul Charles laugh.
“It takes a lot of pre-planning and then you have to be incredibly in the moment when things go differently or there’s an opportunity,” Campbell told IndieWire. He often acts as connective tissue between Charles and the show’s small army of producers so that filming can roll with any audibles called by the host, guest judges, or queens.
The crew of “Drag Race” has built invisible infrastructures around the joyful spontaneity of Charles and all of the...
“It takes a lot of pre-planning and then you have to be incredibly in the moment when things go differently or there’s an opportunity,” Campbell told IndieWire. He often acts as connective tissue between Charles and the show’s small army of producers so that filming can roll with any audibles called by the host, guest judges, or queens.
The crew of “Drag Race” has built invisible infrastructures around the joyful spontaneity of Charles and all of the...
- 8/21/2023
- by Sarah Shachat
- Indiewire
“1917” and “Ford v Ferrari” split the top sound editing prizes Sunday night at the 67th annual Mpse Golden Reel Awards at the Westin Bonaventure Hotel. “1917” took Dialogue/Adr and “Ford v Ferrari” scored for Effects/Foley. The Elton John musical fantasy, “Rocketman,” earned Musical honors and “Jojo Rabbit” topped Music Underscore.
The other Feature awards went to “Parasite” (Foreign Language), “Toy Story 4” (Animation), and “Echo in the Canyon” (Documentary).
This sets up a competitive sound editing Oscar race between Sam Mendes’ innovative, continuous-shot World War I drama and James Mangold’s thrilling race car biopic. “The absence of visible edits meant it would have been easy to be overwhelmed with sound at times, never being able to cut to a different location to reset,” said Oliver Tarney, supervising sound editor of “1917.” “We worked hard at making sure there were always multiple layers of detail in the work we were doing.
The other Feature awards went to “Parasite” (Foreign Language), “Toy Story 4” (Animation), and “Echo in the Canyon” (Documentary).
This sets up a competitive sound editing Oscar race between Sam Mendes’ innovative, continuous-shot World War I drama and James Mangold’s thrilling race car biopic. “The absence of visible edits meant it would have been easy to be overwhelmed with sound at times, never being able to cut to a different location to reset,” said Oliver Tarney, supervising sound editor of “1917.” “We worked hard at making sure there were always multiple layers of detail in the work we were doing.
- 1/20/2020
- by Bill Desowitz
- Indiewire
The Motion Picture Sound Editors unveiled winners Sunday night at the 67th Golden Reel Awards at the Bonaventure Hotel in Los Angeles. The annual ceremony recognizing outstanding achievement in sound editing presented awards in 23 categories encompassing feature films, long-form and short-form television, animation, documentaries, games, special venue and other media.
1917 nabbed the trophy for Outstanding Achievement in Sound Editing – Feature Motion Picture – Dialogue/Adr. Other feature winners included Jojo Rabbit, Rocketman and Ford v Ferrari. Parasite added another accolade to its mantel with the trophy for Outstanding Achievement in Sound Editing – Foreign Language Feature.
On the TV side, Chernobyl won two Golden Reels in the Episodic Long Form while Game of Thrones took home one. HBO’s Barry, Hulu’s Wu Tang: An American Saga and Netflix’s El Camino: A Breaking Bad Movie also won on the night.
Little Women producer Amy Pascal presented the 2020 Mpse Filmmaker Award...
1917 nabbed the trophy for Outstanding Achievement in Sound Editing – Feature Motion Picture – Dialogue/Adr. Other feature winners included Jojo Rabbit, Rocketman and Ford v Ferrari. Parasite added another accolade to its mantel with the trophy for Outstanding Achievement in Sound Editing – Foreign Language Feature.
On the TV side, Chernobyl won two Golden Reels in the Episodic Long Form while Game of Thrones took home one. HBO’s Barry, Hulu’s Wu Tang: An American Saga and Netflix’s El Camino: A Breaking Bad Movie also won on the night.
Little Women producer Amy Pascal presented the 2020 Mpse Filmmaker Award...
- 1/20/2020
- by Dino-Ray Ramos
- Deadline Film + TV
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