Bill Ross IV and Turner Ross pushed the limits of nonfiction cinema to its outermost reaches with their previous work, 2020’s Bloody Nose, Empty Pockets. But it was the filmmaker brothers themselves who were pushed, mentally and physically, by their follow-up, Gasoline Rainbow. While it utilizes some scrappy filmmaking techniques to cultivate a spirit of naturalism, this coming-of-age story is a work of narrative fiction that feeds on the circumstances of its all-encompassing production to fuel authentic drama.
The Ross brothers’ road film chronicles five recent high school graduates’ winding journey across Oregon toward a place full of self-described weirdos like themselves. The freewheeling style with which the brother filmmakers capture scenes of banter and bonding on the way to a party on the Pacific coast befits the group of non-actors who anchor the film.
It’s that spontaneity and specificity in the filmmaking that lend Gasoline Rainbow a texture beyond that of contemporary times.
The Ross brothers’ road film chronicles five recent high school graduates’ winding journey across Oregon toward a place full of self-described weirdos like themselves. The freewheeling style with which the brother filmmakers capture scenes of banter and bonding on the way to a party on the Pacific coast befits the group of non-actors who anchor the film.
It’s that spontaneity and specificity in the filmmaking that lend Gasoline Rainbow a texture beyond that of contemporary times.
- 5/10/2024
- by Marshall Shaffer
- Slant Magazine
Think back to your teenage years, and a few incidents, days, dates, etc., spring immediately to mind. Most of what comes flooding back probably are the sensations that colored that time of your life — the feelings you had while pissing away whole afternoons with friends, not knowing what late nights and early mornings might bring your way, going on long road trips to nowhere. There’s a pot of gold waiting on the other side of Gasoline Rainbow, the latest docufiction hybrid between filmmakers/siblings Turner Ross and Bill Ross...
- 5/9/2024
- by David Fear
- Rollingstone.com
Gasoline Rainbow, the seventh feature by Bill and Turner Ross, marks a return to a world of young people familiar from the brothers’s early efforts 45365 (2009) and Tchoupitoulas (2012), which centered, respectively, on residents of Sydney, Ohio and New Orleans, Louisiana. Like those formative works, the duo’s latest is uniquely attuned to adolescent emotions and the rhythms of small town America—except with a broadened perspective and formal command afforded by 15 years of working in a variety of modes and milieus. The film follows five high schoolers from the fictional town of Wiley, Oregon who take to the open […]
The post “We Were Together 24 Hours a Day for Six Weeks”: Bill and Turner Ross on Gasoline Rainbow first appeared on Filmmaker Magazine.
The post “We Were Together 24 Hours a Day for Six Weeks”: Bill and Turner Ross on Gasoline Rainbow first appeared on Filmmaker Magazine.
- 5/8/2024
- by Jordan Cronk
- Filmmaker Magazine - Blog
Gasoline Rainbow, the seventh feature by Bill and Turner Ross, marks a return to a world of young people familiar from the brothers’s early efforts 45365 (2009) and Tchoupitoulas (2012), which centered, respectively, on residents of Sydney, Ohio and New Orleans, Louisiana. Like those formative works, the duo’s latest is uniquely attuned to adolescent emotions and the rhythms of small town America—except with a broadened perspective and formal command afforded by 15 years of working in a variety of modes and milieus. The film follows five high schoolers from the fictional town of Wiley, Oregon who take to the open […]
The post “We Were Together 24 Hours a Day for Six Weeks”: Bill and Turner Ross on Gasoline Rainbow first appeared on Filmmaker Magazine.
The post “We Were Together 24 Hours a Day for Six Weeks”: Bill and Turner Ross on Gasoline Rainbow first appeared on Filmmaker Magazine.
- 5/8/2024
- by Jordan Cronk
- Filmmaker Magazine-Director Interviews
Chicago – The 2024 Chicago Critics Film Festival on Day Six – Wednesday, May 8th – screens a feature film director debut about a hiking trip and the scattered remnants of disconnected people. “Good One” is by India Donaldson, and she will appear on behalf of the film For the full schedule, info and tickets, click Ccff May 8th. For individual films, click titles below.
Good One
Good One
Photo credit: ChicagoCriticsFilmFestival.com
17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, she is confronted with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
Good One
Good One
Photo credit: ChicagoCriticsFilmFestival.com
17-year-old Sam (Lily Collias) embarks on a three-day backpacking trip in the Catskills with her dad, Chris (James Le Gros) and his oldest friend, Matt (Danny McCarthy). As the two men quickly settle into a gently quarrelsome brotherly dynamic, airing long-held grievances, Sam, wise beyond her years, attempts to mediate. But when lines are crossed and Sam’s trust is betrayed, she is confronted with her dad’s emotional limitations and experiences the universal moment when the parental bond is tested.
- 5/7/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Bill Ross IV and Turner Ross’s Gasoline Rainbow is an unusually poetic road film, as it has less in common with cut-and-paste teen party flicks than it does with the existentially freighted sensibilities of The Endless Summer, Two-Lane Blacktop, and even The Outwaters. Blending documentary and fictional elements together as they have in films like Western and Bloody Nose, Empty Pockets, the Ross brothers fashion an aesthetic that’s something like the best of both worlds. Gasoline Rainbow’s teenagers are rendered with unusual realism, while the imagery has the resonance and intensity that speaks of the resources and planning that’s typically associated with fictional films. It feels simultaneously “of the moment” and retrospective—a subtle yet formally extravagant teenage daydream.
For viewers who’re removed from their high school years, the realism of Gasoline Rainbow may require acclimation. The film’s teens—Tony (Tony Abuerto), Micah (Micah Bunch...
For viewers who’re removed from their high school years, the realism of Gasoline Rainbow may require acclimation. The film’s teens—Tony (Tony Abuerto), Micah (Micah Bunch...
- 5/5/2024
- by Chuck Bowen
- Slant Magazine
A month so staggering in quality new releases that a new Mad Max film from George Miller barely cracked the top five, May kicks off the summer movie season with a bang. From the best American film of the year to a long-awaited U.S. release from the director who topped last month’s list, and much more, check out my picks of the best movies arriving this month below.
17. Aggro DR1FT (Harmony Korine; May 10-16 in theaters)
Though a film I almost actively hated in the moment, reflecting back on Harmony Korine’s Aggro DR1FT, it’s certainly a nightmare that has stayed with me. Rory O’Connor said in his review, “Is it possible to leave your enfance without losing your terrible? The one-and-only Harmony Korine, now 50 years young, returns with Aggro Dr1ft, a premiere out-of-competition at the Venice Film Festival this week and, by my count, the only...
17. Aggro DR1FT (Harmony Korine; May 10-16 in theaters)
Though a film I almost actively hated in the moment, reflecting back on Harmony Korine’s Aggro DR1FT, it’s certainly a nightmare that has stayed with me. Rory O’Connor said in his review, “Is it possible to leave your enfance without losing your terrible? The one-and-only Harmony Korine, now 50 years young, returns with Aggro Dr1ft, a premiere out-of-competition at the Venice Film Festival this week and, by my count, the only...
- 4/30/2024
- by Jordan Raup
- The Film Stage
The summer season is upon us and, per each year, we’ve dug beyond studio offerings to present an in-depth look at what should be on your radar. From festival winners of the past year to selections coming straight from Cannes to genre delights to, yes, a few blockbuster spectacles, there’s more than enough to anticipate.
Check out our picks below and return for monthly updates as more is sure to be added to the calendar. Release dates are for theatrical openings unless otherwise noted.
The Contestant (Clair Titley; May 2 on Hulu)
If some of today’s reality shows can feel out-of-hand for what they put their contestants through, nothing compares to one of the first to ever hit the air. In 1988, aspiring comedian Tomoaki Hamatsu (aka Nasubi) got the “opportunity” to take part in a game show without knowing any of the parameters, resulting in him being placed...
Check out our picks below and return for monthly updates as more is sure to be added to the calendar. Release dates are for theatrical openings unless otherwise noted.
The Contestant (Clair Titley; May 2 on Hulu)
If some of today’s reality shows can feel out-of-hand for what they put their contestants through, nothing compares to one of the first to ever hit the air. In 1988, aspiring comedian Tomoaki Hamatsu (aka Nasubi) got the “opportunity” to take part in a game show without knowing any of the parameters, resulting in him being placed...
- 4/24/2024
- by The Film Stage
- The Film Stage
With high school in the rearview, five teenagers from small-town Oregon decide to embark on one last adventure. That’s the premise of “Gasoline Rainbow,” the new film by Bill Ross IV and Turner Ross, aka The Ross Brothers, primarily known for free-wheelin’ documentaries like “Tchoupitoulas,” “Western,” and “Contemporary Color.”
The film premiered at the Venice Film Festival and screened at the SXSW Film TV Festival and First Look Fest ahead of its May 10 opening in the U.S..
Continue reading ‘Gasoline Rainbow’ Trailer: Ross Brothers’ First Narrative Feature Opens In May at The Playlist.
The film premiered at the Venice Film Festival and screened at the SXSW Film TV Festival and First Look Fest ahead of its May 10 opening in the U.S..
Continue reading ‘Gasoline Rainbow’ Trailer: Ross Brothers’ First Narrative Feature Opens In May at The Playlist.
- 4/11/2024
- by Rodrigo Perez
- The Playlist
"You'll always meet different people anywhere and everywhere." Mubi has unveiled the full official trailer for the indie road trip film Gasoline Rainbow, the first narrative feature by acclaimed doc filmmakers the Ross Brothers. It just played at the 2024 SXSW Film Festival and Cph:dox, with a theatrical release set for May this summer. The film premiered at last year's Venice Film Festival to mixed reviews. A rhapsodic portrait of the new generation from filmmakers Bill & Turner Ross. With high school in the rearview, five teenagers from small-town Oregon decide to embark on one last adventure. Piling into an old van with a busted tail light, their mission is to make it to a place they've never been — the Pacific coast, 500 miles away. Their plan, in full: "Fuck it." Starring Makai Garza, Micah Bunch, Tony Aburto, Nichole Dukes, Nathalie Garcia. This is a scripted feature, but it also plays like a...
- 4/10/2024
- by Alex Billington
- firstshowing.net
After rounding out a fruitful festival run that spanned Venice to last month’s First Look, Bill Ross IV and Turner Ross’s seventh feature Gasoline Rainbow opens on May 10, courtesy Mubi. Ahead of the road-trip movie’s theatrical debut, there is a trailer.
As Savina Petkova said in her Venice review, “Bill and Turner Ross approach the narrative with a deep understanding of vagrancy as soul-searching and the camaraderie it entails. For this purpose the journey is the destination, and while this may sound like a cliché, the vulnerability shared by all pours through the free-flowing visual aesthetics. The Ross Brothers directed, shot, and edited the film into a piece of mesmerizing realism, an end product that is much more than its two composites. A third, quasi-magical being, Gasoline Rainbow is alive and beating, with the protagonists’ characters coming through as versions of themselves, their worries as well as their disregard for the future.
As Savina Petkova said in her Venice review, “Bill and Turner Ross approach the narrative with a deep understanding of vagrancy as soul-searching and the camaraderie it entails. For this purpose the journey is the destination, and while this may sound like a cliché, the vulnerability shared by all pours through the free-flowing visual aesthetics. The Ross Brothers directed, shot, and edited the film into a piece of mesmerizing realism, an end product that is much more than its two composites. A third, quasi-magical being, Gasoline Rainbow is alive and beating, with the protagonists’ characters coming through as versions of themselves, their worries as well as their disregard for the future.
- 4/10/2024
- by Leonard Pearce
- The Film Stage
What happens when you gaze at yourself in a muddled puddle of self-reflection? For filmmaking duo Bill and Turner Ross, it’s all about turning the camera inward to look outward, courtesy of the cinema verité style.
The Ross Brothers’ latest feature, “Gasoline Rainbow,” follows five teenagers from small-town Oregon as they embark on one final adventure together after high school: reaching the Pacific coast, 500 miles away. Along the way, the group encounters outsiders from the fringes of the American West and discovers that the contours of their lives will be set by trails they blaze themselves. They are forgotten kids from a forgotten town, but they have their freedom and they have each other, hurtling toward an unknowable future — and The Party at the End of the World.
While “Gasoline Rainbow” has been mistaken as a documentary, the feature is, in fact, loosely scripted and relies on the improvisational techniques of its five leads,...
The Ross Brothers’ latest feature, “Gasoline Rainbow,” follows five teenagers from small-town Oregon as they embark on one final adventure together after high school: reaching the Pacific coast, 500 miles away. Along the way, the group encounters outsiders from the fringes of the American West and discovers that the contours of their lives will be set by trails they blaze themselves. They are forgotten kids from a forgotten town, but they have their freedom and they have each other, hurtling toward an unknowable future — and The Party at the End of the World.
While “Gasoline Rainbow” has been mistaken as a documentary, the feature is, in fact, loosely scripted and relies on the improvisational techniques of its five leads,...
- 4/10/2024
- by Samantha Bergeson
- Indiewire
A snapshot of the most exciting voices working in American and international cinema today––and with a strong focus on newcomers––the Museum of the Moving Image’s First Look festival returns this week, taking place March 13-17.
As always, the annual festival brings together a varied, eclectic lineup of cinema from all corners of the world––including a number of films still seeking distribution, making this series perhaps one of your only chances to see these works on the big screen. Check out our top picks below, along with the exclusive premiere of the festival trailer.
Arthur&Diana (Sara Summa)
A lo-fi siblings road trip movie shot with a mix of MiniDV, Betacam, and 16mm, Sara Summa’s Arthur&Diana marks an interesting, mostly successful gamble of personal storytelling, in which Summa stars alongside her-real brother, Robin Summa. Jared Mobarak said in his TIFF review, “As such, we glean...
As always, the annual festival brings together a varied, eclectic lineup of cinema from all corners of the world––including a number of films still seeking distribution, making this series perhaps one of your only chances to see these works on the big screen. Check out our top picks below, along with the exclusive premiere of the festival trailer.
Arthur&Diana (Sara Summa)
A lo-fi siblings road trip movie shot with a mix of MiniDV, Betacam, and 16mm, Sara Summa’s Arthur&Diana marks an interesting, mostly successful gamble of personal storytelling, in which Summa stars alongside her-real brother, Robin Summa. Jared Mobarak said in his TIFF review, “As such, we glean...
- 3/11/2024
- by Jordan Raup
- The Film Stage
Sujo Photo: Courtesy of Sundance Institute Museum of the Moving Image will open its 13th edition on March 13 with the New York premiere of Sujo. The winner of Sundance's World Cinema Grand Jury prize tells the story of a youngster growing up in the shadow of drug cartel violence. The festival, which also includes work-in-progress screenings and sessions and gallery installations, will close with New York premiere of Bill and Turner Ross’s coming-of-age road movie Gasoline Rainbow on March 17.
The 2024 lineup will premiere 46 works, including 20 features, representing 21 countries. Among the other highlights are the experimental Samsara, which features some of the best cinematography of the past 12 months to tell the story of a woman as she transitions from one life to the next and, also fresh from Sundance, Brooklyn-set drama Tendaberry.
Among the documentaries to look out for is Knit's Island, which sees the filmmakers step inside a...
The 2024 lineup will premiere 46 works, including 20 features, representing 21 countries. Among the other highlights are the experimental Samsara, which features some of the best cinematography of the past 12 months to tell the story of a woman as she transitions from one life to the next and, also fresh from Sundance, Brooklyn-set drama Tendaberry.
Among the documentaries to look out for is Knit's Island, which sees the filmmakers step inside a...
- 3/9/2024
- by Amber Wilkinson
- eyeforfilm.co.uk
"Always wondered if there's a place somewhere for us. A place for weirdos." Mubi revealed a quick teaser trailer for the film Gasoline Rainbow, the first narrative feature by acclaimed doc filmmakers the Ross Brothers. It's playing at the 2024 SXSW Film Festival this month, and also Cph:dox & the Cleveland Film Festival before it releases on Mubi this May. The film premiered at last year's Venice Film Festival to mixed reviews. A rhapsodic portrait of the new generation from filmmakers Bill & Turner Ross. With high school in the rearview, five teenagers from small-town Oregon decide to embark on one last adventure. Piling into an old van with a busted tail light, their mission is to make it to a place they've never been — the Pacific coast, 500 miles away. Their plan, in full: "Fuck it." Starring Makai Garza, Micah Bunch, Tony Aburto, Nichole Dukes, Nathalie Garcia. This is a scripted feature, but...
- 3/8/2024
- by Alex Billington
- firstshowing.net
From a pandemic and Hollywood’s dual strikes to fundraising issues, film festivals have faced a number of challenges in recent years. But a new one is braving the scene and about to hit the circuit.
The Los Angeles Festival of Movies will present its inaugural edition on April 4-7, co-presented by Mubi and Mezzanine and featuring 12 titles (one world premiere), three 4K restorations, a featured artist talk, documentary series and a short film program. Passes are currently on sale with single tickets on sale March 14. Lafm screenings will take place at three recently opened venues across Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown and Now Instant Image Hall in Chinatown.
A24’s I Saw the TV Glow from filmmaker Jane Schoenbrun will open the fest with a West Coast premiere at Vidiots on April 4. Closing Lafm three days later will be the world premiere of...
The Los Angeles Festival of Movies will present its inaugural edition on April 4-7, co-presented by Mubi and Mezzanine and featuring 12 titles (one world premiere), three 4K restorations, a featured artist talk, documentary series and a short film program. Passes are currently on sale with single tickets on sale March 14. Lafm screenings will take place at three recently opened venues across Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown and Now Instant Image Hall in Chinatown.
A24’s I Saw the TV Glow from filmmaker Jane Schoenbrun will open the fest with a West Coast premiere at Vidiots on April 4. Closing Lafm three days later will be the world premiere of...
- 3/7/2024
- by Chris Gardner
- The Hollywood Reporter - Movie News
A new Los Angeles film festival featuring independent films, documentaries and artist talks is set for April 4-7 at venues in Chinatown, Eagle Rock and Filipinotown.
The Los Angeles Festival of Movies was launched by Micah Gottlieb and Sarah Winshall, and will open April 4 with Jane Schoenbrun’s “I Saw the TV Glow.” Closing night film is Conner O’Malley and Danny Scharar’s “Rap World” on April 7. Both films screen at Vidiots.
Screenings will be spread between Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown and Now Instant Image Hall in Chinatown.
An artist’s talk will feature musician and artist Kim Gordon and writer Rachel Kushner in conversation about their relationships to the city and cinema of Los Angeles.
The city’s last festival focused on independent films, the L.A. Independent Film Festival, closed in 2018. For several years, Sundance hosted an L.A. screening series, which hasn...
The Los Angeles Festival of Movies was launched by Micah Gottlieb and Sarah Winshall, and will open April 4 with Jane Schoenbrun’s “I Saw the TV Glow.” Closing night film is Conner O’Malley and Danny Scharar’s “Rap World” on April 7. Both films screen at Vidiots.
Screenings will be spread between Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown and Now Instant Image Hall in Chinatown.
An artist’s talk will feature musician and artist Kim Gordon and writer Rachel Kushner in conversation about their relationships to the city and cinema of Los Angeles.
The city’s last festival focused on independent films, the L.A. Independent Film Festival, closed in 2018. For several years, Sundance hosted an L.A. screening series, which hasn...
- 3/7/2024
- by Pat Saperstein
- Variety Film + TV
A new film festival is on the scene. Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, has announced the full line-up for its inaugural run, taking place April 4-7, 2024. Boasting 11 titles––including one world premiere, three 4K restorations, a featured artist talk, documentary series, and curated shorts program––screenings will take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
Among the lineup are some of our recent festival favorites: Jane Schoenbrun’s I Saw the TV Glow, India Donaldson’s Good One, the Ross brothers’ Gasoline Rainbow, and Eduardo Williams’ The Human Surge 3. Closing the festival is the world premiere of Conner O’Malley and Danny Scharer’s Rap World.
“This lineup is a snapshot of the past and present landscape of independent cinema, and a group...
Among the lineup are some of our recent festival favorites: Jane Schoenbrun’s I Saw the TV Glow, India Donaldson’s Good One, the Ross brothers’ Gasoline Rainbow, and Eduardo Williams’ The Human Surge 3. Closing the festival is the world premiere of Conner O’Malley and Danny Scharer’s Rap World.
“This lineup is a snapshot of the past and present landscape of independent cinema, and a group...
- 3/7/2024
- by Jordan Raup
- The Film Stage
The LA film festival scene just got a bit brighter.
The Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, announced the full lineup for its inaugural festival taking place April 4-7, 2024. The new festival will screen 11 titles including one world premiere, three 4K restorations, plus a featured artist talk, documentary series, and a curated short film program. Passes are currently on sale, and single film tickets go on sale March 14.
Per the festival’s organizers, Lafm was created to redefine Los Angeles as a destination for independent film. There are many film festivals in LA, primarily led by AFI Fest in the fall, but rarely do they make independent film their only focus.
The festival’s screenings will all take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
The Los Angeles Festival of Movies (Lafm), co-presented by Mubi and Mezzanine, announced the full lineup for its inaugural festival taking place April 4-7, 2024. The new festival will screen 11 titles including one world premiere, three 4K restorations, plus a featured artist talk, documentary series, and a curated short film program. Passes are currently on sale, and single film tickets go on sale March 14.
Per the festival’s organizers, Lafm was created to redefine Los Angeles as a destination for independent film. There are many film festivals in LA, primarily led by AFI Fest in the fall, but rarely do they make independent film their only focus.
The festival’s screenings will all take place at three recently opened venues on the east side of Los Angeles: Vidiots in Eagle Rock, 2220 Arts + Archives in Historic Filipinotown, and Now Instant Image Hall in Chinatown.
- 3/7/2024
- by Ryan Lattanzio
- Indiewire
Museum of the Moving Image is pleased to announce the complete lineup for the 13th edition of First Look, the Museum's festival of new and innovative international cinema, which will take place in person March 13–17, 2024. Each year, First Look offers a diverse slate of major New York premieres, work-in-progress screenings and sessions, gallery installations, and fresh perspectives on the art and process of filmmaking. This year's festival introduces New York audiences to more than three dozen works from around the world. The guiding ethos of First Look is openness, curiosity, and discovery, aiming to expose audiences to new art, artists to new audiences, and everyone to different methods, perspectives, interrogations, and encounters. For five consecutive days the festival takes over MoMI's two theaters, as well as other rooms and galleries throughout the Museum—with in-person appearances and dialogue integral to the experience. Each night concludes with one of five...
- 2/14/2024
- by Rouven Linnarz
- AsianMoviePulse
A yearly highlight of New York (or American) programming, the Museum of the Moving Image’s First Look will return on March 13 with an opening-night screening of Astrid Rondero and Fernanda Valadez’s Sujo, close on March 17 with Bill and Turner Ross’ Gasoline Rainbow, and in the intervening days combine programming of recent cutting-edge highlights with in-person talks and seminars.
First Look’s fixture “Working on It” will run between March 13 and 15, offering “a laboratory for works in progress and dialogues about process, bringing together festival guests, filmmakers, students, writers, and the general public.” Meanwhile, writers and editors from Reverse Shot “will continue discussions begun in last year’s Emerging Critics Workshop throughout the festival.”
So says MoMI’s Curator of Film Eric Hynes:
“Now in its 13th year, First Look has carved out a unique, and we think essential, place in New York’s film and cultural landscape.
First Look’s fixture “Working on It” will run between March 13 and 15, offering “a laboratory for works in progress and dialogues about process, bringing together festival guests, filmmakers, students, writers, and the general public.” Meanwhile, writers and editors from Reverse Shot “will continue discussions begun in last year’s Emerging Critics Workshop throughout the festival.”
So says MoMI’s Curator of Film Eric Hynes:
“Now in its 13th year, First Look has carved out a unique, and we think essential, place in New York’s film and cultural landscape.
- 2/12/2024
- by Nick Newman
- The Film Stage
The annual Museum of the Moving Image’s First Look Festival has given IndieWire an exclusive “first look” at the lineup.
The 13th annual event, which takes place March 13 through 17 in Astoria, Queens, opens with the New York premiere of Astrid Rondero and Fernanda Valadez’s “Sujo,” which recently took home the Grand Jury Prize, World Cinema Dramatic Competition, at the 2024 Sundance Film Festival.
The First Look Festival focuses on emerging talents and international voices, with the fest premiering 46 works, including 20 features that represent 21 countries. Highlights include Farhad Delaram’s “Achilles,” Graham Swon’s “An Evening Song (for three voices), and the U.S. premiere of Lois Patiño’s “Samsara.” Zhang Mengqi’s “Self-Portrait: 47 Km 2020,” which won the Award of Excellence winner at the 2023 Yamagata Documentary Festival, will also screen along with Shoghakat Vardanyan’s 2023 IDFA grand prize winner “1489,” the debut for the filmmaker. Returning First Look directors like Michaël Andrianaly...
The 13th annual event, which takes place March 13 through 17 in Astoria, Queens, opens with the New York premiere of Astrid Rondero and Fernanda Valadez’s “Sujo,” which recently took home the Grand Jury Prize, World Cinema Dramatic Competition, at the 2024 Sundance Film Festival.
The First Look Festival focuses on emerging talents and international voices, with the fest premiering 46 works, including 20 features that represent 21 countries. Highlights include Farhad Delaram’s “Achilles,” Graham Swon’s “An Evening Song (for three voices), and the U.S. premiere of Lois Patiño’s “Samsara.” Zhang Mengqi’s “Self-Portrait: 47 Km 2020,” which won the Award of Excellence winner at the 2023 Yamagata Documentary Festival, will also screen along with Shoghakat Vardanyan’s 2023 IDFA grand prize winner “1489,” the debut for the filmmaker. Returning First Look directors like Michaël Andrianaly...
- 2/12/2024
- by Samantha Bergeson
- Indiewire
Mubi has unveiled their February 2024 lineup, featuring Roy Andersson’s little-seen 1991 short World of Glory, Nicole Holofcener’s Lovely & Amazing starring Catherine Keener with an early Jake Gyllenhaal performance, and special Black History Month selections: Spike Lee’s Red Hook Summer, Kasi Lemmon’s Eve’s Bayou, Carl Franklin’s One False Move, and more.
Check out the lineup below, including recently added January titles, and get 30 days free here.
Just-Added
American Movie, directed by Christopher Smith | Festival Focus: Sundance
Pieces of April, directed by Peter Hedges | Festival Focus: Sundance
The Blair Witch Project, directed by Daniel Myrick, Eduardo Sánchez | Festival Focus: Sundance
But I’m a Cheerleader, directed by Jamie Babbit | Festival Focus: Sundance
Secretary, directed by Steven Shainberg | Festival Focus: Sundance
Medicine for Melancholy directed by Barry Jenkins | First Films First
Antiviral, directed by Brandon Cronenberg | First Films First
Shithouse, directed by Cooper Raiff | First Films First
Age of Panic,...
Check out the lineup below, including recently added January titles, and get 30 days free here.
Just-Added
American Movie, directed by Christopher Smith | Festival Focus: Sundance
Pieces of April, directed by Peter Hedges | Festival Focus: Sundance
The Blair Witch Project, directed by Daniel Myrick, Eduardo Sánchez | Festival Focus: Sundance
But I’m a Cheerleader, directed by Jamie Babbit | Festival Focus: Sundance
Secretary, directed by Steven Shainberg | Festival Focus: Sundance
Medicine for Melancholy directed by Barry Jenkins | First Films First
Antiviral, directed by Brandon Cronenberg | First Films First
Shithouse, directed by Cooper Raiff | First Films First
Age of Panic,...
- 1/25/2024
- by Jordan Raup
- The Film Stage
March fest announces multiple competition sections.
SXSW announced on Wednesday that Netflix series 3 Body Problem from Game Of Thrones co-creators David Benioff and D. B. Weiss is the festival’s opening night TV premiere, while Universal’s action comedy The Fall Guy with Ryan Gosling and Emily Blunt is the centrepiece screening.
Top brass at the Austin, Texas, festival (March 8-16) also unveiled feature and short competitions and Midnighters and Global sections, as well as select titles from other categories and Xr Experience for the 31st edition.
Headliners selections include world premieres of Pamela Adlon’s Babes starring Ilana Glazer,...
SXSW announced on Wednesday that Netflix series 3 Body Problem from Game Of Thrones co-creators David Benioff and D. B. Weiss is the festival’s opening night TV premiere, while Universal’s action comedy The Fall Guy with Ryan Gosling and Emily Blunt is the centrepiece screening.
Top brass at the Austin, Texas, festival (March 8-16) also unveiled feature and short competitions and Midnighters and Global sections, as well as select titles from other categories and Xr Experience for the 31st edition.
Headliners selections include world premieres of Pamela Adlon’s Babes starring Ilana Glazer,...
- 1/10/2024
- by Jeremy Kay
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For regular updates, sign up for our weekly email newsletter and follow us @NotebookMUBI.NEWSDry Leaf.On Criterion’s Daily, David Hudson has shared a useful roundup of films that might be expected to premiere during 2024. Among the inclusions are: Mickey 17, Bong Joon-ho’s first film since Parasite (2019); It’s Not Me, Leos Carax’s latest collaboration with Denis Lavant; and Dry Leaf, the enticing-sounding new film by Alexandre Koberidze (What Do We See When We Look at the Sky? [2021]), which is said to be about “a photographer who shoots soccer stadiums [who] goes missing.”A list of international filmmakers including Apichatpong Weerasethakul, Pedro Costa, Radu Jude, Ira Sachs, Claire Denis, and Abderrahmane Sissako have signed a letter, published during the holiday season in the French newspaper Libération, demanding (as translated by the Film Stage) “an immediate end to the bombings on Gaza,...
- 1/10/2024
- MUBI
Gasoline Rainbow had its world premiere in the Orizzonti section at the Venice Film Festival this year with subsequent stops at London BFI and this week’s American Film Festival in Wroclaw but it has yet to premiere in the U.S. We think that Sundance and SXSW programmers will both be interested in supporting Turner Ross and Bill Ross IV once again with a showcase bonus screening following in te footsteps of their support for 45365, Tchoupitoulas, Western, Contemporary Color and Bloody Nose, Empty Pockets. Tony Abuerto, Micah Bunch, Nichole Dukes, Nathaly Garcia and Makai Garza star in the road-trip film.…...
- 11/11/2023
- by Eric Lavallée
- IONCINEMA.com
Ken Loach’s ‘The Old Oak’ takes Spanish festival’s audience prize.
The 68th edition of the Valladolid International Film Week, also known as Seminci, wrapped on Saturday (October 28), giving its top award, the Golden Spike, to Laura Ferrés’ debut feature The Permanent Picture.
It is the first time the best feature award at the long-running film festival has been won by a Spanish woman director.
Ferrés previously directed short film The Disinherited which won the Cannes Discovery Award for best short in 2017.
See below for full list of winners
The Permanent Picture is the story of an introverted middle-aged...
The 68th edition of the Valladolid International Film Week, also known as Seminci, wrapped on Saturday (October 28), giving its top award, the Golden Spike, to Laura Ferrés’ debut feature The Permanent Picture.
It is the first time the best feature award at the long-running film festival has been won by a Spanish woman director.
Ferrés previously directed short film The Disinherited which won the Cannes Discovery Award for best short in 2017.
See below for full list of winners
The Permanent Picture is the story of an introverted middle-aged...
- 10/30/2023
- by Elisabet Cabeza
- ScreenDaily
Two movies which come in on immigration from vastly different angles – Laura Ferrés’ “The Permanent Picture” and Ken Loach’s “The Old Oak” – won big Saturday night at Spain’s Valladolid Festival, walking off with its main competition Golden Spike and the Spanish event’s best actor (Dave Turner) and Audience Award plaudits respectively.
The prize ceremony also saw Charlotte Rampling, star of closing film “Juniper” from Matthew J. Saville, accept an enthusiastically applauded Honorific Spike for her career achievement.
Though decided upon by independent juries, Valladolid’s prizes say much about the new-fit festival after a first-year reboot by new director José Luis Cienfuegos, previously a Gijón and Seville fest head.
Under directors Fernando Lara (1984-2004), Juan Carlos Frugone (2005-08) and Javier Angulo (2009-2022), Valladolid has consolidated as one of Spain’s biggest festivals, after San Sebastián. and a bastion of auteurist, arthouse independent cinema. Few figures in Europe...
The prize ceremony also saw Charlotte Rampling, star of closing film “Juniper” from Matthew J. Saville, accept an enthusiastically applauded Honorific Spike for her career achievement.
Though decided upon by independent juries, Valladolid’s prizes say much about the new-fit festival after a first-year reboot by new director José Luis Cienfuegos, previously a Gijón and Seville fest head.
Under directors Fernando Lara (1984-2004), Juan Carlos Frugone (2005-08) and Javier Angulo (2009-2022), Valladolid has consolidated as one of Spain’s biggest festivals, after San Sebastián. and a bastion of auteurist, arthouse independent cinema. Few figures in Europe...
- 10/29/2023
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
“All of Us Strangers,” Andrew Haigh, U.K., U.S.)
Setting a high benchmark for Valladolid’s main competition, “a curious kind of ghost story, at once incredibly tender and profoundly devastating as it slowly reveals its secrets,” Variety wrote in its review. Written and directed by Haigh. behind an impressive body of work taking in “Weekend,” “45 Years” and HBO series “Looking.”
“Andrea’s Love,” (“El amor de Andrea,” Manuel Martín Cuenca, Spain)
Sold by Film Factory, the latest from the always interesting Martín Cuenca about Andrea, 15, attempting to reconnect with her estranged father. “A title opening up a new stage in Martín Cuenca’s career, his simplest, most tender and sincere of works,” Valladolid Festival notes run.
“Gasoline Rainbow,” (Bill Ross IV, Turner Ross, U.S.)
Produced by Mubi and sold by The Match Factory, the Venice Horizons world premiere follows five teens who pile into a van...
Setting a high benchmark for Valladolid’s main competition, “a curious kind of ghost story, at once incredibly tender and profoundly devastating as it slowly reveals its secrets,” Variety wrote in its review. Written and directed by Haigh. behind an impressive body of work taking in “Weekend,” “45 Years” and HBO series “Looking.”
“Andrea’s Love,” (“El amor de Andrea,” Manuel Martín Cuenca, Spain)
Sold by Film Factory, the latest from the always interesting Martín Cuenca about Andrea, 15, attempting to reconnect with her estranged father. “A title opening up a new stage in Martín Cuenca’s career, his simplest, most tender and sincere of works,” Valladolid Festival notes run.
“Gasoline Rainbow,” (Bill Ross IV, Turner Ross, U.S.)
Produced by Mubi and sold by The Match Factory, the Venice Horizons world premiere follows five teens who pile into a van...
- 10/20/2023
- by John Hopewell
- Variety Film + TV
Updated: With the fall festivals behind us — we’re talking the triple whammy of Venice, Telluride, and Toronto, plus the just-wrapped New York Film Festival and BFI London — we’re taking stock of the best films of the circuit. While it’s always easy to use the fall festivals as a window into this year’s awards contenders, of which many debuted over the past few weeks, the festivals have also provided us with some of the best films of 2023, full stop.
These standouts include new films from perennial favorites like Hayao Miyazaki, Errol Morris, Bertrand Bonello, Yorgos Lanthimos, Kitty Green, Andrew Haigh, Bill and Turner Ross, and Alexander Payne. Rising stars aren’t in short supply either, including first and second narrative features from TIFF winner Cord Jefferson, Annie Baker, and Kristoffer Borgli. Amongst this selection, words like “gem,” “masterpiece,” and “crowd-pleaser” are thrown around with regularity, but not without real consideration.
These standouts include new films from perennial favorites like Hayao Miyazaki, Errol Morris, Bertrand Bonello, Yorgos Lanthimos, Kitty Green, Andrew Haigh, Bill and Turner Ross, and Alexander Payne. Rising stars aren’t in short supply either, including first and second narrative features from TIFF winner Cord Jefferson, Annie Baker, and Kristoffer Borgli. Amongst this selection, words like “gem,” “masterpiece,” and “crowd-pleaser” are thrown around with regularity, but not without real consideration.
- 10/16/2023
- by Kate Erbland, David Ehrlich and Ryan Lattanzio
- Indiewire
With the 67th BFI London Film Festival gearing up to start on Oct. 4, the juries for the various competitions have been named.
Leading the official competition jury is acclaimed Mexican director, producer and screenwriter Amat Escalante, who won the best director honor at the 2013 edition of the Cannes Film Festival for Heli and the Silver Lion for the best director in Venice in 2016 for The Untamed. Escalante’s latest feature, Lost in the Night, is playing in the London Film Festival’s Thrill Strand.
Joining Escalante on the main jury are Kate Taylor, program director of the 2023 Edinburgh International Film Festival, and Niven Govinden, the English novelist and author of Diary of a Film.
The films in the official competition that the trio will be judging include:
Baltimore, Christine Molloy, Joe Lawlor
Dear Jassi, Tarsem Singh Dhandwar)
Europa, Sudabeh Mortezai
Evil Does Not Exist, Ryusuke Hamaguchi
Fingernails, Christos Nikou
Gasoline Rainbow,...
Leading the official competition jury is acclaimed Mexican director, producer and screenwriter Amat Escalante, who won the best director honor at the 2013 edition of the Cannes Film Festival for Heli and the Silver Lion for the best director in Venice in 2016 for The Untamed. Escalante’s latest feature, Lost in the Night, is playing in the London Film Festival’s Thrill Strand.
Joining Escalante on the main jury are Kate Taylor, program director of the 2023 Edinburgh International Film Festival, and Niven Govinden, the English novelist and author of Diary of a Film.
The films in the official competition that the trio will be judging include:
Baltimore, Christine Molloy, Joe Lawlor
Dear Jassi, Tarsem Singh Dhandwar)
Europa, Sudabeh Mortezai
Evil Does Not Exist, Ryusuke Hamaguchi
Fingernails, Christos Nikou
Gasoline Rainbow,...
- 9/19/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Arguably the most accomplished and enjoyable film so far for filmmaking brothers Bill and Turner Ross (the siblings behind Bloody Nose, Empty Pockets and Western), Gasoline Rainbow pays homage to all the road movies that ever were but is still its own quirky thing, uniquely of its time.
Five photogenic but regular-looking non-professional teens star as people much like themselves, i.e. kids just out of high school, who decide on a whim one night to drive 500 miles west toward the Pacific, away from the small podunk Oregon town they grew up in. Some of the friends they make along the way aren’t entirely nice, but our heroes bounce back, party on and peace out with the blithe insouciance only the young can get away with. As such, this jaunty work will appeal to viewers from the same demographic as well as those who love freewheeling low-budget cinema and...
Five photogenic but regular-looking non-professional teens star as people much like themselves, i.e. kids just out of high school, who decide on a whim one night to drive 500 miles west toward the Pacific, away from the small podunk Oregon town they grew up in. Some of the friends they make along the way aren’t entirely nice, but our heroes bounce back, party on and peace out with the blithe insouciance only the young can get away with. As such, this jaunty work will appeal to viewers from the same demographic as well as those who love freewheeling low-budget cinema and...
- 9/14/2023
- by Leslie Felperin
- The Hollywood Reporter - Movie News
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSGasoline Rainbow.London Film Festival have announced the films in their competitive sections, with new work by Zhang Mengqi, Ryusuke Hamaguchi, and Bill and Turner Ross included in the Official Competition, plus films by Ehsan Khoshbakht, Cyril Aris, and Chloe Abrahams up for the Documentary award.Meanwhile, the Alliance of Motion Picture Arts and Sciences recently returned to the bargaining table with the Writers Guild of America, with CEOs like Bob Iger, David Zaslav, and Ted Sarandos in tow. "On the 113th day of the strike—and while SAG-AFTRA is walking the picket lines by our side—we were met with a lecture about how good their single and only counteroffer was,” wrote the WGA in a statement circulated to members, followed two days later by a thorough explanation of why this proposal was inadequate.
- 9/11/2023
- MUBI
“The only difference between children and grown-ups is that the grown-ups are unsupervised.” This line, uttered in the second half of Bill Ross IV and Turner Ross’s seventh feature Gasoline Rainbow, is not particularly framed as words of wisdom. The award-winning filmmakers have explored American life through places, people, and their interconnectedness since the late 2000s in a way that’s far from linear. A multitude of voices, characters (or simply people) populate the screen, their practice exploratory before it aims at any definitive answers. The why and the why-not are irrelevant questions, yet every new offering feels as profound as life itself. Gasoline Rainbow, a premiere in this year’s Venice Orizzonti sidebar, benefits from their trademark hybrid filmmaking, placing nonprofessional teenage actors on a thrilling 513-mile journey from Wiley, Oregon, to the Pacific Ocean.
Tony (Tony Abuerto), Micah (Micah Bunch), Nichole (Nichole Dukes), Nathaly (Nathaly Garcia), and...
Tony (Tony Abuerto), Micah (Micah Bunch), Nichole (Nichole Dukes), Nathaly (Nathaly Garcia), and...
- 9/7/2023
- by Savina Petkova
- The Film Stage
Jeymes Samuel’s sophomore feature The Book of Clarence, Martin Scorsese’s Killers of the Flower Moon, and The Boy and the Heron by Hayao Miyazaki are among the titles that have been announced within the full lineup of the British Film Institute’s (BFI) 67th London Film Festival. Scroll down for the full list.
The Book of Clarence, starring Benedict Cumberbatch, Lakeith Stanfield, and David Oyelowo will screen at London as a World Premiere. Running October 4-15, Lff will feature 29 World Premieres, seven International Premieres (six features and one short), and 30 European Premieres.
Eye-grabbing entries from today’s launch include headline gala screenings of May December by Todd Haynes, Yorgos Lanthimos’ latest feature Poor Things, Bradley Cooper’s Maestro, and The Killer by David Fincher, the last three which make their way to London after debuts on the Lido.
The Book of Clarence, starring Benedict Cumberbatch, Lakeith Stanfield, and David Oyelowo will screen at London as a World Premiere. Running October 4-15, Lff will feature 29 World Premieres, seven International Premieres (six features and one short), and 30 European Premieres.
Eye-grabbing entries from today’s launch include headline gala screenings of May December by Todd Haynes, Yorgos Lanthimos’ latest feature Poor Things, Bradley Cooper’s Maestro, and The Killer by David Fincher, the last three which make their way to London after debuts on the Lido.
- 8/31/2023
- by Zac Ntim
- Deadline Film + TV
Titles include Ryusuke Hamaguchi’s Evil Does Not Exist; Kitty Green’s The Royal Hotel; and Christos Nikou’s Fingernails.
BFI London Film Festival has unveiled the competition line-ups for best film, best first feature and best documentary.
The 11 films competing for best film include Ryusuke Hamaguchi’s Evil Does Not Exist; Kitty Green’s The Royal Hotel; Daniel Kokotajlo’s Starve Acre and Christos Nikou’s Fingernails.
Christine Molloy returns to the competition after 2019’s Rose Plays Julie. This time she has co-directed Baltimore with frequent collaborator and partner Joe Lawlor. The pair recently directed The Future Tense which...
BFI London Film Festival has unveiled the competition line-ups for best film, best first feature and best documentary.
The 11 films competing for best film include Ryusuke Hamaguchi’s Evil Does Not Exist; Kitty Green’s The Royal Hotel; Daniel Kokotajlo’s Starve Acre and Christos Nikou’s Fingernails.
Christine Molloy returns to the competition after 2019’s Rose Plays Julie. This time she has co-directed Baltimore with frequent collaborator and partner Joe Lawlor. The pair recently directed The Future Tense which...
- 8/29/2023
- by Ellie Calnan
- ScreenDaily
In sibling directors Bill and Turner Ross’ new movie “Gasoline Rainbow,” a group of five teenagers embark on a hectic, sweltering roadtrip from rural Oregan to the Pacific Coast. Over the course of that evocative journey, they get lost, get stoned, make a lot of friends, and swap many stories. Eschewing plot for the unbridled energy of untethered youth, “Gasoline Rainbow” might strike newcomers to the Ross brothers as a pure documentary exercise, the kind of absorbing cinema vérité endeavor in which cameras follow every unscripted move.
However, this is a Ross brothers movie, and defies such labels by design. For over a decade, these innovative filmmakers haven’t troubled the barriers between fiction and non-fiction so much as they have tried to ignore them entirely — and with this one, they’re ready to move past scrutiny of that process for good.
“We are desperate not to have this fucking conversation ever again,...
However, this is a Ross brothers movie, and defies such labels by design. For over a decade, these innovative filmmakers haven’t troubled the barriers between fiction and non-fiction so much as they have tried to ignore them entirely — and with this one, they’re ready to move past scrutiny of that process for good.
“We are desperate not to have this fucking conversation ever again,...
- 8/22/2023
- by Eric Kohn
- Indiewire
On the website for Mubi, the international cinema platform describes itself in several ways: “A streaming service? A curator? A publisher? A distributor? A cinema lover? Yes.”
Yet in a recent online conversation hosted by Sundance Collab, the Sundance Institute’s educational service, Mubi Chief Content Officer Jason Ropell added another facet to Mubi’s motives: Netflix alternative.
Ropell, the former head of Amazon Studio’s film division, said in a revealing conversation with Sundance programmer John Nein that, while Mubi takes SVOD rights for both films it buys and produces in-house, it takes a more expansive approach to other revenue streams, from theatrical to PVOD.
“In contrast, Netflix will create or buy a film and it will only be on Netflix,” Ropell said. “It’s the exclusive access to the platform that’s their value proposition. Our job is to support films through every facet of the distribution chain.
Yet in a recent online conversation hosted by Sundance Collab, the Sundance Institute’s educational service, Mubi Chief Content Officer Jason Ropell added another facet to Mubi’s motives: Netflix alternative.
Ropell, the former head of Amazon Studio’s film division, said in a revealing conversation with Sundance programmer John Nein that, while Mubi takes SVOD rights for both films it buys and produces in-house, it takes a more expansive approach to other revenue streams, from theatrical to PVOD.
“In contrast, Netflix will create or buy a film and it will only be on Netflix,” Ropell said. “It’s the exclusive access to the platform that’s their value proposition. Our job is to support films through every facet of the distribution chain.
- 8/17/2023
- by Eric Kohn
- Indiewire
A surprise selection for Venice (only because it was off our radar), the debut fiction feature by Bill Ross IV and Turner Ross (see our Sundance trading card) will walk on over from the Lido into an eventual 2024 release (we suppose that Sundance and SXSW will duke it out for North American premiere status – unless this grabs a NYFF spot).
Deadline reports that the Mubi folks landed the film. Gasoline Rainbow preems in the Orizzonti section and stars newcomers Tony Abuerto, Micah Bunch, Nichole Dukes, Nathaly Garcia and Makai Garza. Michael Gottwald and Carlos Zozaya (We’re All Going to the World’s Fair) produced the film.…...
Deadline reports that the Mubi folks landed the film. Gasoline Rainbow preems in the Orizzonti section and stars newcomers Tony Abuerto, Micah Bunch, Nichole Dukes, Nathaly Garcia and Makai Garza. Michael Gottwald and Carlos Zozaya (We’re All Going to the World’s Fair) produced the film.…...
- 8/1/2023
- by Eric Lavallée
- IONCINEMA.com
Exclusive: After producing Gasoline Rainbow, the latest boundary-pushing work from rising star filmmakers Bill Ross IV and Turner Ross, which is set to world premiere in the Orizzonti section of this year’s Venice Film Festival, Mubi has retained U.S. rights and set the film for theatrical release in 2024.
The Match Factory is handling international sales.
Starring newcomers Tony Abuerto, Micah Bunch, Nichole Dukes, Nathaly Garcia and Makai Garza, the film written, produced, shot and directed by the Ross Brothers follows five teenagers from small-town Oregon who, with high school in the rearview, decide to embark on one last adventure. Piling into a van with a busted taillight, their mission is to make it to a place they’ve never been —the Pacific coast, five hundred miles away. Their plan, in full: “F**k it.”
By van, boat, train, and foot, their improvised odyssey takes them through desert wilderness,...
The Match Factory is handling international sales.
Starring newcomers Tony Abuerto, Micah Bunch, Nichole Dukes, Nathaly Garcia and Makai Garza, the film written, produced, shot and directed by the Ross Brothers follows five teenagers from small-town Oregon who, with high school in the rearview, decide to embark on one last adventure. Piling into a van with a busted taillight, their mission is to make it to a place they’ve never been —the Pacific coast, five hundred miles away. Their plan, in full: “F**k it.”
By van, boat, train, and foot, their improvised odyssey takes them through desert wilderness,...
- 8/1/2023
- by Matt Grobar
- Deadline Film + TV
La BêteCOMPETITIONComandante (Edoardo De Angelis)The Promised Land (Nikolaj Arcel)Dogman (Luc Besson) La Bête (Bertrand Bonello) Hors-Saison (Stéphane Brizé) Enea (Pietro Castellitto) Maestro (Bradley Cooper)Priscilla (Sofia Coppola)Finalmente L’Alba (Saverio Costanzo)Lubo (Giorgio Diritti) Origin (Ava DuVernay) The Killer (David Fincher)Memory (Michel Franco)Io capitano (Matteo Garrone)Evil Does Not Exist (Ryûsuke Hamaguchi)The Green Border (Agnieszka Holland)The Theory of Everything (Timm Kröger)Poor Things (Yorgos Lanthimos)El conde (Pablo Larrain)Ferrari (Michael Mann)Adagio (Stefano Sollima)Woman OfHolly (Fien Troch)Out Of COMPETITIONFictionSociety of the Snow (J.A. Bayona)Coup de Chance (Woody Allen)The Wonderful Story of Henry Sugar (Wes Anderson)The Penitent (Luca Barbareschi)L’Ordine Del Tempo (Liliana Cavani)Vivants (Alix Delaporte)Welcome to Paradise (Leonardo di Constanzo)Daaaaaali! (Quentin Dupieux)The Caine Mutiny Court-Martial (William Friedkin)Making of (Cedric Kahn)Aggro Dr1ft (Harmony Korine)Hitman (Richard Linklater)The Palace (Roman Polanski...
- 7/29/2023
- MUBI
Two movies whose directors are likely to draw protests, Woody Allen’s French-language “Coup de Chance” and Roman Polanski’s “The Palace,” will make their world premieres at the 2023 Venice International Film Festival, Venice artistic director Alberto Barbera and La Biennale di Venezia president Roberto Cicutto announced at a Tuesday morning press conference.
Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.
Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.
Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.
Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.
- 7/25/2023
- by Steve Pond
- The Wrap
On the heels of yesterday’s TIFF announcement, the first major fall festival of the season––Venice International Film Festival––is unveiling its lineup. Taking place August 30-September 9, the competition jury this year is chaired by Damien Chazelle.
Highlights include new films from David Fincher, Michael Mann, Wes Anderson, Ryusuke Hamaguchi, Sofia Coppola, Bradley Cooper, Bertrand Bonello, Frederick Wiseman, Roman Polanski, William Friedkin, Ava DuVernay, Harmony Korine, Richard Linklater, Woody Allen, and more.
Competition
Adagio; dir. Stefano Sollima
The Beast; dir. Bertrand Bonello
Io Capitano; dir. Matteo Garrone
Comandante; dir. Edoardo de Angelis
El Conde; dir. Pablo Larraín
Die Theorie von Allem; dir. Timm Kröger
Dogman; dir. Luc Besson
Enea; dir. Pietro Castellitto
Evil Does Not Exist; dir. Ryusuke Hamaguchi
Ferrari; dir. Michael Mann
Finalmente L’Alba; dir. Saverio Costanzo
Green Border; dir. Agnieszka Holland
Holly; dir. Fien Troch
Hors-Saison; dir. Stéphane Brizé
The Killer; dir. David Fincher
Lubo; dir. Giorgio Diritti
The Promised Land; dir.
Highlights include new films from David Fincher, Michael Mann, Wes Anderson, Ryusuke Hamaguchi, Sofia Coppola, Bradley Cooper, Bertrand Bonello, Frederick Wiseman, Roman Polanski, William Friedkin, Ava DuVernay, Harmony Korine, Richard Linklater, Woody Allen, and more.
Competition
Adagio; dir. Stefano Sollima
The Beast; dir. Bertrand Bonello
Io Capitano; dir. Matteo Garrone
Comandante; dir. Edoardo de Angelis
El Conde; dir. Pablo Larraín
Die Theorie von Allem; dir. Timm Kröger
Dogman; dir. Luc Besson
Enea; dir. Pietro Castellitto
Evil Does Not Exist; dir. Ryusuke Hamaguchi
Ferrari; dir. Michael Mann
Finalmente L’Alba; dir. Saverio Costanzo
Green Border; dir. Agnieszka Holland
Holly; dir. Fien Troch
Hors-Saison; dir. Stéphane Brizé
The Killer; dir. David Fincher
Lubo; dir. Giorgio Diritti
The Promised Land; dir.
- 7/25/2023
- by Jordan Raup
- The Film Stage
Includes films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Scroll down for full line-up
The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.
Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Scroll down for full line-up
The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.
- 7/25/2023
- by Ben Dalton¬Orlando Parfitt
- ScreenDaily
This year’s selection will be announced at 11:00 Cest (10:00 BST) by Roberto Cicutto and Alberto Barbera.
The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera
The press conference will be live-streamed below, and this page will be updated with the films as they are announced.
Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.
The closing film...
The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera
The press conference will be live-streamed below, and this page will be updated with the films as they are announced.
Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.
The closing film...
- 7/25/2023
- by Ben Dalton¬Orlando Parfitt
- ScreenDaily
Mubi has announced its lineup of streaming offerings for next month, including the exclusive streaming premiere of Lars von Trier’s The Idiots in a new 4K restoration, Céline Devaux’s anti-romcom Everybody Loves Jeanne, and Tyler Taormina’s Happer’s Comet.
Additional selections include three films by Wong Kar Wai, a Robert Altman double feature, four works by Jacques Rivette, plus shorts by Mia Hansen-Løve and Yorgos Lanthimos.
Check out the lineup below and get 30 days free here.
July 1 – Synecdoche, New York, directed by Charlie Kaufman
July 2 – 2046, directed by Wong Kar Wai | As Time Goes By: Three by Wong Kar Wai
July 3 – The Exiles, directed by Kent MacKenzie
July 4 – Ivansxtc, directed by Bernard Rose
July 5 – Un Pur Esprit, directed by Mia Hansen-Løve | Short Films Big Names
July 6 – Contemporary Color, directed by Bill Ross IV, Turner Ross | Turn It Up: Music on Film
July 7 – The Idiots, directed by Lars von Trier...
Additional selections include three films by Wong Kar Wai, a Robert Altman double feature, four works by Jacques Rivette, plus shorts by Mia Hansen-Løve and Yorgos Lanthimos.
Check out the lineup below and get 30 days free here.
July 1 – Synecdoche, New York, directed by Charlie Kaufman
July 2 – 2046, directed by Wong Kar Wai | As Time Goes By: Three by Wong Kar Wai
July 3 – The Exiles, directed by Kent MacKenzie
July 4 – Ivansxtc, directed by Bernard Rose
July 5 – Un Pur Esprit, directed by Mia Hansen-Løve | Short Films Big Names
July 6 – Contemporary Color, directed by Bill Ross IV, Turner Ross | Turn It Up: Music on Film
July 7 – The Idiots, directed by Lars von Trier...
- 6/26/2023
- by Leonard Pearce
- The Film Stage
Exclusive: Documentary+, the non-fiction streaming service established by studio Xtr, is to share viewership data with its filmmakers, potentially becoming the first digital platform to reveal ratings.
The move is an interesting one given the often nebulous data put out by many of the more established streamers. Netflix has started to release some data for hit titles over their first 28 days, but generally only if they do particularly or surprisingly well, while many of the others release vague statements of success.
Alongside the news that it will share data with its filmmakers, the service revealed that between January and May, its top performing title on the service was Western, a documentary about life at the border of Mexico and Texas directed by Bill Ross IV and Turner Ross, followed by Cartel Land and The Imposter.
It will give filmmakers information including a gender identity breakdown, age range, which platform, such as Roku,...
The move is an interesting one given the often nebulous data put out by many of the more established streamers. Netflix has started to release some data for hit titles over their first 28 days, but generally only if they do particularly or surprisingly well, while many of the others release vague statements of success.
Alongside the news that it will share data with its filmmakers, the service revealed that between January and May, its top performing title on the service was Western, a documentary about life at the border of Mexico and Texas directed by Bill Ross IV and Turner Ross, followed by Cartel Land and The Imposter.
It will give filmmakers information including a gender identity breakdown, age range, which platform, such as Roku,...
- 6/14/2021
- by Peter White
- Deadline Film + TV
The documentary film community gathered virtually on Facebook Tuesday night to chat and cheer each other on at the annual Cinema Eye Honors Awards. Oscar ballots are due Wednesday at 5pm Pt, and many documentary branch voters were on the livestream.
At the start of the evening, as we waited for the pre-taped presentation to begin, “Crip Camp” nominee Jim Lebrecht congratulated “The Dissident” director Bryan Fogel for his BAFTA nomination that morning. International Documentary Association chief Simon Kilmurry was on the chat, along with Sundance artistic director Tabitha Jackson and Kirsten (Kj) Johnson.
She took home the directing prize for “Dick Johnson is Dead,” one of nine Netflix films nominated and among three winners for the streamer, including “Rolling Thunder Revue” and non-fiction short “Love Song for Latasha.”
Many filmmakers sent in videos introducing themselves, from Martin Scorsese in New York (“Rolling Thunder Revue” won an editing award) and...
At the start of the evening, as we waited for the pre-taped presentation to begin, “Crip Camp” nominee Jim Lebrecht congratulated “The Dissident” director Bryan Fogel for his BAFTA nomination that morning. International Documentary Association chief Simon Kilmurry was on the chat, along with Sundance artistic director Tabitha Jackson and Kirsten (Kj) Johnson.
She took home the directing prize for “Dick Johnson is Dead,” one of nine Netflix films nominated and among three winners for the streamer, including “Rolling Thunder Revue” and non-fiction short “Love Song for Latasha.”
Many filmmakers sent in videos introducing themselves, from Martin Scorsese in New York (“Rolling Thunder Revue” won an editing award) and...
- 3/10/2021
- by Anne Thompson
- Thompson on Hollywood
The documentary film community gathered virtually on Facebook Tuesday night to chat and cheer each other on at the annual Cinema Eye Honors Awards. Oscar ballots are due Wednesday at 5pm Pt, and many documentary branch voters were on the livestream.
At the start of the evening, as we waited for the pre-taped presentation to begin, “Crip Camp” nominee Jim Lebrecht congratulated “The Dissident” director Bryan Fogel for his BAFTA nomination that morning. International Documentary Association chief Simon Kilmurry was on the chat, along with Sundance artistic director Tabitha Jackson and Kirsten (Kj) Johnson.
She took home the directing prize for “Dick Johnson is Dead,” one of nine Netflix films nominated and among three winners for the streamer, including “Rolling Thunder Revue” and non-fiction short “Love Song for Latasha.”
Many filmmakers sent in videos introducing themselves, from Martin Scorsese in New York (“Rolling Thunder Revue” won an editing award) and...
At the start of the evening, as we waited for the pre-taped presentation to begin, “Crip Camp” nominee Jim Lebrecht congratulated “The Dissident” director Bryan Fogel for his BAFTA nomination that morning. International Documentary Association chief Simon Kilmurry was on the chat, along with Sundance artistic director Tabitha Jackson and Kirsten (Kj) Johnson.
She took home the directing prize for “Dick Johnson is Dead,” one of nine Netflix films nominated and among three winners for the streamer, including “Rolling Thunder Revue” and non-fiction short “Love Song for Latasha.”
Many filmmakers sent in videos introducing themselves, from Martin Scorsese in New York (“Rolling Thunder Revue” won an editing award) and...
- 3/10/2021
- by Anne Thompson
- Indiewire
The Romanian film “Collective” has been named the best nonfiction film of 2020 at the 13th annual Cinema Eye Honors, a New York-based awards show devoted to all facets of documentary filmmaking.
Kirsten Johnson took the directing prize for “Dick Johnson Is Dead,” while the award for outstanding debut went to Garrett Bradley for “Time,” which also won for its editing.
“Boys State” won the Audience Award, the only Cinema Eye Honor category in which the public was invited to cast ballots.
The Spotlight Award, which was designed to put attention on a film that deserves wider exposure, went to “The Earth is Blue as an Orange,” directed by Iryna Tsilyk. The Heterodox Award, given to a film that combines nonfictional and fictional techniques, was won by Bill and Turner Ross’ “Bloody Nose, Empty Pockets.”
“The Truffle Hunters” won for cinematography, while “Feels Good Man” won in the graphic design or...
Kirsten Johnson took the directing prize for “Dick Johnson Is Dead,” while the award for outstanding debut went to Garrett Bradley for “Time,” which also won for its editing.
“Boys State” won the Audience Award, the only Cinema Eye Honor category in which the public was invited to cast ballots.
The Spotlight Award, which was designed to put attention on a film that deserves wider exposure, went to “The Earth is Blue as an Orange,” directed by Iryna Tsilyk. The Heterodox Award, given to a film that combines nonfictional and fictional techniques, was won by Bill and Turner Ross’ “Bloody Nose, Empty Pockets.”
“The Truffle Hunters” won for cinematography, while “Feels Good Man” won in the graphic design or...
- 3/10/2021
- by Steve Pond
- The Wrap
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