The Match Factory is set to handle international sales on a new film by “Fire Will Come” director Oliver Laxe, headlined by Sergi López, star of Guillermo del Toro’s “Pan’s Labyrinth.”
Having begun production, shooting in Spain and then Morocco, the untitled Oliver Laxe project is a Movistar Plus+ original film produced with Pedro and Agustín Almodovar’s El Deseo, Laxe’s Galicia-based label Filmes da Ermida, Oriol Maymó’s Uri Films in Barcelona, and Paris’s 4 A 4 Productions.
The latest from Laxe follows Cannes wins for all his first three features. 2010’s “You Are All Captains,” Laxe’s debut feature, walked off with a Directors’ Fortnight Fipresci Award; 2016’s “Mimosas” scooped the Critics’ Week top Grand Prize, “Fire Will Come” a 2019 Un Certain Regard Jury Prize.
Co-written with “Matadero” director Santiago Fillol, also a co-scribe on “Fire Will Come,” Laxe’s next turns on a man...
Having begun production, shooting in Spain and then Morocco, the untitled Oliver Laxe project is a Movistar Plus+ original film produced with Pedro and Agustín Almodovar’s El Deseo, Laxe’s Galicia-based label Filmes da Ermida, Oriol Maymó’s Uri Films in Barcelona, and Paris’s 4 A 4 Productions.
The latest from Laxe follows Cannes wins for all his first three features. 2010’s “You Are All Captains,” Laxe’s debut feature, walked off with a Directors’ Fortnight Fipresci Award; 2016’s “Mimosas” scooped the Critics’ Week top Grand Prize, “Fire Will Come” a 2019 Un Certain Regard Jury Prize.
Co-written with “Matadero” director Santiago Fillol, also a co-scribe on “Fire Will Come,” Laxe’s next turns on a man...
- 5/6/2024
- by John Hopewell
- Variety Film + TV
West Hollywood-based indie distribution outfit Indican Pictures (“Gossamer Folds”) has secured North American rights for Santiago Fillol’s political thriller “Matadero” (“Slaughterhouse”).
The debut fiction feature from the Argentine director saw its world premiere in competition at Locarno in 2022, with further festival bows at Mar Del Plata and Seville before December theatrical runs in Argentina and Spain via Cinetren and Begin Again Films, respectively.
Negotiations were handled by Randolph Kret of Indican Pictures alongside Brett Walker and partner Miguel Angel Govea at Alief (“Driving Mum”), who handle world sales on behalf of the filmmakers outside of Argentina, France, Spain and Switzerland.
“Indican Pictures is pleased to acquire the Argentinian film “Matadero”– it’s a compelling story that will have viewers on the edge of their seat,” Indican co-founder Randolph Kret told Variety.
Set up in the Argentine pampas, 1970, the narrative nods to the shocking, hyper-realistic cinema of the era and follows U.
The debut fiction feature from the Argentine director saw its world premiere in competition at Locarno in 2022, with further festival bows at Mar Del Plata and Seville before December theatrical runs in Argentina and Spain via Cinetren and Begin Again Films, respectively.
Negotiations were handled by Randolph Kret of Indican Pictures alongside Brett Walker and partner Miguel Angel Govea at Alief (“Driving Mum”), who handle world sales on behalf of the filmmakers outside of Argentina, France, Spain and Switzerland.
“Indican Pictures is pleased to acquire the Argentinian film “Matadero”– it’s a compelling story that will have viewers on the edge of their seat,” Indican co-founder Randolph Kret told Variety.
Set up in the Argentine pampas, 1970, the narrative nods to the shocking, hyper-realistic cinema of the era and follows U.
- 11/5/2023
- by Holly Jones
- Variety Film + TV
Winnie Cheung’s “Residency,” which has its world premiere in the Bright Future section of Intl. Film Festival Rotterdam, has debuted its trailer (below). Alief is selling the film, which is a “haunting metafictional tale about female artists pushed beyond their limits at a cursed artist residency.”
The film, set at New York artists’ studio The Locker Room, is described by Alief’s Miguel Angel Govea as “an adventurous take on the final girl horror trope.” It is a “hybrid feature dancing between fiction and non-fiction norms that plays like a punk rock cover of Gaspar Noé’s ‘Climax.'”
Cheung commented: “Rather than representing women as sexualized victims through the traditional lens of male fantasies, I’m exploring the real horror behind the anxiety of being a female artist, which is often mixed in with pleasure, delirium and joy.”
Cheung was the editor and one of the producers of “Woodlands Dark and Days Bewitched,...
The film, set at New York artists’ studio The Locker Room, is described by Alief’s Miguel Angel Govea as “an adventurous take on the final girl horror trope.” It is a “hybrid feature dancing between fiction and non-fiction norms that plays like a punk rock cover of Gaspar Noé’s ‘Climax.'”
Cheung commented: “Rather than representing women as sexualized victims through the traditional lens of male fantasies, I’m exploring the real horror behind the anxiety of being a female artist, which is often mixed in with pleasure, delirium and joy.”
Cheung was the editor and one of the producers of “Woodlands Dark and Days Bewitched,...
- 1/27/2023
- by Leo Barraclough
- Variety Film + TV
On the heels of its world premiere at Locarno’s Cineasti del Presente and coinciding with upcoming festival bows at Seville and Mar del Plata, auteur-focused distribution house Alief has shared in exclusivity with Variety the trailer and key art for Santiago Fillol’s first solo feature, “Matadero.”
An ode to class struggle and unflinching ego, the film simultaneously enters international competition in Spain and Argentina this week alongside French director Alice Diop’s buzzy “Saint Omer” and “Tres Hermanos,” filmmaker Francisco J. Paparella’s absorbing follow-up to debut feature “Zanjas.”
Begin Again films handles Spanish distribution on “Matadero” with Alief handling international sales rights.
‘It’s a real joy to see the crossover of arthouse cinema, now also being recognised as an elevated horror genre. “Matadero” is able to voice a visual that’s both visceral and tender, that speaks to both arthouse and genre audiences,’ relayed Brett Walker,...
An ode to class struggle and unflinching ego, the film simultaneously enters international competition in Spain and Argentina this week alongside French director Alice Diop’s buzzy “Saint Omer” and “Tres Hermanos,” filmmaker Francisco J. Paparella’s absorbing follow-up to debut feature “Zanjas.”
Begin Again films handles Spanish distribution on “Matadero” with Alief handling international sales rights.
‘It’s a real joy to see the crossover of arthouse cinema, now also being recognised as an elevated horror genre. “Matadero” is able to voice a visual that’s both visceral and tender, that speaks to both arthouse and genre audiences,’ relayed Brett Walker,...
- 11/4/2022
- by Holly Jones
- Variety Film + TV
Matadero Review — Matadero (2022) Film Review from the 75th Annual Locarno Film Festival, a movie directed by Santiago Fillol, written by Edgadro Dobry, Santiago Fillol and Lucas Vermal and starring Julio Perillan, Malena Villa, Ailin Salas, Rafael Federman, Lina Gorbaneva, Ernestina Gatti, David Szechtman and Gustavo Javier Rodriguez. Argentine filmmaker Santiago Fillol’s new picture, [...]
Continue reading: Film Review: Matadero: A Chilling Portrait of an Obsessed Filmmaker That is Disturbingly Intriguing [Locarno 2022]...
Continue reading: Film Review: Matadero: A Chilling Portrait of an Obsessed Filmmaker That is Disturbingly Intriguing [Locarno 2022]...
- 8/11/2022
- by Thomas Duffy
- Film-Book
In its first full-on post-pandemic edition, Locarno roared back into action as an industry hub over Aug. 3-9, smashing attendance records with delegates at industry arm Locarno Pro soaring from 2019’s prior record of 1,040 to 1,300.
That reflects the year-round work of festival artistic director Giona Nazzaro and industry head Markus Duffner at Locarno Pro, building on foundations laid by Nadia Dresti over 2010-19. Sky rocketing attendance also says much about the state of the international film industry as it is is rocked by titanic sea change propelled by global, regional and local streaming platforms. Following, 10 takes on Locarno as its turns its final bend towards Aug. 13’s awards announcement.
Latest Deals
A score or more of new deals announced since Sunday in exclusivity to Variety:
*Germany’s Pluto Film has been in negotiations with several theatrical distributors on Locarno Piazza Grande title “Semret,” ahead of its world premiere on Aug.
That reflects the year-round work of festival artistic director Giona Nazzaro and industry head Markus Duffner at Locarno Pro, building on foundations laid by Nadia Dresti over 2010-19. Sky rocketing attendance also says much about the state of the international film industry as it is is rocked by titanic sea change propelled by global, regional and local streaming platforms. Following, 10 takes on Locarno as its turns its final bend towards Aug. 13’s awards announcement.
Latest Deals
A score or more of new deals announced since Sunday in exclusivity to Variety:
*Germany’s Pluto Film has been in negotiations with several theatrical distributors on Locarno Piazza Grande title “Semret,” ahead of its world premiere on Aug.
- 8/10/2022
- by John Hopewell, Marta Balaga and Pablo Sandoval
- Variety Film + TV
Paris-based sales company Alief has swooped on international sales rights to horror-political thriller “Matadero” (“Slaughterhouse”), the awaited fiction feature debut of Argentina’s Santiago Fillol, co-scribe on Oliver Laxe’s Cannes winners “Mimosa” and “Fire Will Come.”
Co-written by Fillol, “Matadero” world premieres this week in Locarno’s main International Competition.
The film takes a stark look at a historic tale through the maniacal lens of U.S. filmmaker Jared (Julio Perillán), as he shoots a big-screen version of a 19th-century text by Argentine writer Estaban Echeverría, exploiting the times and their trappings to create a piece of cinema meant to dig itself into the collective consciousness.
Taking on tensions that boil over between landowners and laborers, Jared’s lofty vision for his adaptation will push the cast and crew to the brink. As his plot advances, ego and deception reign.
Fillol’s rendition takes place in 1970s rural Argentina,...
Co-written by Fillol, “Matadero” world premieres this week in Locarno’s main International Competition.
The film takes a stark look at a historic tale through the maniacal lens of U.S. filmmaker Jared (Julio Perillán), as he shoots a big-screen version of a 19th-century text by Argentine writer Estaban Echeverría, exploiting the times and their trappings to create a piece of cinema meant to dig itself into the collective consciousness.
Taking on tensions that boil over between landowners and laborers, Jared’s lofty vision for his adaptation will push the cast and crew to the brink. As his plot advances, ego and deception reign.
Fillol’s rendition takes place in 1970s rural Argentina,...
- 8/10/2022
- by Holly Jones
- Variety Film + TV
Medusa Deluxe (Thomas Hardiman).The lineup for the 75th-anniversary edition of the festival has been announced, including new films by Helena Wittmann, João Pedro Rodrígues, Aleksandr Sokurov and others, alongside retrospectives, tributes, and much more.Piazza GRANDEAlles über Martin Suter. Ausser die Wahrheit. (Everything About Martin Suter. Everything but the Truth.) (André Schäfer)Annie Colère (Blandine Lenoir)Bullet Train (David Leitch)Compartiment tueurs (The Sleeping Car Murder) (Costa-Gavras)Delta (Michele Vannucci)Home of the Brave (Laurie Anderson)Imitation of Life (Douglas Sirk)Last Dance (Delphine Lehericey)Medusa Deluxe (Thomas Hardiman)My Neighbor Adolf (Leon Prudovsky)Paradise Highway (Anna Gutto)Piano Piano (Nicola Prosatore)Printed Rainbow (Gitanjali Rao)Semret (Caterina Mona)Une femme de notre temps (Jean Paul Civeyrac)Vous n'aurez pas ma haine (You Will Not Have My Hate) (Kilian Riedhof)Where the Crawdads Sing (Olivia Newman)Human Flowers of Flesh (Helena Wittmann).Concorso INTERNAZIONALEAriyippu (Declaration) (Mahesh Narayanan)Balıqlara xütbə...
- 7/13/2022
- MUBI
Ten world premieres among 17 international competition titles.
The Locarno Film Festival (August 3-13) has revealed the line-up for its 75th edition, which includes the world premiere of Russian filmmaker Aleksandr Sokurov’s Fairytale.
The international competition will comprise 17 films, including 10 world premieres, which will vie for the coveted Golden Leopard awards.
Scroll down for full line-up
These titles include Fairytale, a Belgium-Russia co-production written and directed by Sokurov, whose films have played in Competition at Cannes five times with features including Russian Ark in 2002. His debut The Lonely Voice Of a Man received the Bronze Leopard in Locarno in 1987.
The...
The Locarno Film Festival (August 3-13) has revealed the line-up for its 75th edition, which includes the world premiere of Russian filmmaker Aleksandr Sokurov’s Fairytale.
The international competition will comprise 17 films, including 10 world premieres, which will vie for the coveted Golden Leopard awards.
Scroll down for full line-up
These titles include Fairytale, a Belgium-Russia co-production written and directed by Sokurov, whose films have played in Competition at Cannes five times with features including Russian Ark in 2002. His debut The Lonely Voice Of a Man received the Bronze Leopard in Locarno in 1987.
The...
- 7/6/2022
- by Michael Rosser
- ScreenDaily
Returning for its milestone 75th edition, Locarno Film Festival has now unveiled its full lineup. Taking place from August 3 through 13th, the selection includes Helena Wittmann’s Human Flowers of Flesh, Jean-Paul Civeyrac’s Une femme de notre temps, Aleksandr Sokurov’s Fairytale, Patricia Mazuy’s Bowling Saturne, Abbas Fahdel’s Tales of the Purple House, Ana Vaz’s It Is Night In America, Leon Prudovsky’s My Neighbor Adolf, a massive Douglas Sirk retrospective, and much more.
“The selection of films that we have put together, after watching and appraising over 3,000 titles (of every length and format), is intended to be the mark of a time and of a cinema in motion,” Artistic Director Giona A. Nazzaro said. “A historic time that is moving in multiple directions simultaneously, and a cinema that is probing the issues facing the world, and how to live in it re- sponsibly, sustainably. The...
“The selection of films that we have put together, after watching and appraising over 3,000 titles (of every length and format), is intended to be the mark of a time and of a cinema in motion,” Artistic Director Giona A. Nazzaro said. “A historic time that is moving in multiple directions simultaneously, and a cinema that is probing the issues facing the world, and how to live in it re- sponsibly, sustainably. The...
- 7/6/2022
- by Jordan Raup
- The Film Stage
The Locarno Film Festival has announced the full line-up and juries for its 75th edition, which is due to unfold August 3-13.
The festival will get a starry kick-off on August 3 with the international festival premiere of David Leitch’s action-comedy Bullet Train, starring Brad Pitt alongside an ensemble cast featuring Joey King, Michael Shannon, Aaron Taylor-Johnson, Brian Tyree Henry, Sandra Bullock, Hiroyuki Sanada, Andrew Koji and Benito A Martínez Ocasio.
The film will be given a gala screening in the festival’s trademark 8,000-seat, open-air Piazza Grande arena.
Other titles due to get a splash on the Piazza Grande include Laurie Anderson’s Home Of The Brave, U.K. director Thomas Hardiman’s Medusa Deluxe and German director Kilian Riedhof’s French-language drama You Will Not Have My Hate, based on the memoir of a man on how he and his son coped following the death of his wife in the 2015 Bataclan terror attack.
The festival will get a starry kick-off on August 3 with the international festival premiere of David Leitch’s action-comedy Bullet Train, starring Brad Pitt alongside an ensemble cast featuring Joey King, Michael Shannon, Aaron Taylor-Johnson, Brian Tyree Henry, Sandra Bullock, Hiroyuki Sanada, Andrew Koji and Benito A Martínez Ocasio.
The film will be given a gala screening in the festival’s trademark 8,000-seat, open-air Piazza Grande arena.
Other titles due to get a splash on the Piazza Grande include Laurie Anderson’s Home Of The Brave, U.K. director Thomas Hardiman’s Medusa Deluxe and German director Kilian Riedhof’s French-language drama You Will Not Have My Hate, based on the memoir of a man on how he and his son coped following the death of his wife in the 2015 Bataclan terror attack.
- 7/6/2022
- by Melanie Goodfellow
- Deadline Film + TV
Les Arcs Film Festival has unveiled the 15-title lineup of its Work-in-Progress session, the popular industry sidebar whose alumni roster include Vladimar Jóhannsson’s “Lamb,” Lukas Dhont’s “Girl” and Nora Fingscheidt’s “System Crasher.”
The section, curated by Frederic Boyer, the artistic director of Tribeca and Les Arcs Film Festival, will include “Opponent,” a drama by Swedish up-and-comer Milad Alami (“The Charmer”) and produced by Sweden’s Tangy and Norway’s Ape&Bjørn; “Preparations for a Miracle,” directed by Tobias Nölle and produced by Switzerland’s Hugofilm Features and Germany’s Flare Film; and “Silver Haze,” helmed by Sacha Polak and produced by Dutch banner Viking Film and the U.K.’s Emu Films.
Spanning 18 countries across Europe, the selection comprises films in post-production, eight of which are by female directors. Jeremy Zelnik who spearheads Les Arcs’s Industry Village received a record 164 projects, which reflects the fact that many...
The section, curated by Frederic Boyer, the artistic director of Tribeca and Les Arcs Film Festival, will include “Opponent,” a drama by Swedish up-and-comer Milad Alami (“The Charmer”) and produced by Sweden’s Tangy and Norway’s Ape&Bjørn; “Preparations for a Miracle,” directed by Tobias Nölle and produced by Switzerland’s Hugofilm Features and Germany’s Flare Film; and “Silver Haze,” helmed by Sacha Polak and produced by Dutch banner Viking Film and the U.K.’s Emu Films.
Spanning 18 countries across Europe, the selection comprises films in post-production, eight of which are by female directors. Jeremy Zelnik who spearheads Les Arcs’s Industry Village received a record 164 projects, which reflects the fact that many...
- 12/3/2021
- by Elsa Keslassy
- Variety Film + TV
15 feature projects chosen from 164 submissions.
Silver Haze, the new feature from Dirty God director Sacha Polak, is among 15 feature projects in post-production selected for the 2021 edition of the Les Arcs Film Festival Work in Progress session.
The event is intended to help projects find sales agents, distributors and festival prremieres; it will run on Sunday, December 12 as part of the Industry Village at the 13th edition of the festival (December 11-18).
Scroll down for the full list of projects
Excerpts from the films will be screened to industry professionals, in a session moderated by the festival’s artistic director Frederic Boyer,...
Silver Haze, the new feature from Dirty God director Sacha Polak, is among 15 feature projects in post-production selected for the 2021 edition of the Les Arcs Film Festival Work in Progress session.
The event is intended to help projects find sales agents, distributors and festival prremieres; it will run on Sunday, December 12 as part of the Industry Village at the 13th edition of the festival (December 11-18).
Scroll down for the full list of projects
Excerpts from the films will be screened to industry professionals, in a session moderated by the festival’s artistic director Frederic Boyer,...
- 12/2/2021
- by Ben Dalton
- ScreenDaily
15 feature projects chosen from 164 submissions.
Silver Haze, the new feature from Dirty God director Sacha Polak, is among 15 feature projects in post-production selected for the 2021 edition of the Les Arcs Film Festival Work in Progress session.
The event is intended to help projects find sales agents, distributors and festival prremieres; it will run on Sunday, December 12 as part of the Industry Village at the 13th edition of the festival (December 11-18).
Scroll down for the full list of projects
Excerpts from the films will be screened to industry professionals, in a session moderated by the festival’s artistic director Frederic Boyer,...
Silver Haze, the new feature from Dirty God director Sacha Polak, is among 15 feature projects in post-production selected for the 2021 edition of the Les Arcs Film Festival Work in Progress session.
The event is intended to help projects find sales agents, distributors and festival prremieres; it will run on Sunday, December 12 as part of the Industry Village at the 13th edition of the festival (December 11-18).
Scroll down for the full list of projects
Excerpts from the films will be screened to industry professionals, in a session moderated by the festival’s artistic director Frederic Boyer,...
- 12/2/2021
- by Ben Dalton
- ScreenDaily
Fire Will Come (O Que Arde) Kimstim Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten Director: Oliver Laxe Screenwriter: Santiago Fillol, Oliver Laxe Cast: Amador Arias, Benedicta Sánchez, Inazio Abrao, Elena Mar Fernández, David de Poso, Alvaro de Bazal, Damián Prado Screened at: Critics’ link, NYC, 3/5/20 Opens: May 8, 2020 […]
The post Fire Will Come Movie Review appeared first on Shockya.com.
The post Fire Will Come Movie Review appeared first on Shockya.com.
- 8/4/2020
- by Harvey Karten
- ShockYa
Backed by the Spanish Ministry of Culture and the Spanish Institute of Cinematography and the Audiovisual Arts (Icaa), 10 promising Spanish projects participated in a marathon day of speed meetings through the day on Thursday at Cannes’ Marché du Film.
Below, summaries of the hopeful projects:
“A Thousand Lives,” (Marina Seresesky)
Meridional Producciones and Wandermoon Finance partner on Goya-nominated filmmaker Marina Seresesky’s latest psychological drama “A Thousand Lives.” Four years after her son disappeared, Sofia sees a news report about a four-year-old boy halfway around the world who claims to remember a past life. The distressed mother travels to Latin America to find the child, sure that this child is her own son reincarnated. There, she earns the boy’s trust and his family’s misgivings. Colombian-Spanish actress Juana Acosta is attached.
“The Daughter of the Volcano,” (Jenifer de la Rosa)
A co-production involving Spain’s Mayeutica Producciones, Icónica Producciones...
Below, summaries of the hopeful projects:
“A Thousand Lives,” (Marina Seresesky)
Meridional Producciones and Wandermoon Finance partner on Goya-nominated filmmaker Marina Seresesky’s latest psychological drama “A Thousand Lives.” Four years after her son disappeared, Sofia sees a news report about a four-year-old boy halfway around the world who claims to remember a past life. The distressed mother travels to Latin America to find the child, sure that this child is her own son reincarnated. There, she earns the boy’s trust and his family’s misgivings. Colombian-Spanish actress Juana Acosta is attached.
“The Daughter of the Volcano,” (Jenifer de la Rosa)
A co-production involving Spain’s Mayeutica Producciones, Icónica Producciones...
- 6/25/2020
- by Jamie Lang
- Variety Film + TV
Producers on the Move, a networking forum for up-and-coming producers from Europe, takes place as a virtual event this week. The organizer, European Film Promotion, has given Variety exclusive access to the projects the producers are pitching to sales companies.
Here are their projects, including the latest films from the directors of SXSW standout “Lake Bodom” and Cannes breakout “Fire Will Come.” (Biographies of the producers can be found at this link.)
“After”
Producer: Andrea Queralt, 4 A 4 Productions (France)
Director: Oliver Laxe
Genre: Existential Road-Movie
The next film from Oliver Laxe, the director of Cannes breakout hit “Fire Will Come,” winner of the Un Certain Regard Jury Prize. “After” follows a disparate group of ravers who go in quest of the ultimate party in a remote corner of Africa. They embark on an odyssey into the depths of the Saharan desert, a mirror of sand for the characters.
“La Bella Estate”
Producer: Giovanni Pompili,...
Here are their projects, including the latest films from the directors of SXSW standout “Lake Bodom” and Cannes breakout “Fire Will Come.” (Biographies of the producers can be found at this link.)
“After”
Producer: Andrea Queralt, 4 A 4 Productions (France)
Director: Oliver Laxe
Genre: Existential Road-Movie
The next film from Oliver Laxe, the director of Cannes breakout hit “Fire Will Come,” winner of the Un Certain Regard Jury Prize. “After” follows a disparate group of ravers who go in quest of the ultimate party in a remote corner of Africa. They embark on an odyssey into the depths of the Saharan desert, a mirror of sand for the characters.
“La Bella Estate”
Producer: Giovanni Pompili,...
- 5/14/2020
- by Leo Barraclough
- Variety Film + TV
New projects by Ali Abbasi, Juho Kuosmanen, Santiago Mitre and Lisandro Alonso get funding, while the mandate of executive director Roberto Olla is renewed for a new term starting on July 2020. At its 157th meeting held from 9 to 12 December in Berlin, the Board of Management of the Council of Europe's Eurimages Fund agreed to support 15 fiction films and one documentary project for a total amount of €3,399,600. The share of eligible projects with female directors examined at this Eurimages Board of Management meeting was 14.71%; 18.75% of the projects supported were directed by women; €764 000 was awarded to these projects, representing 22.47% of the total amount awarded. The projects selected: Margrete - Queen of the North - Charlotte Sieling (Denmark/Sweden/Norway/Poland)The Blue Star - Javier Macipe (Spain/Argentina)Almost - Bernard Campan, Alexandre Jollien (France/Switzerland)Compartment Number 6 - Juho Kuosmanen (Finland/Estonia/Germany)Matadero - Santiago Fillol...
- 12/16/2019
- Cineuropa - The Best of European Cinema
Oliver Laxe's Fire Will Come topped the international competition at the just-concluded 34th Mar del Plata International Film Festival in Argentina, a second win in a row for Spanish cinema at Latin America's only Fiapf-accredited festival. The film also earned best screenplay honors for Laxe and Argentine co-writer Santiago Fillol.
Laxe's third film follows arsonist Amador Coro, who returns to his rural hometown in Galicia after serving a prison sentence, only to see his fate cross paths with young firefighter Lois when a fire starts to devastate the region. The film premiered in Cannes, where it snagged a Jury ...
Laxe's third film follows arsonist Amador Coro, who returns to his rural hometown in Galicia after serving a prison sentence, only to see his fate cross paths with young firefighter Lois when a fire starts to devastate the region. The film premiered in Cannes, where it snagged a Jury ...
- 11/18/2019
- The Hollywood Reporter - Movie News
Oliver Laxe's Fire Will Come topped the international competition at the just-concluded 34th Mar del Plata International Film Festival in Argentina, a second win in a row for Spanish cinema at Latin America's only Fiapf-accredited festival. The film also earned best screenplay honors for Laxe and Argentine co-writer Santiago Fillol.
Laxe's third film follows arsonist Amador Coro, who returns to his rural hometown in Galicia after serving a prison sentence, only to see his fate cross paths with young firefighter Lois when a fire starts to devastate the region. The film premiered in Cannes, where it snagged a Jury ...
Laxe's third film follows arsonist Amador Coro, who returns to his rural hometown in Galicia after serving a prison sentence, only to see his fate cross paths with young firefighter Lois when a fire starts to devastate the region. The film premiered in Cannes, where it snagged a Jury ...
- 11/18/2019
- The Hollywood Reporter - Film + TV
Viewers obsessive about spoiler alerts will be thwarted by the very title of “Fire Will Come”: You know exactly what climax is coming in Oliver Laxe’s rustically beautiful rural parable, but its dreamy, mesmeric power lies in the waiting. An exactingly paced slow burn before it becomes, well, a very fast one, this second feature from the Franco-Spanish filmmaker confirms all the poised formal promise of “You Are All Captains” and “Mimosas,” while bringing greater depth and generosity of human observation to his rich, abundant mood-harvesting. Following the daily travails of a convicted pyromaniac as he attempts to resettle in his family farmstead, “Fire Will Come” may have limited commercial potential, but its appearance in Cannes’ Un Certain Regard sidebar — where it deservedly won the runner-up Jury Prize, following the 2016 Critics’ Week triumph of “Mimosas” — represents another step toward major auteur status for its unobtrusively gifted helmer.
Though...
Though...
- 6/9/2019
- by Guy Lodge
- Variety Film + TV
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