The chorus of voices calling for an end to the traditional, rigid release windows in Australia keeps getting louder.
Distribution consultant Thomas Mai today described the 120-day gap between theatrical and home entertainment as .obnoxious,. observing, it .doesn.t work anymore..
Mai was speaking at a panel entitled The Director as Distributor at the Australian Directors Guild conference, where the virtues of self-distribution were extolled. The panel was moderated by researcher/writer Laura Carroll Harris, whose essay Not at a Cinema Near You: Australia.s film distribution problem, has just been published by Currency Press.
Launching the essay on Thursday night, entertainment lawyer Ian Robertson backed Harris. argument that Australians must find new ways of reaching audiences. .The current system of distributing Australian-financed feature films is substantially broken, and I know that savvy and experienced Australian film makers are aware of this and are preparing for the new world ahead,...
Distribution consultant Thomas Mai today described the 120-day gap between theatrical and home entertainment as .obnoxious,. observing, it .doesn.t work anymore..
Mai was speaking at a panel entitled The Director as Distributor at the Australian Directors Guild conference, where the virtues of self-distribution were extolled. The panel was moderated by researcher/writer Laura Carroll Harris, whose essay Not at a Cinema Near You: Australia.s film distribution problem, has just been published by Currency Press.
Launching the essay on Thursday night, entertainment lawyer Ian Robertson backed Harris. argument that Australians must find new ways of reaching audiences. .The current system of distributing Australian-financed feature films is substantially broken, and I know that savvy and experienced Australian film makers are aware of this and are preparing for the new world ahead,...
- 11/8/2013
- by Don Groves
- IF.com.au
The chorus of voices calling for an end to the traditional, rigid release windows in Australia keeps getting louder.
Distribution consultant Thomas Mai today described the 120-day gap between theatrical and home entertainment as .obnoxious,. observing, it .doesn.t work anymore..
Mai was speaking at a panel entitled The Director as Distributor at the Australian Directors Guild conference, where the virtues of self-distribution were extolled. The panel was moderated by researcher/writer Laura Carroll Harris, whose essay Not at a Cinema Near You: Australia.s film distribution problem, has just been published by Currency Press.
Launching the essay on Thursday night, entertainment lawyer Ian Robertson backed Harris. argument that Australians must find new ways of reaching audiences. .The current system of distributing Australian-financed feature films is substantially broken, and I know that savvy and experienced Australian film makers are aware of this and are preparing for the new world ahead,...
Distribution consultant Thomas Mai today described the 120-day gap between theatrical and home entertainment as .obnoxious,. observing, it .doesn.t work anymore..
Mai was speaking at a panel entitled The Director as Distributor at the Australian Directors Guild conference, where the virtues of self-distribution were extolled. The panel was moderated by researcher/writer Laura Carroll Harris, whose essay Not at a Cinema Near You: Australia.s film distribution problem, has just been published by Currency Press.
Launching the essay on Thursday night, entertainment lawyer Ian Robertson backed Harris. argument that Australians must find new ways of reaching audiences. .The current system of distributing Australian-financed feature films is substantially broken, and I know that savvy and experienced Australian film makers are aware of this and are preparing for the new world ahead,...
- 11/8/2013
- by Don Groves
- IF.com.au
There is nothing inherently wrong with Australian films but for many, conventional theatrical release isn.t the answer, according to a new study of the film industry.
Not at a Cinema Near You: Australia.s film distribution problem makes a compelling case for the traditional structures to be abandoned. In its place, it proposes Australian films would be released in a variety of ways including, on occasions, simultaneously in cinemas and on DVD and Video-on-Demand, plus self-organised screenings outside the multiplex/art-house circuits.
The essay.s author Laura Carroll Harris argues that instead of requiring local films to have an Australian theatrical distributor as a pre-requisite for the producer offset, the definition of market attachment should be expanded to include DVD, Video-on-Demand and non-theatrical, alternative distribution. By this means, she says, .the distribution of small-budget releases would be diversified in circuits to which viewers are gravitating..
Most of these ideas...
Not at a Cinema Near You: Australia.s film distribution problem makes a compelling case for the traditional structures to be abandoned. In its place, it proposes Australian films would be released in a variety of ways including, on occasions, simultaneously in cinemas and on DVD and Video-on-Demand, plus self-organised screenings outside the multiplex/art-house circuits.
The essay.s author Laura Carroll Harris argues that instead of requiring local films to have an Australian theatrical distributor as a pre-requisite for the producer offset, the definition of market attachment should be expanded to include DVD, Video-on-Demand and non-theatrical, alternative distribution. By this means, she says, .the distribution of small-budget releases would be diversified in circuits to which viewers are gravitating..
Most of these ideas...
- 10/23/2013
- by Don Groves
- IF.com.au
Screen Australia has chipped in $200,000 to lift this year.s Hive Production Fund to $800,000.
The funding announcement - which adds to equal installments by the Adelaide Film Festival, the Australia Council for the Arts, and ABC Television - was made last night by South Australian Minister for the Arts, John Hill, at the Melbourne Festival. Screen Australia previously supported the initiaitive through development funding for script workshops.
The Hive Production Fund was inspired by the Hive Lab, which brings filmmakers and artists together in a creative environment. The artists at this year.s lab include Bill Henson, Dr Brenda Croft, Eddie Perfect, Sam Haren, Daniel Koerner, Rachael Swain, Cat Jones, Lally Katz and Sean Riley; filmmakers Samantha Lang, Sophie Raymond, Sascha Ettinger Epstein, Paola Morabito, Nassiem Valamanesh, Eddie White, Natasha Pincus and Lucinda Clutterbuck; and artist and filmmaker John Gillies.
Last year.s inaugural $600,000 Hive Production Fund supported three projects...
The funding announcement - which adds to equal installments by the Adelaide Film Festival, the Australia Council for the Arts, and ABC Television - was made last night by South Australian Minister for the Arts, John Hill, at the Melbourne Festival. Screen Australia previously supported the initiaitive through development funding for script workshops.
The Hive Production Fund was inspired by the Hive Lab, which brings filmmakers and artists together in a creative environment. The artists at this year.s lab include Bill Henson, Dr Brenda Croft, Eddie Perfect, Sam Haren, Daniel Koerner, Rachael Swain, Cat Jones, Lally Katz and Sean Riley; filmmakers Samantha Lang, Sophie Raymond, Sascha Ettinger Epstein, Paola Morabito, Nassiem Valamanesh, Eddie White, Natasha Pincus and Lucinda Clutterbuck; and artist and filmmaker John Gillies.
Last year.s inaugural $600,000 Hive Production Fund supported three projects...
- 10/10/2012
- by Brendan Swift
- IF.com.au
The Hive Lab has announced its film-makers to collaborate with artists, theatre actors, choreographers, animators and writers over 11-14 October. The list of film-makers include Sophie Raymond, co-director of Mrs Carey’s Concert and Natasha Pincus, director of music video Somebody That I Used to Know by Gotye with artists such as Eddie Perfect and Bill Henson.The announcement:
A roll call of some of Australia’s most extraordinary artists, filmmakers, theatre practitioners, choreographers, animators and writers have signed up for the Hive Lab, taking place during the Melbourne Festival from 11-14 October. The four-day Hive Lab brings seventeen filmmakers and artists together in a creative clash of cultures, nurturing new ideas that cut across artistic boundaries.
The second Hive Lab was originally conceived by Adelaide Film Festival and is co-presented with Australia Council, ABC TV, Screen Australia and the South Australian Film Corporation.
The 2012 Hive Lab participants are arts and performance practitioners Bill Henson,...
A roll call of some of Australia’s most extraordinary artists, filmmakers, theatre practitioners, choreographers, animators and writers have signed up for the Hive Lab, taking place during the Melbourne Festival from 11-14 October. The four-day Hive Lab brings seventeen filmmakers and artists together in a creative clash of cultures, nurturing new ideas that cut across artistic boundaries.
The second Hive Lab was originally conceived by Adelaide Film Festival and is co-presented with Australia Council, ABC TV, Screen Australia and the South Australian Film Corporation.
The 2012 Hive Lab participants are arts and performance practitioners Bill Henson,...
- 9/13/2012
- by Colin Delaney
- Encore Magazine
Cockatoo Island plays host to Sydney Harbour’s new International Film Festival in October. And adding a bit of spice to the mix they’re introducing a sailing event, inviting film lovers to climb aboard with the stars a month before the festival kicks off.
The announcement:
Australia’s newest and most novel international film festival is adding a spectacular celebrity-studded sailing event to its program.
The Cockatoo Island Classic will bring down the curtain on the inaugural five-day Cockatoo Island Film Festival, with participants finishing off the southernmost point of the Island on the afternoon of October 28.
There’s a photo call and announcement this Wednesday to outline the event:
When:
Wednesday, September 12 at 10.30am
Who:
Classic 13-metre boat Antara, built in 1951
Logie and AFI Award winning actor Gyton Grantley
Muriel’s Wedding, Rake and Paper Giants star Matt Day
Rats In The Ranks and Mrs Carey’s Concert...
The announcement:
Australia’s newest and most novel international film festival is adding a spectacular celebrity-studded sailing event to its program.
The Cockatoo Island Classic will bring down the curtain on the inaugural five-day Cockatoo Island Film Festival, with participants finishing off the southernmost point of the Island on the afternoon of October 28.
There’s a photo call and announcement this Wednesday to outline the event:
When:
Wednesday, September 12 at 10.30am
Who:
Classic 13-metre boat Antara, built in 1951
Logie and AFI Award winning actor Gyton Grantley
Muriel’s Wedding, Rake and Paper Giants star Matt Day
Rats In The Ranks and Mrs Carey’s Concert...
- 9/10/2012
- by Zoe Ferguson
- Encore Magazine
Matt Saville, Tony Krawitz and Jeffrey Walker won two awards each at the Australian Directors Guild Awards on Friday evening.
Saville won for the episode of The Slap that focused on Harry and for Cloudstreet in the drama series and mini-series categories respectively; Krawitz.s The Tall Man was voted best film in the feature documentary category and he was also chosen as the Finders Award recipient; and Jeffrey Walker was presented with both the inaugural Esben Storm Award for children.s TV for series three of H2O: Just Add Water and the award for TV comedy for Angry Boys.
Mrs Carey.s Concert, directed by Bob Connolly and Sophie Raymond, was the joint winner of the documentary feature category, and Walker shared his comedy award with Stuart MacDonald and the show.s on-screen star, Chris Lilley.
One of the most touching moments of the night was when the audience...
Saville won for the episode of The Slap that focused on Harry and for Cloudstreet in the drama series and mini-series categories respectively; Krawitz.s The Tall Man was voted best film in the feature documentary category and he was also chosen as the Finders Award recipient; and Jeffrey Walker was presented with both the inaugural Esben Storm Award for children.s TV for series three of H2O: Just Add Water and the award for TV comedy for Angry Boys.
Mrs Carey.s Concert, directed by Bob Connolly and Sophie Raymond, was the joint winner of the documentary feature category, and Walker shared his comedy award with Stuart MacDonald and the show.s on-screen star, Chris Lilley.
One of the most touching moments of the night was when the audience...
- 5/14/2012
- by Sandy George
- IF.com.au
Sleeping Beauty: won best direction in a feature
This evening’s Australian Directors’ Guild Awards saw Julia Leigh claim the best direction in a feature film gong for Sleeping Beauty.
Matthew Saville won two awards – for best direction in a TV mini series for Cloudstreet and best direction in a TV drama series for The Slap.
Sbs series Go Back To Where You Came From, which has just won international acclaim at the Rose d’Or Festival in Switzerland, took the best direction of a documentary series award for Ivan O’Mahoney.
Best direction of a TV ad went to Damien Toogood for Sydney Dogs and Cats Home.
The results in full:
Best Direction in a TV Drama Series: Matthew Saville for The Slap (Ep 3 – Harry) Best Direction in a TV Mini Series: Matthew Saville for Cloudstreet Best Direction in a Feature Film: Julia Leigh for Sleeping Beauty Best...
This evening’s Australian Directors’ Guild Awards saw Julia Leigh claim the best direction in a feature film gong for Sleeping Beauty.
Matthew Saville won two awards – for best direction in a TV mini series for Cloudstreet and best direction in a TV drama series for The Slap.
Sbs series Go Back To Where You Came From, which has just won international acclaim at the Rose d’Or Festival in Switzerland, took the best direction of a documentary series award for Ivan O’Mahoney.
Best direction of a TV ad went to Damien Toogood for Sydney Dogs and Cats Home.
The results in full:
Best Direction in a TV Drama Series: Matthew Saville for The Slap (Ep 3 – Harry) Best Direction in a TV Mini Series: Matthew Saville for Cloudstreet Best Direction in a Feature Film: Julia Leigh for Sleeping Beauty Best...
- 5/11/2012
- by Robin Hicks
- Encore Magazine
The Australian Director’s Guild has announced its nominees for the 2012 Adg Awards
Across the various categories, the nominations include Justin Kurzel for Snowtown, Matthew Saville for The Slap, Tony Krawitz for The Tall Man, Paul Scott for documentary series Outback Fight Club and Bruce Hunt for Subaru Xv’s Carwash.
The ceremony will be held as part of the Adg’s 30th anniversary at the Australian Maritime Museum in Sydney on May 11.
Kingston Anderson, general manager of the Adg said: “This will be the largest celebration and Awards ceremony the Adg has ever hosted and will be an opportunity to highlight the many achievements of Adg members over the past 30 years and the significant role they have played in the development of the Australian screen industry, as well as to honour the best directors of 2012.”
The nominations are:
Feature film
Brendan Fletcher - Mad Bastards
Justin Kurzel – Snowtown
Julia Leigh...
Across the various categories, the nominations include Justin Kurzel for Snowtown, Matthew Saville for The Slap, Tony Krawitz for The Tall Man, Paul Scott for documentary series Outback Fight Club and Bruce Hunt for Subaru Xv’s Carwash.
The ceremony will be held as part of the Adg’s 30th anniversary at the Australian Maritime Museum in Sydney on May 11.
Kingston Anderson, general manager of the Adg said: “This will be the largest celebration and Awards ceremony the Adg has ever hosted and will be an opportunity to highlight the many achievements of Adg members over the past 30 years and the significant role they have played in the development of the Australian screen industry, as well as to honour the best directors of 2012.”
The nominations are:
Feature film
Brendan Fletcher - Mad Bastards
Justin Kurzel – Snowtown
Julia Leigh...
- 4/16/2012
- by Colin Delaney
- Encore Magazine
It seems controversy leads to awards. The two big winners at last night.s inaugural Aacta Awards were thriller feature film Snowtown and TV drama series The Slap. Both renowned for their controversial nature, the film and TV series netted four and five gongs respectively.
Snowtown, about Australian serial killer John Bunting who befriends a 16-year-old, was honoured in the Best Direction (Justin Kurzel), Best Adapted Screenplay (Shaun Grant), Best Actor (Daniel Henshall) and Best Supporting Actress (Louise Harris) categories.
The last two awards were particularly impressive as neither actor had appeared in a feature film before. While Henshall had previously acted in such shows as Out of the Blue, it was Harris. first ever acting role.
The four gongs awarded last night at the Sydney Opera House brings the film.s tally to an impressive six Aacta Awards after receiving Best Editing (Veronika Jenet Ase) and Best Sound (Frank Lipson Mpse,...
Snowtown, about Australian serial killer John Bunting who befriends a 16-year-old, was honoured in the Best Direction (Justin Kurzel), Best Adapted Screenplay (Shaun Grant), Best Actor (Daniel Henshall) and Best Supporting Actress (Louise Harris) categories.
The last two awards were particularly impressive as neither actor had appeared in a feature film before. While Henshall had previously acted in such shows as Out of the Blue, it was Harris. first ever acting role.
The four gongs awarded last night at the Sydney Opera House brings the film.s tally to an impressive six Aacta Awards after receiving Best Editing (Veronika Jenet Ase) and Best Sound (Frank Lipson Mpse,...
- 1/31/2012
- by Sam Dallas
- IF.com.au
Australian films grossed just 3.9 per cent of the total takings at the 2011 box office, new statistics reveal.
The 3.9 per cent . $42.9 million . from 44 local titles is down on the previous year's figures of $50.6 million (4.5 per cent, 41 titles)..
Feel-good family film Red Dog was largely responsible for the result ($21.3 million) in a year that saw audiences hand over $1.09 billion at cinema complexes.
Distributor Roadshow opened Red Dog on 245 screens in early-August before word-of-mouth kicked in. It posted increasing box office receipts and eventually rose to a maximum of 271 screens five weeks later.
Other popular local films included Oranges and Sunshine and Sanctum (which, with a worldwide gross of more than $US100 million, is now in the top 10 Australian films in overseas territories list).
Screen Australia.s acting chief executive, Fiona Cameron, praised the local achievements . particularly Bob Connolly/Sophie Raymond's feature documentary Mrs. Carey.s Concert, which raked in more than...
The 3.9 per cent . $42.9 million . from 44 local titles is down on the previous year's figures of $50.6 million (4.5 per cent, 41 titles)..
Feel-good family film Red Dog was largely responsible for the result ($21.3 million) in a year that saw audiences hand over $1.09 billion at cinema complexes.
Distributor Roadshow opened Red Dog on 245 screens in early-August before word-of-mouth kicked in. It posted increasing box office receipts and eventually rose to a maximum of 271 screens five weeks later.
Other popular local films included Oranges and Sunshine and Sanctum (which, with a worldwide gross of more than $US100 million, is now in the top 10 Australian films in overseas territories list).
Screen Australia.s acting chief executive, Fiona Cameron, praised the local achievements . particularly Bob Connolly/Sophie Raymond's feature documentary Mrs. Carey.s Concert, which raked in more than...
- 1/23/2012
- by Sam Dallas
- IF.com.au
Australian cinematographer Don McAlpine (Acs/Asc) received two standing ovations after tributes from longtime colleagues Jack Thompson and Bruce Beresford at the inaugural Australian Academy Cinema Television Arts (Aacta) awards yesteryday.
McAlpine was awarded the coveted Raymond Longford Award for a lifetime achievement in cinema. McAlpine’s career spans over 50 films including Moulin Rouge and William Shakespeare’s Romeo + Juliet, Breaker Morant and most recently Mental.
The ceremony, hosted by Sigrid Thornton, was the first for the newly formed academy. The ceremony also included the announcement of the Australian academy’s international awards to recognise excellence in film. The announcements were made during a live cross to actress Jackie Weaver at the G’Day USA Gala in Los Angeles.
Further awards for both Australian cinema and TV and the international awards will be presented on January 31 at the Opera House.
The Winners
Raymond Longford Award
Don McAlpine
Byron Kennedy Award...
McAlpine was awarded the coveted Raymond Longford Award for a lifetime achievement in cinema. McAlpine’s career spans over 50 films including Moulin Rouge and William Shakespeare’s Romeo + Juliet, Breaker Morant and most recently Mental.
The ceremony, hosted by Sigrid Thornton, was the first for the newly formed academy. The ceremony also included the announcement of the Australian academy’s international awards to recognise excellence in film. The announcements were made during a live cross to actress Jackie Weaver at the G’Day USA Gala in Los Angeles.
Further awards for both Australian cinema and TV and the international awards will be presented on January 31 at the Opera House.
The Winners
Raymond Longford Award
Don McAlpine
Byron Kennedy Award...
- 1/15/2012
- by Brooke Hemphill
- Encore Magazine
The Hunter has lead the Aacta Awards with 14 nominations including best film.
The film, by Daniel Nettheim, is also up for best direction, adapted screenplay, cinematography, sound, production design, costume, original music score, and visual effects. Meanwhile, Willem Dafoe, Frances O’Connor, Sam Neill and Morgana Davies are all up for acting awards.
The film has currently made just over $1m at the local box office.
It’s the first year for the re-launched AACTAs, formerly the AFI awards.
The technical awards will be given out at a luncheon on 15 January at the Sydney Opera House, with an evening ceremony for the more ‘public-friendly’ awards held at the Opera House on 31 January.
Running against The Hunter for best film is Red Dog, Mad Bastards, The Eye of the Storm, Snowtown and Oranges and Sunshine.
The Eye of the Storm, was second in the nominations race with 12, of which six are...
The film, by Daniel Nettheim, is also up for best direction, adapted screenplay, cinematography, sound, production design, costume, original music score, and visual effects. Meanwhile, Willem Dafoe, Frances O’Connor, Sam Neill and Morgana Davies are all up for acting awards.
The film has currently made just over $1m at the local box office.
It’s the first year for the re-launched AACTAs, formerly the AFI awards.
The technical awards will be given out at a luncheon on 15 January at the Sydney Opera House, with an evening ceremony for the more ‘public-friendly’ awards held at the Opera House on 31 January.
Running against The Hunter for best film is Red Dog, Mad Bastards, The Eye of the Storm, Snowtown and Oranges and Sunshine.
The Eye of the Storm, was second in the nominations race with 12, of which six are...
- 11/30/2011
- by Colin Delaney
- Encore Magazine
Six local documentaries will screen across five categories at Amsterdam’s Idfa (International Documentary Film Festival Amsterdam) from 16-27 November.
Screen Australia’s documentary manager, Liz Stevens said in a statement: “The inclusion of Australian documentaries at Idfa, one of the world’s top-tier documentary events, is a strong vote of confidence in Australian documentary and a significant achievement for the filmmakers.”
“The quality and range of work chosen for Idfa reflects the strength of craft and creativity found in Australian documentaries which are engaging audiences both at home and abroad.”
Then the Wind Changed, written/directed by Celeste Geer and My Thai Bride, directed by David Tucker and written by Ashleigh Hooker will screen in competition for the mid-length documentary.
Screening in the Green Screen Documentary competition, for environmental films is Tom Zubrycki’s The Hungry Tide while Goa Hippy Tribe, written and directed by Darius Devas will screen in the DocLab section,...
Screen Australia’s documentary manager, Liz Stevens said in a statement: “The inclusion of Australian documentaries at Idfa, one of the world’s top-tier documentary events, is a strong vote of confidence in Australian documentary and a significant achievement for the filmmakers.”
“The quality and range of work chosen for Idfa reflects the strength of craft and creativity found in Australian documentaries which are engaging audiences both at home and abroad.”
Then the Wind Changed, written/directed by Celeste Geer and My Thai Bride, directed by David Tucker and written by Ashleigh Hooker will screen in competition for the mid-length documentary.
Screening in the Green Screen Documentary competition, for environmental films is Tom Zubrycki’s The Hungry Tide while Goa Hippy Tribe, written and directed by Darius Devas will screen in the DocLab section,...
- 10/17/2011
- by Colin Delaney
- Encore Magazine
The Australian Film Institute (AFI) have launched a new festival to showcase the local films of the past year vying for an Aacta (Australian Academy of Cinema and Television Arts Award).
The Festival will run from 6 October to 14 November in Sydney and 11 October to 14 November in Melbourne and showcase the 21 feature films, as well as 12 non feature nominees including best short fiction film, Best short animation and Best feature length documentary in lead up for the inaugural Aacta Awards held in January 2012.
“Through Aacta,” Damian Trewhella, AFI Aacta CEO said, “we not only celebrate Australia’s best screen practitioners, but also engage audiences with our great stories; the Samsung AFI І Aacta Festival of Film provides a perfect platform for this at an exciting time for our screen industry.”
The festival aims to showcase the films to generate greater audience reach and engagement. “Having increased awareness of our screen industry...
The Festival will run from 6 October to 14 November in Sydney and 11 October to 14 November in Melbourne and showcase the 21 feature films, as well as 12 non feature nominees including best short fiction film, Best short animation and Best feature length documentary in lead up for the inaugural Aacta Awards held in January 2012.
“Through Aacta,” Damian Trewhella, AFI Aacta CEO said, “we not only celebrate Australia’s best screen practitioners, but also engage audiences with our great stories; the Samsung AFI І Aacta Festival of Film provides a perfect platform for this at an exciting time for our screen industry.”
The festival aims to showcase the films to generate greater audience reach and engagement. “Having increased awareness of our screen industry...
- 9/21/2011
- by Colin Delaney
- Encore Magazine
The AFI (Australian Film Institute) and Aacta (Australian Academy of Cinema and Television Arts) have announced the first nominees for the inaugural Aacta Awards to be held in January 2012.
The nominations for best Feature Length Documentary, Best Animated Short Film, and Best Short Film accompany the announcement of 23 feature films at the Aacta launch.
Said Damian Trewhella, AFI Aacta CEO, “From the concert hall to the Outback, and spanning decades, countries and genres, nominees announced today demonstrate the breadth and depth of Australian filmmaking talent. We look forward to recognising Australia’s best and brightest screen practitioners at the inaugural Samsung Aacta Awards in January, building on the proud, 53-year-old tradition of celebrating screen excellence in Australia established by the AFI.”
The nominees for the Aacta for best Feature Length Documentary are:
Life In Movement – about dancer Tanja Liedtke, produced by Sophie Hyde, Bryan Mason Mrs Carey’s Concert – follows...
The nominations for best Feature Length Documentary, Best Animated Short Film, and Best Short Film accompany the announcement of 23 feature films at the Aacta launch.
Said Damian Trewhella, AFI Aacta CEO, “From the concert hall to the Outback, and spanning decades, countries and genres, nominees announced today demonstrate the breadth and depth of Australian filmmaking talent. We look forward to recognising Australia’s best and brightest screen practitioners at the inaugural Samsung Aacta Awards in January, building on the proud, 53-year-old tradition of celebrating screen excellence in Australia established by the AFI.”
The nominees for the Aacta for best Feature Length Documentary are:
Life In Movement – about dancer Tanja Liedtke, produced by Sophie Hyde, Bryan Mason Mrs Carey’s Concert – follows...
- 8/30/2011
- by Colin Delaney
- Encore Magazine
Co-directors Bob Connolly (left) and Sophie Raymond (right) hit up the Sheffield Doc/Fest on opening night for the European premiere of the documentary, "Mrs. Carey's Concert." The film, already a hit in Australia where it's currently playing in 40 cinemas, follows music teacher, Karen Carey, as she prepares a new batch of girls at an all-girls school in Sydney, for a classical concert at the Sydney Opera House. Some of ...
- 6/8/2011
- Indiewire
Edinburgh International Film Festival and Sheffield Doc/Fest have announced a bold new collaboration that will allow select documentaries to receive double impact premieres.
Instead of documentary filmmakers having to choose one film festival to launch their film at, they will now be able to showcase their pieces at two festivals – giving the filmmakers greater access to industry and audiences, and their films a much bigger launchpad.
James Mullighan, director of the 65th Edinburgh International Film Festival, said of the unique collaboration:
“In these austere times, everyone in the creative industries needs to explore new collaborations, festivals included, and so I’m very pleased that we are announcing this major joint venture today. We’ve always been passionate about our commitment to British and International documentary, we’re delighted to welcome Sheffield to June, and to work with Sheffield to offer these filmmakers this double opportunity to showcase their work.
Instead of documentary filmmakers having to choose one film festival to launch their film at, they will now be able to showcase their pieces at two festivals – giving the filmmakers greater access to industry and audiences, and their films a much bigger launchpad.
James Mullighan, director of the 65th Edinburgh International Film Festival, said of the unique collaboration:
“In these austere times, everyone in the creative industries needs to explore new collaborations, festivals included, and so I’m very pleased that we are announcing this major joint venture today. We’ve always been passionate about our commitment to British and International documentary, we’re delighted to welcome Sheffield to June, and to work with Sheffield to offer these filmmakers this double opportunity to showcase their work.
- 5/7/2011
- by Jamie Neish
- HeyUGuys.co.uk
After a long absence, director Bob Connolly returns with Mrs. Carey’s Concert. Miguel Gonzalez spoke with him about his life in documentary.
Connolly was not the type of child that dreamt of working on TV or film. When he dropped out of an Arts Law degree in 1964, he joined the ABC as a cadet journalist. He did “reasonably well” and ended up doing a stint in New York. When he returned in 1968, he joined a current affairs program, first as an assistant producer, and ultimately working as an on camera reporter.
“But I was hopeless at the studio, like a stunned mullet, terrified of live stuff. My brain used to go blank!” he admitted.
So Connolly was sent to work on the show’s “Sunday stories”, doing five-minute reports until, three years later, he was asked to do a half-hour story for the documentary series A Big Country. It was his first observational work,...
Connolly was not the type of child that dreamt of working on TV or film. When he dropped out of an Arts Law degree in 1964, he joined the ABC as a cadet journalist. He did “reasonably well” and ended up doing a stint in New York. When he returned in 1968, he joined a current affairs program, first as an assistant producer, and ultimately working as an on camera reporter.
“But I was hopeless at the studio, like a stunned mullet, terrified of live stuff. My brain used to go blank!” he admitted.
So Connolly was sent to work on the show’s “Sunday stories”, doing five-minute reports until, three years later, he was asked to do a half-hour story for the documentary series A Big Country. It was his first observational work,...
- 3/10/2011
- by Miguel Gonzalez
- Encore Magazine
Everyone’s going to Adelaide this week, to be at the country’s most risk-taking festival. Encore spoke with festival director Katrina Sedgwick and associate director Adele Hann about the secrets behind its success.
The first point of differenceis the festival’s Investment Fund, which has delivered some of Australia’s most acclaimed films of recent times, including 2009’s Samson & Delilah. The pressure to continue this high level of performance from its slate hasn’t seen the funded projects become safe, predictable choices. It’s been quite the opposite.
“The Investment Fund has meant that Australian cinema is put to the forefront. Over time the success of the slate has generated anticipation; it’s become the element of the program that people really look forward to, the one that sells out first and excites the industry. One of the great things festival director Katrina Sedgwick does with that money is...
The first point of differenceis the festival’s Investment Fund, which has delivered some of Australia’s most acclaimed films of recent times, including 2009’s Samson & Delilah. The pressure to continue this high level of performance from its slate hasn’t seen the funded projects become safe, predictable choices. It’s been quite the opposite.
“The Investment Fund has meant that Australian cinema is put to the forefront. Over time the success of the slate has generated anticipation; it’s become the element of the program that people really look forward to, the one that sells out first and excites the industry. One of the great things festival director Katrina Sedgwick does with that money is...
- 2/22/2011
- by Miguel Gonzalez
- Encore Magazine
This year’s BigPond Adelaide Film Festival will present 20 world premieres of new Australian works, and a total of 48 local features and shorts.
The 12 films competing for the International Award for Best Feature Film have also been announced: Four Times (Italy, dir: Michelangelo Frammartino); Here I Am (Australia, dir: Beck Cole); Tuesday After Christmas (Romania, dir: Radu Muntean); Incendies (Canada,dir:: Denis Villeneuve); Meek’s Cutoff (USA, dir: Kelly Reichardt); Mysteries of Lisbon (Portugal, dir: Raoul Ruiz); Nostalgia For the Light (Chile, dir: Patricio Guzman); October (Peru, dir: Daniel Vega Vidal and Diego Vega Vidal); Piano in a Factory (China, dir: Zhang Meng); Shut Up Little Man! An Audio Misadventure (Australia, dir: Matt Bate); Whisper with the Wind (Iraq, dir: Shahram Alidi); and Year Without a Summer (Malaysia, dir: Tan Chui Mui).
The films will be judged by Julietta Sichel (jury president/Karlovy Vary Film Festival), Pierre Rissient (Cannes), Hossein...
The 12 films competing for the International Award for Best Feature Film have also been announced: Four Times (Italy, dir: Michelangelo Frammartino); Here I Am (Australia, dir: Beck Cole); Tuesday After Christmas (Romania, dir: Radu Muntean); Incendies (Canada,dir:: Denis Villeneuve); Meek’s Cutoff (USA, dir: Kelly Reichardt); Mysteries of Lisbon (Portugal, dir: Raoul Ruiz); Nostalgia For the Light (Chile, dir: Patricio Guzman); October (Peru, dir: Daniel Vega Vidal and Diego Vega Vidal); Piano in a Factory (China, dir: Zhang Meng); Shut Up Little Man! An Audio Misadventure (Australia, dir: Matt Bate); Whisper with the Wind (Iraq, dir: Shahram Alidi); and Year Without a Summer (Malaysia, dir: Tan Chui Mui).
The films will be judged by Julietta Sichel (jury president/Karlovy Vary Film Festival), Pierre Rissient (Cannes), Hossein...
- 1/28/2011
- by Miguel Gonzalez
- Encore Magazine
Mrs. Carey’s Concert, Bob Connolly’s first documentary since 2001′s Facing the Music, will open next month’s BigPond Adelaide Film Festival on February 24.
The biannual event will be closed by Brendan Fletcher’s Mad Bastards.
Mrs. Carey’s Concert (co-directed by Sophie Raymond) is one of the 14 projects supported by the Adelaide Film Festival Investment Fund. The film chronicles the preparations for a classical music concert at a Sydney’s girl school; both directors will be in attendance, alongside the school’s music director Karen Carey and some of her students.
Other guests in attendance will include:
The International Award jury – Julietta Sichel, Pierre Rissient, Hossein Valamanesh, Trevor Groth, and Robin Gutch; The Hive participants (Richard Tognetti, Meryl Tankard, Garry Stewart, Gideon Obarzanek, Kate Champion, Michael Kantor, Rose Myers, Chris Drummond, Matthew Whittet, Lynette Wallworth, Susan Norrie, Tony Krawitz Glendyn Ivin, Anna Broinowski, Ashlee Page, Amy Gebhardt and...
The biannual event will be closed by Brendan Fletcher’s Mad Bastards.
Mrs. Carey’s Concert (co-directed by Sophie Raymond) is one of the 14 projects supported by the Adelaide Film Festival Investment Fund. The film chronicles the preparations for a classical music concert at a Sydney’s girl school; both directors will be in attendance, alongside the school’s music director Karen Carey and some of her students.
Other guests in attendance will include:
The International Award jury – Julietta Sichel, Pierre Rissient, Hossein Valamanesh, Trevor Groth, and Robin Gutch; The Hive participants (Richard Tognetti, Meryl Tankard, Garry Stewart, Gideon Obarzanek, Kate Champion, Michael Kantor, Rose Myers, Chris Drummond, Matthew Whittet, Lynette Wallworth, Susan Norrie, Tony Krawitz Glendyn Ivin, Anna Broinowski, Ashlee Page, Amy Gebhardt and...
- 1/21/2011
- by Miguel Gonzalez
- Encore Magazine
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