Makers, the Verizon Media brand revolving around women, unveiled its latest PBS title Not Done, a documentary that expands on the pubcaster’s documentary series Makers: Women Who Make America. The news came Tuesday during the sixth annual Makers Conference, now underway at the InterContinental Los Angeles Downtown.
Not Done will air June 30 at 8 Pm on PBS timed to the 100th anniversary of the 19th Amendment giving women the right to vote. Sara Wolitzky directed the hourlong doc, produced by Alexandra Moss and executive produced by Makers founder Dyllan McGee.
The film surveys the landscape of the multifaceted women’s movement and includes archival and new interviews with activists, writers, celebrities, athletes, and politicians to bring these stories to life and connect the dots between the past and the present moment of transformation. Gloria Steinem, #MeToo founder Tarana Burke, Black Lives Matter Global Network co-founders Patrisse Cullors and Alicia Garza,...
Not Done will air June 30 at 8 Pm on PBS timed to the 100th anniversary of the 19th Amendment giving women the right to vote. Sara Wolitzky directed the hourlong doc, produced by Alexandra Moss and executive produced by Makers founder Dyllan McGee.
The film surveys the landscape of the multifaceted women’s movement and includes archival and new interviews with activists, writers, celebrities, athletes, and politicians to bring these stories to life and connect the dots between the past and the present moment of transformation. Gloria Steinem, #MeToo founder Tarana Burke, Black Lives Matter Global Network co-founders Patrisse Cullors and Alicia Garza,...
- 2/11/2020
- by Patrick Hipes
- Deadline Film + TV
If Rolling Stone aspired (after somewhat “underground” beginnings) to be the Rolls Royce of rock magazines, Creem was by contrast the Volkwagen band-van: pungent with reefer, speed sweat, and last night’s groupie action. The hubris that had it self-dubbed “America’s Only Rock ’n’ Roll Magazine” was strictly of a working-class, sex-drugs-and-you-know-what variety that ridiculed all upscaling pretensions, musical or otherwise. Scott Crawford’s “Boy Howdy! The Story of Creem Magazine” is a brief, careening survey through the publication’s two-decade life and times, filled with colorful personalities and commentary. Vintage rock fans will be in (cough) high heaven.
The director’s prior feature was 2014’s “Salad Days,” a history of the influential Washington, D.C., hardcore punk scene. While this sophomore effort numbers late Creem publisher Barry Kramer’s surviving ex-wife and son among its producers, it provides a similarly critical overview of another enterprise whose creativity largely...
The director’s prior feature was 2014’s “Salad Days,” a history of the influential Washington, D.C., hardcore punk scene. While this sophomore effort numbers late Creem publisher Barry Kramer’s surviving ex-wife and son among its producers, it provides a similarly critical overview of another enterprise whose creativity largely...
- 3/18/2019
- by Dennis Harvey
- Variety Film + TV
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