It’s never easy to lose a job, especially a nice sitcom gig, but when Erinn Hayes was let go from “Kevin Can Wait” at the end of Season 1, she handled it with relative grace on Twitter:
True, I've been let go from the show. Very sad, I had a great experience season 1. Thank you for all the support from our wonderful fans. https://t.co/HfYKzVuSnT
— erinn hayes (@hayeslady) June 3, 2017
Since then, especially following the reveal that the character of Donna would be killed off to make way for the re-introduction of Leah Remini, Hayes has been relatively quiet about “Kevin Can Wait” in every way except one: Her use of the “like” button.
Like many people on Twitter, Hayes’s feed these days is largely dominated by political discussion and imploring followers to help disaster victims. But over the last 24 hours, she’s also been actively liking Tweets...
True, I've been let go from the show. Very sad, I had a great experience season 1. Thank you for all the support from our wonderful fans. https://t.co/HfYKzVuSnT
— erinn hayes (@hayeslady) June 3, 2017
Since then, especially following the reveal that the character of Donna would be killed off to make way for the re-introduction of Leah Remini, Hayes has been relatively quiet about “Kevin Can Wait” in every way except one: Her use of the “like” button.
Like many people on Twitter, Hayes’s feed these days is largely dominated by political discussion and imploring followers to help disaster victims. But over the last 24 hours, she’s also been actively liking Tweets...
- 9/26/2017
- by Liz Shannon Miller
- Indiewire
With the Academy Awards a memory and the "Birdman" team walking away with a boatload of Oscars, nondisclosure agreements keeping a lid on the secrets of the film's elaborate post-production digital "stitching" process have allowed a revelation to out. Technicolor, it turns out, invented an entirely new digital intermediate methodology to meet director Alejandro González Iñárritu's visual demands for the project, adding a whole new layer of depth to the already startling craftsmanship on display. The "single take" quality of "Birdman" started out as whispers in the summer. I first heard about it from producer John Lesher on the set of "Black Mass" in June, that it was "sort of a magic trick" how the effect was achieved. But it was also made clear at the time that they weren't really talking about it, in part to maintain the illusion when viewers finally got a look at it (as...
- 2/24/2015
- by Kristopher Tapley
- Hitfix
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