Paul Kalkbrenner
- Music Artist
- Composer
- Actor
Even though reality shows have been trying to prove otherwise, a
successful career as a musician, indeed as a pop star, cannot be forced
with a pre-packaged crash course. As of 2010, Paul Kalkbrenner has
tallied up more than 15 years of experience as a producer and live act,
all the while learning what it means to go purposefully from one step
to the next. When the Berlin Wall fell, he was 12. The soundtrack of
his youth, and of the majority of his generation, was still in its
infancy, awaiting its breakthrough: techno music.
The fall of the wall meant reunification, but above all, a sense of no
holds barred. The eastern part of the city became the anarchic,
creative playground for a euphoric youth, now freed from bureaucracy.
The early 90s were formative years for a young Paul Kalkbrenner as
well. Eventually, in one of many long and sleepless nights on the
dancefloors of E-Werk, Planet and Whale, the dream was born to make
music himself, and anything less important would be put aside. A job as
TV editor got him through the mid-90s and financed his first music
gear. By this point Paul had already decided that he did not want to be
a typical DJ playing other people's records, but rather to play only
his own music, live in a club setting. His first tracks were released
in 1999 on Berlin-based BPitch Control (the newly founded label from
Ellen Allien) as the Friedrichshain EP, titled after his home district
in the city's east. A series of further singles and two full-lengths
(Superimpose and Time) followed, plus continuous live performances that
threatened to shatter the grid of his calendar.
Together with Paul Kalkbrenner, BPitch Control gained a strong
momentum. Interviews in respected German magazines like Spex and De:Bug
paved the way for regular international bookings. The Lufthansa
fetishist had now become a frequent flyer. Paul's third album Self
(2004) would mark the beginning of a new era. His melodic sound, with
its affinity for grand emotional gestures, obeyed the logic of the
dancefloor, but Self introduced a narrative aesthetic, serving as a
soundtrack to a film that didn't exist (at least, not yet...). It was
Paul's most musical and mature album to date, although still taking
cues from the dancefloor and rave culture, offering a first glimpse of
what was yet to come. "Gebrünn Gebrünn", released one year later,
became a crossover hit found in every DJ's record bag and finally
cemented Paul's status as a Techno MVP.
In early 2006, German director Hannes Stöhr, an avid fan of Self,
decided to get in contact with Kalkbrenner. His idea was to produce a
film about a musician in Techno City during the new millennium, and
Paul would compose the soundtrack. The two met, traded ideas and
experiences, and soon after began working on the screenplay's first
draft. In the course of their exchange, Hannes had the realization that
Paul should not just contribute the music, but that he would be the
perfect choice as the film's star. Without hesitation, Paul accepted
the offer. They decided to title the film Berlin Calling. For the
soundtrack's production, Paul and his friend (and BPitch colleague)
Sascha Funke spent half a year in Cézanne's hometown of Aix-En-Provence
in southern France.
Unencumbered by the cold, gray Berlin winter, Paul devoted himself
entirely to the musical aspect of the project. One song already had a
title: "Sky and Sand" with vocals by Paul's brother Fritz. Upon Paul's
return to Berlin in 2007, the filming began, and the finished work was
brought to German theaters in October 2008. Berlin Calling and Paul's
debut acting performance received positive reviews, and the film,
thanks to its authentic depiction of the Berlin club scene and drug
culture, became, slowly but surely, a cult classic.
The soundtrack and especially the single "Sky and Sand" broke all sales
records. That track in particular went gold in Belgium where it
remained in the charts' Top Ten for weeks. The 2009 DVD release of the
film brought Paul to a new, much larger audience around the world. By
the end of the year, Paul separated with BPitch Control after a
decade-long relationship to take the next steps of his career alone. In
early 2010 Paul completed a twelve-city live concert tour throughout
Europe (with over 50,000 tickets sold within just a few weeks),
followed by many headlining appearances at summer festivals. More tours
and new challenges await him.
successful career as a musician, indeed as a pop star, cannot be forced
with a pre-packaged crash course. As of 2010, Paul Kalkbrenner has
tallied up more than 15 years of experience as a producer and live act,
all the while learning what it means to go purposefully from one step
to the next. When the Berlin Wall fell, he was 12. The soundtrack of
his youth, and of the majority of his generation, was still in its
infancy, awaiting its breakthrough: techno music.
The fall of the wall meant reunification, but above all, a sense of no
holds barred. The eastern part of the city became the anarchic,
creative playground for a euphoric youth, now freed from bureaucracy.
The early 90s were formative years for a young Paul Kalkbrenner as
well. Eventually, in one of many long and sleepless nights on the
dancefloors of E-Werk, Planet and Whale, the dream was born to make
music himself, and anything less important would be put aside. A job as
TV editor got him through the mid-90s and financed his first music
gear. By this point Paul had already decided that he did not want to be
a typical DJ playing other people's records, but rather to play only
his own music, live in a club setting. His first tracks were released
in 1999 on Berlin-based BPitch Control (the newly founded label from
Ellen Allien) as the Friedrichshain EP, titled after his home district
in the city's east. A series of further singles and two full-lengths
(Superimpose and Time) followed, plus continuous live performances that
threatened to shatter the grid of his calendar.
Together with Paul Kalkbrenner, BPitch Control gained a strong
momentum. Interviews in respected German magazines like Spex and De:Bug
paved the way for regular international bookings. The Lufthansa
fetishist had now become a frequent flyer. Paul's third album Self
(2004) would mark the beginning of a new era. His melodic sound, with
its affinity for grand emotional gestures, obeyed the logic of the
dancefloor, but Self introduced a narrative aesthetic, serving as a
soundtrack to a film that didn't exist (at least, not yet...). It was
Paul's most musical and mature album to date, although still taking
cues from the dancefloor and rave culture, offering a first glimpse of
what was yet to come. "Gebrünn Gebrünn", released one year later,
became a crossover hit found in every DJ's record bag and finally
cemented Paul's status as a Techno MVP.
In early 2006, German director Hannes Stöhr, an avid fan of Self,
decided to get in contact with Kalkbrenner. His idea was to produce a
film about a musician in Techno City during the new millennium, and
Paul would compose the soundtrack. The two met, traded ideas and
experiences, and soon after began working on the screenplay's first
draft. In the course of their exchange, Hannes had the realization that
Paul should not just contribute the music, but that he would be the
perfect choice as the film's star. Without hesitation, Paul accepted
the offer. They decided to title the film Berlin Calling. For the
soundtrack's production, Paul and his friend (and BPitch colleague)
Sascha Funke spent half a year in Cézanne's hometown of Aix-En-Provence
in southern France.
Unencumbered by the cold, gray Berlin winter, Paul devoted himself
entirely to the musical aspect of the project. One song already had a
title: "Sky and Sand" with vocals by Paul's brother Fritz. Upon Paul's
return to Berlin in 2007, the filming began, and the finished work was
brought to German theaters in October 2008. Berlin Calling and Paul's
debut acting performance received positive reviews, and the film,
thanks to its authentic depiction of the Berlin club scene and drug
culture, became, slowly but surely, a cult classic.
The soundtrack and especially the single "Sky and Sand" broke all sales
records. That track in particular went gold in Belgium where it
remained in the charts' Top Ten for weeks. The 2009 DVD release of the
film brought Paul to a new, much larger audience around the world. By
the end of the year, Paul separated with BPitch Control after a
decade-long relationship to take the next steps of his career alone. In
early 2010 Paul completed a twelve-city live concert tour throughout
Europe (with over 50,000 tickets sold within just a few weeks),
followed by many headlining appearances at summer festivals. More tours
and new challenges await him.