The Permanent Picture
Another directorial debut we are big on is from a Catalan filmmaker who first got noticed with her short The Disinherited – a prize winner at the Critics’ Week in Cannes back in ’17. Laura Ferrés workshopped her film at the Torino Film Lab and Critics’ Week’s Next Step Program and moved into production on her debut back in September. Coined by the filmmaker as a depressing comedy, The Permanent Picture is a Spain-France co-prod shot in Barcelona with stars non-actors María Luengo and Rosario Ortega. Ferrés reteams with cinematographer Agnés Piqué. Volta’s Nadine Rothschild, Fasten Films’ Adrià Monés and Le Bureau’s Gabrielle Dumon produced the film.…...
Another directorial debut we are big on is from a Catalan filmmaker who first got noticed with her short The Disinherited – a prize winner at the Critics’ Week in Cannes back in ’17. Laura Ferrés workshopped her film at the Torino Film Lab and Critics’ Week’s Next Step Program and moved into production on her debut back in September. Coined by the filmmaker as a depressing comedy, The Permanent Picture is a Spain-France co-prod shot in Barcelona with stars non-actors María Luengo and Rosario Ortega. Ferrés reteams with cinematographer Agnés Piqué. Volta’s Nadine Rothschild, Fasten Films’ Adrià Monés and Le Bureau’s Gabrielle Dumon produced the film.…...
- 1/16/2023
- by Eric Lavallée
- IONCINEMA.com
Ferrés’ debut feature started shooting this week near Barcelona.
Director Carlos Vermut, whose Magical Girl won San Sebastian’s Golden Shell in 2016, has teamed up with director Laura Ferrés to co-write a final version of the script for feature The Permanent Picture.
Ferrés’ feature debut The Permanent Picture started shooting this week in El Prat de Llobregat, near Barcelona. Ferrés previously directed 2017 Cannes Critics’ Week short film winner The Disinherited.
Producer Nadine Rothschild of newly-launched Barcelona-based independent production company Volta has also boarded The Permanent Picture, alongside Adrià Monés at Barcelona’s Fasten Films and Gabrielle Dumon at Le Bureau.
Director Carlos Vermut, whose Magical Girl won San Sebastian’s Golden Shell in 2016, has teamed up with director Laura Ferrés to co-write a final version of the script for feature The Permanent Picture.
Ferrés’ feature debut The Permanent Picture started shooting this week in El Prat de Llobregat, near Barcelona. Ferrés previously directed 2017 Cannes Critics’ Week short film winner The Disinherited.
Producer Nadine Rothschild of newly-launched Barcelona-based independent production company Volta has also boarded The Permanent Picture, alongside Adrià Monés at Barcelona’s Fasten Films and Gabrielle Dumon at Le Bureau.
- 9/15/2022
- by Emilio Mayorga
- ScreenDaily
Ferrés’ debut feature started shooting this week near Barcelona.
Director Carlos Vermut, whose Magical Girl won San Sebastian’s Golden Shell in 2016, has teamed up with director Laura Ferrés to co-write a final version of the script for feature The Permanent Picture.
Ferrés’ feature debut The Permanent Picture started shooting this week in El Prat de Llobregat, near Barcelona. Ferrés previously directed 2017 Cannes Critics’ Week short film winner The Disinherited.
Producer Nadine Rothschild of newly-launched Barcelona-based independent production company Volta Films has also boarded The Permanent Picture, alongside Adrià Monés at Barcelona’s Fasten Films and Gabrielle Dumon at Le Bureau.
Director Carlos Vermut, whose Magical Girl won San Sebastian’s Golden Shell in 2016, has teamed up with director Laura Ferrés to co-write a final version of the script for feature The Permanent Picture.
Ferrés’ feature debut The Permanent Picture started shooting this week in El Prat de Llobregat, near Barcelona. Ferrés previously directed 2017 Cannes Critics’ Week short film winner The Disinherited.
Producer Nadine Rothschild of newly-launched Barcelona-based independent production company Volta Films has also boarded The Permanent Picture, alongside Adrià Monés at Barcelona’s Fasten Films and Gabrielle Dumon at Le Bureau.
- 9/15/2022
- by Emilio Mayorga
- ScreenDaily
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