At the Award Ceremony of the 27th Tallinn Black Nights Film Festival (PÖFF), awards were presented to the winners of the festival’s five competition programmes and PÖFF’s youth and children’s film sub-festival Just Film.
The jury of the Official Selection Competition, headed by Trine Dyrholm, selected Emma Dante’s drama Misericordia as their favourite, handing the film the Grand Prix for Best Film.
Dante adapted her own play of the same name, telling the story of three prostitutes who live in the wasteland by the sea, where a village of outcasts has emerged. Its star Simone Zambelli also scooped the Best Actor Award.
The jury commented on the film with the following statement: “A powerful film about how to stay supportive and, above all, exhibit humanity in a marginalised environment. Beautifully directed, shot and acted, the Best Film Award goes to Misericordia.”
The Best Director Award went toManuel Martín CuencaforAndrea’s Love.
The jury of the Official Selection Competition, headed by Trine Dyrholm, selected Emma Dante’s drama Misericordia as their favourite, handing the film the Grand Prix for Best Film.
Dante adapted her own play of the same name, telling the story of three prostitutes who live in the wasteland by the sea, where a village of outcasts has emerged. Its star Simone Zambelli also scooped the Best Actor Award.
The jury commented on the film with the following statement: “A powerful film about how to stay supportive and, above all, exhibit humanity in a marginalised environment. Beautifully directed, shot and acted, the Best Film Award goes to Misericordia.”
The Best Director Award went toManuel Martín CuencaforAndrea’s Love.
- 11/19/2023
- by Caroline Frost
- Deadline Film + TV
Gust Van den Berghe proves adept at detailed world creation with his irresistibly visually attractive The Magnet Man, which takes us into the world of the circus.
Lucien is leading a rural life in literal shades of grey with his mother and father. A protagonist in the Buster Keaton mode, there's not much to smile about in his loneliness. His one skill, although using that word for it is certainly debatable, is that he is able to attract metal objects in the manner of a magnet - an ability that is brought home in gloriously comic fashion after an altar boy's swinging censer becomes stuck to his leg at his mother's funeral.
Things change when opportunity - in an unusual form - comes knocking at his door. Heading to the station to meet his father with a violin stuffed with money, the...
Lucien is leading a rural life in literal shades of grey with his mother and father. A protagonist in the Buster Keaton mode, there's not much to smile about in his loneliness. His one skill, although using that word for it is certainly debatable, is that he is able to attract metal objects in the manner of a magnet - an ability that is brought home in gloriously comic fashion after an altar boy's swinging censer becomes stuck to his leg at his mother's funeral.
Things change when opportunity - in an unusual form - comes knocking at his door. Heading to the station to meet his father with a violin stuffed with money, the...
- 11/18/2023
- by Amber Wilkinson
- eyeforfilm.co.uk
Lucien (Danny Ronaldo) in The Magnet Man. Gust Van den Berghe: 'I think humor is amazing. But at the same time, it cannot come for free? I do like it when it comes with weight' Photo: Courtesy of Tallinn Film Festival Belgian director Gust Van den Berghe transports us both back in time and to a world that, though a far more vibrant aesthetic, recalls the careful creations of Roy Andersson, in that it is simultaneously realised in glorious detail while retaining a theatrical, otherworldly edge. It is there that we meet Lucien, a near-silent protagonist in the Buster Keaton mould, who lives with his parents in the countryside. He’s a simple soul with an unusual talent - the ability to attract metal objects. When he accidentally finds himself attracted to a train on the move and deposited a long way from home, he joins a circus, where...
- 11/16/2023
- by Amber Wilkinson
- eyeforfilm.co.uk
Tallinn Black Nights, one of the biggest film festivals in Northern Europe, has revealed the full lineup of its Official Selection Competition, with films by Emma Dante, Călin Peter Netzer, Gust Van den Berghe and Rezo Gigineishvili in the running. There are seven international premieres and 13 world premieres.
The festival’s 27th edition runs Nov. 3-19, while the festival’s industry platform, Industry@Tallinn & Baltic Event, will run from Nov. 13-17.
The Grand Prix for the Best Film, with a 20,000 Euros cash prize, will be bestowed by Tallinn City Council.
Festival director Tiina Lokk said: “This year’s diverse program has remarkably high artistic value with sharp social perspective. Each film tackles contemporary and relevant issues with a stimulating, fresh angle. At the same time, our Official Selection aims to connect high-quality narrative films with auteur cinema. Hence, new artistic approaches and cinema languages have always caught our attention.”
Official Selection Competition
“Amal,...
The festival’s 27th edition runs Nov. 3-19, while the festival’s industry platform, Industry@Tallinn & Baltic Event, will run from Nov. 13-17.
The Grand Prix for the Best Film, with a 20,000 Euros cash prize, will be bestowed by Tallinn City Council.
Festival director Tiina Lokk said: “This year’s diverse program has remarkably high artistic value with sharp social perspective. Each film tackles contemporary and relevant issues with a stimulating, fresh angle. At the same time, our Official Selection aims to connect high-quality narrative films with auteur cinema. Hence, new artistic approaches and cinema languages have always caught our attention.”
Official Selection Competition
“Amal,...
- 10/13/2023
- by Leo Barraclough
- Variety Film + TV
New titles include Boaz Yakin’s US feature ‘Once Again (for the very first time)’.
Tallinn Black Nights Film Festival (Poff) has completed the lineup of its official selection competition, adding a further 16 films to the four announced last month.
Of the 16 new titles, 11 are world premieres, with the other five arriving as international premieres.
Scroll down for the full official selection competition
The world premieres include Boaz Yakin’s US film Once Again (for the very first time), which blends surrealism, drama, rap, dance and music as a dancer and poet reflect on their lives and past relationship. Yakin...
Tallinn Black Nights Film Festival (Poff) has completed the lineup of its official selection competition, adding a further 16 films to the four announced last month.
Of the 16 new titles, 11 are world premieres, with the other five arriving as international premieres.
Scroll down for the full official selection competition
The world premieres include Boaz Yakin’s US film Once Again (for the very first time), which blends surrealism, drama, rap, dance and music as a dancer and poet reflect on their lives and past relationship. Yakin...
- 10/13/2023
- by Ben Dalton
- ScreenDaily
Philippe Bober’s Coproduction Office, whose recent films include Jessica Hausner’s Cannes Competition title “Club Zero” and Ruben Östlund’s Palme d’Or winner “Triangle of Sadness,” has kicked off international sales on Gust Van den Berghe’s “The Magnet Man.” The Paris and Berlin based production and sales outfit is attending this week’s Mia Market in Rome.
Van den Berghe’s previous films, “Blue Bird” (2011) and “Little Baby Jesus of Flandr” (2010), have both premiered in Cannes’ Directors’ Fortnight.
“The Magnet Man,” which is in post-production, tells the tragicomic tale of how our greatest talents can become our greatest flaws, and how unpredictable our lives can be.
The film follows Lucien, who is a human magnet: everything made of iron sticks to his body. Rural Belgium at the beginning of the 20th century is no place for his unusual natural talent. One day, he accidentally gets attached to...
Van den Berghe’s previous films, “Blue Bird” (2011) and “Little Baby Jesus of Flandr” (2010), have both premiered in Cannes’ Directors’ Fortnight.
“The Magnet Man,” which is in post-production, tells the tragicomic tale of how our greatest talents can become our greatest flaws, and how unpredictable our lives can be.
The film follows Lucien, who is a human magnet: everything made of iron sticks to his body. Rural Belgium at the beginning of the 20th century is no place for his unusual natural talent. One day, he accidentally gets attached to...
- 10/11/2023
- by Leo Barraclough
- Variety Film + TV
Paraguayan filmmaker Paz Encina’s “Eami” – being sold by MPM Premium – has won the top Tiger Award and a €40,000 cash prize at the International Film Festival Rotterdam (IFFR), the festival announced Wednesday. The 51st edition of the Dutch event, forced online due to the Omicron wave, will wrap on Sunday.
The jury, made up of Zsuzsi Bankuti, Gust Van den Berghe, Tatiana Leite, Thekla Reuten and Farid Tabarki, was impressed with her complex, magical realist take on the suffering of the indigenous tribes, calling it a “powerful film.” “It gave us the opportunity to dream and, at the same time, a chance to wake up,” they stated.
Inspired by the stories of the Ayoreo-Totobiegosode people, as well as their mythology, Encina created a tale about a young girl who embarks on a journey after her village is destroyed.
“All my films deal with an issue of exile, of the diaspora,...
The jury, made up of Zsuzsi Bankuti, Gust Van den Berghe, Tatiana Leite, Thekla Reuten and Farid Tabarki, was impressed with her complex, magical realist take on the suffering of the indigenous tribes, calling it a “powerful film.” “It gave us the opportunity to dream and, at the same time, a chance to wake up,” they stated.
Inspired by the stories of the Ayoreo-Totobiegosode people, as well as their mythology, Encina created a tale about a young girl who embarks on a journey after her village is destroyed.
“All my films deal with an issue of exile, of the diaspora,...
- 2/2/2022
- by Marta Balaga
- Variety Film + TV
This year’s International Film Festival Rotterdam (IFFR) has unveiled the 14 films selected for its flagship Tiger Competition. Scroll down for the full list.
The selection is typically globe-trotting, with features ranging from Chile to China, Sweden to Israel, and Mexico to India. A jury will grant three prizes: the Tiger Award, plus two special jury awards. On the jury are: Zsuzsi Bánkuti, Gust Van den Berghe, Tatiana Leite, Thekla Reuten and Farid Tabarki.
Last year’s winner of IFFR’s Tiger competition was Indian filmmaker Vinothraj P.S.’s Pebbles, which was the country’s contender for this year’s International Oscar race, though didn’t make the shortlist.
Today, the festival also confirmed the line-ups for its Big Screen Competition, which aims to bridge the gap between popular and arthouse cinema. Titles selected range from Romania to France and South Africa. The Tiger Short Competition was also unveiled.
The selection is typically globe-trotting, with features ranging from Chile to China, Sweden to Israel, and Mexico to India. A jury will grant three prizes: the Tiger Award, plus two special jury awards. On the jury are: Zsuzsi Bánkuti, Gust Van den Berghe, Tatiana Leite, Thekla Reuten and Farid Tabarki.
Last year’s winner of IFFR’s Tiger competition was Indian filmmaker Vinothraj P.S.’s Pebbles, which was the country’s contender for this year’s International Oscar race, though didn’t make the shortlist.
Today, the festival also confirmed the line-ups for its Big Screen Competition, which aims to bridge the gap between popular and arthouse cinema. Titles selected range from Romania to France and South Africa. The Tiger Short Competition was also unveiled.
- 1/7/2022
- by Tom Grater
- Deadline Film + TV
Adilkhan Yerzhanov’s “Assault” and “Kung Fu Zohra” from Mabrouk El Mechri are among the lineup at International Film Festival Rotterdam’s (IFFR) 51st edition.
The films were among 10 features selected for the Big Screen competition, which aims to bridge the gap between popular, classic and arthouse cinema.
IFFR also boasts the Tiger Competition for emerging talent and Ammodo Tiger Short competition for shorts.
Among the 14 titles selected for the Tiger Competition, Roberto Doveris will present “Proyecto Fantasma,” Morgane Dziurla-Petit will deliver “Excess Will Save Us” and David Easteal will show “The Plains.”
The festival, whose full lineup was announced on Friday, will run as a virtual festival on IFFR.com from Jan 26-Feb. 6 for the second year in a row due to the Covid-19 pandemic. Festival director Vanja Kaludjercic revealed that the lockdown in the Netherlands had enforced some changes in previously announced elements of the program. For example,...
The films were among 10 features selected for the Big Screen competition, which aims to bridge the gap between popular, classic and arthouse cinema.
IFFR also boasts the Tiger Competition for emerging talent and Ammodo Tiger Short competition for shorts.
Among the 14 titles selected for the Tiger Competition, Roberto Doveris will present “Proyecto Fantasma,” Morgane Dziurla-Petit will deliver “Excess Will Save Us” and David Easteal will show “The Plains.”
The festival, whose full lineup was announced on Friday, will run as a virtual festival on IFFR.com from Jan 26-Feb. 6 for the second year in a row due to the Covid-19 pandemic. Festival director Vanja Kaludjercic revealed that the lockdown in the Netherlands had enforced some changes in previously announced elements of the program. For example,...
- 1/7/2022
- by K.J. Yossman and Marta Balaga
- Variety Film + TV
The popular professional event will be expanded to unspool over one full day, on Monday 16 December; projects with no sales agent attached will rub shoulders with films that are already represented. For its ninth edition, Les Arcs' Work in Progress section is freshening up its image. In a market that is less and less predictable, the main goal of the industry team is to keep homing in on new talents. That said, the Wip team headed up by Frédéric Boyer felt the need to also showcase more established directors - mostly those who have a history with Work in Progress. That is why at the last edition, in addition to the competitive section, several scenes from eagerly awaited films by renowned helmers were screened with sales agents already...
Grímur Hákonarson’s Rams follow-up The County to screen footage out of competition.
The 10th edition of the Les Arcs Film Festival has selected its crop of work in progress projects.
The festival unveiled its co-production project selection and inaugural Talent Village last week.
Completing this year’s Industry Village are 15 projects, all of which are in post-production and do not yet have sales agents attached.
They include new projects from director Babis Makridis, whose Pity premiered at Sundance this year, Damjan Kozole, whose Nightlife won best director at Karlovy Vary in 2016, and Levan Akin whose The Circle was a 2015 Berlinale selection.
The 10th edition of the Les Arcs Film Festival has selected its crop of work in progress projects.
The festival unveiled its co-production project selection and inaugural Talent Village last week.
Completing this year’s Industry Village are 15 projects, all of which are in post-production and do not yet have sales agents attached.
They include new projects from director Babis Makridis, whose Pity premiered at Sundance this year, Damjan Kozole, whose Nightlife won best director at Karlovy Vary in 2016, and Levan Akin whose The Circle was a 2015 Berlinale selection.
- 11/29/2018
- by Tom Grater
- ScreenDaily
Hottest presentations of upcoming Flemish films also include multicultural family film Binti; Patrice Toye’s Tench; and Gust van den Berghe’s Rain Anyway.
The word on everyone’s lips at this year’s Connext, the industry event organised by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign-language Oscar race.
It’s wildly different than Girl, but the buzziest...
The word on everyone’s lips at this year’s Connext, the industry event organised by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign-language Oscar race.
It’s wildly different than Girl, but the buzziest...
- 10/10/2018
- by Wendy Mitchell
- ScreenDaily
Hottest presentations of upcoming Flemish films also include multicultural family film Binti; Patrice Toye’s Tench; and Gust van den Berghe’s Rain Anyway.
The word on everyone’s lips at this year’s Connext, the industry event organized by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign Oscar race.
It’s wildly different than Girl, but the buzziest...
The word on everyone’s lips at this year’s Connext, the industry event organized by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign Oscar race.
It’s wildly different than Girl, but the buzziest...
- 10/10/2018
- by Wendy Mitchell
- ScreenDaily
A Sunday in the Country 2016For the 5th time, “A Sunday in the Country,” one of the most inventive and out of the box workshops for young European film critics and journalists, was organized within the framework of the 16th T-Mobile New Horizons International Film Festival in an old guest house by the Bystrzyckie lake during the first weekend of the cinematic event (21–24 July, 2016).
There, in Zagórze Śląslie in Lower Silesia, during three days, the group watched and discussed films, networked, exchanged thoughts and practices and shared their professional experiences. Under the tutelage of Pascal Edelmann of the European Film Academy, Ula Śniegowska of the New Horizons Association and the Dutch film critic of de Filmkrant, Dana Linssen, the critics and journalists spent the weekend cooking, networking, watching films, meeting with filmmakers and discussing cinephilia as well as issues such as the critic’s responsibility — if there is one — towards...
There, in Zagórze Śląslie in Lower Silesia, during three days, the group watched and discussed films, networked, exchanged thoughts and practices and shared their professional experiences. Under the tutelage of Pascal Edelmann of the European Film Academy, Ula Śniegowska of the New Horizons Association and the Dutch film critic of de Filmkrant, Dana Linssen, the critics and journalists spent the weekend cooking, networking, watching films, meeting with filmmakers and discussing cinephilia as well as issues such as the critic’s responsibility — if there is one — towards...
- 8/31/2016
- by Tara Karajica
- Sydney's Buzz
Exclusive: Wroclaw moves 2017 dates to accommodate World Games; Polish festival reveals 2016 New Horizons winners.
The film festivals in Wroclaw and Locarno are set for a collision course as both festivals will be held concurrently for the first time next year.
A Locarno spokesperson confirmed to Screen that the Swiss festival’s 70th edition will be held from Wednesday 2 to Saturday 12 August, while New Horizons will kick off its 17th outing a day later, from Thursday 3 August, according to the New Horizons press department.
New Horizons’ organisers were obliged to change its dates from the traditional slot in the last two weeks in July as the Polish city will be hosting the 10th edition of sports event the World Games.
Speaking exclusively to Screen, New Horizons festival president Roman Gutek explained that the decision to move to August for 2017 had been made two years ago in order to avoid a strain on resources in the city.
¨We have consulted...
The film festivals in Wroclaw and Locarno are set for a collision course as both festivals will be held concurrently for the first time next year.
A Locarno spokesperson confirmed to Screen that the Swiss festival’s 70th edition will be held from Wednesday 2 to Saturday 12 August, while New Horizons will kick off its 17th outing a day later, from Thursday 3 August, according to the New Horizons press department.
New Horizons’ organisers were obliged to change its dates from the traditional slot in the last two weeks in July as the Polish city will be hosting the 10th edition of sports event the World Games.
Speaking exclusively to Screen, New Horizons festival president Roman Gutek explained that the decision to move to August for 2017 had been made two years ago in order to avoid a strain on resources in the city.
¨We have consulted...
- 8/1/2016
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Summer may be over, but with this year marking the 35th anniversary of Friday the 13th, it's never too late to visit the lake. Ahead of the event's November 4th start date, the folks behind the Denver Film Festival have announced the first wave of programming, including a special November 13th 35mm screening of Sean S. Cunningham's monumental slasher film.
Press Release: October 9, 2015 (Denver, Colo.) - The Denver Film Festival (Dff), produced by Denver Film Society (Dfs), announced its first wave of programming. Recognized as the Rocky Mountain Region's premier film event, the festival will feature a focus on Polish Cinema, sidebars for CinemaQ, CineLatino, Late Night and Women+Film, as well as robust Shorts Packages and Music Spotlight programming.
"In keeping with our long and rich tradition of presenting the best in Eastern European cinema, we at the Denver Film Festival are proud to announce that this year's...
Press Release: October 9, 2015 (Denver, Colo.) - The Denver Film Festival (Dff), produced by Denver Film Society (Dfs), announced its first wave of programming. Recognized as the Rocky Mountain Region's premier film event, the festival will feature a focus on Polish Cinema, sidebars for CinemaQ, CineLatino, Late Night and Women+Film, as well as robust Shorts Packages and Music Spotlight programming.
"In keeping with our long and rich tradition of presenting the best in Eastern European cinema, we at the Denver Film Festival are proud to announce that this year's...
- 10/14/2015
- by Derek Anderson
- DailyDead
Lucifer
Written by Gust van den Berghe
Directed by Gust van den Berghe
Belgium, 2014
Faith is such a tenuous concept that it’s hard to believe that it has the strength that it does. The act of believing in the existence or the potential of a supreme being despite any earthly evidence or causation should be treated with suspicion or disdain right from the outset. Yet the strength of it lies in the human need for structure and balance; as long as there is a plan then we can accept the most diabolical punishments in this life if there is some kind of reward in the next. Belgian filmmaker Gust van den Berghe explores these notions in a satirical way in his remarkable and hypnotic film Lucifer.
Filmed in Tondoscope (the process of filming within a circular frame), Lucifer finds the titular angel (Gabino Rodríguez) the moment he is banished...
Written by Gust van den Berghe
Directed by Gust van den Berghe
Belgium, 2014
Faith is such a tenuous concept that it’s hard to believe that it has the strength that it does. The act of believing in the existence or the potential of a supreme being despite any earthly evidence or causation should be treated with suspicion or disdain right from the outset. Yet the strength of it lies in the human need for structure and balance; as long as there is a plan then we can accept the most diabolical punishments in this life if there is some kind of reward in the next. Belgian filmmaker Gust van den Berghe explores these notions in a satirical way in his remarkable and hypnotic film Lucifer.
Filmed in Tondoscope (the process of filming within a circular frame), Lucifer finds the titular angel (Gabino Rodríguez) the moment he is banished...
- 10/9/2015
- by Liam Dunn
- SoundOnSight
The 59Th BFI London Film Festival Announces Full 2015 Programme
You can peruse the programme at your leisure here.
The programme for the 59th BFI London Film Festival in partnership launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. BFI London Film Festival is Britain’s leading film event and one of the world’s oldest film festivals. It introduces the finest new British and international films to an expanding London and UK-wide audience. The Festival provides an essential platform for films seeking global success; and promotes the careers of British and international filmmakers through its industry and awards programmes. With this year’s industry programme stronger than ever, offering international filmmakers and leaders a programme of insightful events covering every area of the film industry Lff positions London as the world’s leading creative city.
The Festival will screen a...
You can peruse the programme at your leisure here.
The programme for the 59th BFI London Film Festival in partnership launched today, with Festival Director Clare Stewart presenting this year’s rich and diverse selection of films and events. BFI London Film Festival is Britain’s leading film event and one of the world’s oldest film festivals. It introduces the finest new British and international films to an expanding London and UK-wide audience. The Festival provides an essential platform for films seeking global success; and promotes the careers of British and international filmmakers through its industry and awards programmes. With this year’s industry programme stronger than ever, offering international filmmakers and leaders a programme of insightful events covering every area of the film industry Lff positions London as the world’s leading creative city.
The Festival will screen a...
- 9/1/2015
- by John
- SoundOnSight
Miguel Gomes’ Arabian Nights wins Fipresci Jury prize at New Horizons festival.
Belgian director Gust Van den Berghe’s third feature Lucifer has won the $22,000 (€20,000) Grand Prix in the International Competition at the 15th T-Mobile New Horizons International Film Festival (July 23 - Aug 2) in Poland’s Wroclaw.
Set in a Mexican village at the base of a volcano, Lucifer is the third instalment in Van den Berghe’s triptych about the emergence of human consciousness after Little Baby Jesus of Flandr and Blue Bird, previously shown in Wroclaw in 2012.
Lucifer received its world premiere at the Rome Film Festival last October and won the Grand Prix at the Black Nights Film Festival in Estonia’s Tallinn in November.
The International Competition Jury, which included filmmakers Anna Sosnal, Reha Erdem, and Noaz Deshe and festival programmer Diane Henderson, also gave a special mention to Carlos M. Quintela’s Rotterdam winner The Project Of The Century.
Other awards...
Belgian director Gust Van den Berghe’s third feature Lucifer has won the $22,000 (€20,000) Grand Prix in the International Competition at the 15th T-Mobile New Horizons International Film Festival (July 23 - Aug 2) in Poland’s Wroclaw.
Set in a Mexican village at the base of a volcano, Lucifer is the third instalment in Van den Berghe’s triptych about the emergence of human consciousness after Little Baby Jesus of Flandr and Blue Bird, previously shown in Wroclaw in 2012.
Lucifer received its world premiere at the Rome Film Festival last October and won the Grand Prix at the Black Nights Film Festival in Estonia’s Tallinn in November.
The International Competition Jury, which included filmmakers Anna Sosnal, Reha Erdem, and Noaz Deshe and festival programmer Diane Henderson, also gave a special mention to Carlos M. Quintela’s Rotterdam winner The Project Of The Century.
Other awards...
- 8/3/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Read More: Here are the Cameras Used by the 2015 Tribeca Filmmakers It all began over a glass of wine. "We were drinking wine and I cut the [stem] of my wine glass and then with the [base] we started discussing the concept," "Lucifer" director Gust Van den Berghe recently told Indiewire while in New York for the Tribeca Film Festival. This conversation between Van den Berghe and his cameraman resulted in the the development of a new idea: shooting through a cone-shaped mirror, a technique used to capture a panoramic view within a circular frame, what Van den Bergh would eventually dub the Tondoscope. Screened in the Viewpoints section at this year's Tribeca Film Festival, "Lucifer" is a deeply contemplative and highly-stylized cinematic adaptation of Joost Van Den Vondel's play of the same name. "Lucifer" is the final installment in a three-part series in which Van den Berghe focused on religion.
- 4/27/2015
- by Shipra Harbola Gupta
- Indiewire
Scanning the Tribeca slate, it’s hard not to wonder what exactly “Tondoscope” is. The capsule for Gust Van den Berghe’s Lucifer claims this is an aspect ratio of his own devising, and this video provides some clarity on what that mean. You can watch a trailer here, but the basic idea is that Tondoscope is a circle. In this nine-minute video, Van den Berghe explains the origins of his idea, and his Dp and assorted representatives of the University of Brussels make it happen. From carving the lens to sound mixing (tricky when characters restricted to a circle move not […]...
- 3/9/2015
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Scanning the Tribeca slate, it’s hard not to wonder what exactly “Tondoscope” is. The capsule for Gust Van den Berghe’s Lucifer claims this is an aspect ratio of his own devising, and this video provides some clarity on what that mean. You can watch a trailer here, but the basic idea is that Tondoscope is a circle. In this nine-minute video, Van den Berghe explains the origins of his idea, and his Dp and assorted representatives of the University of Brussels make it happen. From carving the lens to sound mixing (tricky when characters restricted to a circle move not […]...
- 3/9/2015
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Andrew Renzi‘s directorial debut about a third wheel starring Richard Gere, Dakota Fanning and Theo James, Reed Morano‘s relationship testing drama featuring Olivia Wilde and Luke Wilson, Onur Tukel‘s secret unleashed on the airwaves and Gregory Kohn‘s hallucinatory tale with Eléonore Hendricks topling are part of the American independent offerings at the 14th Tribeca Film Festival. Renzi’s Franny and Morano’s Meadowland will be competing in the dozen selected in the World Narrative Competition while Tukel’s Applesauce and Kohn’s Come Down Molly are among the in the Viewpoints sidebar. Here are the selected titles below sans synopsis.
World Narrative Feature Competition (12)
The Adderall Diaries, directed and written by Pamela Romanowsky. (USA) – World Premiere.
Bridgend, directed by Jeppe Rønde, co-written by Jeppe Rønde, Torben Bech, and Peter Asmussen. (Denmark) – North American Premiere.
Dixieland, directed and written by Hank Bedford. (USA) – World Premiere
Franny, directed and written by Andrew Renzi.
World Narrative Feature Competition (12)
The Adderall Diaries, directed and written by Pamela Romanowsky. (USA) – World Premiere.
Bridgend, directed by Jeppe Rønde, co-written by Jeppe Rønde, Torben Bech, and Peter Asmussen. (Denmark) – North American Premiere.
Dixieland, directed and written by Hank Bedford. (USA) – World Premiere
Franny, directed and written by Andrew Renzi.
- 3/3/2015
- by Eric Lavallee
- IONCINEMA.com
Top brass at the 2015 Tribeca Film Festival (Tff) presented by At&T have announced the World Narrative and Documentary Competition and Viewpoints selections.
Organisers also said that At&T’s Film For All Friday will return with free screenings on April 24. The festival is set to run in New York City from April 15-26 and the festival hub is Spring Studios.
Tuesday’s announcement covers 51 films out of a total 97 features at the upcoming 14th edition. As previously announced, Tribeca will open with the documentary Live From New York!
The line-up includes world premieres of Andrew Renzi’s Franny starring Richard Gere, Pamela Romanowsky’s The Adderall Diaries with James Franco, Amber Heard, Ed Harris and Cynthia Nixon and documentaries In My Father’s House by Ricki Stern and Annie Sundberg and In Transit from Albert Maysles and four co-directors.
Thirty of the festival’s feature film directors are women –the highest percentage in Tribeca history. Nine of...
Organisers also said that At&T’s Film For All Friday will return with free screenings on April 24. The festival is set to run in New York City from April 15-26 and the festival hub is Spring Studios.
Tuesday’s announcement covers 51 films out of a total 97 features at the upcoming 14th edition. As previously announced, Tribeca will open with the documentary Live From New York!
The line-up includes world premieres of Andrew Renzi’s Franny starring Richard Gere, Pamela Romanowsky’s The Adderall Diaries with James Franco, Amber Heard, Ed Harris and Cynthia Nixon and documentaries In My Father’s House by Ricki Stern and Annie Sundberg and In Transit from Albert Maysles and four co-directors.
Thirty of the festival’s feature film directors are women –the highest percentage in Tribeca history. Nine of...
- 3/3/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Belgian director Gust Van den Berghe concludes his triptych on the emergence of human consciousness that began with Little Baby Jesus of Flandr and continued with Blue Bird, the enticingly titled Lucifer. Speaking of consciousness, a better-suited mythological figure in the Western canon would be hard to find. The script is adapted from a 1645 play of the same name written by Joost van den Vondel, from which, supposedly, John Milton drew inspiration for his Paradise Lost. Van den Berghe's previous indigo-tinged film Blue Bird was also an adaptation of 1908's symbolist play by Belgian literature Nobel Prize laureate Maurice Maeterlinck. The director keeps the classic three-act structure, introducing each act with a particular title, Paradise, Sin and Miracle, that bears more figurative than literal meaning. A ladder...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 2/5/2015
- Screen Anarchy
Redmayne lauded for his portrayal of Stephen Hawking in The Theory of Everything.
Belgian director Gust van den Berghe’s Lucifer was presented with the Grand Prix – including a €10,000 grant from the City of Tallinn - at the 18th edition of the Black Nights Film Festival (Nov 14-30) at the weekend.
This is the first year that Tallinn’s International Competition was held with Black Nights now operating as a Fiapf-designated non-specialised competitive festival.
Van den Berghe’s third feature had its world premiere in Rome’s Cinema d’Oggi competition at the Rome Film Festival in October and is being handled internationally by the Paris/Mexico-based sales company Ndm.
The International Jury including Finnish actress Kati Outinen and film-makers Andrei Proshkin (Russia) and Tomasz Wasilewski (Poland) awarded the prize for Best Cinematographer to Erik Põllumaa for his work on Estonian film-maker Martti Helde’s In The Crosswind and for Best Director to Kyrgyzstan’s Marat Sarulu for Move...
Belgian director Gust van den Berghe’s Lucifer was presented with the Grand Prix – including a €10,000 grant from the City of Tallinn - at the 18th edition of the Black Nights Film Festival (Nov 14-30) at the weekend.
This is the first year that Tallinn’s International Competition was held with Black Nights now operating as a Fiapf-designated non-specialised competitive festival.
Van den Berghe’s third feature had its world premiere in Rome’s Cinema d’Oggi competition at the Rome Film Festival in October and is being handled internationally by the Paris/Mexico-based sales company Ndm.
The International Jury including Finnish actress Kati Outinen and film-makers Andrei Proshkin (Russia) and Tomasz Wasilewski (Poland) awarded the prize for Best Cinematographer to Erik Põllumaa for his work on Estonian film-maker Martti Helde’s In The Crosswind and for Best Director to Kyrgyzstan’s Marat Sarulu for Move...
- 12/1/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Other prizes included a Best Actor prize for Eddie Redmayne for his portrayal of Stephen Hawking in The Theory of Everything.
Belgian director Gust van den Berghe’s Lucifer was presented with the Grand Prix – including a €10,000 grant from the City of Tallinn - at the 18th edition of the Black Nights Film Festival (Nov 14-30) at the weekend.
This is the first year that Tallinn’s International Competition was held with Black Nights now operating as a Fiapf-designated non-specialised competitive festival.
Van den Berghe’s third feature had its world premiere in Rome’s Cinema d’Oggi competition at the Rome Film Festival in October and is being handled internationally by the Paris/Mexico-based sales company Ndm.
The International Jury including Finnish actress Kati Outinen and film-makers Andrei Proshkin (Russia) and Tomasz Wasilewski (Poland) awarded the prize for Best Cinematographer to Erik Põllumaa for his work on Estonian film-maker Martti Helde’s In The Crosswind and for...
Belgian director Gust van den Berghe’s Lucifer was presented with the Grand Prix – including a €10,000 grant from the City of Tallinn - at the 18th edition of the Black Nights Film Festival (Nov 14-30) at the weekend.
This is the first year that Tallinn’s International Competition was held with Black Nights now operating as a Fiapf-designated non-specialised competitive festival.
Van den Berghe’s third feature had its world premiere in Rome’s Cinema d’Oggi competition at the Rome Film Festival in October and is being handled internationally by the Paris/Mexico-based sales company Ndm.
The International Jury including Finnish actress Kati Outinen and film-makers Andrei Proshkin (Russia) and Tomasz Wasilewski (Poland) awarded the prize for Best Cinematographer to Erik Põllumaa for his work on Estonian film-maker Martti Helde’s In The Crosswind and for...
- 12/1/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Industry@Tallinn will feature discussions involving the likes of Jessica Switch of Lionsgate and Jeff Barry & Nigel Meiojas of ICM Partners.
Industry@Tallinn has announced its full programme for its upcoming edition, running Nov 24-28 during the Tallinn Black Nights Film Festival.
Organised by Black Nights and Baltic Event, the programme is targeted to over 500 regional film industry professionals.
This year’s industry talks will look into the impact of feature-length television on the film industry, business customs and practices for Asian collaboration, strategies of linking small scale talent and post production pools to major players, and rebel release tactics in distribution.
Speakers at this year’s event include Jessica Switch, director of development, Lionsgate; Jeff Barry & Nigel Meiojas, ICM Partners; Judy Ahn, head of international, Showbox/MediaPlex Entertainment; Matteo Solaro, Creative Europe/Media; and Sylvia Wroblewska, business and marketing director, Sheffield Doc/Fest.
The Film Festivals Confab will return in collaboration with Independent Cinema Office, focusing...
Industry@Tallinn has announced its full programme for its upcoming edition, running Nov 24-28 during the Tallinn Black Nights Film Festival.
Organised by Black Nights and Baltic Event, the programme is targeted to over 500 regional film industry professionals.
This year’s industry talks will look into the impact of feature-length television on the film industry, business customs and practices for Asian collaboration, strategies of linking small scale talent and post production pools to major players, and rebel release tactics in distribution.
Speakers at this year’s event include Jessica Switch, director of development, Lionsgate; Jeff Barry & Nigel Meiojas, ICM Partners; Judy Ahn, head of international, Showbox/MediaPlex Entertainment; Matteo Solaro, Creative Europe/Media; and Sylvia Wroblewska, business and marketing director, Sheffield Doc/Fest.
The Film Festivals Confab will return in collaboration with Independent Cinema Office, focusing...
- 11/8/2014
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
Name and focus changes for every section, which are now all competitive, resulting in the festival’s structure being “slimmer’.
The ninth Rome Film Festival (Oct 16-25) has revealed a diverse line-up including the Italian premieres for potential awards contenders including David Fincher’s Gone Girl. the world premiere of Takashi Miike’s As the Gods Will and Burhan Qurbani’s We are Young, We are Strong and European premiere of Oren Moverman’s Time Out of Mind, Toronto hit Still Alice and Kahlil Gibran’s The Prophet.
This year for the first time the award-winners in each section of the programme will be decided by the audience on the basis of votes cast after the screenings.
Each section has changed name and focus for 2014 and are all competitive, resulting in the festival’s structure being “slimmer’.
Italian comedies Soap Opera and Andiamo a Quel Paese bookend the line-up.
Full line-up
Cinema D’Oggi
World premiere
• Angely...
The ninth Rome Film Festival (Oct 16-25) has revealed a diverse line-up including the Italian premieres for potential awards contenders including David Fincher’s Gone Girl. the world premiere of Takashi Miike’s As the Gods Will and Burhan Qurbani’s We are Young, We are Strong and European premiere of Oren Moverman’s Time Out of Mind, Toronto hit Still Alice and Kahlil Gibran’s The Prophet.
This year for the first time the award-winners in each section of the programme will be decided by the audience on the basis of votes cast after the screenings.
Each section has changed name and focus for 2014 and are all competitive, resulting in the festival’s structure being “slimmer’.
Italian comedies Soap Opera and Andiamo a Quel Paese bookend the line-up.
Full line-up
Cinema D’Oggi
World premiere
• Angely...
- 9/29/2014
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Gust Van den Berghe has made two films (trailers below), both of which premiered at the last two Cannes. Part of a trilogy, his first was a re-imagination of the Three Wise Men with a cast entirely comprised of actors with down syndrome. His second, Blue Bird is about two African on the hunt for a mysterious bird. We'll be bringing you a review of that soon. Now, he's cpmpleting it with the devil.
Continue reading...
Continue reading...
- 4/18/2012
- QuietEarth.us
Breaking out around the time where Nyff is on its last legs, Montreal's Festival du nouveau cinéma (October 12 to 23) kicks in with about four times the size in volume, and obviously more of an eclectic range. This year is the festival's big 40 - and for the occasion they've commissioned some of the names who've been a part of the festival to each contribute a short film in the context of what is being called the "Cartes Blanches" series. Denis Côté, Deco Dawson, Sophie Deraspe, Rodrigue Jean, Zacharias Kunuk, Marie Losier, Catherine Martin, Bruce McDonald, Théodore Ushev and Denis Villeneuve will each submit a four minute short. For their opening and closing festival items they've got the distinction of showing off Foreign Film Oscar selected items in Philippe Falardeau's Monsieur Lazhar and selected as the opener well before it was announced as France's submission for Oscar is Declaration of War by Valérie Donzelli.
- 9/27/2011
- IONCINEMA.com
Today, Montreal's Festival du nouveau cinéma (Fnc), which will take place between October 12 to 23. Here's the complete line-up of feature films according to the press release we received.
Opening and closing
The 40th edition of the Fnc kicks off on Wednesday, October 12, with Declaration of War by Valérie Donzelli (France) at Cinéma Impérial (Centre Sandra & Leo Kolber, Salle Lucie & André Chagnon). This critically-acclaimed second feature by Valérie Donzelli (The Queen of Hearts) tells the love story of Roméo and Juliette who are battling to save their sick child. The director and her producer Edouard Weil will be in attendance.
Ten days later, on Saturday, October 22, Monsieur Lazhar (Quebec/Canada) by Philippe Falardeau will close the Festival. Selected to represent Canada at the Oscars for Best Foreign Language Film, Monsieur Lahzar shows the efforts of an Algerian schoolteacher to help his Grade 6 students come to terms with their teacher’s death.
Opening and closing
The 40th edition of the Fnc kicks off on Wednesday, October 12, with Declaration of War by Valérie Donzelli (France) at Cinéma Impérial (Centre Sandra & Leo Kolber, Salle Lucie & André Chagnon). This critically-acclaimed second feature by Valérie Donzelli (The Queen of Hearts) tells the love story of Roméo and Juliette who are battling to save their sick child. The director and her producer Edouard Weil will be in attendance.
Ten days later, on Saturday, October 22, Monsieur Lazhar (Quebec/Canada) by Philippe Falardeau will close the Festival. Selected to represent Canada at the Oscars for Best Foreign Language Film, Monsieur Lahzar shows the efforts of an Algerian schoolteacher to help his Grade 6 students come to terms with their teacher’s death.
- 9/27/2011
- by noreply@blogger.com (Anh Khoi Do)
- The Cultural Post
I will soon post a list of films I have already seen that I highly recommend as well as a list of my most anticipated films screening at this year’s Festival du Nouveau Cinema. For now here is the press release from the festival. Make sure you read carefully because there are a ton of great films to check out.
Montreal, Tuesday September 27, 2011– Montreal’s Festival du nouveau cinéma will be celebrating its 40th edition from October 12 to 23. For the past 40 years, Canada’s oldest film festival has offered film buffs a selection of the year’s most exciting new films — a bold lineup with plenty of whimsical and surprising elements, but one that also turns its lens on social realities and the evolution of film and new technologies. Over the course of this year’s 11-day Festival, audiences of all ages can take in features and shorts, fiction films and documentaries,...
Montreal, Tuesday September 27, 2011– Montreal’s Festival du nouveau cinéma will be celebrating its 40th edition from October 12 to 23. For the past 40 years, Canada’s oldest film festival has offered film buffs a selection of the year’s most exciting new films — a bold lineup with plenty of whimsical and surprising elements, but one that also turns its lens on social realities and the evolution of film and new technologies. Over the course of this year’s 11-day Festival, audiences of all ages can take in features and shorts, fiction films and documentaries,...
- 9/27/2011
- by Ricky
- SoundOnSight
Montreal’s Festival du nouveau cinéma has announced their line up for the films competing for the Louve d’Or, a prize of $15 000 awarded to the best film. This marks the festivals 40th year and once again the line up is stellar. If you are not familiar with the festival than now is the time to do so. I honestly think it is the best film festival I have ever been to. While Fantasia may be the most fun, the Fnc not only picks the best of Venice, Cannes and Tiff, but they don’t focus on red carpets, celebrities, nor do they overcharge for tickets. Its classy, laid back and more importantly, all about the movies. Here is the first wave of films announced.
Behold the Lamb, John Mcllduff (Royaume-Uni)
Black Blood, Miaoyan Zhang (Chine)
Blue Bird, Gust Van Den Berghe (Belgique)
Elena, Andrey Zvyagintsev (Russie)
Les Géants, Bouli Lanners (Belgique)
The Island,...
Behold the Lamb, John Mcllduff (Royaume-Uni)
Black Blood, Miaoyan Zhang (Chine)
Blue Bird, Gust Van Den Berghe (Belgique)
Elena, Andrey Zvyagintsev (Russie)
Les Géants, Bouli Lanners (Belgique)
The Island,...
- 9/21/2011
- by Ricky
- SoundOnSight
To follow up on yesterday's roundup of Un Certain Regard remainders...
"The Tati-inspired dance trio of Dominique Abel, Fiona Gordon, and Bruno Romy are at it again, crafting an awfully similar follow-up to their previous feature, Rumba." Blake Williams for Ioncinema: "The Fairy is light on magic and the supernatural, but flutters breezily along with joke-a-minute fluff…. As in their other films, the 'plot' — this one involving a wish-granting fairy — is only really a conceit by which to give the illusion of continuity to what is essentially a string of short films." Screen's Fionnuala Halligan's enjoyed it, though: "Theirs is an old-fashioned, almost silent, routine (their first feature L'Iceberg was virtually wordless) blended beautifully with an arresting dance element." In the Hollywood Reporter, Jordan Mintzer notes that "Tati's hand is evident in the exceptionally precise art direction and camerawork by regulars Nicholas Girault and Claire Childeric."
"The Silver Cliff was...
"The Tati-inspired dance trio of Dominique Abel, Fiona Gordon, and Bruno Romy are at it again, crafting an awfully similar follow-up to their previous feature, Rumba." Blake Williams for Ioncinema: "The Fairy is light on magic and the supernatural, but flutters breezily along with joke-a-minute fluff…. As in their other films, the 'plot' — this one involving a wish-granting fairy — is only really a conceit by which to give the illusion of continuity to what is essentially a string of short films." Screen's Fionnuala Halligan's enjoyed it, though: "Theirs is an old-fashioned, almost silent, routine (their first feature L'Iceberg was virtually wordless) blended beautifully with an arresting dance element." In the Hollywood Reporter, Jordan Mintzer notes that "Tati's hand is evident in the exceptionally precise art direction and camerawork by regulars Nicholas Girault and Claire Childeric."
"The Silver Cliff was...
- 6/1/2011
- MUBI
The sales agent and production company had one heck of a year in 2010 with Le Quattro Volte and Aurora, this year they got two features (Blue Bird and Play) and a Boro in the Box (40-minute film) all playing in the Directors' Fortnight. Of interest we have Ilya Khrzhanovsky still working on Dau (see pic above) --- a Cannes 2012 selection folks? Here's the Coproduction Office slate: Blue Bird by Gust Van Den Berghe - Completed Boro In The Box by Bertrand Mandico - Completed Play by Ruben ÖSTLUND - Completed Meteora by Spiros Stathoulopoulos - Post-Production Paradise (Working Title) by Ulrich Seidl - Post-Production Dau by Ilya Khrzhanovsky - Production L'homme Qui Cache La Foret by Bertrand Mandico - Development Memory Hotel by Heinrich Sabl - Post-Production...
- 5/13/2011
- IONCINEMA.com
Dominique Abel, Fiona Gordon and Bruno Romy's La Fee (The Fairy) will open this year's Directors' Fortnight on May 12 and Bouli Lanners's Les Géants (The Giants) will close it on May 22. Here's how the full lineup of 25 films pans out.
The Fairy. From MK2: "Dom works the night shift in a small hotel near the industrial sea port of Le Havre. One night, a woman arrives with no luggage and no shoes. Her name is Fiona. She tells Dom she is a fairy and grants him three wishes. Fiona makes two wishes come true, then mysteriously disappears. Dom, who by then has fallen in love with Fiona searches for her everywhere and eventually finds her. In the psychiatric hospital where she has been interned. The filmmakers behind the critically acclaimed Iceberg and Rumba are back to enchant the world."
Karim Ainouz's O abismo prateado.
Urszula Antoniak's Code Blue.
The Fairy. From MK2: "Dom works the night shift in a small hotel near the industrial sea port of Le Havre. One night, a woman arrives with no luggage and no shoes. Her name is Fiona. She tells Dom she is a fairy and grants him three wishes. Fiona makes two wishes come true, then mysteriously disappears. Dom, who by then has fallen in love with Fiona searches for her everywhere and eventually finds her. In the psychiatric hospital where she has been interned. The filmmakers behind the critically acclaimed Iceberg and Rumba are back to enchant the world."
Karim Ainouz's O abismo prateado.
Urszula Antoniak's Code Blue.
- 4/21/2011
- MUBI
The final Cannes sidebar of new feature films to unveil its lineup, the Directors' Fortnight (Quinzaine des Réalisateurs), announced 25 features this morning - 21 competing, and 4 special screenings. This year's edition is especially heavy on European films, which take up a whopping 17 of the 21 competing slots. Just like the Critic's Week selection, we've got a majority of debut films and films by little known directors, but also a handful of names that most cinephiles will already be familiar with. This is, of course, part of the pleasure of discovery in these sections: the ability to be taken completely by surprise (ie. last year's Two Gates of Sleep and Le Quattro Volte) that you don't get with finding a masterpiece in the Competition. The Fortnight runs parallel with the Official Competition, opening on May 12th and ending on the 21st. Looking at the lineup, there are a number of names that we saw coming,...
- 4/19/2011
- IONCINEMA.com
The lineup for the Cannes film festival has been finalized with the announcement of the Directors’ Fortnight lineup, which includes Guilty of Romance by one of my personal favourite directors, Sion Sono. The Directors’ Fortnight is an independent section held in parallel to the Cannes Film Festival. The section was created in 1969 after the events of May 1968, in which the Cannes festival was canceled in solidarity with striking workers.
The Directors’ Fortnight showcases a programme of shorts and feature films as well as documentaries from all over the world.
Here’s the complete list of titles:
Directors’ Fortnight Lineup
“Apres le sud,” France, Jean-Jacques Jauffret
“Blue Bird,” Belgium, Gust Van den Berghe
“Breathing,” Austria, Karl Markovics
“Code Blue,” Netherlands-Denmark, Urszula Antoniak
“Corpo celeste,” Italy-Switzerland-France, Alice Rohrwacher
“End of Silence,” France-Austria, Roland Edzard
“La Fee,” Belgium-France, Dominique Abel, Fiona Gordon, Bruno Romy (opening film)
“Les Geants,” Belgium-France-Luxembourg, Bouli Lanners (closing film)
“Impardonnables,...
The Directors’ Fortnight showcases a programme of shorts and feature films as well as documentaries from all over the world.
Here’s the complete list of titles:
Directors’ Fortnight Lineup
“Apres le sud,” France, Jean-Jacques Jauffret
“Blue Bird,” Belgium, Gust Van den Berghe
“Breathing,” Austria, Karl Markovics
“Code Blue,” Netherlands-Denmark, Urszula Antoniak
“Corpo celeste,” Italy-Switzerland-France, Alice Rohrwacher
“End of Silence,” France-Austria, Roland Edzard
“La Fee,” Belgium-France, Dominique Abel, Fiona Gordon, Bruno Romy (opening film)
“Les Geants,” Belgium-France-Luxembourg, Bouli Lanners (closing film)
“Impardonnables,...
- 4/19/2011
- by Ricky
- SoundOnSight
We got the first round of Cannes Film Festival line-up last week, then the Critics’ Week contenders yesterday. Today, the line-up for Director’s Fortnight and Short Film competition has been released. Check out the line-ups below via Deadline and Twitch. Twitch also provides images for Irish director Rebecca Daly‘s debut in the Director’s Fortnight film The Other Side Of Sleep.
It’s worth noting that jury president Michel Gondry will award the Short Film Palme d’Or on the last day of the fest, May 22nd. Bright Star director Jane Campion and Lynne Ramsay, who directed this year’s competition title We Need To Talk About Kevin, both got their start in this competition. Check out the line-ups below and come back for our coverage straight from the fest.
Short Film:
Completing the list of the Official Selection of the 64th Festival de Cannes, and composed this...
It’s worth noting that jury president Michel Gondry will award the Short Film Palme d’Or on the last day of the fest, May 22nd. Bright Star director Jane Campion and Lynne Ramsay, who directed this year’s competition title We Need To Talk About Kevin, both got their start in this competition. Check out the line-ups below and come back for our coverage straight from the fest.
Short Film:
Completing the list of the Official Selection of the 64th Festival de Cannes, and composed this...
- 4/19/2011
- by Jordan Raup
- The Film Stage
Vimukthi Jayasundara
An Indo-France co-production, Chhatrak (Mushrooms) directed by Sri Lankan filmmaker Vimukthi Jayasundara is a part of the official lineup of Cannes Directors Fortnight.
Co-produced by Bappaditya Bandopadhyay from India, Mushrooms is Vimukthi Jayasundara’s third feature film. His debut film The Forsaken Land had won the Camera d’Or for best debut feature at Cannes in 2005.
The complete lineup for Directors Fortnight includes 25 films out of which 6 are first films making them eligible to compete for Camera d’Or.
Directors’ Fortnight Lineup
Apres le sud, France, Jean-Jacques Jauffret
Blue Bird, Belgium, Gust Van den Berghe
Breathing, Austria, Karl Markovics
Code Blue, Netherlands-Denmark, Urszula Antoniak
Corpo celeste, Italy-Switzerland-France, Alice Rohrwacher
End of Silence, France-Austria, Roland Edzard
La Fee, Belgium-France, Dominique Abel, Fiona Gordon, Bruno Romy (opening film)
Les Geants, Belgium-France-Luxembourg, Bouli Lanners (closing film)
Impardonnables, France, Andre Techine
The Island, Bulgaria-Sweden, Kamen Kalev
Iris in Bloom, France, Valerie Mrejen
Joan Captive,...
An Indo-France co-production, Chhatrak (Mushrooms) directed by Sri Lankan filmmaker Vimukthi Jayasundara is a part of the official lineup of Cannes Directors Fortnight.
Co-produced by Bappaditya Bandopadhyay from India, Mushrooms is Vimukthi Jayasundara’s third feature film. His debut film The Forsaken Land had won the Camera d’Or for best debut feature at Cannes in 2005.
The complete lineup for Directors Fortnight includes 25 films out of which 6 are first films making them eligible to compete for Camera d’Or.
Directors’ Fortnight Lineup
Apres le sud, France, Jean-Jacques Jauffret
Blue Bird, Belgium, Gust Van den Berghe
Breathing, Austria, Karl Markovics
Code Blue, Netherlands-Denmark, Urszula Antoniak
Corpo celeste, Italy-Switzerland-France, Alice Rohrwacher
End of Silence, France-Austria, Roland Edzard
La Fee, Belgium-France, Dominique Abel, Fiona Gordon, Bruno Romy (opening film)
Les Geants, Belgium-France-Luxembourg, Bouli Lanners (closing film)
Impardonnables, France, Andre Techine
The Island, Bulgaria-Sweden, Kamen Kalev
Iris in Bloom, France, Valerie Mrejen
Joan Captive,...
- 4/19/2011
- by NewsDesk
- DearCinema.com
The complete lineup for the Director's Fortnight lineup at Cannes 2011 has been announced and joining Sion Sono's Guilty of Romance are films about a sleepwalking woman hunting down her mother's killer and a wheelchair bound man who hijacks a plane using a pair of hand grenades tucked into his adult diaper.Typically the edgier of the Cannes sidebar programs the Fortnight this year is dominated by French and Belgian titles with Sono's title being one of only three Asian selections.Here's the complete list of titles: Directors' Fortnight Lineup "Apres le sud," France, Jean-Jacques Jauffret "Blue Bird," Belgium, Gust Van den Berghe "Breathing," Austria, Karl Markovics "Code Blue," Netherlands-Denmark, Urszula Antoniak "Corpo celeste," Italy-Switzerland-France, Alice Rohrwacher "End of Silence," France-Austria, Roland Edzard "La Fee," Belgium-France,...
- 4/19/2011
- Screen Anarchy
Linda Cardellini plays a soldier who returns home from a tour of duty and has trouble adjusting in artist-turned-director Liza Johnson’s debut feature Return. John Slattery and Michael Shannon co-star. Return is the only U.S. movie selected to play in the prestigious Cannes sidebar Directors' Fortnight, announced this morning in Paris. Johnson is one of several female directors injecting a dose of estrogen into this year’s 25-film lineup. Other women directors include Ireland's Rebecca Daly, whose first film The Other Side of Sleep tells the story of a sleepwalker in a rural town searching for her mother’s killer; Polish filmmaker Urszula Antoniak (Code Blue); Canada’s Isabelle Lavigne and Stephane Thibault (At Night They Dance); and Morocco’s Leila Kilani (Sur La Planche). Directors’ Fortnight runs May 12-22. The lineup: -- Apres le sud (France) - Jean-Jacques Jauffret -- Blue Bird (Belgium) - Gust Van den Berghe...
- 4/19/2011
- by TIM ADLER in London
- Deadline London
Year: 2010
Directors: Gust Van Den Berghe
Writers: Gust Van Den Berghe & Felix Timmermans (novel)
IMDb: link
Trailer: link
Review by: Rick McGrath
Rating: 7 out of 10 (average)
Little Baby Jesus of Flandr is one helluva wacko arthouse flick, even for wacko arthouse flicks. You’ll find out why in a minute. It’s also a vague retelling of the story of the Three Magi, and appears to either celebrate a romantic, naturalistic version of Christianity, or is a not-so-subtle dig at how the power of religious ceremonies can influence the mind. That either/or choice seems to be at the heart of this oddly fascinating flick.
Writer/director Gus Van den Berghe concocted Little Baby Jesus (Lbj) as an extension of his film school graduation project. Seeing as it wowed them at Cannes, I’m guessing he passed. The original story is a 1924 play by Felix Timmermans, a Flanders writer obsessed with religious themes,...
Directors: Gust Van Den Berghe
Writers: Gust Van Den Berghe & Felix Timmermans (novel)
IMDb: link
Trailer: link
Review by: Rick McGrath
Rating: 7 out of 10 (average)
Little Baby Jesus of Flandr is one helluva wacko arthouse flick, even for wacko arthouse flicks. You’ll find out why in a minute. It’s also a vague retelling of the story of the Three Magi, and appears to either celebrate a romantic, naturalistic version of Christianity, or is a not-so-subtle dig at how the power of religious ceremonies can influence the mind. That either/or choice seems to be at the heart of this oddly fascinating flick.
Writer/director Gus Van den Berghe concocted Little Baby Jesus (Lbj) as an extension of his film school graduation project. Seeing as it wowed them at Cannes, I’m guessing he passed. The original story is a 1924 play by Felix Timmermans, a Flanders writer obsessed with religious themes,...
- 8/12/2010
- QuietEarth.us
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