Deep in the morass of unmade David Lynch films––among the better-known likes Ronnie Rocket, One Saliva Bubble, Antelope Don’t Run No More, and Dune Messiah––is Snootworld, an animated, family-friendly project his ex-wife Peggy Reavey once claimed would be “David’s Harry Potter.” Some two decades since he began writing a script with Caroline Thompson and fifteen-or-so years since the last bit of speculation, Lynch has––in a somewhat uncharacteristic move––announced his hopes to find financing in an interview with Deadline.
This after, Lynch tells us, Netflix rejected a pitch for the feature, which Thompson revealed is the story of Snoots, “tiny creatures who have a ritual transition at aged eight at which time they get tinier and they’re sent away for a year so they are protected.” In yet another of his riffs on Alice in Wonderland and The Wizard of Oz, chaos ensues “when...
This after, Lynch tells us, Netflix rejected a pitch for the feature, which Thompson revealed is the story of Snoots, “tiny creatures who have a ritual transition at aged eight at which time they get tinier and they’re sent away for a year so they are protected.” In yet another of his riffs on Alice in Wonderland and The Wizard of Oz, chaos ensues “when...
- 4/8/2024
- by Leonard Pearce
- The Film Stage
If you had to name the most original filmmaker of the last half-century, what’s the first name that comes to mind? David Cronenberg? Wes Anderson? Maybe Werner Herzog or the Coen brothers? While all of them are certainly worthy contenders, it’s hard to argue against the lasting merits of David Lynch, the truly unique cinematic surrealist who has been tormenting audiences with nightmarishly vexing material since his feature film debut Eraserhead in 1977. Indeed, few filmmakers have become name brands unto themselves in the way Lynch’s name evokes a particular type of psychological moviegoing experience. And while he’s worked in many different genres in his career with varying results, no one explores the nature of dreams and the human subconscious like Lynch has repeatedly done throughout his filmography. Moreover, as seen in his tour-de-force 1986 neo-noir mystery Blue Velvet, Lynch has an uncanny knack for digging beneath the...
- 11/27/2023
- by Jake Dee
- JoBlo.com
David Lynch's sophomore film "The Elephant Man" has an origin story that's almost as crazy as the film itself. A period piece set in the Victorian era, the epic drama is about a man with significant facial deformity working as a sideshow attraction. He is brutally mistreated by the world around him until a kind surgeon takes him under his wing and their friendship blossoms. A similar dynamic emerged between director David Lynch and a huge producer that took him under his wing.
After completing his surreal and unsettling first film, "Eraserhead," Lynch set out to write a screenplay. "After 'Eraserhead' I wrote a script called 'Ronnie Rocket,'" Lynch revealed in an interview on the origins of the film (via Julius Deane). "I worked on that script in a bedroom in my parents house," the director confessed. Sadly, no one was interested in funding the film.
After completing his surreal and unsettling first film, "Eraserhead," Lynch set out to write a screenplay. "After 'Eraserhead' I wrote a script called 'Ronnie Rocket,'" Lynch revealed in an interview on the origins of the film (via Julius Deane). "I worked on that script in a bedroom in my parents house," the director confessed. Sadly, no one was interested in funding the film.
- 8/20/2022
- by Shae Sennett
- Slash Film
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