Project Market Awards Winners
The QCinema Project Market, the industry initiative that accompanies The Philippines’ QCinema International Film Festival, revealed its winners list on Tuesday delivering almost $500,000 of grants and in-kind support.
The prizes followed a two-day networking and pitching event on Nov. 18 and 19 for 19 feature-length fiction film projects from Southeast Asia.
Two projects received the QCinema Project Market – Philippines Co-production Grant, with both collecting $55,000 (PHP3 million). They were: “The Remotes” from director-producer John Torres; and “Filipiñana,” by director Rafael Manuel. “Filipinana,” a black comedy set on a golf course, won a second prize on the night worth another $18,000. At the recent Asian Project Market in Busan it had also been a multiple prize winner.
Two film projects also received the QCinema Project Market – Philippines Co-production Grant worth $27,000 (PHP1.5 million) each: “The Boy and the Fight of Spiders (Diwalwal)” by director Jarell Serencio and “Ella Arcangel: Ballad of Tooth and...
The QCinema Project Market, the industry initiative that accompanies The Philippines’ QCinema International Film Festival, revealed its winners list on Tuesday delivering almost $500,000 of grants and in-kind support.
The prizes followed a two-day networking and pitching event on Nov. 18 and 19 for 19 feature-length fiction film projects from Southeast Asia.
Two projects received the QCinema Project Market – Philippines Co-production Grant, with both collecting $55,000 (PHP3 million). They were: “The Remotes” from director-producer John Torres; and “Filipiñana,” by director Rafael Manuel. “Filipinana,” a black comedy set on a golf course, won a second prize on the night worth another $18,000. At the recent Asian Project Market in Busan it had also been a multiple prize winner.
Two film projects also received the QCinema Project Market – Philippines Co-production Grant worth $27,000 (PHP1.5 million) each: “The Boy and the Fight of Spiders (Diwalwal)” by director Jarell Serencio and “Ella Arcangel: Ballad of Tooth and...
- 11/22/2023
- by Patrick Frater
- Variety Film + TV
Lithuanian-based producer Uljana Kim’s credits include Mantas Kvedaravičius’ ‘Mairupolis’ documentaries
Lithuanian-based producer Uljana Kim, whose credits include the Mariupolis documentaries, will be honoured with the Eurimages Co-Production award at the European Film Awards, held in Berlin on December 9.
The producer, who was born in Korea, founded her production company Studio Uljana Kim in 1997 and was the first female producer in Lithuania at the time.
Her earlier credits include Valdas Navasaitis’ Courtyard, which premiered in Cannes Director’s Fortnight in 1999, as well as Kristijonas Vildžiūnas’ The Lease and You Am I in 2002 and 2006, respectively.
Kim went on to produce Mantas...
Lithuanian-based producer Uljana Kim, whose credits include the Mariupolis documentaries, will be honoured with the Eurimages Co-Production award at the European Film Awards, held in Berlin on December 9.
The producer, who was born in Korea, founded her production company Studio Uljana Kim in 1997 and was the first female producer in Lithuania at the time.
Her earlier credits include Valdas Navasaitis’ Courtyard, which premiered in Cannes Director’s Fortnight in 1999, as well as Kristijonas Vildžiūnas’ The Lease and You Am I in 2002 and 2006, respectively.
Kim went on to produce Mantas...
- 11/22/2023
- by Ellie Calnan
- ScreenDaily
The market runs November 16-17 as part of Tallinn Black Nights’ industry platform.
New projects from Afghan director Sahraa Karimi and Polish filmmaker Damian Kocur are among the 15 films to be showcased in the Baltic Event Co-Production Market which runs November 16-17.
Flight From Kabul is Karimi’s second feature after her debut Hava, Maryam, Ayesha premiered in Venice in 2019. The Slovakian co-production is based on Karimi’s own experiences of fleeing the Taliban.
Scroll down for full list of projects
Kocur presents his newest feature La Manche after winning best director at Venice Horizons last year with his debut Bread And Salt.
New projects from Afghan director Sahraa Karimi and Polish filmmaker Damian Kocur are among the 15 films to be showcased in the Baltic Event Co-Production Market which runs November 16-17.
Flight From Kabul is Karimi’s second feature after her debut Hava, Maryam, Ayesha premiered in Venice in 2019. The Slovakian co-production is based on Karimi’s own experiences of fleeing the Taliban.
Scroll down for full list of projects
Kocur presents his newest feature La Manche after winning best director at Venice Horizons last year with his debut Bread And Salt.
- 10/10/2023
- by Ellie Calnan
- ScreenDaily
‘Utama’ won the World Cinema grand jury prize at Sundance earlier this year.
Bolivian director Alejandro Loayza Grisi’s Utama won both the best film prize and the audience award at the 21st edition of the Transilvania International Film Festival which closed yesterday, Sunday June 26.
Distributed internationally by Alpha Violet, the Bolivian-Uruguayan-French co-production about an elderly Indigenous man trying to survive in the Bolivian highlands, premiered earlier this year in Sundance where it received the Grand Jury Prize in the World Cinema: Dramatic Competition. It is Grisi’s debut feature.
Iceland’s Gudmundur Arnar Gudmundsson won the best director prize...
Bolivian director Alejandro Loayza Grisi’s Utama won both the best film prize and the audience award at the 21st edition of the Transilvania International Film Festival which closed yesterday, Sunday June 26.
Distributed internationally by Alpha Violet, the Bolivian-Uruguayan-French co-production about an elderly Indigenous man trying to survive in the Bolivian highlands, premiered earlier this year in Sundance where it received the Grand Jury Prize in the World Cinema: Dramatic Competition. It is Grisi’s debut feature.
Iceland’s Gudmundur Arnar Gudmundsson won the best director prize...
- 6/27/2022
- by Martin Blaney
- ScreenDaily
‘Utama’ won the World Cinema grand jury prize at Sundance earlier this year.
Bolivian director Alejandro Loayza Grisi’s Utama won both the best film prize and the audience award at the 21st edition of the Transilvania International Film Festival which closed yesterday, Sunday June 26.
Distributed internationally by Alpha Violet, the Bolivian-Uruguayan-French co-production about an elderly Indigenous man trying to survive in the Bolivian highlands, premiered earlier this year in Sundance where it received the Grand Jury Prize in the World Cinema: Dramatic Competition. It is Grisi’s debut feature.
Iceland’s Gudmundur Arnar Gudmundsson won the best director prize...
Bolivian director Alejandro Loayza Grisi’s Utama won both the best film prize and the audience award at the 21st edition of the Transilvania International Film Festival which closed yesterday, Sunday June 26.
Distributed internationally by Alpha Violet, the Bolivian-Uruguayan-French co-production about an elderly Indigenous man trying to survive in the Bolivian highlands, premiered earlier this year in Sundance where it received the Grand Jury Prize in the World Cinema: Dramatic Competition. It is Grisi’s debut feature.
Iceland’s Gudmundur Arnar Gudmundsson won the best director prize...
- 6/27/2022
- by Martin Blaney
- ScreenDaily
Alejandro Loayza Grisi’s “Utama,” which won the grand jury prize in the World Cinema Dramatic competition at Sundance this year, took home top honors at the closing ceremony of the Transilvania Film Festival on Saturday night.
Grisi’s feature debut tells the story of an elderly couple in the Bolivian highlands who refuse to relocate to the city despite the constant threat of drought. In a glowing review, Variety’s Peter Debruge described the film as a “sublime, quietly elegiac” character study that “looks quite unlike anything else.”
“By relying on the simplicity, purity and poetry of his cinematic approach, the director takes the audience on a universal journey, talking about the essence of life, death and everything in between,” said the Transilvania jury, praising a film that “gives the audience a deep, multilayered feeling of how fragile our future is.” “Utama” was also feted with the festival’s Audience Award.
Grisi’s feature debut tells the story of an elderly couple in the Bolivian highlands who refuse to relocate to the city despite the constant threat of drought. In a glowing review, Variety’s Peter Debruge described the film as a “sublime, quietly elegiac” character study that “looks quite unlike anything else.”
“By relying on the simplicity, purity and poetry of his cinematic approach, the director takes the audience on a universal journey, talking about the essence of life, death and everything in between,” said the Transilvania jury, praising a film that “gives the audience a deep, multilayered feeling of how fragile our future is.” “Utama” was also feted with the festival’s Audience Award.
- 6/26/2022
- by Christopher Vourlias
- Variety Film + TV
Titles include Sundance Jury prize winner ‘Utama’
Transilvania International Film Festival has unveiled the 12 films that will screen in its official competition.
Each title competing for the Transilvania Trophy will receive its Romanian premiere at the 21st edition of the festival, which is set to take place in the city of Cluj-Napoca.
The line-up features Alejandro Loayza Grisi’s Utama, a Bolivian drama about an indigenous couple trying to survive a drought, which took home the Jury prize at Sundance Film Festival early this year.
Other titles include the directorial debut by French filmmaker Vincent Maël Cardona - Magentic Beats.
Transilvania International Film Festival has unveiled the 12 films that will screen in its official competition.
Each title competing for the Transilvania Trophy will receive its Romanian premiere at the 21st edition of the festival, which is set to take place in the city of Cluj-Napoca.
The line-up features Alejandro Loayza Grisi’s Utama, a Bolivian drama about an indigenous couple trying to survive a drought, which took home the Jury prize at Sundance Film Festival early this year.
Other titles include the directorial debut by French filmmaker Vincent Maël Cardona - Magentic Beats.
- 5/19/2022
- by Ellie Calnan
- ScreenDaily
Although the plot of Dovile Sarutyte's debut feature is driven by a death it more than lives up to its title, celebrating life in all its messy detail - sometimes much less inconsequential than it first appears - that many films prefer to streamline.
Sarutyte's film is a celebration of dancing when the mood takes you, of snatced childhod memories - using home video footage shot by her own dad when she was a girl - of cheering yourself up by the goofy use of face cream and, most importantly, about all the little ways that family bonds manifest themselves when faced with grief.
Dovile (Agne Misiunaite) doesn't know grief is coming for her as she dances on a night out with friends on a trip to France. Sarutyte lets these handful of moments play out with a naturalistic grace that runs through the film, as the women note that.
Sarutyte's film is a celebration of dancing when the mood takes you, of snatced childhod memories - using home video footage shot by her own dad when she was a girl - of cheering yourself up by the goofy use of face cream and, most importantly, about all the little ways that family bonds manifest themselves when faced with grief.
Dovile (Agne Misiunaite) doesn't know grief is coming for her as she dances on a night out with friends on a trip to France. Sarutyte lets these handful of moments play out with a naturalistic grace that runs through the film, as the women note that.
- 3/28/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
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