The bleak blockbuster that is "Dune: Part Two" finished up Denis Villeneuve's "Dune" duology in spectacular fashion. After 2021's "Dune" provided a more muted, subtle introduction to the world originally created by author Frank Herbert in his 1965 novel, the sequel delivered epic action, depicting Paul Atreides (Timothée Chalamet)'s transformation into the messianic leader of the Fremen, whom he leads in battle against the evil House Harkonnen. While there's a marked difference between the two movies in terms of pace, one thing that remained consistent was Villeneuve's meticulous attention to detail.
The director didn't want outside interpretations interfering with the design of "Dune" or its sequel, and implored his creative team to refer to Herbert's book for inspiration. But that didn't mean the look of "Dune" and "Part Two" came exclusively from the book. Production designer Patrice Vermette consulted a wide array of sources, leading to sets...
The director didn't want outside interpretations interfering with the design of "Dune" or its sequel, and implored his creative team to refer to Herbert's book for inspiration. But that didn't mean the look of "Dune" and "Part Two" came exclusively from the book. Production designer Patrice Vermette consulted a wide array of sources, leading to sets...
- 5/27/2024
- by Joe Roberts
- Slash Film
Even if you weren't that big a fan of the bleak blockbuster that was "Dune: Part Two" or the equally bleak whisper-shout fest that was its 2021 predecessor "Dune," you've got to admire the artistry involved. If you take even a brief look at the effort that went into it, conceiving and creating the planet Arrakis was nothing short of an ordeal. Director Denis Villeneuve wasn't going to let "Dune" or its sequel become yet another generic CGI-laden blockbuster affair. Instead, he wanted to convey a real sense of texture and reality, even while bringing to life such fantastical source matter as Frank Herbert's 1965 novel.
There's a reason the visual effects team won an Oscar for the first "Dune." Not only did they manage to convincingly create scale, but they also managed to achieve Villeneuve's aim of making the film feel authentic despite the sheer amount of digital and practical effects work involved.
There's a reason the visual effects team won an Oscar for the first "Dune." Not only did they manage to convincingly create scale, but they also managed to achieve Villeneuve's aim of making the film feel authentic despite the sheer amount of digital and practical effects work involved.
- 5/12/2024
- by Joe Roberts
- Slash Film
Colin Farrell as The Penguin was one of the most terrifying characters in Matt Reeves’ The Batman. The way he walked, talked, and acted was enough for many to be convinced that he was truly the best Penguin that DC fans had ever seen. While his acting is to be praised, it is truly the makeup that helped him transform into the notorious crime lord.
Colin Farrell (in Fantastic Beasts and Where to Find Them)
Yet, some fans expressed why the production would hire Farrell and transform him into somebody unrecognizable instead of hiring a talented actor with similar looks as Oswald Cobblepot. A pretty viable point, but once fans see the BTS video of Farrell’s transformation, they will certainly appreciate not only the actor but also Matt Reeves’s vision.
Colin Farrell’s Gruelling Transformation For The Batman Colin Farrell getting the makeup done (via YouTube | Cinevizual)
One...
Colin Farrell (in Fantastic Beasts and Where to Find Them)
Yet, some fans expressed why the production would hire Farrell and transform him into somebody unrecognizable instead of hiring a talented actor with similar looks as Oswald Cobblepot. A pretty viable point, but once fans see the BTS video of Farrell’s transformation, they will certainly appreciate not only the actor but also Matt Reeves’s vision.
Colin Farrell’s Gruelling Transformation For The Batman Colin Farrell getting the makeup done (via YouTube | Cinevizual)
One...
- 3/23/2024
- by Maria Sultan
- FandomWire
Matt Reeves’ The Batman and Denis Villeneuve’s Dunes: Part One share a unique but fascinating connection: their cinematography. Both films, despite being modern releases, boast a visual style reminiscent of the 1970s. This unique appearance was achieved by meticulous design.
Robert Pattinson as Batman
Reeves and his cinematographer Greg Fraser took a unique approach to capturing the visual elements of The Batman. Taking inspiration from gritty 1970s thrillers like Clute and All the President’s Men, they’ve deliberately opted for classic anamorphic lenses.
SUGGESTEDDune: Part One Cashes in $30M at the Box Office Despite Being Available For Free on Streaming, Raises Hype For Sequel
And, the same technique, that combines the power of digital filmmaking with the classic charm of making a movie. was also used in Denis Villeneuve’s Dune: Part One, where the cinematographer was Greig Fraser again.
How Does The Batman and Dune: Part One Share a Visual Secret?...
Robert Pattinson as Batman
Reeves and his cinematographer Greg Fraser took a unique approach to capturing the visual elements of The Batman. Taking inspiration from gritty 1970s thrillers like Clute and All the President’s Men, they’ve deliberately opted for classic anamorphic lenses.
SUGGESTEDDune: Part One Cashes in $30M at the Box Office Despite Being Available For Free on Streaming, Raises Hype For Sequel
And, the same technique, that combines the power of digital filmmaking with the classic charm of making a movie. was also used in Denis Villeneuve’s Dune: Part One, where the cinematographer was Greig Fraser again.
How Does The Batman and Dune: Part One Share a Visual Secret?...
- 3/20/2024
- by Prantik Prabal Roy
- FandomWire
Dune: Awakening, Funcom’s upcoming open-world survival title set within Frank Herbert’s iconic universe, received a comprehensive overview earlier this month via a new trailer.
Details regarding base building, combat mechanics, and the harsh desert environment of Arrakis were revealed in the trailer, which enjoyed a lot of popularity thanks to Dune: Part 2 reinvigorating fan interest. However, a conspicuous omission garnered the attention of hardcore Dune fans: the absence of sandworm riding at launch.
Don’t Try To Get Atop Those Sandworms
Sandworms are only to be run away from at Awakening‘s launch. Image credit: Funcom
Riding sandworms is a core element of Dune lore, where riders traverse the vast desert dunes (pun intended) atop colossal sandworms. The movies feature this as well, but strangely, it will not be available in the initial release of Dune: Awakening.
However, Dune fans can lower their pitchforks and snuff out the torches.
Details regarding base building, combat mechanics, and the harsh desert environment of Arrakis were revealed in the trailer, which enjoyed a lot of popularity thanks to Dune: Part 2 reinvigorating fan interest. However, a conspicuous omission garnered the attention of hardcore Dune fans: the absence of sandworm riding at launch.
Don’t Try To Get Atop Those Sandworms
Sandworms are only to be run away from at Awakening‘s launch. Image credit: Funcom
Riding sandworms is a core element of Dune lore, where riders traverse the vast desert dunes (pun intended) atop colossal sandworms. The movies feature this as well, but strangely, it will not be available in the initial release of Dune: Awakening.
However, Dune fans can lower their pitchforks and snuff out the torches.
- 3/19/2024
- by Viraaj Bhatnagar
- FandomWire
The post-apocalyptic sci-fi action film The Creator, the latest from Monsters, Godzilla, and Rogue One: A Star Wars Story director Gareth Edwards, is set to reach theatres on September 29th, but an early screening was held recently – and the first reactions to the film indicate Edwards has made this one worth the seven year wait since the release of Rogue One. Viewers who had the chance to see The Creator are using descriptions like “masterful”, “masterpiece”, “visually stunning”, “profound”, “mesmerizing”, and “breathtaking”. Word is that this is one of the best sci-fi movies in decades. So we have gathered some of the reactions together for you to take a look at here:
#TheCreator is a masterpiece of an #AI story. It had me in tears. Watching a film without knowing how it would play out was such a joy. Gareth Edwards shot a beautiful film. John David Washington deserves to be recognized during awards season.
#TheCreator is a masterpiece of an #AI story. It had me in tears. Watching a film without knowing how it would play out was such a joy. Gareth Edwards shot a beautiful film. John David Washington deserves to be recognized during awards season.
- 9/19/2023
- by Cody Hamman
- JoBlo.com
20th Century Studios has just released the second trailer for the upcoming John David Washington sci-fi flick, The Creator, from Rogue One‘s Gareth Edwards. The new trailer showcases the ultra-wide aspect ratio, which presents the movie in 2.76:1, which is comparable to Ben-Hur. It will also be screening in IMAX theaters when released on September 29th.
The official synopsis for The Creator reads:
Amidst a future war between the human race and the forces of artificial intelligence, Joshua (Washington), a hardened ex-special forces agent grieving the disappearance of his wife (Chan), is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war… and mankind itself. Joshua and his team of elite operatives journey across enemy lines, into the dark heart of AI-occupied territory… only to discover the world-ending weapon he’s been...
The official synopsis for The Creator reads:
Amidst a future war between the human race and the forces of artificial intelligence, Joshua (Washington), a hardened ex-special forces agent grieving the disappearance of his wife (Chan), is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war… and mankind itself. Joshua and his team of elite operatives journey across enemy lines, into the dark heart of AI-occupied territory… only to discover the world-ending weapon he’s been...
- 7/17/2023
- by EJ Tangonan
- JoBlo.com
From the beautiful mind of Rogue One and Godzilla director Gareth Edwards comes another science-fiction epic that’s as thought-provoking as it is visually splendiferous. 20th Century Studios, New Regency, and Entertainment One have released a trailer for The Creator, opening in theaters on September 29. The Creator trailer depicts a world ravaged by a war between humankind and machine. If anyone wants to survive, they’ll need to adapt, fight back, and question what kind of world they want to live in.
Here’s the official synopsis for The Creator:
Amidst a future war between the human race and the forces of artificial intelligence, Joshua (Washington), a hardened ex-special forces agent grieving the disappearance of his wife (Chan), is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war… and mankind itself.
Here’s the official synopsis for The Creator:
Amidst a future war between the human race and the forces of artificial intelligence, Joshua (Washington), a hardened ex-special forces agent grieving the disappearance of his wife (Chan), is recruited to hunt down and kill the Creator, the elusive architect of advanced AI who has developed a mysterious weapon with the power to end the war… and mankind itself.
- 5/17/2023
- by Steve Seigh
- JoBlo.com
The hype machine for Matt Reeves‘ reboot of the ‘Batman’ franchise has almost hit its crescendo as “The Batman” is about to hit theaters early next month. Audiences around the globe will finally get to see Robert Pattinson‘s take on both Bruce Wayne and the Caped Crusader, as Reeves guides us into more of a gritty crime thriller version of Gotham City thanks to the slick visuals courtesy of Oscar-nominated “Dune” cinematographer Greg Fraser.
Continue reading Robert Pattinson Calls ‘The Batman’ A “Sad Movie” & His Take On The Vigilante Has A “Nihilistic Slant” at The Playlist.
Continue reading Robert Pattinson Calls ‘The Batman’ A “Sad Movie” & His Take On The Vigilante Has A “Nihilistic Slant” at The Playlist.
- 2/9/2022
- by Christopher Marc
- The Playlist
“A cinematographer is a visual psychiatrist–moving an audience through a movie […] making them think the way you want them to think, painting pictures in the dark,” said the late, great Gordon Willis. As we continue our year-end coverage, one aspect we must highlight is, indeed, cinematography. From talented newcomers to seasoned professionals, we’ve rounded up the examples that have most impressed us this year. Check out our rundown below.
About Endlessness (Gergely Pálos)
Working with close collaborator Gregory Palos, director Roy Andersson rids About Endlessness of any color contrast (there are almost no shadows too) to create a surreal but superficial uniformity implying the banality of everyday tasks. The film’s use of static one-shots over a series of vignettes paints life in a period of stasis. Andersson’s aesthetic choices give the film a sense of transcendence while uncovering the dark humor of everyday life while still looking gorgeous,...
About Endlessness (Gergely Pálos)
Working with close collaborator Gregory Palos, director Roy Andersson rids About Endlessness of any color contrast (there are almost no shadows too) to create a surreal but superficial uniformity implying the banality of everyday tasks. The film’s use of static one-shots over a series of vignettes paints life in a period of stasis. Andersson’s aesthetic choices give the film a sense of transcendence while uncovering the dark humor of everyday life while still looking gorgeous,...
- 12/22/2021
- by The Film Stage
- The Film Stage
Mosaic Defredes and Allison Daniel pleaded guilty today on charges relating to the possession and sale of thousands of counterfeit DVDs.
The two appeared in the Downing Centre Local Court..
Defredes and Daniel were arrested in April 2013, following the seizure of a total of approximately 1.2 million DVDs. .
Detectives from Quakers Hill Police conducted the operation with the support of investigators from the Australian Screen Association.
Defredes and Daniel had also sold over 65,000 DVDs totalling over $1.6 million in sales on eBay..
A factory unit in Kings Park was used for assembling and packaging the DVDs.
At today.s court appearance both Defredes and Daniel pleaded guilty to two counts contrary to 132Aj and 132Ac of the Copyright Act, according to a statement released by the Australian Screen Association..
The charges related to jointly participating in a criminal enterprise of possessing thousands of DVDs comprising 251 individual cinematograph films and television program titles...
The two appeared in the Downing Centre Local Court..
Defredes and Daniel were arrested in April 2013, following the seizure of a total of approximately 1.2 million DVDs. .
Detectives from Quakers Hill Police conducted the operation with the support of investigators from the Australian Screen Association.
Defredes and Daniel had also sold over 65,000 DVDs totalling over $1.6 million in sales on eBay..
A factory unit in Kings Park was used for assembling and packaging the DVDs.
At today.s court appearance both Defredes and Daniel pleaded guilty to two counts contrary to 132Aj and 132Ac of the Copyright Act, according to a statement released by the Australian Screen Association..
The charges related to jointly participating in a criminal enterprise of possessing thousands of DVDs comprising 251 individual cinematograph films and television program titles...
- 4/5/2016
- by Staff Writer
- IF.com.au
The creative leaps forward we've been seeing in the past decade have been staggering with our prominent cinematographers constantly developing new ways to experiment with visual storytelling and reinventing old tricks. Each year we also get exciting new voices added to the fray, but the Academy's cinematography branch has been reticent to include such future legends as Bradford Young and Greg Fraser.
This year is no different, with the heavyweight directors of photography set to dominate the category once again. Previous winners and perenial nominees Emmanuel Lubezki (The Revenant), Robert Richardson (the 70Mm UltraPanivision The Hateful Eight), Janusz Kaminski (Bridge of Spies) and John Seale (Mad Max: Fury Road) are all possible candidates, with the still Oscar-less Roger Deakins (pictured above, Sicario) is always a threat. Our likeliest first-time nominee Edward Lachman for Carol is an example of how hard it can be to break through while delivering brilliant work.
This year is no different, with the heavyweight directors of photography set to dominate the category once again. Previous winners and perenial nominees Emmanuel Lubezki (The Revenant), Robert Richardson (the 70Mm UltraPanivision The Hateful Eight), Janusz Kaminski (Bridge of Spies) and John Seale (Mad Max: Fury Road) are all possible candidates, with the still Oscar-less Roger Deakins (pictured above, Sicario) is always a threat. Our likeliest first-time nominee Edward Lachman for Carol is an example of how hard it can be to break through while delivering brilliant work.
- 12/17/2015
- by Chris Feil
- FilmExperience
Jessica Chastain, Matthew McConaughey, Rachel Weisz, and many more stars celebrated their fellow actors and filmmakers at the New York Film Critics Circle Awards in New York City last night. Matthew, who wore a suit by Dolce&Gabbana, won best supporting actor for his performances in Magic Mike and Bernie while Rachel beat out Jessica - who did triple-duty that night by appearing on the Late Show and attending a screening for Mama in addition to this event - for best actress for her role in The Deep Blue Sea. Rachel's husband Daniel Craig cheered Rachel on from the audience when she won her award. Jessica's film Zero Dark Thirty was the big winner of the night, earning best director for Kathryn Bigelow and best cinematography for Greg Fraser. Highly-buzzed-about films Les Misérables and Argo missed out altogether. However, those films and their stars will have plenty of chances to...
- 1/8/2013
- by Maria Mercedes Lara
- Popsugar.com
New York -- The New York Film Critics Circle named Kathryn Bigelow's "Zero Dark Thirty" the best film of 2012, voicing its strong support for the grimly journalistic Osama bin Laden docudrama. Bigelow, whose "Hurt Locker" won best picture at the Academy Awards in 2010, also won best director in the awards announced Monday, and Greg Fraser won for the film's cinematography.
- 12/3/2012
- by Alex Suskind
- Moviefone
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